Following the release of "Sacred Love" second album by Galathea, Massimo Napoli as he already did for the acclaimed "Samba De Sausalito" offers us 4 totally unreleased tracks released by Space Echo in a single 12" "Ancestral EP". Mystical and hypnotic atmospheres for "Ancestral" and "Karimabao" an addictive alchemy between African rhythmic elements and contemporary pulsating electronic sounds, in a unique mix suitable for the most sophisticated dancefloor. Afrobeat groove for "Africa Carnival" which however captures the essence of the Brazilian spirit infused with sensitivity between jazz and funk masterfully performed by Mario Pappalardo on keyboards and not surprisingly reminds us of the famous "Jazz Carnival" by José Roberto Bertrami of Azymuth. Closing The EP is the track "Sacred Club" an invitation to dance and clapping for a more moderate dancefloor, offers us micro elements of sacredness and mysticism of the African continent.


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Two years after the release of his first self-titled album, DJ producer Massimo Napoli aka Galathea presents the new 'Sacred Love', in which he once again avails himself of the collaboration of his friend producer and bass player Salvo Dub, as well as a combo of respected musicians: singer Kadi Koulibaly - originally from Burkina Faso - already featured on the first album, Giulia La Rosa, author of the lyrics and performer of the title track, pianist Mario Pappalardo, percussionist Sergio Spitaleri and drummer Luciano Cantone.
'Sacred Love' is definitely a more mature, intense and profound journey than the previous album of the same name, which enhances the magical dreamlike and spiritual atmospheres of a certain African culture.
The album guides the listener along a path of multi-ethnic contaminations: "Divinité", "Ouaga" and "Koloko", well interpreted by Kadi, touch on the sacredness and mysticism of the African continent and blend well with the Spiritual Jazz sounds that have evolved in the West.
"Divinité", through the spoken word of French poet Diego Hernandez, tackles the themes of faith, life and the relationship with one's 'self', with references to French chanson productions, in which Kadi's spiritual song, at times 'Saharan', intersects and expands into cosmic space.
The title track, the first single from the album, also released on 7" (45rpm) in two versions, is an Afro-American gospel with a typically afrobeat rhythm, vaguely reminiscent of Nina Simone's 'See-Line Woman'.
North Africa is represented by "Equator", while we climb further north into the middle of the Mediterranean Sea with "Medican Blues", to land in Stromboli with the Deep Jazz of "Ginostra", whose title recalls the village of the marvellous island in the Aeolian archipelago.
Then we have the Cuban track "Caminito", a sort of Cha-Cha with a romantic piano melody (à la Chucho Valdez) well performed by maestro Mario Pappalardo; and then again "Eos", strongly Balearic with a Brazilian mood; "Impression", a dreamy journey of impact; "Sirens", already present on the first album and here reworked in a new Spiritual-Ambient version produced by Agosta.
"Sacred Love" is thus an original and musically borderless album, which expands a certain African sacred culture and naturally blends Afrobeat, Jazz and Blues atmospheres with the Balearic sounds of Mediterranean culture.
Enjoy listening!


A1 - Ginostra
A2 - Sacred Love feat. Giulia La Rosa
A3 - Equator
A4 - Divinitè feat. Kadi Koulibaly
A5 - Koloko feat. Kadi Koulibaly
B1 - Ouaga feat. Kadi Koulibaly
B2 - Medicane Blues
B3 - Caminito
B4 - Eos
B5 - Sirens feat. Agosta

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Galathea is an Afro-American track with a Tony Allen-esque super afrobeat rhythm in a hypnotic jazz version performed by singer Giulia La Rosa, vaguely reminiscent of Nina Simone's "See-Line Woman".

A1 - Sacred Love feat Giulia La Rosa
B1 - Sacred Love feat Giulia La Rosa (Clapping Version)

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The debut album by the Italian Massimo Napoli aka Galathea received excellent critical acclaim and demonstrated how the artist was able to create an interesting and balanced blend of musical genres with an Afro / Tropical electronic atmosphere. “Samba de Sausalito” is a song composed by the Nicaraguan percussionist Chose “Chepito” Areas, famous all over the world thanks to the version of the guitarist Carlos Santana published in 1973 on the album Welcome.

This new single released on Space Echo Records contains two particular versions. The first, proposed by Galathea, maintains the typical carioca colors of the original version with the addition of hypnotic and futuristic sounds, making it a perfect modern dancefloor anthem.

The second consists of a rework of the first version, by The Invisible Session – further percussive elements are added to the already full-bodied mix, embellished with an exclusive live drum solo in the studio – between samba, afro and jazz-rock, for a explosive result that will appeal to lovers and DJs.

A - Samba de Sausalito (Original Mix)
B - Samba de Sausalito (The invisible Session Rework)

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MASSIMO NAPOLI is a DJ from Catania with a passion for jazz and black music. He began his musical career in the early 90s playing funk, hip hop, and acid jazz in clubs, contributing to the spreading of the most eclectic and refined sounds in Sicily. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress intoa dream-like journey.

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Following the release of "Sacred Love" second album by Galathea, Massimo Napoli as he already did for the acclaimed "Samba De Sausalito" offers us 4 totally unreleased tracks released by Space Echo in a single 12" "Ancestral EP". Mystical and hypnotic atmospheres for "Ancestral" and "Karimabao" an addictive alchemy between African rhythmic elements and contemporary pulsating electronic sounds, in a unique mix suitable for the most sophisticated dancefloor. Afrobeat groove for "Africa Carnival" which however captures the essence of the Brazilian spirit infused with sensitivity between jazz and funk masterfully performed by Mario Pappalardo on keyboards and not surprisingly reminds us of the famous "Jazz Carnival" by José Roberto Bertrami of Azymuth. Closing The EP is the track "Sacred Club" an invitation to dance and clapping for a more moderate dancefloor, offers us micro elements of sacredness and mysticism of the African continent.


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The debut album by musician and producer GO.SOUL.MAP. is a little gem in which pop and soul intersect and the clichés between
mainstream and underground leap.
A sexy and pensive nocturnal journey, immersed in thirteen songs between soft bass and space disco trips, with the voice of Londonbased
Derane Obika of Living Sounds.
The selection of songs in this album were made with the hope to bring the listener to deep thought, the lyrics and melodies seamlessly
married to tracks that drive the listener's emotions.
Produced, written and performed by Derane and Salvo, they came together by chance and were inspired to make the album making
sure to balance the sound between the Lyrics, Melody and Music to insure that not only the songs are heard but the experience
remembered and both spirit and soul are touched.
The album is truly "Music From The Heart"
Behind the alias GO.SOUL.MAP. hides one of the most authentic and purest talents of the current Catania music scene. Of which,
moreover, under other guises and names, he has been an indispensable pillar for over a decade. An artist of immediate sensitivity, not
only artistic. His training is fairly canonical: as a child, he studied piano. From there, as if following the movements of concentric circles,
the passion for synths, drum machines, the world of samples and the recording studio. Above all, an uncommon ability to breathe in
music. Accepted and found without prejudice, but always with the need to reveal a distinctive track, a signature. Touring between bars,
streets, concerts and clubbing. An experience very consistent with the subject matter of this disc. Which is, in fact, the debut of a nonrookie.
An ambitious record, because it possesses a sound that is as sexy as it is thoughtful and a writing style, exemplary, that lies on
that borderline that, in the stereotype, defines underground and mainstream. Fields that instead it crosses naturally and between which
it moves without any particular problems. After all, the music comes not from the malice of the intellect but from the nuances, tender or
vehement, of naivety.
Peaceful Sound For Broken Minds is a pop record, pop soul, of modern urban pop. Yes, labels, even in the sense of tags, are definitely
that. Of course, it is the way in which ideas are rendered that makes the difference. The record is about the need to find one's peace, but
it is the fall that it shows and not the landing. With honesty and, above all, style. That is, mastery of means and an important file work
with which to decline that therapeutic soul pain in which his songs are immersed.
We wait for hours more, the initial Fall Into The Flame and I Am Believe seem to tell us from there we move on. Hold The Line is where
trip hop forgets itself, immersing itself, to the point of blurring, with the retro atmospheres of someone like Curtis Harding. Pushing has a
space disco cadence that, more pronounced, we also find in the lunar expedition sound of Watergate. The exotic visions of Back In
Underwater, between the stardust of Air and the innocence of Plone, become more jazzy in Cat With Camera. Just as in the urban streaks
of Don't You Worry, which in upbeat mode would sound like a great reggae song, or Are U Ready, or in the disco funk of Right Of Me,
the soulful accent of Derane Obika of Living Sounds emerges, a Londoner of Nigerian origin who grew up listening to gospel, Prince and
Stevie Wonder, whose voice guides us through the songs of Peacefull Sound For Broken Minds. Which is a new point for that work of
redefining the standards of pop today that Space Echo is doing. Throwing the clock overboard, because the time it wants to capture is
nothing more than the movement of its hands.


A1 - Pushing feat. Derane Obika
A2 - Right Of Me feat. Derane Obika (On My Dace Side Version)
A3 - Back In The Underwater feat. Reiwa Pia
A4 - Walkin’ A Dream feat. Derane Obika
A5 - Hold The Line feat. Derane Obika
A6 - Cat With Camera
B1 - Fall Into The Flame feat. Derane Obika
B2 - I Am Believe feat. Derane Obika
B3 - Don’t You Worry feat. Derane Obika
B4 - Are U Ready? feat. Derane Obika
B5 - Watergate feat. Manuela Amalfitano
B6 - I Am Believe feat. Derane Obika (Dreamy Vibe)

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One year after his surprising debut, Agosta, the Catania musician-non-musician and Space Echo Records return to the point with “Reworks and Remixes”. Which from the very title disengages itself from the industrial 'album+remix album' chain and on listening reveals itself to be a record capable of moving, in total autonomy from its antecedent, on three different levels of reading. For, at its base, we would say, there is a much more stimulating idea than the simple compulsion from alternative versions, b-sides and so on.

Point 1, transfiguration. Because, contrary to the genre stereotype, the remix mode allows songs to express themselves in creative and experimental ways.

Point 2, the Rorschach Test. Because, on those songs, there is the personality, that is, the result of the cross-vision with experience, of the individual producers being measured against itself.

Point 3, the stage backdrop. That is, its ability to show a cross-section of the current electronic scene in Etna.
Agosta wanted some of the pillars of Catania's black-minded electronic scene with him and, together with them, reinterpreted songs from his first album. The result is a work that is as multifaceted, in terms of the specific weight of the artistic individualities involved, as it is homogeneous, in their idea of a sound that is as physical as it is mental and, above all, in terms of a totally Mediterranean underlying taste with which every single track is imbued.
Whether it is the pensive house of “Apple 65” or “Lady G” (Butterfly Agosta's Rework) as much as AN-AN's dub on “Varanni”, between Grace Jones and Adrian Sherwood, or Galathea's more psychedelic and twilight Trip-Hop on “Three Chestnuts”. The Shaft-esque swagger of Salvo Borrelli and Reverend James, the donwnbeat pop of “Cellars” by Go.Soul.Map. and the caress of “Hearing The Call” (Lady G In A Rainy Day Version) by The Invisible Session, in which spoken and what they once called nu jazz flirt.

A1 - Three Chestnuts – (Galathea's Psychedelic Pepper)
A2 - Millstone – (Agosta's Rework In the New Mill)
A3 - Apples 65 – (Agosta "Rework 23")
A4 - Hearing The Call – (Lady G In A Rainy Day, with The Invisible Session)
A5 - Varanni – (ANAN Remix)
B1 - Unna – (Salvo Borrelli "MyHome809" Remix)
B2 - Lady G – ("Butterfly Version" Agosta's Rework)
B3 - Cellars – (Go.Soul.Map Remix)
B4 - Carricante – ("Grape Must" Agosta's Rework)
B5 - Don Alfio – (Reverend James "Black Calamaro" Remix)

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Two years after the release of his first self-titled album, DJ producer Massimo Napoli aka Galathea presents the new 'Sacred Love', in which he once again avails himself of the collaboration of his friend producer and bass player Salvo Dub, as well as a combo of respected musicians: singer Kadi Koulibaly - originally from Burkina Faso - already featured on the first album, Giulia La Rosa, author of the lyrics and performer of the title track, pianist Mario Pappalardo, percussionist Sergio Spitaleri and drummer Luciano Cantone.
'Sacred Love' is definitely a more mature, intense and profound journey than the previous album of the same name, which enhances the magical dreamlike and spiritual atmospheres of a certain African culture.
The album guides the listener along a path of multi-ethnic contaminations: "Divinité", "Ouaga" and "Koloko", well interpreted by Kadi, touch on the sacredness and mysticism of the African continent and blend well with the Spiritual Jazz sounds that have evolved in the West.
"Divinité", through the spoken word of French poet Diego Hernandez, tackles the themes of faith, life and the relationship with one's 'self', with references to French chanson productions, in which Kadi's spiritual song, at times 'Saharan', intersects and expands into cosmic space.
The title track, the first single from the album, also released on 7" (45rpm) in two versions, is an Afro-American gospel with a typically afrobeat rhythm, vaguely reminiscent of Nina Simone's 'See-Line Woman'.
North Africa is represented by "Equator", while we climb further north into the middle of the Mediterranean Sea with "Medican Blues", to land in Stromboli with the Deep Jazz of "Ginostra", whose title recalls the village of the marvellous island in the Aeolian archipelago.
Then we have the Cuban track "Caminito", a sort of Cha-Cha with a romantic piano melody (à la Chucho Valdez) well performed by maestro Mario Pappalardo; and then again "Eos", strongly Balearic with a Brazilian mood; "Impression", a dreamy journey of impact; "Sirens", already present on the first album and here reworked in a new Spiritual-Ambient version produced by Agosta.
"Sacred Love" is thus an original and musically borderless album, which expands a certain African sacred culture and naturally blends Afrobeat, Jazz and Blues atmospheres with the Balearic sounds of Mediterranean culture.
Enjoy listening!


A1 - Ginostra
A2 - Sacred Love feat. Giulia La Rosa
A3 - Equator
A4 - Divinitè feat. Kadi Koulibaly
A5 - Koloko feat. Kadi Koulibaly
B1 - Ouaga feat. Kadi Koulibaly
B2 - Medicane Blues
B3 - Caminito
B4 - Eos
B5 - Sirens feat. Agosta

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Right Of Me' is an incandescent and refined excerpt, like the entire new concept of the album 'Peaceful Sound For Broken Minds' due out on 28 Feb 24. The plan of Salvo Dub from Catania aka Go.Soul.Map does not stop here - we are in front of an artist with an exceptional creative phase, a hothouse of sparkling ideas that flow out in continuous streams like the lava of Etna in its full eruptive activity.
As with 'Pushing', 'Right Of Me' is always presented in a Nu-disco key, super Dance in a formula full of Pop and Soul enriched by keyboard sounds. Salvo comments on how proud he was of this track, which is certainly the strongest track on the whole album, and it is no coincidence that it was chosen as the second single. The performance and refined voice of Derane Obika complete the work, her lyrics touching a deep state that explores the relationship with one's self and faith.
In conclusion, we can say that in a world where artificial intelligence will only numb our creative stimuli, there is no shortage of creativity here and at the same time, more unique than rare, Go.Soul.Map. remains firmly anchored to its roots beyond passing fads in a space of pure simplicity and creative essence alongside its friend Derane Obika.

A1. Right On Me
B1. Right On Me (On My Dance Side)

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GO.SOUL.MAP is an explosive track in a Nu-disco key, modern but firmly rooted in the past, with a production that enhances the sound of the keyboards; full of 70s/80s Funk and Soul, it also has a Disco-Pop vein that makes it perfect for radio. The track is excellently performed by Derane Obika of Living Sounds. Debut album will follow soon.

A1 - Pushing feat. Derane Obika
B1 - Back In The Underwater Instrumental

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Galathea is an Afro-American track with a Tony Allen-esque super afrobeat rhythm in a hypnotic jazz version performed by singer Giulia La Rosa, vaguely reminiscent of Nina Simone's "See-Line Woman".

A1 - Sacred Love feat Giulia La Rosa
B1 - Sacred Love feat Giulia La Rosa (Clapping Version)

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The meeting of Alieu and Randomized Coffee gives light to this new project, in which the Roman duo tackles a production that skillfully links Mediterranean influence to ancestral Africa in a patchwork woven of typical African ethnic elements to those of house and electronica in a "groovy" body that enhances the classical side of the African country in a modern musical mood and rhythm. The story tells about the day before an arranged marriage ceremony. Masanneh is a handsome and well-known man in his village of the Mandinka Tribe, born and raised in the village of Kudang, near the river that flows through the entire country; the Gambia. Many in the village believe him to be charismatic and generous, others believe him to be a venal materialist devoted to money. Masanneh decides to consult Cherno Jallow, a wise Marabout, to figure out how to deal with his future. He therefore moves westward to the village of Bondali, in Foni, where before practicing his work as a skilled trader he talks to Landing Sawo, the district chief, from there he hears the sound of a Kora played by Jali, while across the road he sees a beautiful woman Mariama Gomez passing by.

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Taken from "Echoes Of Africa" the most requested track from the album, "People All Around The World, Can Make It" is dealt with themes of climate change with their strong afrobeat/funk personality, are intoxicants, choral aphorisms, reminiscent of American funk bands of the '70s. It doesn't take much to change direction, to erase the negative effects caused by the recent years' globalisation …We can Make it!

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Brand new release on Space Echo label available on 7" and digital, includes two different versions of "Africa Calling" unreleased recordings taken from the "Echoes Of Africa" studio session album. While maintaining today's fresh, forward-thinking sound, these two solid sizzling tracks with a driving beat take you to West Africa. The high quality production and typical Tony Allen-esque afrobeat groove make them easily playable in clubs where black music takes centre stage.

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Roberto Agosta, or just Agosta as he likes to be called, is a Sicilian DJ and producer from Catania active all along the eastern coast of Sicily, a place that proved to be a soulful place and a training ground for a long career, making him an excellent music selector and a reference point in the spread of alternative music.

A soundtrack music enthusiast since he was a child, now a vinyl "serial gathere", Agosta has always put his vast knowledge at the service of a very personal sound that sums many different music styles and contaminations, simple and profound but straightforward and direct at the same time.

Agosta’s eponymous album, released on LP, CD and digital formats, was conceived during the Covid-19 lockdown, thanks to the precious collaboration of friend DJ and producer Massimo Napoli aka Galathea, with whom Roberto has already started another project called AN-AN that will produce a new record for Space Echo at the end of 2022.

This record highlights a typical chill-out aesthetic, thanks to its trip-hop and ambient rhythms and atmospheres, while a deeper exploration reveals the psychedelic essence of the entire work, a daring and exciting journey in the most primitive Sicily, and the energy that sustains all of its ten tracks.

Much of their author and his lifestyle - mainly based on meditation, the search for spiritual elevation, the relationship with nature and the regaining of contact with those particular places and with the people who live there - is revealed by those tracks that constitute a soundtrack for this spiritual but also extremely physical journey.

The song titles are, in fact, intrinsically linked to Roberto’s real life: the Gorna and Ilice mountains at the foot of Etna, the Carricante vineyard and its excellent wine, Unna, Three Chestnuts, Varanni, Don Alfio, Lady G. Each of them represents a pleasant and dreamlike narration and the escape from the complex dynamics of a city like Catania, among echoes of the most dreamy Pink Floyd, the softer side of ’70s krautrock, but also the Massive Attack and Tricky’s Bristol scene.
There’s also an excellent choice of synthesizers and overdubbed guitars, thanks to the talent of the multifaceted musician and producer Salvo Bruno Dub, and of Manuela Amalfitano, Loredana Poidomani and Deran Obika’s voices.

Agosta is an introspective, deep work with a cinematic vocation, perfectly rooted in the territory where it took shape, among sunny landscapes, lush with vegetation but also deserted and arid lands. From Sicily to the cosmos... enjoy!

A1 - Apples 65
A2 - Cellars
A3 - Three Chestnuts
A4 - Lady G
A5 - Unna
B1 - Varanni
B2 - Carricante
B3 - Don Alfio
B4 - Millstone
B5 - Illice

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The debut album by the Italian Massimo Napoli aka Galathea received excellent critical acclaim and demonstrated how the artist was able to create an interesting and balanced blend of musical genres with an Afro / Tropical electronic atmosphere. “Samba de Sausalito” is a song composed by the Nicaraguan percussionist Chose “Chepito” Areas, famous all over the world thanks to the version of the guitarist Carlos Santana published in 1973 on the album Welcome.

This new single released on Space Echo Records contains two particular versions. The first, proposed by Galathea, maintains the typical carioca colors of the original version with the addition of hypnotic and futuristic sounds, making it a perfect modern dancefloor anthem.

The second consists of a rework of the first version, by The Invisible Session – further percussive elements are added to the already full-bodied mix, embellished with an exclusive live drum solo in the studio – between samba, afro and jazz-rock, for a explosive result that will appeal to lovers and DJs.

A - Samba de Sausalito (Original Mix)
B - Samba de Sausalito (The invisible Session Rework)

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MASSIMO NAPOLI is a DJ from Catania with a passion for jazz and black music. He began his musical career in the early 90s playing funk, hip hop, and acid jazz in clubs, contributing to the spreading of the most eclectic and refined sounds in Sicily. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress intoa dream-like journey.

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