Tracklist:
A1) Perfectly Blue (feat. Winter)
A2) Bizarre (feat. Maria Somerville)
A3) Space Blues
A4) Found You Out (feat. Alias Error)
A5) Drowsy
B1) Call Me (feat. Tanukichan)
B2) Sundown
B3) Late Night Special
B4) Nothing To Do
B5) Negative Fantasy (feat. untitled (halo))
B6) Takeaway

Short info:
What does it mean to be perfectly blue? Perhaps it means swimming contently in the waters of deep, complex emotions, or simply learning to spin low moments into casual days. For Luka Seifert, who makes music as RIP Swirl, the idea of being fine with not being happy all the time was the catalyst for his second album, Perfectly Blue. The two words captured something: learning to embrace being blue, while using music as a way of processing emotions. More

Tracklist:
Track 01: Coper - LTB
Track 02: Shanae - Shadae Freeshtyle
Track 03: Poeji - Sain Bod
Track 04: ddwy - Pendorlan
Track 05: DJ City - 7“ mix
Track 06: Eden Burns - Hooray
Track 07: Suncream - Far Away
Track 08: Jamma-Dee - On & On
Track 09: Cluf Cluf - Give Me Happiness
Track 10: AV Moves, Alex Ho - Perennials
Track 11: Grand Voyage - Pianobar 87
Track 12: Cesar Wogue - Objects In Mirror Are Closer Than They Appear
Track 13: Boys’ Shorts - Come Into My World
Track 14: babyxxan, Andras - Carbamide’65
Track 15: Martin Brugger - Quark
Track 16: Nice Girl - Take Time To Rest
Track 17: Aasthma – Lightbath

Short info:
The Chill Pill compilation hits volume VI. By now a stable in the landscape of „summer vibe“ chill out compilations, Public Possession continues to gather artists to create a version of the perfect soundtrack for a „healthy dose of relaxation & hedonism“.
As usual the label presents an interesting mix of upcoming and more established artists, always looking for interesting combinations and unexpected twists.
The idea to the compilation is clearly inspired by legendary compilation series such as „Cafe Del Mar“ and „Buddah Bar“ but has quickly found it‘s own language: easy listening - slightly oddball - very fun.
More

LP

Tracklist:
A-Side
A1 - Hurt My Feelings (03:37 min)
A2 - Forces Of Evil (03:54 min)
A3 - I Believe in Love (02:33 min)
A4 - Seeing Double (03:53 min)
A5 - Love Don’t Pay The Bills (04:03 min)

B-Side
B1 - Don’t Ever Talk About My Baby (02:47 min)
B2 - It Always Ends in Tears (04:41 min)
B3 - Daytime Drinking (03:18 min)
B4 - Hearts Are Wild (04:37 min)
B5 - Common Work Of Art (03:40 min)

Short info:
World Gym the cult band from Stockhom, Sweden is finally presenting their first full length Album.
World Gym is beer & sweat soaked jersey, screaming groupies, original Rock’n’Roll vibes. It’s music
with a soft touch & a hard edge. City slicker people storytelling. Nothing bought, everything learned.
Original applause. If you know life you know it always ends in tears. Then it starts again. Have faith in
Musik More

Tracklist:
A1) Party Boy (04:36 min)
A2) Party Boy Instrumental (04:36 min)
B1) DJ, Music, Money (05:19 min)
B2) Party Void (04:46 min)

Short info:
@rbt69 Bell Towers. Party Boy. Homage to life. In between Tokio City lights, neon signs, Paris Wine Bars, Stake Tartare, Berlin Späti vibes wunderbar. Not out of season for a reason, never change a winning team, party on full of steam. toot toot beep beep

More

Tracklist:

A1) Spinning Stones (06:09 min)
A2) Concrete Riviera (04:46 min)
B1) Surangini (05:24 min)
B2) Theme Of The PCCP (03:36 min)

Short info:
ddwy the duo from London is back on Public Possession. Naomi and Ronan aka Nangi and Inner Totality continue to impress with their blend of organic, rhythmic dance music. Mystic vocals intertwine with layers of cosmic melodies. This record is a must for Balearic D.J.s, but will likely also be played out in sleazy dark basements or Pubs in the British countryside. You’ll place it, people will embrace it. That’s a guarantee!

More

Tracklist:
A1) Andras and Eden Burns – Wrangler (07:18 min)
A2) Mayurashka and Eden Burns – Obsession (05:39 min)
B1) Matisa and Eden Burns – Calvin Klein (06:43 min)

Short info:
Eden Burns & friends follow the Big Beats. For this volume of BBM, Eden invites
Andras, Matisa and Mayurashka to make some beats.
So much fun! „Beat moves feet, feet do dance, dance is joy, joy is life!“

More

12" - VINYL ONLY

Tracklist:

A-Side
A1) Can U Feel It (05:16 min)
A2) On The Spectrum (05:48 min)
A3) Lucky (04:33 min)

B-Side
B1) Shower Scene (Extra Steam) (07:08 min)
B2) Time Slips Away (05:54 min)

Short info:
Like phoenix rising from the ashes. Buero Hahn is back. Laying off on the edits for 6 years Bell
Towers, who currently scrambles eggs in the kitchen of his wine bar, has still got. Exquisite selection,
soft touch, strong finish. Hey D.J. you will need these songs. More

Tracklist:
A1) DJ Python Remix Baba Stiltz “Stockholm”
A2) Klara Lewis Remix Baba Stiltz “Stockholm”
B1) Powder Remix Baba Stiltz “Stockholm”
B2) Baba Stiltz Remix Baba Stiltz “Stockholm”

Short info:
Almost a year after Baba Stiltz latest Album „Paid Testimony“ we offer 4 remixes of the track „Stockholm“. The alternative takes include versions by DJ Python, Klara Lewis, Powder and Baba himself. Very delicate, stretched out, chill, hypnotic, droned, melodic bliss…
More

Tracklist:
1) Walk In, Walk Out (ft. Michael Kime) (02:52 min)
2) Departure (03:46 min)
3) My Feeling (02:56 min)
4) The Start (02:20 min)
5) Somethin (03:06 min)
6) Take A Break (02:51 min)
7) 49 (03:50 min)
8) Whatcha Do (03:36 min)
9) Yummy (03:30 min)
10) Pot Red (03:27 min)

Short info:
Ruby is back only 6 month after her last Album “UPP” she is delivering another amazing full length titled “Yummy”. Currently putting extra focus on her productions she is keeping busy (already working on another follow up = ))
Dive into her sonic world that is getting more & more refined. You can hear it’s Nice Girl: the playfulness, the humour, the melodies and the omnipresent fun vocal bits all make her sound stand out. As usual Yummy is a wild mix of fast, driving, uptempo songs and more relaxed, dreamy bits that can be filed under “lounge” in the best possible way. Dig it! More

Tracklist:
A1) Si Te Doy Un Beso (05:22 min)
A2) Tu Para Mi (04:14 min)
B1) No Seas Loca (05:33 min)
B2) Nuevas Emociones (05:35 min)

Short info:
After a four year hiatus finally Sano is back with Volume IV of Latino Body Music.
Transmitting from the green hills of Colombia - out of the jungle - into your hearts. Heavy
rhythms for mind, body & soul. El Disco es cultura!

More

WW EXCLUDING Spain, Andorra, Mexico, Argentina, Bolivia, Bouvet Island, Brazil, Chile, Colombia, Ecuador, Falkland Islands (Malvinas), French Guiana, Guyana, Paraguay, Peru, South Georgia and the South Sandwich Islands, Suriname, Uruguay, Venezuela, Antarctica, Heard Island and McDonals Islands, French Southern Territories



Tracklist:
A1) Mainline Magic Orchestra Skateboarding Is Not A Crime 00:03:47
A2) Mainline Magic Orchestra, P.Vanillaboy How 2 Please Me 00:04:16
A3) Mainline Magic Orchestra Elektrassu 00:02:06
A4) Mainline Magic Orchestra, Juicy Romance WORK 00:03:43
A5) Mainline Magic Orchestra Bruce Willis 00:05:09
A6) Mainline Magic Orchestra, LVL1 VIP 00:04:16
B1) Mainline Magic Orchestra Cigarrito 00:03:36
B2) Mainline Magic Orchestra BDSM (BLISS, DREAMS, SOUL, MEMORIES) 00:03:33
B3) Mainline Magic Orchestra El Crit De L'Shrek 00:03:40
B4) Mainline Magic Orchestra Arsa 00:03:30
B5) Mainline Magic Orchestra Pretty Otter 00:03:40
B6) Mainline Magic Orchestra House Music 2 The W?rld 00:02:56
B7) Mainline Magic Orchestra Killersito (+18) 00:03:19

Info:
Finally the debut Album by „Mainline Magic Orchestra” is out via Public Possession & Primavera
Labels, 01. March, 2024.
Se bendecido!
Harri Poter, Pretty Otter, Trabajo con Shrek, Smoking prohibited, John McClane pleases U, hohoho,
killer. Featuring. Juicy Romance, LVL1 & P. Vanillaboy

More

Tracklist:
A-Side
A1) Aroma Pitch - Millennium Surfer (06:00 min)
A2) Aroma Pitch - Balearic Shift (05:40 min)
B-Side
B1) Aroma Pitch - Staub Groove (06:44 min)
B2) Aroma Pitch - Areal Earth (06:11 min)

Short info:
Aroma Pitch is back with a 4 Track EP including all traits of their warm analogue sound, that has
gained them so much appreciation in the past. Find a bouquet of styles including driving, balearic nu
disco for big rooms, playful breakbeats, dreamy lofi & more. Dig in!!

More

Tracklist:
A1) Welcome Dimman
A2) Kicki
A3) Island
A4) Shame On Dry Land
A5) Follow Me
A6) Fredrik’s Gone
A7) Again
A8) Body Drop
A9) Moped Escape
A10) Karema Goodbye
B1) Voyeur
B2) Follow Him
B3) Standoff
B4) Reconciliation
B5) Love Theme
B6) Dress Rehearsal
B7) Kill Krum
B8) Believe
B9) Underwater Love


Release Info:
Baba Stiltz has written and produced the award winning soundtrack for the Swedish Movie „Shame On Dry Land (Syndabocken)“. Awarded the „Guldbagge“ price for best feature film soundtrack in 2024, the music is dense, at times oppressive, than again light-mediterranean, all perfectly accompanying the stories vibe. The score is now available on vinyl and digitally for the first time.
Baba Stiltz moving between Stockholm & LA. A myth, a young legend. Writing music since the tender age of 13, not bound by genres or expectations. Used to do Skweee before he defined his own sound of Tech House - skipped that (temporarily?). Now moving on to more folkloristic styles: country, rock, indie… you name it. Good Musik.

More

Tracklist:
A1) Where Were U In 92?
B1) ON&ON (ft Nathan Haines) (Original Mix)
B2) ON&ON (ft Nathan Haines) (Bullet Train Mix)

Short info:
Tubbs&Burns go On&On. The highly anticipated Volume III of their collaboration is out in February 2024
Balearic Big Room sounds with a lot of class, that will surely end up in a lot of D.J. Bags. It’s deep, it’s uplifting, it’s fast & furios. It’s —> Tubbs&Burns.


More

Tracklist:
1) Intro (02:52 min)
2) Big City (02:56 min)
3) Sacramento (03:20 min)
4) Running to Chris (02:58 min)
5) Wild Ride (02:35 min)
6) Rodeo (02:08 min)
7) Stockholm (06:14 min)

Short info:
Available for the first time and on CD only, the live sessions of Baba Stiltz second LP „Paid Testimony“ recorded earlier this year at the legendary „Atlantis Studios“ in Stockholm. Full Music info below: When he‘s not writing or recording, Baba Stiltz immerses in fearless fiction by the likes of Denis
Johnson and Dodie Bellamy; prose where pedestrian details become transcendent in aggregate and the inner lives of marginal characters are examined as though they were kings. A similar thesis runs through „Paid Testimony“, the essential second tape of minimalist guitar music from the Filipino-American-Swedish artist.
In recent years, Stiltz has made like Lee Hazelwood‘s Cowboy In Sweden in reverse, making annual pilgrimages from Stockholm to California and reconnecting with his roots via a guitar and a Fostex 4- track. He‘s drawn to the less glamorous corners of the golden state, an observant habitué of unkempt
streets and dive bars stretching from LA to Vacaville. It‘s a long stretch from the jetset techno clubs where Baba originally plied his musical trade, but it‘s where he finds characters and ideas worth writing about.
The characters on „Paid Testimony“ are on the edge and on the run. Surrounded by flawed men with big schemes since childhood, he extrapolates characters who plot bank heists and order milk and vodka in AM hours, the type of confrontation- prone characters who „say some shit, make everyone
uncomfortable and then just split.“ To focus on the rawness of this document would discount the humor and sympathy with which he treats his characters, not to mention the subtly- psychedelic songwriting recalling David Berman, early Smog, the original indie rock minimalist poets.
On the final song, Stiltz looks back on the city that raised him, „Stockholm,“ referencing „young professionals carelessly living“ before adding „I can‘t say I‘m not jealous even though I live my life just like they do.“ There‘s an honesty in the small details revealed on „Paid Testimony“, and a defined
sense of place, be it Stockholm, Sacramento or some dim barroom across from the Bank Of America. Baba doesn‘t quite fit in anywhere. This outsider quality has often been used as a marketing tool, yet here, it lends a writerly aspect to the proceedings, an unreality to the everyday.
More

Tracklist:
A1) Puzzle Loop 06:52 min
A2) Hopeless Beat 06:38 min
B1) Xoh 05:08 min
B2) Xoh dub 05:23 min
B3) 7 Loop 06:36 min

Short info:
Eden Burns, the prophet. He who shares the fruits of his garden w/ no strings attached. All he wants:
is for you! to dance & prance.
He now returns with another instalment of the “Big Beat Manifesto”, counting Vol. VIII
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
More

Vinyl only

GENRE/S:
Progressive House, Techno, Trance

TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)

SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.

The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.

After about 15 years this cult classics are finally available again on vinyl in a new cutting.


More

Picture Disc! RITON and DJ MEHDI are CARTE BLANCHE. Mixed by big bass master ALEX GOPHER!
1. Gare Du Nord 3. Politrix As Usual
2. Do Do Do 4. Do Do Do More

Track List:
A1 : Here’s To You (5:21)
B1 : You Got Me Up (5:07)

Release Notes:
The word masterpiece gets bandied about a lot. Not least by us. But here is a release that truly befits such a lofty title.

In 1980, Randy Muller’s Skyy dropped the monumental “Here’s To You”, comfortably one of the greatest dance singles of all time. Released on Salsoul, “Here’s To You” is now exceptionally hard to find in its original form. On this special Be With double-header, we present the sought-after 12" mix and back it up with the strutting “You Got Me Up”, which has never been on a 12" before.

Naturally, both are cut loud and bumping for devastating dance floor power.

A sure-fire classic of the NYC club scene and a true block party rocker, “Here’s To You” beautifully combines sweeping synth-strings, loose cymbal hits and swaggering lyrics delivered with enviable style. But the real hero is *that* bassline. Oh, wait, no, actually, it’s *that* synth refrain halfway through. Harnessing the Oberheim Matrix 12 to emulate a horn section has provided goosebumps on discerning dance floors ever since.

As Muller expressed in his 2007 Red Bull Music Academy lecture, “It’s a very special record, it’s positive and has that spontaneous, life-giving spirit in the groove. Everything locks, just pure chemistry.”

Like we said, it’s a masterpiece.

If that wasn’t enough, over on the B-side is “You Got Me Up”, a real hidden gem from Skyy’s Skyway LP. Also released in 1980, the track is a wonderful showcase of the group’s airtight rhythm section and Muller’s uncanny ear for a groove and a melody.











More

RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection. More

Rights : World excluding France, UK & US

2 x 140 G Black Vinyl . 5mm Spine Printed Sleeve, 2 x White Inner Sleeve. Marketing frontsticker.

DESCRIPTION / SHORT BIOG:
Cerrone, the legendary French King of Disco, is celebrating 45 years of career . All Cerrone’s greatest hits from 1976 – “Love in C minor” to now – “The Impact” for the first time on Vinyl and as Edit Versions (single edit) : Double Vinyl , 19 songs.

TRACKLIST:
A1__Supernature (Edit)
A2__Cerrone's Paradise (Edit)
A3__Look For Love (Edit)
A4__Love Is Here
A5__Je Suis Music (Edit)

B1__Give Me Love (Edit)
B2__Freak Connection (Edit)
B3__Music Of Life (Edit)
B4__2nd Chance (Feat. Tony Allen)
B5__The Impact (Edit)

C1__Love In C Minor (Edit)
C2__You Are The One (Edit)
C3__Midnight Lady (Edit)
C4__Hooked On You

D1__Therapy (Feat. James Hart)
D2__Rocket In The Pocket (Edit)
D3__Bodytalk
D4__Got To Have Loving (Edit)
D5__Club Underworld (Edit)












More

2023 repress

Tracklist:
A1 Sweet Juju (4:45)
A2 Nomalizo (5:10)
A3 Nkedama (4:44)
A4 Hamba Nam We (4:36)
B1 Vumani Makhosi (4:57)
B2 Down By The River (5:09)
B3 The Village (4:25)

Release Notes

Originally released in South Africa in 1983, In The Music… The Village Never Ends is one of those holy grail African records that barely needs any introduction. Featuring the enormous “Nomalizo”, it’s a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bona fide classic.

This release is officially licensed and has been lovingly mastered for vinyl by Simon Francis (Claremont 56 mastering engineer). It has been pressed on audiophile 180g vinyl for the first time and features the original, rarely seen artwork.

South African singer Letta Mbulu possesses one of the most beautiful voices the world has ever known. Her immaculate voice emits a sweetness that radiates from deep within, brimming with a joy of life and inspiring a spirit of hope and happiness. On this album, her voice soars over a strident musical force that veers between disco, soul and pop music of the most incredible kind. The gleaming guitars recall disco’s finest hours while the thump of the beats anticipate 80s British soul.

News of this reissue has already been causing a significant stir amongst those in the know so do not sleep on this - you have been warned! More

Territories: Worldwide no restrictions

Format Notes: 2023 first time vinyl reissue, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Emergency 9:35
A2 Beyond Games 8:20
--
B1 Where 12:09
B2 Vashkar 4:58
--
C1 Via The Spectrum Road 7:50
C2 Spectrum 9:52
--
D1 Sangria For Three 13:08
D2 Something Spiritual 5:38

Release Notes:

Miles Davis: "I could definitely hear right away that this was going to be one of the baddest motherfuckers who had ever played a set of drums.”

The Tony Williams Lifetime's Emergency! is a furious, stunning, seminal album. In 1969, it's explosive sound divided critics in both jazz and rock but is now rightly regarded as groundbreaking. A musical statement so bold and irreverent that it was revolutionary, it's one of the most important records you will ever hear. With Emergency!, provocative percussionist Tony Williams unified the most vital sounds of the era and galvanised the creation of jazz fusion. A sprawling double LP that shattered the boundaries between jazz and rock, it forged fresh frontiers by unleashing dense, courageous and fantastically mysterious music.

The group was founded by Tony Williams, a member of Miles Davis’ radical 1960s quintet, out of his desire to fuse the influences of modern jazz and rock music. To effectively meld the scorching bop of Coltrane with the raging rock of Hendrix, in the process crafting, as Mojo put it, "jazz-rock's equivalent of Are You Experienced?". The album's urgent title was profoundly significant for Williams: “It was an emergency for me to leave Miles and put that band together (...) and I wanted to play an emerging music that was my own." The band he formed was one hell of a power trio, comprising nothing but raw virtuosity: Williams's colossal drumming, John McLaughlin's pioneering, aggressive guitar playing and Larry Young's freeform organ work.

The album's sound is incredibly fierce and inordinately intense. Indeed, the group were famed for playing “louder than rock’n’roll”, as Herbie Hancock said of going to hear them live in 1969: "This is something new...It was exciting and very arresting. It snatched you. It yanked you out of your seat.” Ian Carr, of Nucleus, was equally impressed: "The only other comparable band that existed ...They were incredibly loud, but we liked what they were doing. Fundamentally they had a different approach from ours, with some very highly arranged things that featured Larry Young's organ blending with the guitar, as well as intricate passages where Tony doubled the melody on the drums."

Like all the very best records, Emergency! takes multiple listens for your brain and body to decipher everything going on, to truly process and appreciate the details that our senses are throwing at us. It's a mesmerising, rough sound yet the intuitive interplay of all 3 musicians is super-tight. The tunes are strung out and jamming but retain a tight rhythmic focus.

The incendiary title track immediately presents jazz-rock’s chaotic birth. After Williams's ominous snare-roll signals the brewing storm, the snarling band blasts its way through the gate in truly breathtaking fashion, fuzzed-up wahed-out guitar riffs vying for prominence with gnarled, insistent organ. Thrillingly, Williams manages to both acrobatically crash over every element of his drum kit while keeping the whole groove undeniably funky. "Beyond Games" is a gloriously volatile freeform, featuring Williams' bugged out vocals, whilst the 12-minute "Where" is another deep, wild jam. It's disorientating and humid with weird rhythms, abrupt vibe shifts and semi-classical lines running between guitar and organ. It's like nothing else you've ever heard, absolutely vital.

With the buoyant “Vashkar”, we begin to experience jazz-rock's many angles; imaginative melodics, taut dynamics and as torrent of searing heat. Perhaps the most economical track on Emergency!, it's the most instant. In a recent retrospective review in Pitchfork, Emergency! received a monumental 9.0 ranking. The writer Hank Shteamer correctly gushed: "Driven by a tumbling Williams pulse, the trio dances through the complex stop-start theme, ending each iteration with a dramatic full-band rest. Then, in the middle of McLaughlin’s scrambling solo, Williams starts playing an embryonic version of an extreme-metal blastbeat, alternating snare and bass in rapid succession while rising precipitously in volume, as Young joins in with shuddering note clusters. During Young’s solo, the organist seems to incite Williams to repeat the move with his increasingly frenzied lines, and soon all three musicians are hurtling toward a supernova climax." WOW!

The laconic "Via the Spectrum Road", a brilliant pop-psych tune, was sampled by Showbiz & AG on their classic debut LP. It oscillates between a tranquil funk groove and strutting improv interludes. The pyrotechnic jam "Spectrum" wakes things up again with pure, molten jazz lava and crazy soloing from all involved. A breathtaking, kaleidoscopic 13-minute cycle through ferocious noise, "Sangria For Three" is a sublimely frenetic detonation of distilled (acid) jazz rock. To quote Shteamer again, "Don’t let the track’s breezy title fool you: As much as, say, “Sister Ray” the year before or “Fun House” the year after, this is punk before punk." Closer "Something Spiritual" finishes this jaw-dropping set with a driving, unrelenting heavy guitar and organ freakout, backed high in the mix by Williams's untamed funk before unsettled dissonance rides us out.

Listeners will be struck by the timelessness of Emergency!; dank, trance-inducing voodoo jazz that's intellectually challenging at the same time as viscerally thrilling. The blurred cover photo, whereby the convulsing vibrations of this sonic apocalypse ensure it looks exactly as the record sounds - out of focus - has been delicately restored at Be With HQ. Mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios, the magnificent grit and spontaneity remains dizzyingly intact. If you're a jazz fusion fan and don't already have this, consider ownership of this record as an Emergency!
More

Rights: SALES ARE LIMITED TO THE TERRITORY OF : GERMANY /AUSTRIA
Collector Double Vinyl Edition, UV, Printed Innersleeve

SPECIALS REMARKS:

Packaging : Collector Double Vinyl Edition
2 x 140G Black Vinyl, Gatefold 4/4 ,uncoated stock with special spot UV gloss (special ink with an embossing effect)
2 x Printed inner sleeve (with a central hole on one side), marketing sticker

Informations :
Ed Banger Records presents "Born a loser" , MYD's first album. Featuring Mac de Marco, Juan Wauters & Bakar.
14 songs, Double Vinyl edition. Includes " The Sun ", " Together we stand ", " Moving Men " & "Born a loser".

Tracklist:

A1 WE ARE THE LIGHT
A2 LET YOU SPEAK
A3 TOGETHER WE STAND
B1 BORN A LOSER
B2 THERE'S A SNAKE IN MY BOOT
B3 THE SUN
B4 WHETHER THE WEATHER (FEAT JUAN WAUTERS)
C1 ALWAYS A LIGHT
C2 CALL ME
C3 MOVING MEN (FEAT MAC DEMARCO)
C4 IT'S ABOUT YOU
D1 I FEEL BETTER (I GOT SOMETHING)
D2 NOW THAT WE FOUND LOVE
D3 WE FOUND IT (FEAT BAKAR)









More

WORLD EXCL USA.
FORMAT: LP,180G – RELEASE 14.12.2018, EAN: 5050580699816
2018 REISSUE – REMASTERED FROM ORIGINAL TAPE TRANSFERS, CAREFULLY REPRODUCED ORIGINAL ART,STRICTLY LIMITED TO 500 COPIES WORLDWIDE - NO REPRESS

TRACKLISTING

All I Have
I Can't Help It
To You With Love
That's How It Feels
Lucky Me
I Lost One Bird In The Hand (While Reaching For Two In The Bush)
Sweeter As The Day Goes By
The Ice Is Melting
Candy Shack

Release Info:
The Moments’ On Top is a perfect example of symphonic soul. Amongst true heads, this is considered the most valuable of all their albums; an original copy of this LP, if you can find one, starts at around $75. Alongside contemporaneous acts from the early 70s - The Chi-lites, The Stylistics, The Delfonics, The Futures, Blue Magic and The Main Ingredient - The Moments exuded all that was compelling about deep, harmony-drenched, string-laden soul.

The standout here is undoubtedly "To You with Love", a floating, tender ballad sung by Harry Ray that features the group’s patented handclap-tambourine combo, sweetly repetitive strings, serene guitar and gentle piano. It was famously sampled by J Dilla for “Last Donut Of The Night” - the gut-wrenching finale to his seminal Donuts. Concentrating solely on its sampled history would do The Moments a huge disservice, but its crucial appearance at the climax of Donuts directed fresh generations of pre-disposed soul fans to the absolute canon. Judged entirely on its merit, it’s one of the most heart-breaking songs of any decade and worth the price of admission alone. It’s the sweetest, most goose-bump inducing 3 minutes of aural bliss you’re ever likely to be exposed to.

If that wasn’t enough, On Top spawned two minor R&B hits: "All I Have" and "Lucky Me", each featuring Billy Brown's ice-melting falsetto. Opener “All I Have” is a sumptuous introduction to the album. With melancholic, understated guitar licks, twinkling keys and heartbeat drums, it’s a gem. The triumphant “Lucky Me” is simply gorgeous; all gentle chimes, swirling strings and, again, scarcely believable falsetto soaring atop proud horns.

Also included are two singles that are different from anything the group had ever done; "I Can't Help It" and "That's How It Feels." The former features thundering kicks and crashing cymbals underneath floating flutes, progressively stabbing strings and horns. The yearning vocals embody an almost Temptations-like delivery at times. "That's How It Feels” is a two-parter wherein Brown's voice bestrides a bed of rhythms on a tune more aptly defined as a love suite than a song. Dripping in breakbeats, piano and strings, Brown describes the devastation of losing the one you love before the track brilliantly switches up with a sweeping string-led chorus and heavenly harmonies.

The only genuine uptempo number, where anomalous happiness reigns, is "Sweeter As The Days Go By," led by Brown in his natural, gospel-inspired tenor. A charming but sorrow-filled "I Lost One Bird In The Hand" is an impressive, slow lamenter crooned by Ray, with horns and strings dominating the lushly arranged backdrop. Appropriately, we end on that down-lifting note that we've all come for: "Candy Shack."

The audio for On Top comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the memorable cover art, handling the reproduction duties with the utmost attention to detail.



More

Tracklist

A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)



Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.

Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.

While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!


Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More