Label:Virtual Forest Records
Cat-No:VFO008
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
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Label:Virtual Forest Records
Cat-No:VFO008
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
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1
Brainbeats - Easy
2
Brainbeats - Music Brings Us Together
3
Brainbeats - Early Skyland
4
Brainbeats - Look That's My Heart
5
Brainbeats - Secret Love (Lost Mix)
The night stretches through the forest of existence
Not a drop of light
Can slip through the leaves
Lost in this columned maze
Two trees are enough to form a door
Virtual Forest Records are delighted to present their first vinyl release, a 5-track journey by Brainbeats, Mohammed Vicente's alter ego.
Old-school trance nostalgia, dreamy breakbeats & hard-hitting serenades: this release merges all genres into a timeless synthetic voyage.
Who knows where it leads? More
Not a drop of light
Can slip through the leaves
Lost in this columned maze
Two trees are enough to form a door
Virtual Forest Records are delighted to present their first vinyl release, a 5-track journey by Brainbeats, Mohammed Vicente's alter ego.
Old-school trance nostalgia, dreamy breakbeats & hard-hitting serenades: this release merges all genres into a timeless synthetic voyage.
Who knows where it leads? More
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Label:Goutte d'Or Records
Cat-No:GOR004
Release-Date:15.03.2024
Genre:Jazz
Configuration:LP
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Label:Goutte d'Or Records
Cat-No:GOR004
Release-Date:15.03.2024
Genre:Jazz
Configuration:LP
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1
Diogo Strausz - Junto de Nós
2
Diogo Strausz - Dans Une Langue
3
Diogo Strausz - Flexi´vel
4
Diogo Strausz - Dan=ça
5
Diogo Strausz - Samba From Outer Space
6
Diogo Strausz - Why Can't We Be Together
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Diogo Strausz - La Forme d'Un Grand Coeur
8
Diogo Strausz - No Title
After capturing the attention of audiences, DJs worldwide and the media with the brilliant "Flight Of Sagittarius", Brazilian Diogo Strausz, signed to Parisian label Goutte d'Or Records, presents : Samba From Outer Space
This second opus takes us on a journey through time and style, from jazz-funk to dance music and Afrobeat, invoking masters such as Caetano Veloso, Giorgio Moroder or Tony Allen.
"This idea of "Samba From Outer Space" comes from dance music being a universal language beyond electronic but mainly a form of gathering people together in the same frequency." says Diogo. We could summarize everything in "Electronic dance music is nothing but samba from outer space."
A1 - Junto de Nós
A2 - Dans Une Langue
A3 - Flexi´vel
A4 - Dan=ça
B1 - Samba From Outer Space
B2 - Why Can't We Be Together
B3 - La Forme d'Un Grand Coeur More
This second opus takes us on a journey through time and style, from jazz-funk to dance music and Afrobeat, invoking masters such as Caetano Veloso, Giorgio Moroder or Tony Allen.
"This idea of "Samba From Outer Space" comes from dance music being a universal language beyond electronic but mainly a form of gathering people together in the same frequency." says Diogo. We could summarize everything in "Electronic dance music is nothing but samba from outer space."
A1 - Junto de Nós
A2 - Dans Une Langue
A3 - Flexi´vel
A4 - Dan=ça
B1 - Samba From Outer Space
B2 - Why Can't We Be Together
B3 - La Forme d'Un Grand Coeur More
Label:Primordial State
Cat-No:PS01
Release-Date:09.02.2024
Genre:Techno
Configuration:12"
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Label:Primordial State
Cat-No:PS01
Release-Date:09.02.2024
Genre:Techno
Configuration:12"
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1
Primordial State - Sleep Cycle
2
FLAWS - Astrology
3
Markus Suckut - Helix
4
Kaan Pirecioglu X Elias - Retrogate
The first release of the newly founded Label by Sven Eickhoff and Markus Suckut kicks off with a Various Artists focused on timeless Techno.
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Label:Flower Storm
Cat-No:FS002
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
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Label:Flower Storm
Cat-No:FS002
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
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1
Flower Storm - The First Trial
2
Flower Storm - Worlds Creator Is My Ally Revival Mix
3
Flower Storm - Fortune Favours Him
4
Flower Storm - Against Wild Lions
5
Flower Storm - Loves Fire
Do Flower Storm's aural incantations return for another edition of slicing club mutations. Five storming sonic rituals forged in the flames of mythical rites of past times, fortified in nu-club sorcery. EP Do's A1 is a reimagined take on Coil's "further back and faster", paying homage through a smoldering iranian lens along with low riding tornado tracks and ecstatic percussive squalls. Flower Storm's sophomore release heeds the call to the wind. When it rains it pours.
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Label:Bordello A Parigi
Cat-No:BAP196
Release-Date:12.04.2024
Configuration:12"
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Label:Bordello A Parigi
Cat-No:BAP196
Release-Date:12.04.2024
Configuration:12"
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1
Armonics - Floating On High
2
Armonics - Future Echoes
3
Armonics - Retrospectiva
4
Armonics - Music And Lights
Four years ago, Francesco Strippoli debuted on Bordello A Parigi with Universal Oneness followed by the analogue rich Prison Planet EP. Once again, donning his Armonics alias, the Bari based producer returns with four tracks for Future Echoes. The synthesizer warmth that has characterised past releases is immediately present. At the heart of “Floating High” is Strippoli’s keyboard work. Beats are crisp and understated as waves of melodic murmuration bob and weave to perfectly complement each other. A steady kick introduces the textured title work. Warbling notes give way to bolder chords, chords that are blurred by shimmering arpeggios as layers of harmony expand and unfold. Nostalgia meets the needle on the flip. “Retrospectiva” blends subtle shades with brassy extravagance, the sun and romance of southern Italy radiating in tempered brilliance. The energy of “Music and Lights” closes. Throbbing keys are further fortified by swirling synth stabs, the intensity being ratchetted up to boiling point in this dancefloor delight. Quality through and through.
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Label:Malka Tuti
Cat-No:MT0035
Release-Date:23.02.2024
Genre:Electronic
Configuration:12"
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Label:Malka Tuti
Cat-No:MT0035
Release-Date:23.02.2024
Genre:Electronic
Configuration:12"
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1
Andrei Rusu - I've Lost Control (Original Mix)
2
Andrei Rusu - I've Lost Control (Philipp Otterbach Remix)
3
Andrei Rusu - Hedesch feat. Decha (Original Mix)
4
Andrei Rusu - Hedesch feat. Decha (Black Merlin Remix)
Malka Tuti is proud to present the solo debut EP by mister Andrei Rusu, ? one half of Khidja.
After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.?
Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.
On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.
The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family. ?
Remixing the title track, and off the success of his 2 incredible albums
released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms.
For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)?
Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side. More
After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.?
Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.
On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.
The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family. ?
Remixing the title track, and off the success of his 2 incredible albums
released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms.
For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)?
Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side. More
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Label:Krachladen Dub
Cat-No:KLD005MR37
Release-Date:16.02.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804141406
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Cat-No:KLD005MR37
Release-Date:16.02.2024
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Barcode:4251804141406
1
Zea - People Shrink (Remix by Andy Moore - The Ex)
2
Zea - Like A Chicken In The Corn (Remix by Desmond Denker)
3
Zea - Donkeys Don't Grow Here (Remix by Phanton)
4
Zea - Exploding Dub Syndrom (Remix by Yürke)
5
Zea - Dub Specie Ludens (Remix by Dubby King Knarf)
6
Zea - DU BÜST DOOD DUB (Remix by Istari Lasterfahrer)
7
Zea - Danger They Say (Remix by Begritty)
[Special remarks] 12” Vinyl LP (33rpm)
Dub Techno, Electronica, Experimental, Breakbeats, Drum’n’Bass
Track list
1 (A1). People Shrink - remix by Andy Moor (4:17)
2 (A2). Like A Chicken In The Corn - remix by Desmond Denker (2:03)
3 (A3). Donkeys Don't Grow Here - remix by Phanton (1:27)
4 (A4). Exploding Dub Syndrom - remix by Yürke (4:10)
5 (B1). Dub Specie Ludens - remix by Dubby King Knarf (5:48)
6 (B2). DU BÜST DOOD DUB - remix by Istari Lasterfahrer (4:28)
7 (B3). Danger They Say - remix by Begritty (3:35)
All tracks licensed from Makkum Records | Produced and mixed by remix artists | Mastering by Detlef Funder, Paraschall Studios Düsseldorf | Artwork by Darko Kujundžic
English
It's the kind of project that brings the old mad scientist cliché out for an airing, "It's insane, but it just might work." The insanity in this case being a motley cast that features Andy Moor (The Ex, Amsterdam), Desmond Denker (Cologne), Phanton (Cologne), Yürke (Düsseldorf), Dubby King Knarf (Knarf Rellöm, Hamburg), Istari Lasterfahrer (Hamburg), Begritty (Cologne) laying down their versions of tracks from the demento-a-go-go-electro-pop-rock-mono-mind known as Zea.
How could we resist the spasmodic schizoid psychedelic menace of that devilish Dutch juggernaut called Zea. This bastardised twelve inch slab of wax has Zea sonically re-assessed, dissected and twisted in side out. And it had to happen, it had to be made.
"Standing up I forgot what came to mind when I was lying on the kitchen floor. Standing up I forgot what came to mind, something I tried to remember before." It's the punky pop intro of the song 'Staande ben ik vergeten wat ik dacht toen ik lag', the Dutch translation of the first sentence of the song that provided the title for this collection of remixes. Zea, a.k.a. Arnold de Boer, a musician who skips sitting down, who either jumps or lies on the floor fumbling with a dictaphone trying to remember the ideas that just came to mind jumping around from the couch straight into the kitchen, trying to write the next song while cooking spicy food that makes his head explode. It's all inthere, everyone is in there; shrinking people, growing people, dead people. And all "Sub specie ludens" (from the perspective of human play).
Andy Moor and Arnold de Boer are in a band together called The Ex, and with Michael Heiber, the Krachladen Dub label maker and idea creator for this project, they share a love of dub, grime, dubstep, drum & bass, breakcore and much more. Zea, with his obstinate breakpop sampler-guitar-voice combination, shared the stage with many off-kilter electronic music artist from 1-Speed Bike to Felix Kubin to Jason Forrest (who all remixed Zea back in 2004) to recently Japanese OLOLOLOP and Arakawa Atsushi. And with his friends Desmond Denker (Cologne),Knarf Rellöm, (Hamburg) and Istari Lasterfahrer (Hamburg). So the logic behind this album isn't far from a friendship being celebrated and the music is very close to a fundamental experience of wonder and joy. Lay this record down and see what comes to mind. Did we say it's essential? It's essential.
Arnold de Boer, November 2023
Dates:
Release concerts w/ Knarf Rellöm Arkestra und Zea:
Feb 17 - OCCII Amsterdam
Feb 18 - Schleuse Zwei / Bilker Bunker Düsseldorf
More
Dub Techno, Electronica, Experimental, Breakbeats, Drum’n’Bass
Track list
1 (A1). People Shrink - remix by Andy Moor (4:17)
2 (A2). Like A Chicken In The Corn - remix by Desmond Denker (2:03)
3 (A3). Donkeys Don't Grow Here - remix by Phanton (1:27)
4 (A4). Exploding Dub Syndrom - remix by Yürke (4:10)
5 (B1). Dub Specie Ludens - remix by Dubby King Knarf (5:48)
6 (B2). DU BÜST DOOD DUB - remix by Istari Lasterfahrer (4:28)
7 (B3). Danger They Say - remix by Begritty (3:35)
All tracks licensed from Makkum Records | Produced and mixed by remix artists | Mastering by Detlef Funder, Paraschall Studios Düsseldorf | Artwork by Darko Kujundžic
English
It's the kind of project that brings the old mad scientist cliché out for an airing, "It's insane, but it just might work." The insanity in this case being a motley cast that features Andy Moor (The Ex, Amsterdam), Desmond Denker (Cologne), Phanton (Cologne), Yürke (Düsseldorf), Dubby King Knarf (Knarf Rellöm, Hamburg), Istari Lasterfahrer (Hamburg), Begritty (Cologne) laying down their versions of tracks from the demento-a-go-go-electro-pop-rock-mono-mind known as Zea.
How could we resist the spasmodic schizoid psychedelic menace of that devilish Dutch juggernaut called Zea. This bastardised twelve inch slab of wax has Zea sonically re-assessed, dissected and twisted in side out. And it had to happen, it had to be made.
"Standing up I forgot what came to mind when I was lying on the kitchen floor. Standing up I forgot what came to mind, something I tried to remember before." It's the punky pop intro of the song 'Staande ben ik vergeten wat ik dacht toen ik lag', the Dutch translation of the first sentence of the song that provided the title for this collection of remixes. Zea, a.k.a. Arnold de Boer, a musician who skips sitting down, who either jumps or lies on the floor fumbling with a dictaphone trying to remember the ideas that just came to mind jumping around from the couch straight into the kitchen, trying to write the next song while cooking spicy food that makes his head explode. It's all inthere, everyone is in there; shrinking people, growing people, dead people. And all "Sub specie ludens" (from the perspective of human play).
Andy Moor and Arnold de Boer are in a band together called The Ex, and with Michael Heiber, the Krachladen Dub label maker and idea creator for this project, they share a love of dub, grime, dubstep, drum & bass, breakcore and much more. Zea, with his obstinate breakpop sampler-guitar-voice combination, shared the stage with many off-kilter electronic music artist from 1-Speed Bike to Felix Kubin to Jason Forrest (who all remixed Zea back in 2004) to recently Japanese OLOLOLOP and Arakawa Atsushi. And with his friends Desmond Denker (Cologne),Knarf Rellöm, (Hamburg) and Istari Lasterfahrer (Hamburg). So the logic behind this album isn't far from a friendship being celebrated and the music is very close to a fundamental experience of wonder and joy. Lay this record down and see what comes to mind. Did we say it's essential? It's essential.
Arnold de Boer, November 2023
Dates:
Release concerts w/ Knarf Rellöm Arkestra und Zea:
Feb 17 - OCCII Amsterdam
Feb 18 - Schleuse Zwei / Bilker Bunker Düsseldorf
More
12" Excl
in stock
Label:Definition:Music
Cat-No:DMU093
Release-Date:19.01.2024
Genre:Electronic
Configuration:12" Excl
Barcode:
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Label:Definition:Music
Cat-No:DMU093
Release-Date:19.01.2024
Genre:Electronic
Configuration:12" Excl
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1
Definition, Night Talk - Definition, Night Talk – Into The Void
2
Definition, Night Talk - Definition, Night Talk - Tempest
Following their last year’s club hit Clockwork (released on Adriatique‘s Siamese imprint), played
by the likes of Dixon, Trikk and Adriatique, Definition and Night Talk went back to the studio
together and cooked up another storm.
Tracklist 12":
1) Definition, Night Talk – Into The Void
2) Definition, Night Talk - Tempest
Into the void hits from second one. Strong beats lead the way into this dreamlike soundscape,
where metallic drum elements and effortless reverb tails take us on a journey. We get lost in a
slow build and an unassuming bass-line drives us home, until the track collapses just to hit twice
as hard coming back in. Dreamy vocals float over dirty synth lines, melodies that feel familiar
guide the way to continuous build ups, where we can’t help but move our bodies to the gritty,
thumping bass-line pushing us forward relentlessly.
Tempest is all about the beat. Simple, yet endearing, it reels us in and guides us on an endless
rise where fragile synth swells and powerful percussion elements tease our ears. High-pitched
glimmers dance across the soundscape with ease. A track that rises again and again, yet never
quite implodes in-between. Instead it builds, in the most natural way, skilfully and exquisitely,
whilst sirens add a well-rounded urgency, that’s hard to resist. More
by the likes of Dixon, Trikk and Adriatique, Definition and Night Talk went back to the studio
together and cooked up another storm.
Tracklist 12":
1) Definition, Night Talk – Into The Void
2) Definition, Night Talk - Tempest
Into the void hits from second one. Strong beats lead the way into this dreamlike soundscape,
where metallic drum elements and effortless reverb tails take us on a journey. We get lost in a
slow build and an unassuming bass-line drives us home, until the track collapses just to hit twice
as hard coming back in. Dreamy vocals float over dirty synth lines, melodies that feel familiar
guide the way to continuous build ups, where we can’t help but move our bodies to the gritty,
thumping bass-line pushing us forward relentlessly.
Tempest is all about the beat. Simple, yet endearing, it reels us in and guides us on an endless
rise where fragile synth swells and powerful percussion elements tease our ears. High-pitched
glimmers dance across the soundscape with ease. A track that rises again and again, yet never
quite implodes in-between. Instead it builds, in the most natural way, skilfully and exquisitely,
whilst sirens add a well-rounded urgency, that’s hard to resist. More
LP
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Label:Weltschmerzen
Cat-No:WS032
Release-Date:19.01.2024
Genre:Electronic
Configuration:LP
Barcode:5050580816985
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Label:Weltschmerzen
Cat-No:WS032
Release-Date:19.01.2024
Genre:Electronic
Configuration:LP
Barcode:5050580816985
1
Eva Sajanova & Dominik Suchy - Karamel
2
Eva Sajanova & Dominik Suchy - Pšistroj
3
Eva Sajanova & Dominik Suchy - Koniec Koniec
4
Eva Sajanova & Dominik Suchy - NeTitulovaná
5
Eva Sajanova & Dominik Suchy - Hmota Bez Dôkazov
6
Eva Sajanova & Dominik Suchy - V Dolanova Mysli
7
Eva Sajanova & Dominik Suchy - Preliaty caj
8
Eva Sajanova & Dominik Suchy - Stací Len Byt Dost?
Decision Paralysis is the first collaboration by Eva Sajanova and Dominik Suchy. Their music is very minimalist, repetitive, still, the compositions // songs surprisingly evolve over time. The cold synths are beautifully augmented with raw or effected layers of Sajanova's vocal. Of striking prominence is the decision to forgo the use of any beats or percussive elements. The whole album revolves just around vocals, synths, and layers, and the richness they possess enough in themselves. This goes in line with Suchy's previous work, one of his trademarks being working mostly with melody and harmony, defying a lot of what is going on in contemporary experimental music. In a way, it is a strive to return to classical or pop ?????????? in her deepest sense; experimental more in the use of sounds, approaches and forms, rather than defying the musical. The lyrics are exclusively in Slovak, open to interpretation and perhaps leaving the listener unburdened by meaning, enabling them to focus on Sajanova's voice, phrasing, and vocal techniques. They span from child-like repetitive dadaist poems, to heavy existentialist statements on life's inherent beauty yet meaninglessness. All of it is further supported by the album cover by the Slovak illustrator Martu, blurring the lines between the naive, the beautiful, the natural, synthetic, dark, and glowing. All at the same time.
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Label:Balmat
Cat-No:BALMAT05Y
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548080599
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Label:Balmat
Cat-No:BALMAT05Y
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548080599
1
µ-Ziq - 4am
2
µ-Ziq - Éire
3
µ-Ziq - Allegro
4
µ-Ziq - Houzz 13
5
µ-Ziq - Belt & Carpet
6
µ-Ziq - ;ar,ote
7
µ-Ziq - Asda
8
µ-Ziq - 1977 (Ft. Meemo Comma)
9
µ-Ziq - Xolbe 3
10
µ-Ziq - Burnt Orange
11
µ-Ziq - Lime Aero
12
µ-Ziq - Reference Gravy
13
µ-Ziq - Mesolithic Jungle
14
µ-Ziq - Pillowy
15
µ-Ziq - Froglets
Yellow Vinyl Repress!
When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same. More
When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same. More
Label:Eskimo Recordings
Cat-No:541416667324
Release-Date:07.06.2024
Configuration:LP
Barcode:
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Last in:21.06.2024
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Label:Eskimo Recordings
Cat-No:541416667324
Release-Date:07.06.2024
Configuration:LP
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1
Aili - Nandakke?
2
Aili - Babychan
3
Aili - Yubikiri
4
Aili - Fashion
5
Aili - Ichibansen
6
Aili - Takoyaki
7
Aili - Up & Down
8
Aili - Gari Gari
9
Aili - Oyasumi
10
Aili - ?? 2023
Repress
TRACKLIST:
A1. Aili - Nandakke?
A2. Aili - Babychan
A3. Aili - Yubikiri
A4. Aili - Fashion
A5. Aili - Ichibansen
B1. Aili - Takoyaki
B2. Aili - Up & Down
B3. Aili - Gari Gari
B4. Aili - Oyasumi
B5. Aili - ?? 2023
• LP with OBI + Insert
A kaleidoscopic sonic riot, Nandakke? is the hotly anticipated debut album from Japanese-Belgian duo Aili. Featuring 10 tracks of surreal electro-pop, joyful electronica, house music and more, Nandakke? is a euphoric album that sees Aili Maruyama and Orson Wouters more than fulfil the promise of their acclaimed debut EP.
Recorded over the course of six months in Orson's studio, packed full of vintage synths, Nandakke? captures the spontaneous spirit and creativity of those sessions. Exchanging riffs and rhythms, bouncing sounds and samples off each other, Aili and Orson would let the music take them where it wanted. The result,an album full of wild ideas and bold, playful experimentation.
More than anything an exhilarating feeling of discovery courses through Nandakke?, leaving you never sure where it will go next. One minute a pulsing electro-pop number featuring Aili's dad discussing his takoyaki (battered octopus) recipe, the next an explosive high energy workout song like Up & Down.
Certainly Aili was surprised to find herself singing in her own unique version of Japanese again.
"I thought that I was done with that after our debut EP, but apparently not as I speak even more Japanese on the album!" said Maruyama. "Every time we were in the studio these words would just tumble out. It's a complicated language but I just love to play with it.
"In many ways I'm an outsider, I left Tokyo aged 7, so there's a lot I notice as someone who is not a native speaker and it doesn't always make sense, there's a lot of mistakes in it.But in a way that sums up the whole philosophy of the album and how Orson and I work together."
That notion of duality, a sense of belonging but feeling apart, of being between two worlds and inventing your own captures the spirit of Nandakke?, itself a Japanese word that roughly translates to "Well, what was it?".
"It's something you say when you're looking for a word, like you know it but have forgotten how to say it. That's literally how I communicate with my dad the whole time," Maruyama explains. "The main feeling I have when I go to Japan is that I know the language, I can speak it, but part of me still feels like it doesn't have all the vocabulary. There's a gap there that nandakke has always filled for me. All the lyrics come from that place, that seven-year old trying to speak Japanese."
Whether Aili's singing about the language she invented with her father over the years to bridge the gap between them (Nandakke?), the idiosyncratic Japanese relationship to fashion (Fashion) or riffing on children's playground songs (Yubikiri) the result is a remarkable album that defies easy categorisation.
Bursting onto the Belgian scene in 2021 with their acclaimed debut EP, Dansu, its lead track spent 8 consecutive weeks at the #1 spot of Radio 1's VOX list and saw the band nominated for Studio Brussel's De Nieuwe Lichting ('New Generation') award. Since then Aili have appeared playing live on the Belgian TV show Roomies, been tipped by the likes of Rolling Stone, become regulars on tastemaker stations like KEXP and KCRW in the US and Nova in France, toured across Europe and, just recently, played their first sell out shows in Japan. More
TRACKLIST:
A1. Aili - Nandakke?
A2. Aili - Babychan
A3. Aili - Yubikiri
A4. Aili - Fashion
A5. Aili - Ichibansen
B1. Aili - Takoyaki
B2. Aili - Up & Down
B3. Aili - Gari Gari
B4. Aili - Oyasumi
B5. Aili - ?? 2023
• LP with OBI + Insert
A kaleidoscopic sonic riot, Nandakke? is the hotly anticipated debut album from Japanese-Belgian duo Aili. Featuring 10 tracks of surreal electro-pop, joyful electronica, house music and more, Nandakke? is a euphoric album that sees Aili Maruyama and Orson Wouters more than fulfil the promise of their acclaimed debut EP.
Recorded over the course of six months in Orson's studio, packed full of vintage synths, Nandakke? captures the spontaneous spirit and creativity of those sessions. Exchanging riffs and rhythms, bouncing sounds and samples off each other, Aili and Orson would let the music take them where it wanted. The result,an album full of wild ideas and bold, playful experimentation.
More than anything an exhilarating feeling of discovery courses through Nandakke?, leaving you never sure where it will go next. One minute a pulsing electro-pop number featuring Aili's dad discussing his takoyaki (battered octopus) recipe, the next an explosive high energy workout song like Up & Down.
Certainly Aili was surprised to find herself singing in her own unique version of Japanese again.
"I thought that I was done with that after our debut EP, but apparently not as I speak even more Japanese on the album!" said Maruyama. "Every time we were in the studio these words would just tumble out. It's a complicated language but I just love to play with it.
"In many ways I'm an outsider, I left Tokyo aged 7, so there's a lot I notice as someone who is not a native speaker and it doesn't always make sense, there's a lot of mistakes in it.But in a way that sums up the whole philosophy of the album and how Orson and I work together."
That notion of duality, a sense of belonging but feeling apart, of being between two worlds and inventing your own captures the spirit of Nandakke?, itself a Japanese word that roughly translates to "Well, what was it?".
"It's something you say when you're looking for a word, like you know it but have forgotten how to say it. That's literally how I communicate with my dad the whole time," Maruyama explains. "The main feeling I have when I go to Japan is that I know the language, I can speak it, but part of me still feels like it doesn't have all the vocabulary. There's a gap there that nandakke has always filled for me. All the lyrics come from that place, that seven-year old trying to speak Japanese."
Whether Aili's singing about the language she invented with her father over the years to bridge the gap between them (Nandakke?), the idiosyncratic Japanese relationship to fashion (Fashion) or riffing on children's playground songs (Yubikiri) the result is a remarkable album that defies easy categorisation.
Bursting onto the Belgian scene in 2021 with their acclaimed debut EP, Dansu, its lead track spent 8 consecutive weeks at the #1 spot of Radio 1's VOX list and saw the band nominated for Studio Brussel's De Nieuwe Lichting ('New Generation') award. Since then Aili have appeared playing live on the Belgian TV show Roomies, been tipped by the likes of Rolling Stone, become regulars on tastemaker stations like KEXP and KCRW in the US and Nova in France, toured across Europe and, just recently, played their first sell out shows in Japan. More
Label:Subtempo
Cat-No:SBTMP023
Release-Date:02.02.2024
Genre:Electronic
Configuration:LP
Barcode:
in stock
Last in:25.03.2024
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Last in:25.03.2024
Label:Subtempo
Cat-No:SBTMP023
Release-Date:02.02.2024
Genre:Electronic
Configuration:LP
Barcode:
1
Renè Lorenzo - Act
2
Renè Lorenzo - Code Red
3
Renè Lorenzo - Accept
4
Renè Lorenzo - Beauty Cycles
5
Renè Lorenzo - One Dollar
6
Renè Lorenzo - Ring Tones
7
Renè Lorenzo - O.G.
8
Renè Lorenzo - Adapt
“Pulses and Resonances” is Rene Lorenzo’s debut album on Subtempo. This album represents a culmination of more than 20 years of electronic music exposure as a DJ and a clear point of view. We can hear influences of broken beat, techno, drum & bass, all through the unique lens that Rene brings to the table, deeply steeped in ambient, deep techno and downtempo. Even though this isn’t a dance record, it’s filled with energy and drive. It is an out-of-the-ordinary album, with intricate shifts and turns with well-crafted kick drums, round bass lines and enveloping subs. A record filled with warm sounds, head-nodding rhythms, and rich textured spaces. It’s all woven into an easy-listening experience, without demanding the listener’s full attention, but creating a landscape that is unique and varied throughout. We can hear references to artists like Boards of Canada, Jan Jenilek, Synkro and the like.
“In this record, every track has a different pulse or rhythm, and I use different resonators in the sound design process to achieve these tones. I started by leaving the space open with the ambient pads and hardly any rhythm, and I’d let myself be carried away by my sense of rhythm slowly building the compositions. I am obsessive with audio processing and I almost never leave a sound in its initial form. I like to add some subtle effect that sounds like something different and give new sounds to the elements I use.”
“Pulses and Resonances” is out via Subtempo on vinyl and digital on February 2nd. More
“In this record, every track has a different pulse or rhythm, and I use different resonators in the sound design process to achieve these tones. I started by leaving the space open with the ambient pads and hardly any rhythm, and I’d let myself be carried away by my sense of rhythm slowly building the compositions. I am obsessive with audio processing and I almost never leave a sound in its initial form. I like to add some subtle effect that sounds like something different and give new sounds to the elements I use.”
“Pulses and Resonances” is out via Subtempo on vinyl and digital on February 2nd. More
2LP
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Label:Gost Zvuk
Cat-No:gost022
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:
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Last in:12.02.2024
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Last in:12.02.2024
Label:Gost Zvuk
Cat-No:gost022
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:
1
Roma Zuckerman - Nightmare Forms
2
Roma Zuckerman - Waterfalls Pt.2
3
Roma Zuckerman - Text Regulator
4
Roma Zuckerman - Arzt
5
Roma Zuckerman - Like My News
6
Roma Zuckerman - Frozen City
7
Roma Zuckerman - I Play Everyday
8
Roma Zuckerman - Extra Work
9
Roma Zuckerman - Juldish
10
Roma Zuckerman - 4CH005I
11
Roma Zuckerman - Compañeros
Tracklisting
A1 Roma Zuckerman - Nightmare Forms
A2 Roma Zuckerman - Waterfalls Pt.2
A3 Roma Zuckerman - Text Regulator
B1 Roma Zuckerman - Arzt
B2 Roma Zuckerman - Like My News
C1 Roma Zuckerman - Frozen City
C2 Roma Zuckerman - I Play Everyday
D1 Roma Zuckerman - Extra Work
D2 Roma Zuckerman - Juldish
D3 Roma Zuckerman - 4CH005I
D4 Roma Zuckerman - Compañeros More
A1 Roma Zuckerman - Nightmare Forms
A2 Roma Zuckerman - Waterfalls Pt.2
A3 Roma Zuckerman - Text Regulator
B1 Roma Zuckerman - Arzt
B2 Roma Zuckerman - Like My News
C1 Roma Zuckerman - Frozen City
C2 Roma Zuckerman - I Play Everyday
D1 Roma Zuckerman - Extra Work
D2 Roma Zuckerman - Juldish
D3 Roma Zuckerman - 4CH005I
D4 Roma Zuckerman - Compañeros More