2LP
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Label:Gost Zvuk
Cat-No:gost022
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:
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Last in:12.02.2024
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Last in:12.02.2024
Label:Gost Zvuk
Cat-No:gost022
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:
1
Roma Zuckerman - Nightmare Forms
2
Roma Zuckerman - Waterfalls Pt.2
3
Roma Zuckerman - Text Regulator
4
Roma Zuckerman - Arzt
5
Roma Zuckerman - Like My News
6
Roma Zuckerman - Frozen City
7
Roma Zuckerman - I Play Everyday
8
Roma Zuckerman - Extra Work
9
Roma Zuckerman - Juldish
10
Roma Zuckerman - 4CH005I
11
Roma Zuckerman - Compañeros
Tracklisting
A1 Roma Zuckerman - Nightmare Forms
A2 Roma Zuckerman - Waterfalls Pt.2
A3 Roma Zuckerman - Text Regulator
B1 Roma Zuckerman - Arzt
B2 Roma Zuckerman - Like My News
C1 Roma Zuckerman - Frozen City
C2 Roma Zuckerman - I Play Everyday
D1 Roma Zuckerman - Extra Work
D2 Roma Zuckerman - Juldish
D3 Roma Zuckerman - 4CH005I
D4 Roma Zuckerman - Compañeros More
A1 Roma Zuckerman - Nightmare Forms
A2 Roma Zuckerman - Waterfalls Pt.2
A3 Roma Zuckerman - Text Regulator
B1 Roma Zuckerman - Arzt
B2 Roma Zuckerman - Like My News
C1 Roma Zuckerman - Frozen City
C2 Roma Zuckerman - I Play Everyday
D1 Roma Zuckerman - Extra Work
D2 Roma Zuckerman - Juldish
D3 Roma Zuckerman - 4CH005I
D4 Roma Zuckerman - Compañeros More
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Last in:04.04.2019
Label:Trip
Cat-No:TRP018
Release-Date:14.10.2022
Genre:Techno
Configuration:12"
Barcode:
1
Roma Zuckerman - So What (I Feel Dirty)
2
Roma Zuckerman - Years
3
Roma Zuckerman - Your Ego
4
Roma Zuckerman - Robologia (Voice Ring Edit) (Voice Ring remix)
- 2022 repress -
Tracklisting:
A1 Roma Zuckerman - So What (I Feel Dirty)
A2 Roma Zuckerman - Years
B1 Roma Zuckerman - Your Ego
B2 Roma Zuckerman - Robologia (Voice Ring Edit) (Voice Ring remix)
Release Note:
Roma Zuckerman returns to Trip with his debut EP, which emerges after 2 stand-out appearances on the label compilations in 2015 and 2016.
"That Present Terminal" blends murky textures and sinister vocals across 4 delusional tracks.
Glitchy percussion and scuzzy frequencies march with intent whilst uncanny voices mumble to the beat of their own insanity. Unnerving tones test our limits whilst underlying grooves offer mild relief.
"That Present Terminal" condenses a broad sonic palette into 4 truly bizarre cuts that, once tested, are hard to put down. More
Tracklisting:
A1 Roma Zuckerman - So What (I Feel Dirty)
A2 Roma Zuckerman - Years
B1 Roma Zuckerman - Your Ego
B2 Roma Zuckerman - Robologia (Voice Ring Edit) (Voice Ring remix)
Release Note:
Roma Zuckerman returns to Trip with his debut EP, which emerges after 2 stand-out appearances on the label compilations in 2015 and 2016.
"That Present Terminal" blends murky textures and sinister vocals across 4 delusional tracks.
Glitchy percussion and scuzzy frequencies march with intent whilst uncanny voices mumble to the beat of their own insanity. Unnerving tones test our limits whilst underlying grooves offer mild relief.
"That Present Terminal" condenses a broad sonic palette into 4 truly bizarre cuts that, once tested, are hard to put down. More
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Last in:14.07.2021
Label:trip
Cat-No:TRP036
Release-Date:12.04.2021
Genre:Techno
Configuration:2x12"
Barcode:
1
roma zuckerman - syntax process
2
roma zuckerman - ask vahid for hit
3
roma zuckerman - disposition
4
roma zuckerman - frequency hole 4
5
roma zuckerman - digitalization
6
roma zuckerman - disposition part 3
7
roma zuckerman - if i could find out something about the future
8
roma zuckerman - i like you
Roma Zuckerman is in fact the trippiest artist on the label and he is back with a new solo release 'stage of loyalty'. Nobody ever knows what is on his mind when recording his next 13 minute long composition at home in Krasnoyarsk but his signature slow mo murkiness and Roma-like mental groove are unmistakable. 'Stage of loyalty' does just that but also contains minimalist techno tracks and a wonderful italo-esque sounding anthem ,,I like you" that could easily soundtrack a movie where everything is going to be just alright! Artwork by Daria Galeeva.
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Label:Gost Zvuk
Cat-No:gost023
Release-Date:07.06.2024
Genre:Electronic
Configuration:12"
Barcode:
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Label:Gost Zvuk
Cat-No:gost023
Release-Date:07.06.2024
Genre:Electronic
Configuration:12"
Barcode:
1
DX2OV - Coherent Scale
2
DX2OV - Eliseus
3
DX2OV - Intersection
4
DX2OV - LAFS
5
DX2OV - Loop
6
DX2OV - O.K.
7
DX2OV - Sliding on Enamel
8
DX2OV - Voices
9
DX2OV - Gossip
10
DX2OV - Interzona
Tracklisting
A1 DX2OV - Coherent Scale
A2 DX2OV - Eliseus
A3 DX2OV - Intersection
A4 DX2OV - LAFS
A5 DX2OV - Loop
B1 DX2OV - O.K.
B2 DX2OV - Sliding on Enamel
B3 DX2OV - Voices
B4 DX2OV - Gossip
B5 DX2OV - Interzona More
A1 DX2OV - Coherent Scale
A2 DX2OV - Eliseus
A3 DX2OV - Intersection
A4 DX2OV - LAFS
A5 DX2OV - Loop
B1 DX2OV - O.K.
B2 DX2OV - Sliding on Enamel
B3 DX2OV - Voices
B4 DX2OV - Gossip
B5 DX2OV - Interzona More
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Last in:12.01.2024
Label:Gost Zvuk
Cat-No:GIN013
Release-Date:22.09.2023
Genre:Techno
Configuration:10"
Barcode:
1
Hoavi - PHASE 7
2
Hoavi - PHASE 10
3
Hoavi - PHASE 9
4
Hoavi - PHASE 5
5
Hoavi - PHASE 2
6
Hoavi - PHASE 8
Tracklisting:
A1 Hoavi - PHASE 7
A2 Hoavi - PHASE 10
A3 Hoavi - PHASE 9
B1 Hoavi - PHASE 5
B2 Hoavi - PHASE 2
B3 Hoavi - PHASE 8
Sales Note
Part of the St. Petersburg underground for more than a decade now, Hoavi (Kirill Vasin) has released on labels around the world since debuting with Cyclones in 2013. With Phases, he joins the Gost Zvuk roster and builds on his previous ventures into ambient and dub inspired house with a six track mini-album that channels elements of his Phobia Airlines LP. The general atmosphere is built through industrial sound design, moving from quick-fire broken beat and woozy downtempo into rhythmic noise and abstract reductivism. The whole thing collides to form a sort of futurist, machinic statement that relies more on rhythm and percussive synth work than the balancing of melody, seeing the artist hone in further on physical modelling synthesis and computer-generated textures. This mission statement only adds to the inescapable sci-fi aura at work, with Hoavi providing a fresh take on the kind of zones explored by luminaries such as Best Available Technology, Vainqueur / Hallucinator and odd moments of The Flashbulb More
A1 Hoavi - PHASE 7
A2 Hoavi - PHASE 10
A3 Hoavi - PHASE 9
B1 Hoavi - PHASE 5
B2 Hoavi - PHASE 2
B3 Hoavi - PHASE 8
Sales Note
Part of the St. Petersburg underground for more than a decade now, Hoavi (Kirill Vasin) has released on labels around the world since debuting with Cyclones in 2013. With Phases, he joins the Gost Zvuk roster and builds on his previous ventures into ambient and dub inspired house with a six track mini-album that channels elements of his Phobia Airlines LP. The general atmosphere is built through industrial sound design, moving from quick-fire broken beat and woozy downtempo into rhythmic noise and abstract reductivism. The whole thing collides to form a sort of futurist, machinic statement that relies more on rhythm and percussive synth work than the balancing of melody, seeing the artist hone in further on physical modelling synthesis and computer-generated textures. This mission statement only adds to the inescapable sci-fi aura at work, with Hoavi providing a fresh take on the kind of zones explored by luminaries such as Best Available Technology, Vainqueur / Hallucinator and odd moments of The Flashbulb More
Label:Gost Zvuk
Cat-No:gost021
Release-Date:09.06.2023
Genre:Electronic
Configuration:2LP
Barcode:
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Label:Gost Zvuk
Cat-No:gost021
Release-Date:09.06.2023
Genre:Electronic
Configuration:2LP
Barcode:
1
Nocow (feat. Fama87) - Memory
2
Nocow - Ko Mne
3
Nocow - Soon
4
Nocow feat. Shutta - Taina
5
Nocow feat. Fama87 - Ogni
6
Nocow - Blizhe
7
Nocow - Ne dognat'
8
Nocow feat. Kedr Livanskiy - Dengi Ne Sgorayut
9
Nocow - Circle
10
Nocow - Need U
11
Nocow (feat. Fama87) - Temno
12
Nocow (feat. Flaty) - Naiti
13
Nocow (feat. Shutta) - Anymore
14
Nocow - Pozovi (feat. Flaty)
15
Nocow - Diver
16
Nocow - Flow
17
Nocow (feat. Flaty) - Breath
Tracklisting:
A1 Nocow feat. Fama87 - Memory
A2 Nocow - Ko Mne
A3 Nocow - Soon
A4 Nocow feat. Shutta - Taina
B1 Nocow feat. Fama87 - Ogni
B2 Nocow - Blizhe
B3 Nocow - Ne dognat'
B4 Nocow feat. Kedr Livanskiy - Dengi Ne Sgorayut
C1 Nocow - Circle
C2 Nocow - Need U
C3 Nocow feat. Fama87 - Temno
C4 Nocow feat. Flaty - Naiti
D1 Nocow feat. Shutta - Anymore
D2 Nocow feat. Flaty - Pozovi
D3 Nocow - Diver
D4 Nocow - Flow
D5 Nocow feat. Flaty - Breath
Sales Note
First rising to global acclaim in the latter half of the dubstep era with 'Ruins Tape', veteran St. Petersburg producer Nocow has fluidly moved across styles in the years since. Moving in a new direction from 2017s 'Ledyanoy Album', which saw the producer channel 90s ambient techno/IDM for GOST ZVUK, these 17 new tracks, and collaborations for the label instead hone in on a vocal-heavy type of ghostly R&B. As an album, Odinocow carries hints of trance, house and polished electronica ('Blizhe') as well as raw broken beat hybrids ('Dengi Ne Sgorayut'), though the primary unifying factor is the voice.
The heavy use of autotune, downtempo arrangements and wistful, machine-distorted human emotion are referenced in the album's title, which translates roughly to lonely Nocow. Whilst past albums have oscillated between steady dance structures and more wildly experimental arrangements, there is a recurring theme of simplicity at play here. Nocow aims to craft memorable songs by harmonising over contrasting ambient soundscapes, from glacial to warm, through to trap/rnb and 4x4 dance-pop.
With such an emphasis on exploring his voice and his songwriting craft, Nocow injects a new level of soul and integrity to his already well-established productions. Odinocow is a departure from his past work in some ways, though is also an example of a musician striving to reflect their truest vision of the self. "By finding yourself, you become able to love yourself, and, as a result, the world. So the album is really about love." More
A1 Nocow feat. Fama87 - Memory
A2 Nocow - Ko Mne
A3 Nocow - Soon
A4 Nocow feat. Shutta - Taina
B1 Nocow feat. Fama87 - Ogni
B2 Nocow - Blizhe
B3 Nocow - Ne dognat'
B4 Nocow feat. Kedr Livanskiy - Dengi Ne Sgorayut
C1 Nocow - Circle
C2 Nocow - Need U
C3 Nocow feat. Fama87 - Temno
C4 Nocow feat. Flaty - Naiti
D1 Nocow feat. Shutta - Anymore
D2 Nocow feat. Flaty - Pozovi
D3 Nocow - Diver
D4 Nocow - Flow
D5 Nocow feat. Flaty - Breath
Sales Note
First rising to global acclaim in the latter half of the dubstep era with 'Ruins Tape', veteran St. Petersburg producer Nocow has fluidly moved across styles in the years since. Moving in a new direction from 2017s 'Ledyanoy Album', which saw the producer channel 90s ambient techno/IDM for GOST ZVUK, these 17 new tracks, and collaborations for the label instead hone in on a vocal-heavy type of ghostly R&B. As an album, Odinocow carries hints of trance, house and polished electronica ('Blizhe') as well as raw broken beat hybrids ('Dengi Ne Sgorayut'), though the primary unifying factor is the voice.
The heavy use of autotune, downtempo arrangements and wistful, machine-distorted human emotion are referenced in the album's title, which translates roughly to lonely Nocow. Whilst past albums have oscillated between steady dance structures and more wildly experimental arrangements, there is a recurring theme of simplicity at play here. Nocow aims to craft memorable songs by harmonising over contrasting ambient soundscapes, from glacial to warm, through to trap/rnb and 4x4 dance-pop.
With such an emphasis on exploring his voice and his songwriting craft, Nocow injects a new level of soul and integrity to his already well-established productions. Odinocow is a departure from his past work in some ways, though is also an example of a musician striving to reflect their truest vision of the self. "By finding yourself, you become able to love yourself, and, as a result, the world. So the album is really about love." More
2LP
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Label:Gost Zvuk
Cat-No:gost020
Release-Date:28.04.2023
Genre:Electronic
Configuration:2LP
Barcode:
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Last in:06.10.2023
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Label:Gost Zvuk
Cat-No:gost020
Release-Date:28.04.2023
Genre:Electronic
Configuration:2LP
Barcode:
1
Flaty - U C
2
Flaty - Upper Spell
3
Flaty - Intension
4
Flaty - Tree
5
Flaty - Lament Pit
6
Flaty - Strut
7
Flaty - Goblin Sograda
8
Flaty - Plural Dogs
9
Flaty - Nepal Lit
10
Flaty - Transparent Thought
11
Flaty - Declare Day Whom To Sleep
12
Flaty feat. Madteo - Observer
13
Flaty - IP-Elegy
14
Flaty - Protokross
15
Flaty - Blossom For Rest
16
Flaty - Mint
17
Flaty - Dolphy
18
Flaty - NEWS
19
Flaty - Gard
Tracklisting:
A1 Flaty - U C
A2 Flaty - Upper Spell
A3 Flaty - Intension
A4 Flaty - Tree
A5 Flaty - Lament Pit
B1 Flaty - Strut
B2 Flaty - Goblin Sograda
B3 Flaty - Plural Dogs
B4 Flaty - Nepal Lit
B5 Flaty - Transparent Thought
C1 Flaty - Declare Day Whom To Sleep
C2 Flaty feat. Madteo - Observer
C3 Flaty - IP-Elegy
C4 Flaty - Protokross
D1 Flaty - Blossom For Rest
D2 Flaty - Mint
D3 Flaty - Dolphy
D4 Flaty - NEWS
D5 Flaty - Gard
Release Info:
Gost Zvuk prepare for a busy 2023 with an enthralling double LP's worth of futurist sound design from Flaty. In the game for more than a decade now, the producer, mastering engineer and all-round visionary artist has delivered an impressive range of music across both his own ANWO imprint as well as for West Mineral ltd., 12th Isle, Firecracker and more.
Always content to subvert expectations and blur stylistic lines, on Intuitive Word there is a clear fascination with a spectral, whittled-down-to-its-core type of avant-pop/RNB hybrid. Digital strings, dubbed beyond recognition semantic snatches, re-imagined new age style synthesis and even flourishes of MMORPG computer game soundtracks all combine into something that feels uniquely Flaty. In a sense, Intuitive Word marries ambient sound collage and hyperreal, narrative-style vocal processing. However, glimmers of shoegaze and old 'ethereal' bands (think Harold Budd & Cocteau Twins) crop up on tracks like 'Tree' and 'Nepal Lit', a testament to Flaty's skill for world-building and atmospherics.
Across the 19 cuts there is a recurring theme of choral style, computer generated elegies. A kind of 'cristal trance', in their words. 'Mint' combines these with overtly RNB style vocal samples, whereas darker, more broken beat soundscapes can be heard on the Madteo collab 'Observer'. With plenty of sombre and cinematic style ventures such as 'NEWS' breaking up the album and eschewing this focus on vocals, we find one of the most consistent producers in the current Russian scene delivering what may well be his most accomplished collection yet. More
A1 Flaty - U C
A2 Flaty - Upper Spell
A3 Flaty - Intension
A4 Flaty - Tree
A5 Flaty - Lament Pit
B1 Flaty - Strut
B2 Flaty - Goblin Sograda
B3 Flaty - Plural Dogs
B4 Flaty - Nepal Lit
B5 Flaty - Transparent Thought
C1 Flaty - Declare Day Whom To Sleep
C2 Flaty feat. Madteo - Observer
C3 Flaty - IP-Elegy
C4 Flaty - Protokross
D1 Flaty - Blossom For Rest
D2 Flaty - Mint
D3 Flaty - Dolphy
D4 Flaty - NEWS
D5 Flaty - Gard
Release Info:
Gost Zvuk prepare for a busy 2023 with an enthralling double LP's worth of futurist sound design from Flaty. In the game for more than a decade now, the producer, mastering engineer and all-round visionary artist has delivered an impressive range of music across both his own ANWO imprint as well as for West Mineral ltd., 12th Isle, Firecracker and more.
Always content to subvert expectations and blur stylistic lines, on Intuitive Word there is a clear fascination with a spectral, whittled-down-to-its-core type of avant-pop/RNB hybrid. Digital strings, dubbed beyond recognition semantic snatches, re-imagined new age style synthesis and even flourishes of MMORPG computer game soundtracks all combine into something that feels uniquely Flaty. In a sense, Intuitive Word marries ambient sound collage and hyperreal, narrative-style vocal processing. However, glimmers of shoegaze and old 'ethereal' bands (think Harold Budd & Cocteau Twins) crop up on tracks like 'Tree' and 'Nepal Lit', a testament to Flaty's skill for world-building and atmospherics.
Across the 19 cuts there is a recurring theme of choral style, computer generated elegies. A kind of 'cristal trance', in their words. 'Mint' combines these with overtly RNB style vocal samples, whereas darker, more broken beat soundscapes can be heard on the Madteo collab 'Observer'. With plenty of sombre and cinematic style ventures such as 'NEWS' breaking up the album and eschewing this focus on vocals, we find one of the most consistent producers in the current Russian scene delivering what may well be his most accomplished collection yet. More
12"
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Label:Gost Zvuk
Cat-No:gost019
Release-Date:24.03.2023
Genre:Electronic
Configuration:12"
Barcode:
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Last in:31.03.2023
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Label:Gost Zvuk
Cat-No:gost019
Release-Date:24.03.2023
Genre:Electronic
Configuration:12"
Barcode:
1
Stanislav Karpenkov - EvpaTrans+
2
Stanislav Karpenkov - Reefs Flower
3
Stanislav Karpenkov - ET+
4
Stanislav Karpenkov feat. Terrence Dixon - Background Data
5
Stanislav Karpenkov - 1.1
6
Stanislav Karpenkov - SA-1-rp-5
7
Stanislav Karpenkov - Telpher
8
Stanislav Karpenkov feat. Kuzma Palkin - Jet Ski Max
9
Stanislav Karpenkov - Last Wave
10
Stanislav Karpenkov - New Keyboard
Tracklisting:
A1 Stanislav Karpenkov - EvpaTrans+
A2 Stanislav Karpenkov - Reefs Flower
A3 Stanislav Karpenkov - ET+
A4 Stanislav Karpenkov feat. Terrence Dixon - Background Data
A5 Stanislav Karpenkov - 1.1
B1 Stanislav Karpenkov - SA-1-rp-5
B2 Stanislav Karpenkov - Telpher
B3 Stanislav Karpenkov feat. Kuzma Palkin - Jet Ski Max
B4 Stanislav Karpenkov - Last Wave
B5 Stanislav Karpenkov - New Keyboard
Sales Note
After three years of deep work, Stas Karpenkov's debut album is released on Gost Zvuk in the form of an abstract, free-form study. The album is saturated with the Black Sea breeze and the natural beauty of the peninsula, a land associated with the life of the author. It's a musical representation of its surrounding reliefs, an ode to the cyclicity of the waves, and a journey through soundscapes. These manifestations of maritime romance also include the experience of co-producing with Terrence Dixon and Kuzma Palkin on a couple of tracks that play an important role in the idea of the record. More
A1 Stanislav Karpenkov - EvpaTrans+
A2 Stanislav Karpenkov - Reefs Flower
A3 Stanislav Karpenkov - ET+
A4 Stanislav Karpenkov feat. Terrence Dixon - Background Data
A5 Stanislav Karpenkov - 1.1
B1 Stanislav Karpenkov - SA-1-rp-5
B2 Stanislav Karpenkov - Telpher
B3 Stanislav Karpenkov feat. Kuzma Palkin - Jet Ski Max
B4 Stanislav Karpenkov - Last Wave
B5 Stanislav Karpenkov - New Keyboard
Sales Note
After three years of deep work, Stas Karpenkov's debut album is released on Gost Zvuk in the form of an abstract, free-form study. The album is saturated with the Black Sea breeze and the natural beauty of the peninsula, a land associated with the life of the author. It's a musical representation of its surrounding reliefs, an ode to the cyclicity of the waves, and a journey through soundscapes. These manifestations of maritime romance also include the experience of co-producing with Terrence Dixon and Kuzma Palkin on a couple of tracks that play an important role in the idea of the record. More
12"
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Label:Gost Zvuk
Cat-No:gost018
Release-Date:07.10.2022
Genre:Electronic
Configuration:12"
Barcode:
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Last in:11.10.2022
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Label:Gost Zvuk
Cat-No:gost018
Release-Date:07.10.2022
Genre:Electronic
Configuration:12"
Barcode:
1
The Oaken Chariot - They are looking at us from above
2
The Oaken Chariot - BIZNES TIME
3
The Oaken Chariot - Free Poetry
4
The Oaken Chariot - Wasteland Luxury
5
The Oaken Chariot - Cleaner than love
6
The Oaken Chariot - Whirlabout
7
The Oaken Chariot - Random patterns
Tracklisting:
A1 The Oaken Chariot - They are looking at us from above
A2 The Oaken Chariot - BIZNES TIME
A3 The Oaken Chariot - Free Poetry
B1 The Oaken Chariot - Wasteland Luxury
B2 The Oaken Chariot - Cleaner than love
B3 The Oaken Chariot - Whirlabout
B4 The Oaken Chariot - Random patterns
Release Note:
What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called 'northern' variety) rather than dub. Gost has a history with the town of Smolensk. It's home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun's members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn't truly exist.
The Russian word for oak, 'dub,' looks exactly like the genre, and the chariot emerged from the name for the group's jams - 'telega' - which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There's no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).
We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism - and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the "Russian mutation of dub," is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The "fool" in question is not naive at all; he's trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.
Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy "fools"), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a 'postsong', taking the form of "linguistic, formal and symbolic indeterminacy." The duo's faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying "eto delo v lob," which means something like "it's a straight-on thing." This is very direct, almost in the vein of folk music. This is a great - and, it must be said, successful - experiment in searching for the soul of Russian dub. Simple as that. More
A1 The Oaken Chariot - They are looking at us from above
A2 The Oaken Chariot - BIZNES TIME
A3 The Oaken Chariot - Free Poetry
B1 The Oaken Chariot - Wasteland Luxury
B2 The Oaken Chariot - Cleaner than love
B3 The Oaken Chariot - Whirlabout
B4 The Oaken Chariot - Random patterns
Release Note:
What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called 'northern' variety) rather than dub. Gost has a history with the town of Smolensk. It's home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun's members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn't truly exist.
The Russian word for oak, 'dub,' looks exactly like the genre, and the chariot emerged from the name for the group's jams - 'telega' - which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There's no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).
We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism - and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the "Russian mutation of dub," is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The "fool" in question is not naive at all; he's trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.
Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy "fools"), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a 'postsong', taking the form of "linguistic, formal and symbolic indeterminacy." The duo's faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying "eto delo v lob," which means something like "it's a straight-on thing." This is very direct, almost in the vein of folk music. This is a great - and, it must be said, successful - experiment in searching for the soul of Russian dub. Simple as that. More
10"
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Last in:18.03.2022
Label:Gost Zvuk
Cat-No:GIN012
Release-Date:11.03.2022
Genre:Techno
Configuration:10"
Barcode:
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HMOT - Instrumentation I
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HMOT - Instrumentation II
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HMOT - Context
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HMOT - Instrumentation IV (Encore)
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HMOT - Instrumentation IV
Tracklisting:
A1 HMOT - Instrumentation I
A2 HMOT - Instrumentation II
B1 HMOT - Context
B2 HMOT - Instrumentation IV (Encore)
B3 HMOT - Instrumentation IV
Release Note:
"In the beginning there was Jack... And Jack had a groove." We know this old tale pretty well. But what do these words really mean? And does this meaning even exist nowadays?Our fellow musician and sound researcher Stas Sharifullin, known as HMOT, presents his report Jack Studies in the form of a release on the Instrument, Gost Zvuk sublabel. Formally, it is a reissue of his single Prolegomena to Home Music Ontology, released in 2017 on Cyland. But these old tracks have been expanded, remastered by Rupert Clervaux and complemented by the two new ones. HMOT originally prepared the tracks on Jack Studies for release on Gost Zvuk, so these instrumentations are finally coming home after a long journey. Context is everything - and in the new environment, this music speaks even louder.Originally, house music was associated with HIV/AIDS activism and the fight against racial oppression, among other things - and this was completely lost in translation in Russia. House was stripped of its political and symbolic potential, and Jack Studies tries to show how the context is slowly fading from our memory. But it's not just an observation. It's a tool of light intrusion that the author has already tested in his DJ sets. Once, he says, he played Instrumentation IV (Encore) for eleven minutes at the Kantine am Berghain.Now that we are finally talking about Western and Eastern ways of making it in music, Jack Studies is more relevant than ever. You can see it not only as a joke said louder this time, but also as a critique of modern house music. You can also see it as a reflection on our strangeness to house music and how we can interpret it in our own way; as Sharifullin astutely suggests, as home music. He sees no line between tragedy and comedy, citing the plays of Samuel Beckett as the root of Jack Studies' irony. "They are funny and somber at the same time. To me, this release is sad, but the music here is joyful." Home music is the paradox. But it is also the beginning of something new. And in the beginning there was... what? Jack Studies has an answer. More
A1 HMOT - Instrumentation I
A2 HMOT - Instrumentation II
B1 HMOT - Context
B2 HMOT - Instrumentation IV (Encore)
B3 HMOT - Instrumentation IV
Release Note:
"In the beginning there was Jack... And Jack had a groove." We know this old tale pretty well. But what do these words really mean? And does this meaning even exist nowadays?Our fellow musician and sound researcher Stas Sharifullin, known as HMOT, presents his report Jack Studies in the form of a release on the Instrument, Gost Zvuk sublabel. Formally, it is a reissue of his single Prolegomena to Home Music Ontology, released in 2017 on Cyland. But these old tracks have been expanded, remastered by Rupert Clervaux and complemented by the two new ones. HMOT originally prepared the tracks on Jack Studies for release on Gost Zvuk, so these instrumentations are finally coming home after a long journey. Context is everything - and in the new environment, this music speaks even louder.Originally, house music was associated with HIV/AIDS activism and the fight against racial oppression, among other things - and this was completely lost in translation in Russia. House was stripped of its political and symbolic potential, and Jack Studies tries to show how the context is slowly fading from our memory. But it's not just an observation. It's a tool of light intrusion that the author has already tested in his DJ sets. Once, he says, he played Instrumentation IV (Encore) for eleven minutes at the Kantine am Berghain.Now that we are finally talking about Western and Eastern ways of making it in music, Jack Studies is more relevant than ever. You can see it not only as a joke said louder this time, but also as a critique of modern house music. You can also see it as a reflection on our strangeness to house music and how we can interpret it in our own way; as Sharifullin astutely suggests, as home music. He sees no line between tragedy and comedy, citing the plays of Samuel Beckett as the root of Jack Studies' irony. "They are funny and somber at the same time. To me, this release is sad, but the music here is joyful." Home music is the paradox. But it is also the beginning of something new. And in the beginning there was... what? Jack Studies has an answer. More
Label:Gost Zvuk
Cat-No:gost017
Release-Date:19.11.2021
Genre:Electronic
Configuration:LP
Barcode:
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Label:Gost Zvuk
Cat-No:gost017
Release-Date:19.11.2021
Genre:Electronic
Configuration:LP
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Wulffius - A1 - Monotone in G minor
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Wulffius - A2 - My Cosmic Synthesizer
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Wulffius - A3 - Frequency Piano Jam
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Wulffius - A4 - See That. Are That
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Wulffius - B1 - Heels At The Pebble Beach
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Wulffius - B2 - Typ Sounds Deep
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Wulffius - B3 - Grape Bounce
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Wulffius - B4 - I Am Weird
Tracklisting
A1 Wulffius - Monotone in G minor
A2 Wulffius - My Cosmic Synthesizer
A3 Wulffius - Frequency Piano Jam
A4 Wulffius - See That. Are That
B1 Wulffius - Heels At The Pebble Beach
B2 Wulffius - Typ Sounds Deep
B3 Wulffius - Grape Bounce
B4 Wulffius - I Am Weird
Release Note
Sorang, the debut album of Yalta native Wulffius, represents his work over the last eight years. The playful creature on the cover, Stone Eater, is based on childhood sketches of producer's father. The name of the album alludes to the first collection of his father's poems, which took its name from a short story by Konstantin Paustovsky, a master of nature writing in Russian prose. Sorang is the name of the south wind that "blows once in centuries", and you can hear its unique warmth in these tracks. There is a sense of wholeness here, and a palpable style and atmosphere that permeates the individual pieces.
Wulffius creates what he himself refers to as "B-sides": something too strange to be danceable, with "complex ease" and rhythmical variety. The music has a charming serenity and beauty thanks to Wulffius' intuitive approach, which is childlike and whimsical in the best possible sense. By the way, Paustovsky wrote Sorang in an hour and a half at a speed writing competition. You can hear a similar spontaneity here, but make no mistake, this is the work of a master and has been crafted over a period of years. It all comes from experience. More
A1 Wulffius - Monotone in G minor
A2 Wulffius - My Cosmic Synthesizer
A3 Wulffius - Frequency Piano Jam
A4 Wulffius - See That. Are That
B1 Wulffius - Heels At The Pebble Beach
B2 Wulffius - Typ Sounds Deep
B3 Wulffius - Grape Bounce
B4 Wulffius - I Am Weird
Release Note
Sorang, the debut album of Yalta native Wulffius, represents his work over the last eight years. The playful creature on the cover, Stone Eater, is based on childhood sketches of producer's father. The name of the album alludes to the first collection of his father's poems, which took its name from a short story by Konstantin Paustovsky, a master of nature writing in Russian prose. Sorang is the name of the south wind that "blows once in centuries", and you can hear its unique warmth in these tracks. There is a sense of wholeness here, and a palpable style and atmosphere that permeates the individual pieces.
Wulffius creates what he himself refers to as "B-sides": something too strange to be danceable, with "complex ease" and rhythmical variety. The music has a charming serenity and beauty thanks to Wulffius' intuitive approach, which is childlike and whimsical in the best possible sense. By the way, Paustovsky wrote Sorang in an hour and a half at a speed writing competition. You can hear a similar spontaneity here, but make no mistake, this is the work of a master and has been crafted over a period of years. It all comes from experience. More
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Last in:24.06.2021
Label:Gost Zvuk
Cat-No:MEM01
Release-Date:11.06.2021
Genre:Electro
Configuration:12"
Barcode:
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Kuzma Palkin - intro
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Kuzma Palkin - smut agenda
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Kuzma Palkin - reliable clay
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Kuzma Palkin - stadion sever
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Kuzma Palkin - synth1 power user
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Kuzma Palkin - memory clot
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Kuzma Palkin - lahta continuum
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Kuzma Palkin - outro rc
Label:Gost Zvuk
Cat-No:GOST016
Release-Date:20.11.2020
Genre:Electronic
Configuration:LP
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Label:Gost Zvuk
Cat-No:GOST016
Release-Date:20.11.2020
Genre:Electronic
Configuration:LP
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Kassir - M-city
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Kassir - Dodik pt.2
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Kassir - Naiv (feat. Perila )
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Kassir - Tommy III ((feat. Shumopeleng)
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Kassir - vk locked groove
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Kassir - Mope (feat. Shumopeleng)
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Kassir - Multiplication (feat. Shumopeleng)
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Kassir - Priboi
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Kassir - Brown White (feat. DJ Anibari)
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Kassir - The Spirit
The first vinyl LP by Moscow-based Boris Solomatin also known as DJ Kassir. An outsider from the beginning, this singular producer has shaped his universe around the denial of common sense. Obsessed with absurdity, confusion and weirdness in everyday life, he creates his own narrative where low quality is part of the message. His layering of obscure sound artifacts into psychedelic collages makes the music seem like a sonic counterpart to Russian meme culture. He acts as a modern ragman pursuing the documentation of this delirious post-reality using the language of sound. The album consists of the works created by him and his fellow producers around 2015-2017 and it's truly a blessing that these haven't been lost and are finally available on vinyl.
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Last in:05.11.2020
Label:Gost Zvuk
Cat-No:rassvet15-gost1
Release-Date:30.07.2020
Genre:Electro
Configuration:2LP
Barcode:
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
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Buttechno - No Title
Working with sonic archetypes rather than genres, in recent years Moscow's Pavel Milyakov has transcended the average practices of what one might call "the electronic music scene" and built his personal artistic universe where the visual and time-based arts are blended into one another. His new conceptual album PSY X, a collaboration between Gost Zvuk and Buttechno's own imprint Rassvet, can be understood as a collection of audio, video and graphic documents fused together in a homogeneous form. Profoundly rethinking the interactions between various media, Pavel utilizes a vast variety of creative tools and technologies - from generative music algorithms to laser equipment - to create (in)determinate "environments", rather than simply "tracks" or "pictures". The result is simply stunning: a meticulously crafted visual container that encases kinetic, alluring and deeply immersive music from one of Russian burgeoning scene's most vivid voices.
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Last in:27.07.2020
Label:Gost Zvuk
Cat-No:gin010
Release-Date:10.07.2020
Genre:Techno
Configuration:12"
Barcode:
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Ol - No Title
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Ol - No Title
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Ol - No Title
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Ol - No Title
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Ol - No Title
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Ol - No Title
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Ol - No Title
The tenth, jubilee release of "Instrument" series is a sudden turning point and immediately changes the rules of the game, anticipating emerging trends. Oleg Buyanov - one of the main GOST contributors responsible for prominent records "True White" and "Height Difference" makes his debut in "Instrument" framework. OL's new release creates a path of complete diverseness - a unique mix of ambient, dub and mutational electronica, though the author's hip-hop DNA is still recognisable.
The release title as well as its symbol flirts with the privacy of communication in the context of its facilities and tools of the present world. Music acts as the info-channel, which provides unseen and coded data to a person from aside. The vagueness of mood, recurrent rhythm changes, and order of arrangement seem to rhyme with the paranoid feeling of being wiretapped. OL (along with another GOST ZVUK resident Flaty) recently had a similar experience of sound synthesis with their Serwed project whose recent LP was released via West Mineral Ltd. The groove of "SORM" is swirling, distorted and sometimes "disengaged"; sound guided by its waves exists in a constant process of decomposition, dissolution and then reassembles in new configurations. More
The release title as well as its symbol flirts with the privacy of communication in the context of its facilities and tools of the present world. Music acts as the info-channel, which provides unseen and coded data to a person from aside. The vagueness of mood, recurrent rhythm changes, and order of arrangement seem to rhyme with the paranoid feeling of being wiretapped. OL (along with another GOST ZVUK resident Flaty) recently had a similar experience of sound synthesis with their Serwed project whose recent LP was released via West Mineral Ltd. The groove of "SORM" is swirling, distorted and sometimes "disengaged"; sound guided by its waves exists in a constant process of decomposition, dissolution and then reassembles in new configurations. More
Label:Gost Zvuk
Cat-No:gost014
Release-Date:21.02.2020
Genre:Electronic
Configuration:12"
Barcode:
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Last in:28.02.2020
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Last in:28.02.2020
Label:Gost Zvuk
Cat-No:gost014
Release-Date:21.02.2020
Genre:Electronic
Configuration:12"
Barcode:
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Gamayum - Situation
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Gamayum - Aluminum Dub
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Gamayum - Chance
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Gamayum - Kosmaj
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Gamayum - Transition
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Gamayum - All This Is Not A Dream
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Gamayum - Continental Outcome
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Gamayum - Arrival
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Gamayum - Photon Garden
"Filterealism" starts from the territories where Gamayun haven't stepped before, from the music that only seems to be simple, but in fact it turns out to be very compound. Their recordings are not escapist in any sense of its meanings anymore; the whole album consists of divisions, explorations and adoptions through the personal and collective experience of music-making. The technical side of this sound acts likewise: you can hear a large amount of routine items (furniture, utensils and deformed recordings of the nature) among "conventional" electronic gadgets and live instruments.
"Filterealism" sounds just like some Soviet electronic music pioneer, which had shifted his focal grip from the modulations and synthesizers to all the simple things of surrounding and completed the piece with profounder shot of weirdness and commonplace wondering. And it literally works like a wonder. More
"Filterealism" sounds just like some Soviet electronic music pioneer, which had shifted his focal grip from the modulations and synthesizers to all the simple things of surrounding and completed the piece with profounder shot of weirdness and commonplace wondering. And it literally works like a wonder. More
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Last in:31.01.2020
Label:Gost Zvuk
Cat-No:gin009
Release-Date:07.11.2019
Genre:Techno
Configuration:12"
Barcode:
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Nocow - No Title
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Nocow - No Title
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Nocow - No Title
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Nocow - No Title
Aleksei Nikitin, whose first release kindled the GOST ZVUK history (and whose brilliantly sparkish "Ledyanoy Album" was issued on the label a couple of years ago), goes back to Ground Zero after his trilogy on Figure and REKIDS' "Atoner" LP. All four tracks of the eighth GOST INSTRUMENT's vinyl present a rather way-out approach, surprisingly uncommon for Aleksei's form style. But this seemed minimalism tends to be valid only at first glance. Starting from plain rhythm, "Elektromechanika's" further groove is drifting on lots of tousled synths. "Far Voices", an exercise in interweaving of echoes and voice samples, ends right at the moment when you expect track's next iteration. The B-side is not without surprises too: the acid beat of "Oasis" rises almost suddenly after drone-alike "Monothone". Summarizing all the above, getting into this record is not only the extremely clear case, but you should also try to play it from random track, or even in "B2-A1" order.
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Label:Gost Zvuk
Cat-No:gost013
Release-Date:20.09.2019
Genre:Electronic
Configuration:3LP
Barcode:
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Last in:09.01.2020
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Last in:09.01.2020
Label:Gost Zvuk
Cat-No:gost013
Release-Date:20.09.2019
Genre:Electronic
Configuration:3LP
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Five years ago, the expression Russian electronic scene bore a tone of futurology and expectancies rather than a real state of affairs. It was possible to put together musicians of local and genre importance easily in general, but not of significance in national scale. With rise and further development of Gost Zvuk, Russian electronic music achieved power not only as cultural phenomenon within country s borders, but also fully proved to be a thing of international meaning. Starting operations in 2014, the label quickly defined its domains of authority and engagement and created full-bloody community of musicians, where everyone has a special view on his own work and unique sound. The projects presented on this compilation can be rightfully called the contemporary vanguard of Russian and global electronic music.
Each of resonant artists holds his own disparate creative field and impact. However, in this diversity the unity of creation of beauty and ingenuity is born, that distinguishes Russian independent electronica. All compiled tracks perfectly characterize the artists involved, sometimes from extremely striking sides; from HMOT s chaotic improvisations to kedr livansky s ethereal grooves, from unearthly landscapes of Gamayun to undistracted concisions by Ol or Buttechno. Both electric boffinry and club anthems merge into united vision, placed in graceful frame of Rashad Becker s mastering.
Maybe this compilation won t close the question What is the Russian Sound? , which has been arising for more than twenty years. Nevertheless, it is able to give an extensive view on the evolution of Russian electronica in the 2010s. More
Each of resonant artists holds his own disparate creative field and impact. However, in this diversity the unity of creation of beauty and ingenuity is born, that distinguishes Russian independent electronica. All compiled tracks perfectly characterize the artists involved, sometimes from extremely striking sides; from HMOT s chaotic improvisations to kedr livansky s ethereal grooves, from unearthly landscapes of Gamayun to undistracted concisions by Ol or Buttechno. Both electric boffinry and club anthems merge into united vision, placed in graceful frame of Rashad Becker s mastering.
Maybe this compilation won t close the question What is the Russian Sound? , which has been arising for more than twenty years. Nevertheless, it is able to give an extensive view on the evolution of Russian electronica in the 2010s. More
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Label:Gost Zvuk
Cat-No:gar002
Release-Date:31.05.2019
Genre:Electronic
Configuration:2LP
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Label:Gost Zvuk
Cat-No:gar002
Release-Date:31.05.2019
Genre:Electronic
Configuration:2LP
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Notchnoi Prospekt - From the depth
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Notchnoi Prospekt - Fishes
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Notchnoi Prospekt - This Night
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Notchnoi Prospekt - On the coast
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Notchnoi Prospekt - Sea walk
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Notchnoi Prospekt - Lukich on the beach
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Notchnoi Prospekt - Oriental sweets
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Notchnoi Prospekt - Heat
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Notchnoi Prospekt - Road to mountains
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Notchnoi Prospekt - Caves
Label:Gost zvuk
Cat-No:gost012
Release-Date:06.09.2018
Genre:Electronic
Configuration:12"
Barcode:
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Label:Gost zvuk
Cat-No:gost012
Release-Date:06.09.2018
Genre:Electronic
Configuration:12"
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infx - No Title
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infx - No Title
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infx - No Title
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infx - No Title
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infx - No Title
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Label:DFA Records
Cat-No:DFA2693
Release-Date:26.01.2024
Configuration:12"
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Last in:11.11.2024
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Last in:11.11.2024
Label:DFA Records
Cat-No:DFA2693
Release-Date:26.01.2024
Configuration:12"
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Dickie Landry Featuring JD Twitch - Hang The Rich
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Dickie Landry Featuring JD Twitch - Hang The Rich (JD Twitch Edit)
Dickie Landry’s saxophones have challenged, soothed, and blown minds around the world in his lengthy career as a jazz and avant-garde blower of the highest regard. He was a founding member of the Phillip Glass Ensemble and (according to Wikipedia lore) introduced Paul Simon to zydeco, one of the indigenous sounds of his native southern Louisiana.
Rarely, though, does Dickie’s saxophone make you want to get up and dance like a crazy person.
Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.
The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.
From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments. More
Rarely, though, does Dickie’s saxophone make you want to get up and dance like a crazy person.
Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.
The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.
From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments. More
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Last in:15.03.2024
Label:Defected
Cat-No:DFTD704
Release-Date:16.02.2024
Genre:House
Configuration:12"
Barcode:826194650773
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Breach - - Jack (Jonathan Kaspar Remix)
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Mason Collective x Bipolar Sunshine - - People In Love
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Arielle Free - - Feels So Good
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Bob Sinclar x A-Trak x Mele´ - - Deep Inside Of Me
Defected’s vinyl series continues to commit the label’s biggest digital releases to wax for the first time, and this special twentieth edition has been created in partnership with Shelter, the housing and homeless charity. In July 2023, Defected and Shelter launched ‘From House To Home’, a campaign using music as a positive force for change; as part of these fundraising activities, £1 from each sale of EP20 will help tackle unfit housing and homelessness. Opening this exclusive 12” coloured vinyl, Germany’s Jonathan Kaspar and his remix of Breach’s revered deep house anthem, ‘Jack’. Mason Collective collaborate with fellow Mancunian Bipolar Sunshine for ‘People In Love’, a Defected favourite from late 2023, followed by Arielle Free’s eclectic club hit ‘Feels So Good’ which made waves last year. Closing out the vinyl, a generational collaboration between production pioneers Bob Sinclar, A-Trak, and Melé with ‘Deep Inside Of Me’. Defected Records are proud to give £1 from each EP20 record sold by retailers, to Shelter (charity no. 263710 England and SC002327 Scotland). In Northern Ireland, Shelter will subsequently donate 5% of the total amount to Housing Rights (charity no. NIC 105735) and in Wales will donate 5% to Shelter Cymru (515902).
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Label:Tbilisi Records
Cat-No:TBIL001
Release-Date:26.01.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804143738
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Label:Tbilisi Records
Cat-No:TBIL001
Release-Date:26.01.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804143738
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Aleksandre Kiladze's Jazz Choral - A1 - Morning Of Happiness - 03:23
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Aleksandre Kiladze's Jazz Choral - A2 - Borjomi Valley - 02:50
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Aleksandre Kiladze's Jazz Choral - A3 - Rainbow Of Dreams - 02:42
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Aleksandre Kiladze's Jazz Choral - A4 - April In Tbilisi - 05:26
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Aleksandre Kiladze's Jazz Choral - A5 - Tuxedo Junction - 02:39
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Aleksandre Kiladze's Jazz Choral - B1 - Hymn To The Sun - 02:26
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Aleksandre Kiladze's Jazz Choral - B2 - My Heart - 05:01
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Aleksandre Kiladze's Jazz Choral - B3 - Gurian - 02:14
9
Aleksandre Kiladze's Jazz Choral - B4 - Singing To Love - 03:19
10
Aleksandre Kiladze's Jazz Choral - B5 - Autumn Mood - 03:28
LP
One of the rarest Georgian [Soviet] releases ever
Previously unreleased song "Borjomi Valley"
New Georgian Reissue label TBILISI Records from Vodkast
GENRE/S:
Jazz, Vocal, Choral
TRACKLISTS:
A1 - Morning Of Happiness - 03:23
(Music: A. Kiladze; Lyrics: L. Beradze)
A2 - Borjomi Valley - 02:50
(Music: G. Bzvaneli; Lyrics: D. Kvitsaridze)
A3 - Rainbow Of Dreams - 02:42
(Music: A. Kiladze; Lyrics: L. Beradze)
A4 - April In Tbilisi - 05:26
(Music: A. Kiladze)
A5 - Tuxedo Junction - 02:39
(Music: E. Hawkins, B. Johnson, J. Dash; Lyrics: B. Feyne)
B1 - Hymn To The Sun - 02:26
(Music: A. Kiladze; Lyrics: V. Gogashvili)
B2 - My Heart - 05:01
(Music: G. Tsabadze; Lyrics: D. Kvitsaridze)
B3 - Gurian - 02:14
(Music: A. Kiladze)
B4 - Singing To Love - 03:19
(Music: A. Kiladze; Lyrics: I. Grishashvili)
B5 - Autumn Mood - 03:28
(Music: N. Qaadze; Lyrics: M. Kitia)
SHORT INFO:
As its maiden release, Tbilisi Records presents the recordings by one of the essential Georgian jazz formations of the 1980s. Alexandre Kiladze's Jazz Choral, formed in 1985, featured an impressive lineup of 11 vocalists complemented by a full band. Alongside standards, the ensemble's material contained many outstanding, stylistically versatile originals lushly arranged into the layered vocal harmonies juxtaposed against the band's tuneful, dynamic play. The polyphony Jazz Choral displays draws equally from Georgian folklore and vocal jazz band tradition. This singular fusion of these two culturally distinct elements creates a remarkable listening experience often emulated by newer Georgian jazz formations thereafter.
More
One of the rarest Georgian [Soviet] releases ever
Previously unreleased song "Borjomi Valley"
New Georgian Reissue label TBILISI Records from Vodkast
GENRE/S:
Jazz, Vocal, Choral
TRACKLISTS:
A1 - Morning Of Happiness - 03:23
(Music: A. Kiladze; Lyrics: L. Beradze)
A2 - Borjomi Valley - 02:50
(Music: G. Bzvaneli; Lyrics: D. Kvitsaridze)
A3 - Rainbow Of Dreams - 02:42
(Music: A. Kiladze; Lyrics: L. Beradze)
A4 - April In Tbilisi - 05:26
(Music: A. Kiladze)
A5 - Tuxedo Junction - 02:39
(Music: E. Hawkins, B. Johnson, J. Dash; Lyrics: B. Feyne)
B1 - Hymn To The Sun - 02:26
(Music: A. Kiladze; Lyrics: V. Gogashvili)
B2 - My Heart - 05:01
(Music: G. Tsabadze; Lyrics: D. Kvitsaridze)
B3 - Gurian - 02:14
(Music: A. Kiladze)
B4 - Singing To Love - 03:19
(Music: A. Kiladze; Lyrics: I. Grishashvili)
B5 - Autumn Mood - 03:28
(Music: N. Qaadze; Lyrics: M. Kitia)
SHORT INFO:
As its maiden release, Tbilisi Records presents the recordings by one of the essential Georgian jazz formations of the 1980s. Alexandre Kiladze's Jazz Choral, formed in 1985, featured an impressive lineup of 11 vocalists complemented by a full band. Alongside standards, the ensemble's material contained many outstanding, stylistically versatile originals lushly arranged into the layered vocal harmonies juxtaposed against the band's tuneful, dynamic play. The polyphony Jazz Choral displays draws equally from Georgian folklore and vocal jazz band tradition. This singular fusion of these two culturally distinct elements creates a remarkable listening experience often emulated by newer Georgian jazz formations thereafter.
More
Label:hot creations
Cat-No:HOTC226
Release-Date:23.02.2024
Genre:techhouse
Configuration:12"
Barcode:
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Label:hot creations
Cat-No:HOTC226
Release-Date:23.02.2024
Genre:techhouse
Configuration:12"
Barcode:
1
ItaloBros - Gosadera
2
ItaloBros - Story
3
ItaloBros - Amira
Hot Creations recruits Italian duo ItaloBros as the pair deliver three vibrant tracks across their latest EP, ‘Gosadera’ .Hailing from Scalea, Italy, ItaloBros have been riding the wave of success, captivating dancefloors worldwide at venues like Ushuaia Ibiza, Motion Bristol, and PM Open Air in Buenos Aires and boasting releases on Circus, Material and Knee Deep In Sound, amongst others. With 2022 seeing the pair team up with Jerëmie for the release of their single 'Attention' on Hot Creations sister label' Hottrax, February now sees the duo step into the limelight as they drop their solo debut EP on the renowned Hot Creations with a trio of blazing tracks across 'Gosadera’. Already becoming a mainstay in Marco Carola’s sets, ‘Gosadera’ kicks off with an orchestra of vibrant trumpets and lively bongos layered on top of a relentless, grooving bassline. Next, ‘Story’ takes on their old-school roots, teasing lush piano chords complete with vibrant, punchy drums. Closing out the EP, ‘Amira’ showcases a deeper, sultry vibe with alluring male vocals at the core.
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Label:Goutte d'Or Records
Cat-No:GOR004
Release-Date:15.03.2024
Genre:Jazz
Configuration:LP
Barcode:
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Last in:24.10.2024
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Label:Goutte d'Or Records
Cat-No:GOR004
Release-Date:15.03.2024
Genre:Jazz
Configuration:LP
Barcode:
1
Diogo Strausz - Junto de Nós
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Diogo Strausz - Dans Une Langue
3
Diogo Strausz - Flexi´vel
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Diogo Strausz - Dan=ça
5
Diogo Strausz - Samba From Outer Space
6
Diogo Strausz - Why Can't We Be Together
7
Diogo Strausz - La Forme d'Un Grand Coeur
8
Diogo Strausz - No Title
After capturing the attention of audiences, DJs worldwide and the media with the brilliant "Flight Of Sagittarius", Brazilian Diogo Strausz, signed to Parisian label Goutte d'Or Records, presents : Samba From Outer Space
This second opus takes us on a journey through time and style, from jazz-funk to dance music and Afrobeat, invoking masters such as Caetano Veloso, Giorgio Moroder or Tony Allen.
"This idea of "Samba From Outer Space" comes from dance music being a universal language beyond electronic but mainly a form of gathering people together in the same frequency." says Diogo. We could summarize everything in "Electronic dance music is nothing but samba from outer space."
A1 - Junto de Nós
A2 - Dans Une Langue
A3 - Flexi´vel
A4 - Dan=ça
B1 - Samba From Outer Space
B2 - Why Can't We Be Together
B3 - La Forme d'Un Grand Coeur More
This second opus takes us on a journey through time and style, from jazz-funk to dance music and Afrobeat, invoking masters such as Caetano Veloso, Giorgio Moroder or Tony Allen.
"This idea of "Samba From Outer Space" comes from dance music being a universal language beyond electronic but mainly a form of gathering people together in the same frequency." says Diogo. We could summarize everything in "Electronic dance music is nothing but samba from outer space."
A1 - Junto de Nós
A2 - Dans Une Langue
A3 - Flexi´vel
A4 - Dan=ça
B1 - Samba From Outer Space
B2 - Why Can't We Be Together
B3 - La Forme d'Un Grand Coeur More
Label:Primordial State
Cat-No:PS01
Release-Date:09.02.2024
Genre:Techno
Configuration:12"
Barcode:
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Last in:23.02.2024
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Last in:23.02.2024
Label:Primordial State
Cat-No:PS01
Release-Date:09.02.2024
Genre:Techno
Configuration:12"
Barcode:
1
Primordial State - Sleep Cycle
2
FLAWS - Astrology
3
Markus Suckut - Helix
4
Kaan Pirecioglu X Elias - Retrogate
The first release of the newly founded Label by Sven Eickhoff and Markus Suckut kicks off with a Various Artists focused on timeless Techno.
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Label:Flower Storm
Cat-No:FS002
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
Barcode:
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Last in:19.02.2024
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Label:Flower Storm
Cat-No:FS002
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
Barcode:
1
Flower Storm - The First Trial
2
Flower Storm - Worlds Creator Is My Ally Revival Mix
3
Flower Storm - Fortune Favours Him
4
Flower Storm - Against Wild Lions
5
Flower Storm - Loves Fire
Do Flower Storm's aural incantations return for another edition of slicing club mutations. Five storming sonic rituals forged in the flames of mythical rites of past times, fortified in nu-club sorcery. EP Do's A1 is a reimagined take on Coil's "further back and faster", paying homage through a smoldering iranian lens along with low riding tornado tracks and ecstatic percussive squalls. Flower Storm's sophomore release heeds the call to the wind. When it rains it pours.
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Label:Virtual Forest Records
Cat-No:VFO008
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
Barcode:
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Last in:22.02.2024
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Label:Virtual Forest Records
Cat-No:VFO008
Release-Date:09.02.2024
Genre:Electronic
Configuration:12"
Barcode:
1
Brainbeats - Easy
2
Brainbeats - Music Brings Us Together
3
Brainbeats - Early Skyland
4
Brainbeats - Look That's My Heart
5
Brainbeats - Secret Love (Lost Mix)
The night stretches through the forest of existence
Not a drop of light
Can slip through the leaves
Lost in this columned maze
Two trees are enough to form a door
Virtual Forest Records are delighted to present their first vinyl release, a 5-track journey by Brainbeats, Mohammed Vicente's alter ego.
Old-school trance nostalgia, dreamy breakbeats & hard-hitting serenades: this release merges all genres into a timeless synthetic voyage.
Who knows where it leads? More
Not a drop of light
Can slip through the leaves
Lost in this columned maze
Two trees are enough to form a door
Virtual Forest Records are delighted to present their first vinyl release, a 5-track journey by Brainbeats, Mohammed Vicente's alter ego.
Old-school trance nostalgia, dreamy breakbeats & hard-hitting serenades: this release merges all genres into a timeless synthetic voyage.
Who knows where it leads? More
Label:Bordello A Parigi
Cat-No:BAP196
Release-Date:12.04.2024
Configuration:12"
Barcode:
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Label:Bordello A Parigi
Cat-No:BAP196
Release-Date:12.04.2024
Configuration:12"
Barcode:
1
Armonics - Floating On High
2
Armonics - Future Echoes
3
Armonics - Retrospectiva
4
Armonics - Music And Lights
Four years ago, Francesco Strippoli debuted on Bordello A Parigi with Universal Oneness followed by the analogue rich Prison Planet EP. Once again, donning his Armonics alias, the Bari based producer returns with four tracks for Future Echoes. The synthesizer warmth that has characterised past releases is immediately present. At the heart of “Floating High” is Strippoli’s keyboard work. Beats are crisp and understated as waves of melodic murmuration bob and weave to perfectly complement each other. A steady kick introduces the textured title work. Warbling notes give way to bolder chords, chords that are blurred by shimmering arpeggios as layers of harmony expand and unfold. Nostalgia meets the needle on the flip. “Retrospectiva” blends subtle shades with brassy extravagance, the sun and romance of southern Italy radiating in tempered brilliance. The energy of “Music and Lights” closes. Throbbing keys are further fortified by swirling synth stabs, the intensity being ratchetted up to boiling point in this dancefloor delight. Quality through and through.
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Label:Malka Tuti
Cat-No:MT0035
Release-Date:23.02.2024
Genre:Electronic
Configuration:12"
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Label:Malka Tuti
Cat-No:MT0035
Release-Date:23.02.2024
Genre:Electronic
Configuration:12"
Barcode:
1
Andrei Rusu - I've Lost Control (Original Mix)
2
Andrei Rusu - I've Lost Control (Philipp Otterbach Remix)
3
Andrei Rusu - Hedesch feat. Decha (Original Mix)
4
Andrei Rusu - Hedesch feat. Decha (Black Merlin Remix)
Malka Tuti is proud to present the solo debut EP by mister Andrei Rusu, ? one half of Khidja.
After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.?
Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.
On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.
The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family. ?
Remixing the title track, and off the success of his 2 incredible albums
released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms.
For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)?
Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side. More
After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.?
Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.
On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.
The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family. ?
Remixing the title track, and off the success of his 2 incredible albums
released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms.
For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)?
Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side. More
12" Excl
in stock
Label:Definition:Music
Cat-No:DMU093
Release-Date:19.01.2024
Genre:Electronic
Configuration:12" Excl
Barcode:
in stock
Last in:11.01.2024
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Last in:11.01.2024
Label:Definition:Music
Cat-No:DMU093
Release-Date:19.01.2024
Genre:Electronic
Configuration:12" Excl
Barcode:
1
Definition, Night Talk - Definition, Night Talk – Into The Void
2
Definition, Night Talk - Definition, Night Talk - Tempest
Following their last year’s club hit Clockwork (released on Adriatique‘s Siamese imprint), played
by the likes of Dixon, Trikk and Adriatique, Definition and Night Talk went back to the studio
together and cooked up another storm.
Tracklist 12":
1) Definition, Night Talk – Into The Void
2) Definition, Night Talk - Tempest
Into the void hits from second one. Strong beats lead the way into this dreamlike soundscape,
where metallic drum elements and effortless reverb tails take us on a journey. We get lost in a
slow build and an unassuming bass-line drives us home, until the track collapses just to hit twice
as hard coming back in. Dreamy vocals float over dirty synth lines, melodies that feel familiar
guide the way to continuous build ups, where we can’t help but move our bodies to the gritty,
thumping bass-line pushing us forward relentlessly.
Tempest is all about the beat. Simple, yet endearing, it reels us in and guides us on an endless
rise where fragile synth swells and powerful percussion elements tease our ears. High-pitched
glimmers dance across the soundscape with ease. A track that rises again and again, yet never
quite implodes in-between. Instead it builds, in the most natural way, skilfully and exquisitely,
whilst sirens add a well-rounded urgency, that’s hard to resist. More
by the likes of Dixon, Trikk and Adriatique, Definition and Night Talk went back to the studio
together and cooked up another storm.
Tracklist 12":
1) Definition, Night Talk – Into The Void
2) Definition, Night Talk - Tempest
Into the void hits from second one. Strong beats lead the way into this dreamlike soundscape,
where metallic drum elements and effortless reverb tails take us on a journey. We get lost in a
slow build and an unassuming bass-line drives us home, until the track collapses just to hit twice
as hard coming back in. Dreamy vocals float over dirty synth lines, melodies that feel familiar
guide the way to continuous build ups, where we can’t help but move our bodies to the gritty,
thumping bass-line pushing us forward relentlessly.
Tempest is all about the beat. Simple, yet endearing, it reels us in and guides us on an endless
rise where fragile synth swells and powerful percussion elements tease our ears. High-pitched
glimmers dance across the soundscape with ease. A track that rises again and again, yet never
quite implodes in-between. Instead it builds, in the most natural way, skilfully and exquisitely,
whilst sirens add a well-rounded urgency, that’s hard to resist. More
LP
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Label:Weltschmerzen
Cat-No:WS032
Release-Date:19.01.2024
Genre:Electronic
Configuration:LP
Barcode:5050580816985
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Label:Weltschmerzen
Cat-No:WS032
Release-Date:19.01.2024
Genre:Electronic
Configuration:LP
Barcode:5050580816985
1
Eva Sajanova & Dominik Suchy - Karamel
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Eva Sajanova & Dominik Suchy - Pšistroj
3
Eva Sajanova & Dominik Suchy - Koniec Koniec
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Eva Sajanova & Dominik Suchy - NeTitulovaná
5
Eva Sajanova & Dominik Suchy - Hmota Bez Dôkazov
6
Eva Sajanova & Dominik Suchy - V Dolanova Mysli
7
Eva Sajanova & Dominik Suchy - Preliaty caj
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Eva Sajanova & Dominik Suchy - Stací Len Byt Dost?
Decision Paralysis is the first collaboration by Eva Sajanova and Dominik Suchy. Their music is very minimalist, repetitive, still, the compositions // songs surprisingly evolve over time. The cold synths are beautifully augmented with raw or effected layers of Sajanova's vocal. Of striking prominence is the decision to forgo the use of any beats or percussive elements. The whole album revolves just around vocals, synths, and layers, and the richness they possess enough in themselves. This goes in line with Suchy's previous work, one of his trademarks being working mostly with melody and harmony, defying a lot of what is going on in contemporary experimental music. In a way, it is a strive to return to classical or pop ?????????? in her deepest sense; experimental more in the use of sounds, approaches and forms, rather than defying the musical. The lyrics are exclusively in Slovak, open to interpretation and perhaps leaving the listener unburdened by meaning, enabling them to focus on Sajanova's voice, phrasing, and vocal techniques. They span from child-like repetitive dadaist poems, to heavy existentialist statements on life's inherent beauty yet meaninglessness. All of it is further supported by the album cover by the Slovak illustrator Martu, blurring the lines between the naive, the beautiful, the natural, synthetic, dark, and glowing. All at the same time.
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