** 1st TIME ON 45 + EXCLUSIVE B-SIDE! **
Most of you probably first heard about BAOBAB when they appeared on our PEACE CHANT compilation series (Vol.7). BAOBAB was once described as "one of the most interesting rock-jazz groups on the Stuttgart scene". "Keine Nummer" was originally recorded and released in 1978. 44 years later the band came together in the studio to record an updated version which is exclusively available on this 45. Limited to 333 hand-numbered copies!

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The term "private" is used quite liberally in the promotion of rare groove compilations these days. The team at Tramp Records tends to be rather defensive when it comes to such terms. Although, and this should not be misunderstood as arrogance, label boss Tobias Kirmayer & his crew have been doing nothing else for 22 years, strictly speaking. Every compilation series from the Upper Bavarian label, be it the "Movements," "Feeling Nice," "Praise Poems," or "Can You Feel It" series, specializes in independently produced music from the 1960s, 70s, and 80s released on small private labels. This means extremely time-consuming work to track down the musicians, write down their stories, and, last but not least, invest a high four-digit amount to release such compilation projects as deluxe (double) LPs and CDs. The industrious creators of the label have already released seven volumes in the Peace Chant series. Parts 1 to 6 were single LPs with predominantly American tracks. Part 7 was the first to be dedicated to purely German productions. Furthermore, the decision was made to release a double LP with a gatefold cover, not least to accommodate the extremely comprehensive accompanying text and images. The 8th edition once again focuses on German productions. It includes rare (Fences), unreleased (Music Community), but also the odd €10 record. The mere fact that a record is rare/expensive doesn't make it interesting for Tobias Kirmayer and his team. They are primarily interested in the music. And if a song convinces them, it makes it onto the shortlist. In fact, many established reissue labels too often ignore records or individual songs and don't re-release them simply because they are not sought after by collectors. Kirmayer and his fellow campaigners have made it their mission to combat this injustice. A good example of this would be Sabanone, a title by Büdi Siebert's formation with the wonderful name HerrGottSax. The original LP costs around €15. In addition to presenting the music in combination with detailed information about the artists, the label has another concern close to its heart. For the sake of the environment (short delivery routes) and to support the domestic economy, the CDs and vinyl LPs are manufactured in Germany". And the record was pressed on BIO??VINYL in the most environmentally friendly way possible. But enough talking. Have fun exploring!

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** UNRELEASED LOWRIDER SOUL / GARAGE ROCK **
This is the second 45 by The Villagers which we are going to present to you. The first one contained a true deepfunk bomb (Dyke & The Blazers' classic "Funky Broadway") backed with an original composition titled "You're My Baby (Don't You Forget It)", a fantastic garage rock track. The second 45 also contain two never released titles. On Side A we have a beautiful lowrider soul track ("Yes I'm Ready") while Side B contains "The Mirror", another great garage rock track.

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Every compilation series has an end. After 10 outstanding issues, we are saying goodbye to the Praise Poems series, which is highly appreciated by collectors and music lovers, with this 11th installment. With this final installment, we are deliberately venturing into a genre that we have only included in exceptional cases to date: Power Pop of the late 1970s and early 80s. We start with "Real Proof", an unreleased song by the band The Nails, originally from Boulder, Colorado, who were even signed to a major label a few years later. Although the Fingerprints recorded an entire album, it took over 45 years before it was finally released in 2022. "Wasted On You" comes from one of the three singles released between 1978 and 1980. In contrast to the Fingerprints, the original singles by Naked Rush are extremely rare. This is probably one of the reasons why none of their songs can be found on a compilation to date. It's great that we are now changing this. Incidentally, this applies to the majority of the songs on this album and to all our compilation albums in general. Fritz, Blue Rain and Holidaye are no exception. We would like to mention two songs in particular. Firstly, "Don't Quit" by The Scam, which was produced by William Garrett. Garrett was responsible for the launch of Spotify Singles as Senior Music Producer at Spotify from 2016 to 2023 and has worked with artists such as Elton John, Ed Sheeran, John Legend and many more during this time. Secondly, there's a great story about Animal Logic. In 1989, the band found out that Stuart Copeland from The Police was forming a new band. The name? Animal Logic! After pleas not to use the name were ignored, the Animal Logic guys were forced to take the matter to court and eventually sold the name to Copeland. There are many more exciting stories about the bands in the booklet accompanying the CD and the LP insert. With "A journey into raw, energetic power pop from the 1980s", we now conclude our 10-year journey of discovery through music history under the "Praise Poems" umbrella. We very much hope that you have enjoyed our meticulous work. When one door closes, another opens. It will be the same here. There is still so much to discover and we are already looking forward to many more releases!

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*** UNRELEASED LOWRIDER/DEEP SOUL ***

Tramp Records is extremely proud to present this previously unreleased lowrider-soul beauty. "Finance or Romance" was recorded in 1975 but remained in the can for the next 50 years. "Body Wave" saw the light of the day in 1977 but is quite tricky to find on its original format these days. Limited pressing as always so you'd better be quick.

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Marvelous Hammond-B3 two-sider which would surprise Jimmy Smith as much as Brother Jack McDuff. Super-limited press - be quicker than quick!

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Two fabulous jazzy rhythm'n'blues/popcorn tunes back to back on one 45!

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When saxophonist and flautist Karl-Heinz Huschka, bassist Michael Radtke and keyboardist Joachim Pflieger came together by chance in Sindelfingen in early 1970, they were soon united by a common, similar interest in "making music": composing, experimenting, always inviting other musicians to join in, using instruments, voices, choir and many ideas to expand a diverse spectrum of sound and style possibilities. Slowly, a common idea and musical direction of the core group was established, growing and consolidating over time with the addition of drummer Dieter Ben Kauffmann, trumpeter Uwe Zaiser, percussionist Helmut Kristmann and singer Beatrice Mathé. Concentrating on original compositions in a style between pop, rock and jazz, the now compact 7-piece group has been working consistently for years - they gave themselves the name BAOBAB: a solid trunk with branches in all directions. More public appearances in the Stuttgart area followed, the repertoire grew, as did the number of visitors, and a recognizable style emerged. The first appearance in 1976 at the Sudhaus, Stuttgart's best-known jazz club, was proof of the band's rise to a higher league: BAOBAB was described as "one of the most interesting rock-jazz groups on the Stuttgart scene". In 1977 they were invitated to participate in the recording and LP release "Live im Sudhaus" by IG Jazz at the beginning of 1978. Later that year, BAOBAB qualified for a performance at the Baden-Württemberg Pavilion, as excerpted from an article in the Stuttgarter Zeitung: "The group fulfills the demand for witty and rousing music in the style of rock-jazz with both pizzazz and grace. Their music is well thought out without becoming formulaic or even freezing in the individually found patterns. It is vital and aesthetic and is also characterized by sensitive tuning of the electronic equipment. A further - and not at all amateurish - characteristic is the sensitivity with which the audience is attuned to a dialog: always discreetly inviting, then in refreshing "counterplay". From 1980, core members left the group for study reasons, but the name was successfully continued for a while, supplemented by experienced new members; Joachim Pflieger, Beatrice Nuber-Mathé and Dieter Ben Kauffmann still play in various formations today.

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Synod was a band that performed at concerts and dances, festivals, colleges, private parties, conferences and other venues from 1971 through 2013. They toured incessantly in the early years, traveling from Chicago in Illinois to New York, South Carolina, Georgia, Nebraska and seven other states. They performed at Chicagofest, Summerfest and everywhere they could find a stage. The recordings in this collection represent some of the 12 recording projects they did, primarily between 1972 and 1984.Synod came to our attention about three years ago when we discovered their single "Future Shock". We were working on the ninth edition of the "Praise Poems" compilation when we started looking for the band. After a few months we were finally successful and "Future Shock" was released shortly afterwards on "Praise Poems 9".The band drew our attention to another single they had released in 1979. When we heard "Sheryl Song Is Gonna Do My Dancing" we immediately fell in love with it. But it got even better! Synod sent us several dozen unreleased songs, all recorded between 1972 and 1984, originally intended for release on several album projects that never materialized. Next we released "Anchors Away" together with "Sheryl Song" on a 7" single. Two more songs, this time nasty garage rock ("Places to Do" and "Creatures of Habit"), were immortalized by our label mates at "Perfect Toy Records" on their "Down & Wired" compilation series as well as on a 7" single. Another track, "You Shake Them Things", was included on our disco/modern soul compilation "Can You Feel It Vol.4". After Tramp Records & Synod released all previously unreleased album projects digitally in 2024, the idea was born to immortalize a carefully selected choice of songs on vinyl LP. We here at Tramp Records are mega proud to present you this amazing selection under the title "After All Is Said and Done".

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Watch out! You are holding the 125th (one-hundred-and-twenty fifth!) album on Tramp Records in your hands! We are honored to celebrate this impressive anniversary with the tenth volume in the Praise Poems series. This time, too, we go on a journey to discover previously unheard regions of jazz, folk and AOR from the 1970s and 80s. Praise Poems Vol.10 presents sixteen (almost) forgotten rare groove gems, all released between the years 1970 and 1984. One of the many highlights is the opening track: "Fields of Laughter" by Color Me Blu - originally released on an acetate only of which two copies exist worldwide. But there is much, much more to discover. This brandnew volume features a wide range of genres, from AOR (Whiz Kids, Ross Miller, and another previously unreleased track by Harve & Charee) to Latin-Rock a'la Santana (Color Me Blue, Tribal Sinfonia, and Apple) to Soul-Jazz (Ernie Lewis Trio, Joe Bozzi Quintet or Dutch saxophonist Frits Kaatee). Right at the end, one track in particular stands out: the wonderful "It's Good Not To Forget" by George Melvin and his quintet - a fabulously dreamy, thoughtful instrumental piece in the style of Ramsey Lewis with catchy tune potential. Not many compilation series make it to a tenth edition. And if they do, then you often notice that the quality of the songs goes in the opposite direction to the increasing number of series: namely decreasing. Not so with Praise Poems Vol. 10, which the creators prove in an impressive new way. They have found tracks that were originally either a) pressed by the musicians themselves in very small editions or b) released by small, regional labels. It is understandable that neither the musicians nor these small labels had the necessary knowledge or budget to market their albums or singles professionally. The majority of the bands therefore did not manage to reach a large audience - although they certainly had the potential for the big stage. "Praise Poems 10 - A journey into soulful jazz and funk from the 1970s" makes these almost 50-year-old treasures accessible to a new audience. We hope that you enjoy discovering your personal favorite song(s) and we are already looking forward to many more releases!

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"This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence."

For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.

As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.

Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.

For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.

~Joel Ricci (August 2024)

Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time

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German beat music at its best! For the first time on 45! A-side is Funk, B-side is Garage-Psych-Rock

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Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.

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Frédéric Rabold was born on November 23rd, 1944, in Paris, France. His father was a jazz musician and had dreams of all three of his children becoming musicians as well. Frédéric started out learning the violin but always gravitated to the trumpet. The violin actually ended up on the wall at some point, which may have revealed Rabold's tendency toward impulsiveness. He came into contact with jazz music at an early age when he lived with his parents in France. Later on, his father had a big band with which he performed at dances in health resorts. At the age of 16, he often played with his father in American Army Clubs. From 1961 to 1964, Frédéric studied at the University of Music in Karlsruhe. In 1965, he moved to Stuttgart where he still lives today. In the same year drummer Axel Lauser approached him and asked if he wanted to play in his trio. Then, for a few years, Frédéric played in the Axel Lauser Quartet. In 1968, Frédéric founded his own band, the Frédéric Rabold Crew. The music of the "Crew" was well received in the 1968 era and the band quickly gained recognition in the German modern jazz scene. Invitations to several major festivals followed, including the jazz festival in Zurich. Later, they toured extensively through Eastern Europe on behalf of the Goethe Institute. In 1968, the first recordings were made by a friend of the band during a rehearsal. However, they were not to be released until 1980 on the LP "Berlin". "Noon In Tunisia" is one of these tracks. In March, 1970, the crew performed at the 12th German Jazz Festival in Frankfurt am Main amongst such Jazz greats as the Albert Mangelsdorff Quartet, the Klaus Doldinger Quartet and the Dave Pike Set. Two years later, the Frédéric Rabold Crew released their debut album entitled "Flair". This was followed in the 1970s by more than half a dozen albums for various labels. These included the album "Open House" with guest guitarist Martin Ederer, as well as three albums with singer Lauren Newton between 1975 and 1979. Rabold also worked with avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangelsdorff and Jeanne Lee. In the mid-1970s, a second formation was formed, the "Frédéric Rabold Jazz Inspiration Orchestra", which, unlike the crew, continued to exist with the same line-up well into the 2010s. In 2018, Frédéric Rabold celebrated the 50th anniversary of his group, the Frédéric Rabold Crew. Today, Rabold can look back on more than 1000 original compositions. Sometimes certain events led him to a composition, other times he just sat down at the piano and something happened, or not. Even though his real love is modern jazz, he has played all styles himself, including classical trumpet. In this respect, his role models were actually always American jazz musicians, who were sometimes quite unconventional in this respect. Frédéric Rabold's motto has always been: there is good and not so good music in all styles. This album brings together only the former.

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Tramp Records is extremely proud to collaborate with a true German jazz legend. FRÉDÉRIC RABOLD will celebrate his 80th birthday this year. To honor his musical legacy we will release a double-gatefold LP with compositions by him spanning more than 40 years. Additionally a 7" single will be released with a bonus track ("Red Point") which is available on vinyl for the first time. "Spring Feelings" is taken from the album "FREDERIC RABOLD - TIME MACHINE" (TRLP-9123).

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** INITIAL 400 LPs CONTAIN A BONUS 7" SINGLE **
MOVEMENTS Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk. Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition. Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore! Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ". Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too! Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again!

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Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in NCAA History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "DT" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships. Between 1975 and 1977 they also became the first group of pro athletes to create two records while playing football together for a NFL team. Their debut 7-inch single from 1976 was cut at 33 1/3 RPM due to the length of the songs. "Shake and Bake Pt.1" lasts for 4:30 minutes while Part 2 stretches out to an incredible 7:00 minutes!

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NDATL continues with a release from Detroit soldier Norm Talley (Upstairz Asylum) Right out the gate Norm deep aggressive sound comes across loud & clear on "Gonna Be". Then down deep in the sound of "Power" where spoken words give insight. Side B "The Bounce" should have dancefloors worldwide doing just that. "The Truth" no longer needed to be sought cause here it is in musical form. And a stray away from the usual Norm Talley we get the softer side "Dearly Beloved" ft Jerald Dameyon.

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CIRE NOIR is a compilation of contemporary electronic sounds by parallel thinking agents from Europe and US.

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Hailing from the North East of England, Smoove & Turrell have dominated the UK funk & soul scene for over a decade with their unique blend of northern soul and electronica. Their latest 7" release comes with 'The Light' which features legendary Blue Note keyboard genius Ronnie Foster. Frontman John Turrell reflects on the challenges of recent years and calls for unity, love, and solidarity against corrupt politics and media greed. On the flip is 'Geno's Discotheque', a tribute to a mythical club that never existed but a place we all want to be.

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Double LP bundle, featuring both Pt. 1 & Pt. 2 EPs served in a PVC sleeve w/ sticker. Changing Channels is the new album from Pangaea, AKA Kevin McAuley, his first since 2016's acclaimed debut LP In Drum Play and a jolting reminder that functional doesn't mean complacent. The seven tracks here are galloping, infectious and hypnotic, capturing Pangaea's skill at constructing bangers that reflect an innate experimental tilt without sacrificing impact. Tested across his international DJ sets, and developed during a healing period of introspection, these cohesive tracks attack and retreat with an urgent and emphatic focus on the dancefloor, and a precision so undeniable as to seem predestined.

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Alongside the multiple UK Soul Chart No.1 album "Forward Motion' and trailing the vinyl 2LP issue comes the Georgie Bromfield Remix of 'I'm In Love (Georgie B. Remix)'. Georgie Bromfield has a proven track record of No.1 Remixes in the Soul market, and is a veteran of the UK Soul Scene from the 1980's Jazz-Funk heyday of his band Second image up until the present day with his current releases by Groove Association. Georgie has a weekly radio show every Saturday night on GLR. Georgie's remix highlights the vocals of one of Soul Music's 'best kept secrets', Antonio McLendon, a name that has rightly been comparied to Luther Vandross in terms of quality and who happens to be the father of Grammy-award winning Jazz vocalist Samara Joy. This remix is in advance of the vinyl 2LP release of the 'Forward Motion' album.

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Managing two record labels and the most successful electronic music school in the country has left Natia Sartania aka sTia with little time for her own music for the past 13 years. However, her musical journeys and transitions brought her back to "home". This 7-track album has been created by Natia since the full-scale invasion in Ukraine. She dedicates this album to all people who had to leave their homes behind. It's not easy to define the musical genre of this EP. Mostly acoustic piano with some electronic ambience and squeaky pedal that gets in the way. Some melancholic recitative and hypnotic hip-hop instrumental in the end. In A4 Natia collaborates with Luna Flowers and Sabana, the founding members of the most influential hip-hop collectives in Georgia such as "KayaKata", LTFR and Temple Pharmacy. In B3 sTia's home is covered by one of the most promising young Georgian hip-hop instrumentalist Nikala

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LRK proudly presents "All Of Me / Self Revolution" a limited edition Retro Soul 7" vinyl from Gary Beals. Lyrically, "All of Me" playfully celebrates bringing one's "whole self" to the forefront as Gary playfully expresses his interest and openness, giving of himself to that someone, he is very much interested in exploring more with. Gary Beals is an acclaimed Canadian singer-songwriter known for his soulful voice and captivating and heartfelt performances. Rising to prominence as a finalist on the first season of "Canadian Idol," Beals has continued to captivate audiences with his exceptional talent and genuine artistry. His music seamlessly blends R&B, pop, and soul, resulting in a timeless sound that resonates with listeners worldwide. With multiple successful albums and a dedicated fanbase, Gary Beals continues to inspire and uplift through his powerful music.

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Downtempo techno stars The Connection Machine return with stunning re-release, featuring unreleased tracks and Legowelt remix of classic Echoes From Tau Ceti. Four years after the re-release of their debut The Dream Tec Album on U-TRAX, the Dutch downtempo techno duo The Connection Machine returns with a second highly anticipated re-release. BlackHole+ contains remastered versions of most of the tracks on their original The Black Hole EP, released on U-TRAX in 1995, plus five tracks from their highly sought-after EPs on Tabernacle Records: Lost Connection and Lost Machine (with electro outfit Lost Trax on the flipside). The original Black Hole EP had black labels and all details of the release were added as a computer-spoken track on the b-side. For this re-release, this track was removed and a Legowelt remix was added of the still immensely popular track Echoes From Tau Ceti.

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WAS - Word and Sound Medien GmbH
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Germany
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Sleek three tracker from Russ Brooker, a unknown quantity who is swiftly to become the name on everybody's lips, the 13th release on Rua Sound. "97-98" is every bit as sharp and shattered as any of the legendary tunes released in that storied era, with moody samples and a break so heavily pregnant with funk that it's a palpable relief when the levee breaks and it gives birth to some heavy rolling amens. "Microfilm" starts off with a proper spy-flick title and immediately lives up to the name, with a cinematic sequence of cosmic cloak and dagger chimes and pads that quickly sprints off into the Pentagon in a brown flared suit with assorted extraterrestrials and the cast of Scooby Doo in hot pursuit – channelling crusty old Droppin' Science jams to great effect. "Breathe" drops the tempo down to the 140-odd range with earthy rolling percussion, celestial atmospherics and the kind of studious and deliberate polyrhythmic funk wizardry that most producers don't cook up in a lifetime of releases, never mind on their honest-to-god-damn debut. The 97-98 EP is out on 17 November on Rua Sound.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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On its 25th release, Delights label welcomes Mozaik Ses - a new collaboration between the Tel-Aviv-based funk combo VuVuVu, the pioneering Munich legend JJ Whitefield (The Poets of Rhythm, Karl Hector & the Malcouns), and Delights head honcho, Markey Funk. Together, the group cooked two pieces of scorching eastern-flavoured funk: the hypnotic mind-melter "Aralkum" and the menacing upbeat floor-killer "Zellij".

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Javier Jiménez Rolo surprises with Saint Malo, a project that explores the intersections of neoclassicism, folk, ambient and electronic textures. That Saint-Malo is a town in Brittany is the least of it. Even the fact that it exists is unimportant. Javier has never been there. Similarly, his album takes us to remote or not so remote places without moving from where we are. Javier composed these twelve songs between 2019 and 2021 from his room: "One of the problems with recording at home rather than in a studio is that when you move, your recording space changes too. In the case of this album, I was involved in three moves during its whole process. Trying to see the positive side of this situation, I realised that, as well as a collection of songs, it was a testimonial to the different places where I had lived during those years and their respective views: 'Promenade' is an imagined walk from an interior flat; 'Picture In A Frame' is a sunny afternoon in a park in Ciudad Lineal, Madrid, and 'Bells Of Nowhere' is a stroll through the neighbourhood that was once my grandparents' and is now mine." It's an eminently evocative album but also powerfully narrative, which moves through different emotional states. Along the way, references as heterogeneous as Javier's own tastes come up. From the inevitable Arvo Pärt, Max Richter and Steve Reich to the more unsuspected Thom Yorke, Burial, Caribou, Vulfpeck or even Dua Lipa. Stéphane Grappelli, Andrew Bird, Nils Frahm, Olafur Arnalds or Rene Aubry are other names Javier mentions when he talks about something similar to influences. The journey, during which the songs miraculously fit with magical precision to the landscapes we are travelling through, begins with the promising 'Beware Of The Dogs' and 'Maltravieso'. It is followed by the obsessive arpeggios of 'Le Havre' that give way to the luminous 'Fields Of Gold', the emotion of 'Cais do Sodré' and the passionate 'Le pont roulant', reminiscent of a restrained Alexandre Desplat. Along the way, dogs will bark, rain will fall on the 'Promenade' and the sun will come out with the perfectly playful 'Dolce Far Niente' ("a mix between elevator music and a song announcing the arrival of summer" according to Javier) in which echoes of Isao Tomita and Raymond Scott resound. The result of this captivating, unexpected and suggestive mixture is Saint Malo, Javier Jiménez's first album and the empirical demonstration that he does not have, despite his classical training, any red lines. "I've always flirted with jazz, with swing... Then I moved on to messing around with loops, to doing more ambient and experimental things. I also had my folkie phase with the klezmer group Barrunto Bellota Band..." In Saint Malo the melodies grow, become small, return and intertwine with loops and improbable aromas, to form an album that describes a journey through emotions. From melancholy to joy and the surprise of first discoveries.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More