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Hodge - Voice Crash
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Hodge - 151
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Hodge - Fussyhead
About time ! As you can imagine, we’ve been fans of Hodge since… forever ?
A true force of nature and Bristol legend, we’ve fondly witnessed him display the kind of range we love here at Timedance, covering everything from bouncy House to mind-warping peak time Techno via kaleidoscopic declinations of the future facing Bristol bass sound.
This long overdue debut on the label displays three jaw dropping numbers. Harvested for maximum stroboscopic efficiency, this EP is packed with Hodge’s anthemic signature hooks, bass weight for days and a truly singular approach to a forward rave sound.
Summoning sirens from space, laser guided Grime-Tech and intoxicating explorations into peak time tempos, « Voice Crash » stands as the perfect sonic portrayal of a producer we have revered for years and Timedance’s very own mission statement. More
A true force of nature and Bristol legend, we’ve fondly witnessed him display the kind of range we love here at Timedance, covering everything from bouncy House to mind-warping peak time Techno via kaleidoscopic declinations of the future facing Bristol bass sound.
This long overdue debut on the label displays three jaw dropping numbers. Harvested for maximum stroboscopic efficiency, this EP is packed with Hodge’s anthemic signature hooks, bass weight for days and a truly singular approach to a forward rave sound.
Summoning sirens from space, laser guided Grime-Tech and intoxicating explorations into peak time tempos, « Voice Crash » stands as the perfect sonic portrayal of a producer we have revered for years and Timedance’s very own mission statement. More
More records from Hodge
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hodge - No Title
2
hodge - No Title
3
hodge - No Title
Since his last appearance on Hemlock (2015's double EP HEK025) Hodge has produced a seemingly effortless sequence of celebrated EPs and collaborations for Livity Sound, Berceuse Heroique and No Corner. Equally comfortable squaring up with heavyweights such as Randomer and Peder Mannerfelt as he is maintaining a prolific solo production output; Hodge has cemented himself as a leading voice in UK dance music and a champion of the elusive sweet spot where functional techno resonates with soundsystem culture. A quick listen through his recent RA mix is a great way to keep up to speed with his recent output: https://www.residentadvisor.net/podcast-episode.aspx?id=581
One for the Hemlock fans who have been patiently tolerating this year's more experimental cuts. 'Swing for the Fences' is straight down to business getting the kicks in below one of those ear-wormer percussive atonal toplines Hodge does so well… the drop is one of the heaviest we've heard this year and tipped to raise some fingers, open mouths and spill drinks across dancefloors and TV studios worldwide.
Less pool cue more pool party 'Aomame' is a breezy melodic (patio) heater powered by tough drums and intricate percussive work. Arranged for both the dancers and the heads it freely refreshes and translates the main theme with a precision and playfulness that few producers can match.
'Medway' will warm up or cool out the dance with big room sirens and some rude detuned drum work. Still no messing about on the B2: It's a Hodge thing all the way. More
One for the Hemlock fans who have been patiently tolerating this year's more experimental cuts. 'Swing for the Fences' is straight down to business getting the kicks in below one of those ear-wormer percussive atonal toplines Hodge does so well… the drop is one of the heaviest we've heard this year and tipped to raise some fingers, open mouths and spill drinks across dancefloors and TV studios worldwide.
Less pool cue more pool party 'Aomame' is a breezy melodic (patio) heater powered by tough drums and intricate percussive work. Arranged for both the dancers and the heads it freely refreshes and translates the main theme with a precision and playfulness that few producers can match.
'Medway' will warm up or cool out the dance with big room sirens and some rude detuned drum work. Still no messing about on the B2: It's a Hodge thing all the way. More
1
hodge - No Title
2
hodge - No Title
3
hodge - No Title
Hodge brings his percussive A-game to Livity Sound for a new three track EP. His first solo release on the label since the anthemic 'Amor Fati', this new record bristles with his irrepressible energy and signature dancefloor dynamics.
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Hot off the heels from his solo Punch Drunk debut 'Resolve' / 'Prototype Fear' from late 2013, Hodge provides two killer tracks for a 12" on Livity Sound sister label dnuoS ytiviL and its already set to be one of the biggest UK dance floor bombs of 2014 so far.... Plays from Ben UFO, Pangaea, Paul Woolford, Beneath, Martyn, Surgeon and many more....
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Punch Drunk proudly closes 2013 with a fearsome new 12” single from Hodge. This release marks his first solo release on the label following up his collaboration with Peverelist entitled ‘Bells’, which appeared earlier this year. Previous releases for Deadplate and Well Rounded Housing Projects have been well received, but we believe that this new record is certainly his best to date. On these two new tracks, Hodge draws on distinctly UK influences combining thumping broken jungle techno and modern era Bristolian dub aesthetics. Kicking off the 12”, “Resolve” is a real belter, rugged, visceral and pumped with attitude and adrenaline. On the other side, Prototype Fear delves deeper into the psyche, with shifting hypnotic machine riffing, frenetic nervous rhythms and unearthly bass pulses. Hodge has recently achieved great success with his House based project Outboxx with collaborators Matt Lambert and vocalist Naomi Jeremy, culminating in an album this year on Bristol’s Idle Hands label and a summer touring festivals and clubs throughout Europe. This record is a landmark 12” in defining Hodge as an artist in his own right, whilst adding another classic to the Punch Drunk legacy of hybrid electronic dance music from Bristol.
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Hodge is a man of truly Well Rounded talents - creating infectious melody laden deep house with Outboxx, across to his own weighty bruk-techno movers for the likes of Deadplate Records, to his recent truly forward-thinking collaboration with the ever inspirational Pev. Here however we wanted to showcase some of the more unconventional ideas he incorporates into that original yet essentially house & techno related direction of his. After discussion we discovered this was somewhat inspired by science fiction novels. And why not? 'Holographic Prose' opens proceeding, skittering about in an anti-gravity atmosphere the bass literally 'comes up' in this. Fluttering melodies and wooshing chords over a piston-driven rhythm builds the tension until all electronic heaven breaks loose on deserving dancefloors. 'Pressure''s stargazing synths create a feeling of awe and wonder like hovering crafts in the sky. Meanwhile down on the planet's surface the sounds of industry and construction echo in the night.
'Monster' is a soulful drift down a river of bass. Synths bubble up to the surface under the measured melody. A meloncholy mood given movement.
Finally, and by no means least, is the resplendent 'Slowing Behaviour'. How such a heavy kick and a feeling of weightlessness compliment each other here is excellent. If you tune in to this track - there is always a sense of gradual ascension. We're heading for the next level. Can you feel it? We hope to take you with us as we break free from certain dancefloor constraints.
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'Monster' is a soulful drift down a river of bass. Synths bubble up to the surface under the measured melody. A meloncholy mood given movement.
Finally, and by no means least, is the resplendent 'Slowing Behaviour'. How such a heavy kick and a feeling of weightlessness compliment each other here is excellent. If you tune in to this track - there is always a sense of gradual ascension. We're heading for the next level. Can you feel it? We hope to take you with us as we break free from certain dancefloor constraints.
More
More records from Timedance
1
Daisy Moon - Eclipse
2
Daisy Moon - Shadow Of Silhouettes
3
Daisy Moon - The Abyssal Zone
4
Daisy Moon - Meadow Rap
Following on from the House-infused punch of her Peach Discs release in June, Bristol’s Daisy Moon treats us to a shapeshifting debut on Timedance - entering a new era with a splash sure to be felt in most abyssal zones.
‘Shadow Of Silhouettes’ showcases a singular exploration of tough yet scintillating sounds, between wiggy electro, bass-laden grooves and inspired bursts of FWD techno- pop.
In this diverse body of work, Daisy’s vocals are the glue tying things together. They appear like sonic silhouettes, abstracted through sound design and unveiling a taste for the experimental. In other moments they are stripped from their abstract form and float above the surface, revealing Daisy Moon’s blossoming talent for ear-worm melodies. More
‘Shadow Of Silhouettes’ showcases a singular exploration of tough yet scintillating sounds, between wiggy electro, bass-laden grooves and inspired bursts of FWD techno- pop.
In this diverse body of work, Daisy’s vocals are the glue tying things together. They appear like sonic silhouettes, abstracted through sound design and unveiling a taste for the experimental. In other moments they are stripped from their abstract form and float above the surface, revealing Daisy Moon’s blossoming talent for ear-worm melodies. More
1
Verraco - Verraco
2
Verraco - Godspeed >
3
Verraco - Climaxing | Breath
4
Verraco - Sí, Idealízame
Keeping things fresh, we celebrate the Medellín - Bristol connection with none other than Verraco. Sonic pipelines have been running with full force between our two cities for some time, and Breathe... Godspeed embodies a shared obsession for shaping futures and dancefloors through evocative club acrobatics.
Exploring the intersection between sacred and the erotic, this four-track EP is propelled by visceral sound design, dipping into a variety of styles and paces.
Verraco constructs groove like no other: while covering mind-altering Techno to gut-punch bass music, he takes sheer dancefloor euphoria up to dizzying heights with a unique radiance. More
Exploring the intersection between sacred and the erotic, this four-track EP is propelled by visceral sound design, dipping into a variety of styles and paces.
Verraco constructs groove like no other: while covering mind-altering Techno to gut-punch bass music, he takes sheer dancefloor euphoria up to dizzying heights with a unique radiance. More
1
re:ni - BURSTTRAP
2
re:ni - Blame Is The Name Of The Game
3
re:ni - Below Sanpaku
4
re:ni - BeautySick
Having been part of the family for quite some time now, Lauren Bush aka re:ni joins the Timedance roster with an incredibly potent quartet of Techno infused bass-bin weaponry.
« BeautySick » sees re:ni plunging into a world of intoxicating serpentine grooves. Spectral vocal slabs chime like echoes of a distant hallucinatory trance, while industrial drumworks find a mesmerizing counterpoint in eerie dubwise atmospheres.
These four compositions not only showcase re:ni's sonic evolution but also explore the transient moments where darkness converges with light. They stand as a testament to the sonic prowess of one or favorite dancefloor sorceress.
Picture Hakime Sorayama’s ‘Sexy Robot’ in front of an unreasonably large stack of speakers at a dimly lit sound-system dance; this is the soundtrack.
Press + Tour highlights :
DJ Mag, Resident Advisor, XLR8R, BBC6 Music (Sweatbox Mix for Sherelle), First Floor, The Quietus, Phonographe Corp + more TBA
Upcoming tour dates for Q1-Q2:UK, Switzerland, Netherlands, Germany, Sweden, Belgium, Slovenia, Ireland, Australia, Croatia, USA More
« BeautySick » sees re:ni plunging into a world of intoxicating serpentine grooves. Spectral vocal slabs chime like echoes of a distant hallucinatory trance, while industrial drumworks find a mesmerizing counterpoint in eerie dubwise atmospheres.
These four compositions not only showcase re:ni's sonic evolution but also explore the transient moments where darkness converges with light. They stand as a testament to the sonic prowess of one or favorite dancefloor sorceress.
Picture Hakime Sorayama’s ‘Sexy Robot’ in front of an unreasonably large stack of speakers at a dimly lit sound-system dance; this is the soundtrack.
Press + Tour highlights :
DJ Mag, Resident Advisor, XLR8R, BBC6 Music (Sweatbox Mix for Sherelle), First Floor, The Quietus, Phonographe Corp + more TBA
Upcoming tour dates for Q1-Q2:UK, Switzerland, Netherlands, Germany, Sweden, Belgium, Slovenia, Ireland, Australia, Croatia, USA More
1
Ploy - Crazy BBY
2
Ploy - Rose
3
Ploy - Finally
Summer is now upon us, and with it one of our dearest dancefloor artillerymen returns to Timedance.
Ploy's « For when we haven’t slept » stands as a mission statement for the party athlete, it is a celebration of weekends ran like both a sprint and a marathon and its three tracks narrates the spirally craze that keeps you out and makes the dancers forget the sole existence of their beds.
Starting with the first hits of strobe lights on a Saturday night, as the energy rises and the dancefloor manically comes together (Crazy BB ), it then moves on to a welcome and slightly hectic high octane after-party (Rose) before rolling all the way through to the sheer moments of lustful euphoria that defines the best Sunday sessions (Finally).
Bass pressure and intoxicating techno collide seamlessly without falling into the traps of forced seriousness, while hints of hook-laden house music keep the groove at peak levels, so the bodies can keep moving, beyond sleep and exhaustion and into the final stages of pure frenzy, for when we haven’t slept. More
Ploy's « For when we haven’t slept » stands as a mission statement for the party athlete, it is a celebration of weekends ran like both a sprint and a marathon and its three tracks narrates the spirally craze that keeps you out and makes the dancers forget the sole existence of their beds.
Starting with the first hits of strobe lights on a Saturday night, as the energy rises and the dancefloor manically comes together (Crazy BB ), it then moves on to a welcome and slightly hectic high octane after-party (Rose) before rolling all the way through to the sheer moments of lustful euphoria that defines the best Sunday sessions (Finally).
Bass pressure and intoxicating techno collide seamlessly without falling into the traps of forced seriousness, while hints of hook-laden house music keep the groove at peak levels, so the bodies can keep moving, beyond sleep and exhaustion and into the final stages of pure frenzy, for when we haven’t slept. More
1
Metrist - Leven Lever Liver Love
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Metrist - Higher Higher Dawn
3
Metrist - Y Y Y MY
4
Metrist - Ark Specific
5
Metrist - Bullet Time (Feat. Older Brother)
At long last, hi-tek whizz-kid Metrist returns to Timedance with the third addition to the ‘Pollen’ series and brings his epic trilogy started in 2019 to a breath-catching end.
Elevating an already unique approach of sonic craftsmanship to whole new levels, the London based producer delivers some of his wildest and most dramatic compositions to date while pushing further his signature blend of 22nd century dancefloor pyrotechnics.
From the angelic vocal cascades of opener « Leven Lever Liver Love » to the heart-wrenching heights of « Bullet Time », a playful and intricate display of cross-pollinated emotions shines through this collection of boundary pushing tracks, giving them a life of their own while bringing a stormy cycle of auditory experiments into human nature to completion
As thunderstorms form, pollen grains often ascend into clouds, soaking up humidity to a point they inevitably burst out, liberating innumerable particles that tumultuous winds send back to ground-levels.
With a false sense of distance and safety, we sit back and watch the lightning strike in complete awe, unaware of pollen slowly descending from the skies, making its way through our lungs and deep into our bodies ; the storm may be over, but Pollen has now fully become a part of us. More
Elevating an already unique approach of sonic craftsmanship to whole new levels, the London based producer delivers some of his wildest and most dramatic compositions to date while pushing further his signature blend of 22nd century dancefloor pyrotechnics.
From the angelic vocal cascades of opener « Leven Lever Liver Love » to the heart-wrenching heights of « Bullet Time », a playful and intricate display of cross-pollinated emotions shines through this collection of boundary pushing tracks, giving them a life of their own while bringing a stormy cycle of auditory experiments into human nature to completion
As thunderstorms form, pollen grains often ascend into clouds, soaking up humidity to a point they inevitably burst out, liberating innumerable particles that tumultuous winds send back to ground-levels.
With a false sense of distance and safety, we sit back and watch the lightning strike in complete awe, unaware of pollen slowly descending from the skies, making its way through our lungs and deep into our bodies ; the storm may be over, but Pollen has now fully become a part of us. More
1
Jabes - Ripples
2
Jabes - Body Said No
We're thrilled to welcome Jabes for his debut on Timedance, following up on releases for Klunk and collaborations with Happa. The London-based producer delivers a couple of tried and tested peak time mind-benders. Both tracks are designed to encapsulate the feeling that the entire room is about to take off, speakers, dancers and yourself included. Super charged with bass weight, this pair of tunes carries irresistible propulsive powers fueled with scintillating hi-teq sonics and sleak percussion work, providing the prescription to help dancefloors ascend into pure madness.
More
1
Batu - 01: Former World
2
Batu - 02: Mineral Veins
3
Batu - 03: Convergence
4
Batu - 04: Even Here
5
Batu - 05: Atavism
6
Batu - 06: Emulsion Of Light
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Batu - 07: Solace
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Batu - 08: Squall
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Batu - 09: Spectral Hearts
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Batu - 10: Eolith
11
Batu - 11: Always There
Building on the promise of nearly 10 years testing limits within club music, Batu presents his debut album Opal. Experimentation is a well-established facet of Omar McCutcheon's identity within the leftfield techno zeitgeist, but more than ever on Opal he seizes the opportunity to incorporate ideas beyond dancefloor impetus into his animated, forward-leaning sound.
Through the course of 11 tracks, rhythmic forms are mutated and manipulated, sonic matter bends across the frequency range and narrative structures coalesce and dissolve according to Batu's own internal logic. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint. It's a sound intrinsically connected to the superlative string of club 12"s, EPs and collaborations Batu has spun behind him thus far, even as it moves into unfamiliar terrain, guided by abstract inspiration from coastal landscapes and the mineral matter all life on Earth is built on. More
Through the course of 11 tracks, rhythmic forms are mutated and manipulated, sonic matter bends across the frequency range and narrative structures coalesce and dissolve according to Batu's own internal logic. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint. It's a sound intrinsically connected to the superlative string of club 12"s, EPs and collaborations Batu has spun behind him thus far, even as it moves into unfamiliar terrain, guided by abstract inspiration from coastal landscapes and the mineral matter all life on Earth is built on. More
Building on the promise of nearly 10 years testing limits within club music, Batu presents his debut album Opal. Experimentation is a well-established facet of Omar McCutcheon's identity within the leftfield techno zeitgeist, but more than ever on Opal he seizes the opportunity to incorporate ideas beyond dancefloor impetus into his animated, forward-leaning sound.
Through the course of 11 tracks, rhythmic forms are mutated and manipulated, sonic matter bends across the frequency range and narrative structures coalesce and dissolve according to Batu's own internal logic. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint. It's a sound intrinsically connected to the superlative string of club 12"s, EPs and collaborations Batu has spun behind him thus far, even as it moves into unfamiliar terrain, guided by abstract inspiration from coastal landscapes and the mineral matter all life on Earth is built on. More
Through the course of 11 tracks, rhythmic forms are mutated and manipulated, sonic matter bends across the frequency range and narrative structures coalesce and dissolve according to Batu's own internal logic. Unpredictability lies at the heart of all this music, bound together by a consistent modernist glint. It's a sound intrinsically connected to the superlative string of club 12"s, EPs and collaborations Batu has spun behind him thus far, even as it moves into unfamiliar terrain, guided by abstract inspiration from coastal landscapes and the mineral matter all life on Earth is built on. More
1
Air Max '97 - Psyllium
2
Air Max '97 - Eat the Rich
Following up on his Timedance debut in 2019, Sydney based wunderkind Air Max '97 signs his return in style with a double dose of hi-detail club warpers. Without sacrificing any of his grimy and sub-loaded tendencies, the New-Zealand born producer expands his intricate and futuristic palette further with his most trance-inducing production to date.
More
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Robohands - Relax Pt II
1
Ayesha - Pre Dawn
2
Ayesha - Tactilia
3
Ayesha - Play
4
Ayesha - V7
5
Ayesha - Roll
6
Ayesha - Lurk
7
Ayesha - Tunnel Visions
8
Ayesha - Mother Tongue
9
Ayesha - 2008
Genre/s: Techno, Electro
Tracklist:
A1. Pre Dawn
A2. Tactilia
A3. Play
A4. V7
B1. Roll
B2. Lurk
B3. Tunnel Visions
B4. Mother Tongue
B5. 2008
New York-based label Kindergarten Records is thrilled to unveil Ayesha’s debut album, ‘Rhythm is Memory’ – 10 boundary-pushing tracks, a shape-shifting percussive journey with electric moments. While intended for maximum dancefloor impact, Ayesha’s first LP is also conceptually thought-provoking and playful, exploring how bodies store and channel creative knowledge.
A self-taught producer, Ayesha relies on her instincts to make music: sensing what her body wants to feel and hear. To her, essential to building a groove is channeling what is already inside us – memories – whether they are based on lived experience or coded in the body: culturally, ancestrally, or intergenerationally. The result is this Indian-American producer’s distinct rhythmic voice, with its many configurations boldly expressed across her debut album.
Kindergarten first released Ayesha’s material in 2020 with her ‘Natural Phenomena’ EP, a four-track journey which she described as “an undulating love letter to nature and the dancefloor, [a] space where [her] biophilia collides with her yearning for the dancefloor.” Subsequently, she continued to build upon her luminous, scintillating sound with a contribution to ‘Fluo II’ titled “Aspara Dub”, followed by “Varanasi” and “Downpour” on ‘Ether’, a split release with Sha Ru in 2021. With each release, Ayesha's sound evolved, adding shades, layers, and perpetual rhythmic nuance to a mind palace of dancefloor possibilities.
That is why her and Kindergarten are a perfect match -- driven by their mutual fascination with exploratory sonics and a shared commitment to the community that inspires them. Kindergarten Records has shaped itself into a trailblazing label, uniting a diverse and innovative collective of local and international producers, while embodying a strong familial atmosphere.This debut LP represents a significant step-up for both the artist and the imprint, as they strive harmoniously towards a shared goal: delivering a sonic experience full of colorful, otherworldly bass-fueled expansion.
‘Rhythm is Memory’ captures Ayesha’s signature love for driving techno and organic percussion, while at moments veering into newer electro territory while keeping it psychedelic, spacious, dubby, and always playful. This feels intuitively right for a producer at a crossroads in her career. All tracks intricately weave together pulsing drum grooves, slinky synths, nuanced melodies, and delightfully unexpected twists. No single genre can do justice to describing this project as Ayesha delicately nods to many, reveling in the spaces between.
Undoubtedly, across A and B sides, 'Rhythm is Memory' imparts the joy of sonic experimentation to listeners and dancers. Ayesha invites us into her creative process and its steady evolution – rooted in many days and nights of exploration, reflection, and repetition. "The ritual practice of cultivating and tending a garden is what comes to mind if I were to visualize this record. Beautiful things can emerge from care and consistent attention," says Ayesha. While she refers to her specific experience making 'Rhythm is Memory,' this powerful album culminates a decade of working in nightlife for Ayesha – a project slated to leave an indelible mark on the underground. To mark this impressive milestone in their catalog, Kindergarten Records is proud to return to pressing vinyl after a hiatus since 2020, recognizing the significance of putting out a physical release to behold such a moment in both the label's and the artist's trajectory.
More
Tracklist:
A1. Pre Dawn
A2. Tactilia
A3. Play
A4. V7
B1. Roll
B2. Lurk
B3. Tunnel Visions
B4. Mother Tongue
B5. 2008
New York-based label Kindergarten Records is thrilled to unveil Ayesha’s debut album, ‘Rhythm is Memory’ – 10 boundary-pushing tracks, a shape-shifting percussive journey with electric moments. While intended for maximum dancefloor impact, Ayesha’s first LP is also conceptually thought-provoking and playful, exploring how bodies store and channel creative knowledge.
A self-taught producer, Ayesha relies on her instincts to make music: sensing what her body wants to feel and hear. To her, essential to building a groove is channeling what is already inside us – memories – whether they are based on lived experience or coded in the body: culturally, ancestrally, or intergenerationally. The result is this Indian-American producer’s distinct rhythmic voice, with its many configurations boldly expressed across her debut album.
Kindergarten first released Ayesha’s material in 2020 with her ‘Natural Phenomena’ EP, a four-track journey which she described as “an undulating love letter to nature and the dancefloor, [a] space where [her] biophilia collides with her yearning for the dancefloor.” Subsequently, she continued to build upon her luminous, scintillating sound with a contribution to ‘Fluo II’ titled “Aspara Dub”, followed by “Varanasi” and “Downpour” on ‘Ether’, a split release with Sha Ru in 2021. With each release, Ayesha's sound evolved, adding shades, layers, and perpetual rhythmic nuance to a mind palace of dancefloor possibilities.
That is why her and Kindergarten are a perfect match -- driven by their mutual fascination with exploratory sonics and a shared commitment to the community that inspires them. Kindergarten Records has shaped itself into a trailblazing label, uniting a diverse and innovative collective of local and international producers, while embodying a strong familial atmosphere.This debut LP represents a significant step-up for both the artist and the imprint, as they strive harmoniously towards a shared goal: delivering a sonic experience full of colorful, otherworldly bass-fueled expansion.
‘Rhythm is Memory’ captures Ayesha’s signature love for driving techno and organic percussion, while at moments veering into newer electro territory while keeping it psychedelic, spacious, dubby, and always playful. This feels intuitively right for a producer at a crossroads in her career. All tracks intricately weave together pulsing drum grooves, slinky synths, nuanced melodies, and delightfully unexpected twists. No single genre can do justice to describing this project as Ayesha delicately nods to many, reveling in the spaces between.
Undoubtedly, across A and B sides, 'Rhythm is Memory' imparts the joy of sonic experimentation to listeners and dancers. Ayesha invites us into her creative process and its steady evolution – rooted in many days and nights of exploration, reflection, and repetition. "The ritual practice of cultivating and tending a garden is what comes to mind if I were to visualize this record. Beautiful things can emerge from care and consistent attention," says Ayesha. While she refers to her specific experience making 'Rhythm is Memory,' this powerful album culminates a decade of working in nightlife for Ayesha – a project slated to leave an indelible mark on the underground. To mark this impressive milestone in their catalog, Kindergarten Records is proud to return to pressing vinyl after a hiatus since 2020, recognizing the significance of putting out a physical release to behold such a moment in both the label's and the artist's trajectory.
More
1
Cortex - Californie
2
Cortex - Moanion
3
Cortex - Stevie
4
Cortex - Stevie
5
Cortex - The sky is grey i'm so blue
6
Cortex - Psychose
7
Cortex - Mary & Jeff (Fender Rhodes Version 77')
8
Cortex - Les oiseaux morts
“RARE & LOST TAPES” is a collection of singles by the legendary group CORTEX never released on album.
This album brings together previously unreleased and rare recordings such as "Les Oiseaux Morts" (Alternative Take 76) released only as a Test Pressing, "Mary & Jeff" (Fender Rhodes Version 77) recorded for TV, or "Californie" & "Stevie" released for the Side Project CARIBOU in 7Inch...
A1 - Californie
A2 - Moanion
A3 - Stevie
A4 - The sky is grey i'm so blue
B1 - Psychose
B2 - Mary & Jeff (Fender Rhodes Version 77')
B3 - Les oiseaux morts
B4 - Les oiseaux morts (Alternative Take 76') More
This album brings together previously unreleased and rare recordings such as "Les Oiseaux Morts" (Alternative Take 76) released only as a Test Pressing, "Mary & Jeff" (Fender Rhodes Version 77) recorded for TV, or "Californie" & "Stevie" released for the Side Project CARIBOU in 7Inch...
A1 - Californie
A2 - Moanion
A3 - Stevie
A4 - The sky is grey i'm so blue
B1 - Psychose
B2 - Mary & Jeff (Fender Rhodes Version 77')
B3 - Les oiseaux morts
B4 - Les oiseaux morts (Alternative Take 76') More
1
Sven Wunder - Sundown
2
Sven Wunder - Pop-Jazz Structures
3
Sven Wunder - Take A Break
4
Sven Wunder - Stars Align
5
Sven Wunder - Lunar Distance
6
Sven Wunder - Jazz At Night
7
Sven Wunder - Snowdrops
8
Sven Wunder - Stellar Plates
9
Sven Wunder - Asterism Waltz
10
Sven Wunder - Late Again
When the sun hovers near the horizon, the rays of white sunlight are scattered out of the beam by small particles and molecules in the atmosphere that sprinkle the sky with brilliant hues indicating that the day starts to fade. As night begins to fall, tree-tops redden and begin to glow. Darkness closes in and falls like a blanket covering the sky. It is late again and all is in shadow below. It is when stars align and dreams come true.
Sven Wunder thrives at nightfall and welcomes the horizon of beginnings on Late Again, a collection of nocturnal jazz pieces that depict shooting stars and scattered beams from the setting sun, with an emphasis on gentle compositions for piano and orchestral pop-jazz arrangements for flute, brass, and strings.
A1 - Sundown
A2 - Pop-Jazz Structures
A3 - Take A Break
A4 - Stars Align
A5 - Lunar Distance
B1 - Jazz At Night
B2 - Snowdrops
B3 - Stellar Plates
B4 - Asterism Waltz
B5 - Late Again More
Sven Wunder thrives at nightfall and welcomes the horizon of beginnings on Late Again, a collection of nocturnal jazz pieces that depict shooting stars and scattered beams from the setting sun, with an emphasis on gentle compositions for piano and orchestral pop-jazz arrangements for flute, brass, and strings.
A1 - Sundown
A2 - Pop-Jazz Structures
A3 - Take A Break
A4 - Stars Align
A5 - Lunar Distance
B1 - Jazz At Night
B2 - Snowdrops
B3 - Stellar Plates
B4 - Asterism Waltz
B5 - Late Again More
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Full Bloom - Respawn
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Full Bloom - Speed FM
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Full Bloom - Time Zones
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Full Bloom - Zwischenwelt
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Full Bloom - Fiesing Underwater
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Full Bloom - Message To The Trees
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Full Bloom - Full Baked
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Full Bloom - Saw
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Full Bloom - Sticky Fingers
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Full Bloom - Sea Of Green
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Full Bloom - Akomembe
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Full Bloom - Schwabylon Dub
Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move!
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Rhyw - Engine Track
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Rhyw - Mister Melt
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Rhyw - Spritz
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Rhyw - Wolf Town
Rhyw returns home to Fever AM with “Mister Melt”, his first EP since last year’s “Honey Badger”, one of 2022’s biggest anthems.
This is perhaps his most dance-floor focussed record to date, while maintaining that signature twist that defines his work. He continues his mission to surprise, displaying versatility across four cutting-edge techno, bass and minimal-adjacent tracks.
These bubbling sonic mutations showcase Rhyw's unmistakable style that has firmly established his reputation as one of the most innovative producers in today’s landscape. More
This is perhaps his most dance-floor focussed record to date, while maintaining that signature twist that defines his work. He continues his mission to surprise, displaying versatility across four cutting-edge techno, bass and minimal-adjacent tracks.
These bubbling sonic mutations showcase Rhyw's unmistakable style that has firmly established his reputation as one of the most innovative producers in today’s landscape. More
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Duval Timothy - A1. WhatsApp
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Duval Timothy - A2. Whale
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Duval Timothy - A3. Introvert
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Duval Timothy - A4. Ball
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Duval Timothy - A5. Language feat. Nicholas Mandolas
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Duval Timothy - B1. No
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Duval Timothy - B2. Wahala
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Duval Timothy - B3. Nijo
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Duval Timothy - B4. Dust
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Duval Timothy - B5. Ibs
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Duval Timothy - B6. Emmerson
Where We're Calling From
The Liminal Zone: Reflections on Duval Timothy’s Sen Am
Lamin Fofana
Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.
Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.
Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.
Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Sm?l Sm?l with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.
More
The Liminal Zone: Reflections on Duval Timothy’s Sen Am
Lamin Fofana
Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.
Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.
Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.
Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Sm?l Sm?l with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.
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Jai Paul - One Of The Bredrins
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Jai Paul - Str8 Outta Mumbai
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Jai Paul - Zion Wolf Theme - Unfinished
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Jai Paul - Garden Of Paradise - Instrumental Unfinished
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Jai Paul - Genevieve - Unfinished
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Jai Paul - Raw Beat - Unfinished
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Jai Paul - Crush - Unfinished
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Jai Paul - Good Time
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Jai Paul - Jasmine - Demo
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Jai Paul - Vibin' - Unfinished
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Jai Paul - Baby Beat - Unfinished
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Jai Paul - Desert River - Unfinished
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Jai Paul - Chix - Unfinished
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Jai Paul - All Night - Unfinished
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Jai Paul - BTSTU - Demo
Written, Produced, and Mixed by Jai Paul. RECORDED AT HOME IN RAYNERS LANE, LONDON, ENGLAND. Str8 Outta Mumbai contains a sample of Bala Main Bairagan - Vani Jairam.
Banner: Suchitra International Productions "Meera".
Music: Ravi Shankar.
Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD. Crush
Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark.
Published by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.
Baby Beat contains a sample of "All My Life" performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.
Chix contains a sample from "Adagio For Strings, Op11." as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.
The initial pressing was limited to 3,000 copies available exclusively via artist and label webstore, selling out in minutes
Strictly Limited Vinyl Edition
Black vinyl with amended Art/Metallic Sticker
This second edition features a new XL house bag sleeve design and will be available via retailers globally.
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Banner: Suchitra International Productions "Meera".
Music: Ravi Shankar.
Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD. Crush
Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark.
Published by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.
Baby Beat contains a sample of "All My Life" performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.
Chix contains a sample from "Adagio For Strings, Op11." as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.
The initial pressing was limited to 3,000 copies available exclusively via artist and label webstore, selling out in minutes
Strictly Limited Vinyl Edition
Black vinyl with amended Art/Metallic Sticker
This second edition features a new XL house bag sleeve design and will be available via retailers globally.
More
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Laksa - Soulz
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Laksa - Bodies
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Laksa - Mind
Following their much loved NTS radio shows and parties of the same name, the highly rated DJ/producers re:ni and Laksa have announced a brand new label, also called RE:LAX.
On ‘Body Score’ Laksa continues to traverse the same 150bpm territory as his releases for Hessle Audio and Timedance, but here we also find influences from his job as a social worker.
Chiseling bass weight, swung beats/loops and FX into new shapes with confident hands, ‘Body Score’ conjures mental images that’re equal parts wild humid rainforest and dystopian industrial complex.
‘Soulz’ sets the agenda from the outset; Featuring pumelling gut-punch bass and frenetic percussion, this tightly-wound ball of energy takes you deep into a dank cerebral vortex.
Acknowledging the darkside of life – 'Bodies' samples the psychiatrist Bessel van der Kolk.
Like an ancient ritual, ‘Mind’ evokes scenes of drummers whipping dancers up into a frenzied higher spiritual state, and with its huge snare adding head-cracking accents, the unstoppable momentum thunders along ‘til the very last bar.
Early support from the likes of Pearson Sound, Zenker Brothers, Darwin and Om Unit. More
On ‘Body Score’ Laksa continues to traverse the same 150bpm territory as his releases for Hessle Audio and Timedance, but here we also find influences from his job as a social worker.
Chiseling bass weight, swung beats/loops and FX into new shapes with confident hands, ‘Body Score’ conjures mental images that’re equal parts wild humid rainforest and dystopian industrial complex.
‘Soulz’ sets the agenda from the outset; Featuring pumelling gut-punch bass and frenetic percussion, this tightly-wound ball of energy takes you deep into a dank cerebral vortex.
Acknowledging the darkside of life – 'Bodies' samples the psychiatrist Bessel van der Kolk.
Like an ancient ritual, ‘Mind’ evokes scenes of drummers whipping dancers up into a frenzied higher spiritual state, and with its huge snare adding head-cracking accents, the unstoppable momentum thunders along ‘til the very last bar.
Early support from the likes of Pearson Sound, Zenker Brothers, Darwin and Om Unit. More
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Fazer - A1 Woody
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Fazer - A2 Asante
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Fazer - A3 Akom
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Fazer - A4 Elephant Rave
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Fazer - A5 Babel
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Fazer - B1 Mara
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Fazer - B2 Glow, Glow
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Fazer - B3 White Sedan
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Fazer - B4 Fon
2020 Repress, Orig. Art, 180g,DL. - Replaces FAZ001 wich will be discontinued!
MARA is the debutalbum of Munich-based jazz group FAZER.
Short Info:
MARA is the debutalbum of Munich-based jazz group FAZER. The young musicians combine African and Latin rhythms with dubby basslines and melancholic melodies. The unusual lineup with two drummers (Simon Popp, Sebastian Wolfgruber), bass (Martin Brugger), guitar (Paul Brändle) and trumpet (Matthias Lindermayr) leaves an open space for unfettered improvisation. Through the concept of repetition and finely measured dynamics, Fazer create a drawing energy that can be felt directly at their live shows and has been captured perfecty on this record.
Tracklist LP:
A1 Woody 07:00 min
A2 Asante 07:24 min
A3 Akom 04:12 min
A4 Elephant Rave 02:52 min
A5 Babel 04:36 min
B1 Mara 05:08 min
B2 Glow, Glow 03:51 min
B3 White Sedan 07:00 min
B4 Fon 06:24 min
More
MARA is the debutalbum of Munich-based jazz group FAZER.
Short Info:
MARA is the debutalbum of Munich-based jazz group FAZER. The young musicians combine African and Latin rhythms with dubby basslines and melancholic melodies. The unusual lineup with two drummers (Simon Popp, Sebastian Wolfgruber), bass (Martin Brugger), guitar (Paul Brändle) and trumpet (Matthias Lindermayr) leaves an open space for unfettered improvisation. Through the concept of repetition and finely measured dynamics, Fazer create a drawing energy that can be felt directly at their live shows and has been captured perfecty on this record.
Tracklist LP:
A1 Woody 07:00 min
A2 Asante 07:24 min
A3 Akom 04:12 min
A4 Elephant Rave 02:52 min
A5 Babel 04:36 min
B1 Mara 05:08 min
B2 Glow, Glow 03:51 min
B3 White Sedan 07:00 min
B4 Fon 06:24 min
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Verraco - Escándaloo
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Verraco - jajaja
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Verraco - How is this even possible?
Voam is proud to present a new EP from Colombian producer, DJ and TraTraTrax co-founder, Verraco. Taking influences from hardgroove, dembow and UK soundsystem music and blending them with cutting edge sound design, these three tracks present a dramatic and forward thinking vision of the hybrid possibilities of techno.
Written & produced by Verraco
Mastered by Rashad Becker
Artwork & design by Atact More
Written & produced by Verraco
Mastered by Rashad Becker
Artwork & design by Atact More
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Andrew Weatherall / Nina Walsh / The Woo - A1. Phonox Nights
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Andrew Weatherall / Nina Walsh / The Woo - A2. Cryptic Numeric
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Andrew Weatherall / Nina Walsh / The Woo - B1. Bone Pointer
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Andrew Weatherall / Nina Walsh / The Woo - B2. Infidelity Of Time
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Andrew Weatherall / Nina Walsh / The Woo - C1. Wolves Don't Chase Hope (They Chase Rabbits)
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Andrew Weatherall / Nina Walsh / The Woo - C2. Gates To The South
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Andrew Weatherall / Nina Walsh / The Woo - D1. Church Of Burnt Offerings
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Andrew Weatherall / Nina Walsh / The Woo - D2. Boots & The Pike
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Andrew Weatherall / Nina Walsh / The Woo - D3. One Part Disco
Named after the Brixton club where it was road-tested, Phonox Nights is the last album conceptualised and completed by Nina Walsh and Andrew Weatherall at her Facility 4 studio before his February 2020 passing. Starting with the sleek acid majesty of the percolating title track, Andrew playing ethereal synth lines at Nina's coaxing, Phonox Nights' rapturous blend of slow burning acid house and luminescent dub disco tops the pair's 30 year creative relationship with their masterpiece.
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