Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Biosphere
1
Biosphere - Tan
2
Biosphere - Interval Signal
3
Biosphere - Nigh Shift
4
Biosphere - Formanta
5
Biosphere - Shortwave Memories
6
Biosphere - Infinium
7
Biosphere - Shruthi-12
8
Biosphere - Transfigured Express
2026 Repress!
Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller. "The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above." Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and al.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller. "The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above." Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and al.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
biosphere - No Title
2
biosphere - No Title
3
biosphere - No Title
4
biosphere - No Title
5
biosphere - No Title
6
biosphere - No Title
7
biosphere - No Title
8
biosphere - No Title
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Biophon Records
Cat-No:BIO30LP
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:LP
Label:Biophon Records
Cat-No:BIO30LP
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:LP
1
biosphere - Drifter
2
biosphere - Black Mesa
3
biosphere - Turned To Stone
4
biosphere - The Petrified Forest
5
biosphere - Just One Kiss
6
biosphere - This Is The End
2026 Repress
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller. "The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above." Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and al.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Biosphere - A1 - Time Of Man
2
Biosphere - A2 - The Way Of Time
3
Biosphere - A3 - Like The End Of The World
4
Biosphere - B1 - All Stars Have Names
5
Biosphere - B2 - The Old Way Was Gone
6
Biosphere - B3 - The Way Of Time (On And On)
Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Biosphere - Surface Tension
2
Biosphere - Delta Function
3
Biosphere - Franklin´s Dream
4
Biosphere - Wolfgang´s Wave
5
Biosphere - Brownian Motion
6
Biosphere - Random Walk
7
Biosphere - The String Thing
8
Biosphere - Florian´s Flute
9
Biosphere - Jane´s Lament
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD!
Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Biosphere - Poa Alpina (Alternative Version)
2
Biosphere - Chukhung (Alternative Version)
3
Biosphere - The Things I Tell You (Alternative Version)
4
Biosphere - Times When I Know You'll Be Sad (Alternative Version)
5
Biosphere - Hyperborea (Alternative Version)
6
Biosphere - Kobresia (Alternative Version)
7
Biosphere - Antennaria (Alternative Version)
8
Biosphere - Uva-Ursi (Alternative Version)
9
Biosphere - Sphere Of No-Form (Alternative Version)
10
Biosphere - Silene
Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
biosphere - No Title
2
biosphere - No Title
3
biosphere - No Title
4
biosphere - No Title
5
biosphere - No Title
6
biosphere - No Title
7
biosphere - No Title
8
biosphere - No Title
9
biosphere - No Title
10
biosphere - No Title
11
biosphere - No Title
12
biosphere - No Title
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Dropsonde was originally released by Touch (UK) in 2006. This is a reissue with seven previously unreleased recordings.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Biosphere - No Title
2
Biosphere - No Title
3
Biosphere - No Title
4
Biosphere - No Title
5
Biosphere - No Title
6
Biosphere - No Title
7
Biosphere - No Title
8
Biosphere - No Title
9
Biosphere - No Title
10
Biosphere - No Title
11
Biosphere - No Title
12
Biosphere - No Title
13
Biosphere - No Title
14
Biosphere - No Title
Dropsonde was originally released by Touch (UK) in 2006. This is a reissue with seven previously unreleased recordings.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Biophon Records
1
Biosphere - Tan
2
Biosphere - Interval Signal
3
Biosphere - Nigh Shift
4
Biosphere - Formanta
5
Biosphere - Shortwave Memories
6
Biosphere - Infinium
7
Biosphere - Shruthi-12
8
Biosphere - Transfigured Express
2026 Repress!
Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller. "The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above." Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and al.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller. "The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above." Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and al.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller. "The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above." Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and al.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Biophon Records
Cat-No:BIO30LP
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:LP
Label:Biophon Records
Cat-No:BIO30LP
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:LP
1
biosphere - Drifter
2
biosphere - Black Mesa
3
biosphere - Turned To Stone
4
biosphere - The Petrified Forest
5
biosphere - Just One Kiss
6
biosphere - This Is The End
2026 Repress
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
biosphere - No Title
2
biosphere - No Title
3
biosphere - No Title
4
biosphere - No Title
5
biosphere - No Title
6
biosphere - No Title
7
biosphere - No Title
8
biosphere - No Title
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Biophon Records
Cat-No:bio32lp
Release-Date:17.10.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Biophon Records
Cat-No:bio32lp
Release-Date:17.10.2025
Genre:Electronic, Electronica
Configuration:2LP
1
HIA & Biosphere - No Title
2
HIA & Biosphere - No Title
3
HIA & Biosphere - No Title
4
HIA & Biosphere - No Title
5
HIA & Biosphere - No Title
6
HIA & Biosphere - No Title
7
HIA & Biosphere - No Title
In October 1995, as part of the annual Polar Music Festival, Geir Jenssen of Biosphere and Bobby Bird of The Higher Intelligence Agency, were commissioned by Nor Concerts to collaborate together on a musical project to take place in Geir's home town of Tromsø, Norway. The brief was for them to perform three concerts, using sounds sourced from the area as the basis of the music - the machinery of the local mountain cable lift, the snow, the ice etc…
The performances from which this recording is taken, took place on top of a mountain above Tromsø, in a cabin reached by the cable car, in which the audience were transported up the mountain in turn.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The performances from which this recording is taken, took place on top of a mountain above Tromsø, in a cabin reached by the cable car, in which the audience were transported up the mountain in turn.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Biosphere - Surface Tension
2
Biosphere - Delta Function
3
Biosphere - Franklin´s Dream
4
Biosphere - Wolfgang´s Wave
5
Biosphere - Brownian Motion
6
Biosphere - Random Walk
7
Biosphere - The String Thing
8
Biosphere - Florian´s Flute
9
Biosphere - Jane´s Lament
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Inland Delta contains nine new musical pieces recorded from 2022 to 2023, featuring mainly improvised performances on newly restored vintage keyboards.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Biosphere - Poa Alpina (Alternative Version)
2
Biosphere - Chukhung (Alternative Version)
3
Biosphere - The Things I Tell You (Alternative Version)
4
Biosphere - Times When I Know You'll Be Sad (Alternative Version)
5
Biosphere - Hyperborea (Alternative Version)
6
Biosphere - Kobresia (Alternative Version)
7
Biosphere - Antennaria (Alternative Version)
8
Biosphere - Uva-Ursi (Alternative Version)
9
Biosphere - Sphere Of No-Form (Alternative Version)
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Biosphere - Silene
Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
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In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
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DE - 22113 Hamburg
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CD!
Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
Germany
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Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
Dropsonde was originally released by Touch (UK) in 2006. This is a reissue with seven previously unreleased recordings.
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Dropsonde was originally released by Touch (UK) in 2006. This is a reissue with seven previously unreleased recordings.
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"For Christian H" is a compilation album from the Arctic Norwegian city of Tromsø, dedicated to the memory of Christian Hollingsæter – the director of the Insomnia festival – who died unexpectedly in May this year, only 35 years old.
All 18 tracks have been gifted exclusively for the album, with all proceeds going to his son Julian.
Collected and mastered by Geir Jenssen aka Biosphere.
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All 18 tracks have been gifted exclusively for the album, with all proceeds going to his son Julian.
Collected and mastered by Geir Jenssen aka Biosphere.
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1
Biosphere - No Title
2
Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
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Biosphere - No Title
Biosphere is the main recording name of Geir Jenssen (born 30 May 1962), a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album. Cirque - originally released in 2000 - was Biosphere's first album for the UK label Touch. This new re-issue comes with a 6-track bonus album and new artwork.
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Biosphere is the main recording name of Geir Jenssen (born 30 May 1962),[1] a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Biosphere is the main recording name of Geir Jenssen (born 30 May 1962),[1] a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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biosphere - "Microgravity"
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biosphere - Baby Satellite"
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biosphere - "Tranquillizer"
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biosphere - "The Fairy Tale"
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biosphere - "Cloudwalker II"
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biosphere - "Chromosphere"
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biosphere - "Cygnus-A"
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biosphere - "Baby Interphase"
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biosphere - "Biosphere II"
A remastered version of Biosphere´s debut album Microgravity on triple vinyl and double CD with a bonus album of unreleased tracks. From Wikipedia: Geir Jenssen began releasing his music as Biosphere on obscure Norwegian compilation albums. His first Biosphere releases were the 12-inch single "The Fairy Tale" and the album Microgravity, both of which were rejected by SSR as unmarketable.[1] Microgravity was released in 1991 on the Norwegian label Origo Sound, and saw wider release via the R&S Records subsidiary Apollo in 1992, to much critical acclaim.
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A remastered version of Biosphere´s debut album Microgravity on triple vinyl and double CD with a bonus album of unreleased tracks. From Wikipedia: Geir Jenssen began releasing his music as Biosphere on obscure Norwegian compilation albums. His first Biosphere releases were the 12-inch single "The Fairy Tale" and the album Microgravity, both of which were rejected by SSR as unmarketable.[1] Microgravity was released in 1991 on the Norwegian label Origo Sound, and saw wider release via the R&S Records subsidiary Apollo in 1992, to much critical acclaim.
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Roman Flügel - A1. Horns
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A1 Horns
A2 Dusty Jukebox
B1 If You’ll Ever Know
B2 You’ve Failed But That’s Ok
Info:
Roman Flügel returns to Running Back with another chapter in an ongoing love affair between machine funk and dancefloor euphoria. Following a string of releases stretching from Garden Party to the recent Dusty Jukebox EP, this latest offering continues a path that has become unmistakably his own.
There are no dietary restrictions here. Just generous portions of basslines, rave signals, bleeps, and rhythm tracks, all layered with the kind of instinctive musicality that makes Roman’s productions feel both immediate and timeless. The spirit of early rave culture remains a guiding force, not as nostalgia but as a living source of inspiration, feeding into House music’s endless
capacity for joy, surprise, and communal release.
As ever, the objective is simple: celebrate the moment. Preferably loud, preferably together, and preferably with plenty of icing on top
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A1 Horns
A2 Dusty Jukebox
B1 If You’ll Ever Know
B2 You’ve Failed But That’s Ok
Info:
Roman Flügel returns to Running Back with another chapter in an ongoing love affair between machine funk and dancefloor euphoria. Following a string of releases stretching from Garden Party to the recent Dusty Jukebox EP, this latest offering continues a path that has become unmistakably his own.
There are no dietary restrictions here. Just generous portions of basslines, rave signals, bleeps, and rhythm tracks, all layered with the kind of instinctive musicality that makes Roman’s productions feel both immediate and timeless. The spirit of early rave culture remains a guiding force, not as nostalgia but as a living source of inspiration, feeding into House music’s endless
capacity for joy, surprise, and communal release.
As ever, the objective is simple: celebrate the moment. Preferably loud, preferably together, and preferably with plenty of icing on top
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Terrence Dixon - Mono Collapse
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Terrence Dixon - When Stars Remember
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Terrence Dixon - The Art Of Possible
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Terrence Dixon - Code Of The Forgotten
Territories: World excl. UK
FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Mono Collapse 06:40
2. / A2 When Stars Remember 05:12
3. / B1 The Art Of Possible 07:38
4. / B2 Code Of The Forgotten 05:32
INFO:
Detroit original, Terrence Dixon, returns to Tresor Records to kick off 2026 with ‘When Stars Remember’. Despite his thirty-year career, Terrence has always managed to keep a lower profile than his peers; he has given few interviews, preferring instead to speak through his music, with
cryptic song titles hinting at the thoughts swirling around their creation.
However, ‘When Stars Remember’ finds him stepping forward. “I wanted to get closer to the dancefloor. I consciously made this one feel louder…made with Tresor specifically in mind.” And the EP does just that: whilst many of the hall marks of a Terrence Dixon production are
present, the drums are more forward; the synth arpeggios so bold that ‘monumental’ seems a better descriptor than ‘minimal’.
“I put three or four sounds together on the same track, layering to make something bigger”, he says of opening track ‘Mono Collapse’, though the statement could apply to any of the music appearing on the release as all four pieces fold in sonics to create something hypnotic; more
than the individual parts: “If you stick with the same layered tones, and repeat it over, after a while your brain changes it on its own; you hear a lot of things: things that you didn’t notice at first, things that maybe aren’t even there.”
The absence of things is another main theme of the EP, especially what Dixon sees as ‘The Forgotten’, a group of fundamental principles like common sense, trust, loyalty, honesty and respect that are missing from modern life. “This world is different…the love is gone. But I love
everybody, man. I think, secretly, everybody love everybody, but they just don’t know it.”
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FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Mono Collapse 06:40
2. / A2 When Stars Remember 05:12
3. / B1 The Art Of Possible 07:38
4. / B2 Code Of The Forgotten 05:32
INFO:
Detroit original, Terrence Dixon, returns to Tresor Records to kick off 2026 with ‘When Stars Remember’. Despite his thirty-year career, Terrence has always managed to keep a lower profile than his peers; he has given few interviews, preferring instead to speak through his music, with
cryptic song titles hinting at the thoughts swirling around their creation.
However, ‘When Stars Remember’ finds him stepping forward. “I wanted to get closer to the dancefloor. I consciously made this one feel louder…made with Tresor specifically in mind.” And the EP does just that: whilst many of the hall marks of a Terrence Dixon production are
present, the drums are more forward; the synth arpeggios so bold that ‘monumental’ seems a better descriptor than ‘minimal’.
“I put three or four sounds together on the same track, layering to make something bigger”, he says of opening track ‘Mono Collapse’, though the statement could apply to any of the music appearing on the release as all four pieces fold in sonics to create something hypnotic; more
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DJ Koze - Pick Up (12" Extended Disco Version)
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DJ Koze - The Love Truck
2025 repress
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
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Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
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1
V/A - Vinyl 1 (A1) Emanuel Satie - Activate
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V/A - Vinyl 1 (B1) Awen, Denis Horvat, Floyd Lavine - Love Is Like Music
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V/A - Vinyl 1 (B2) Dana Ruh, Gabriele Carasco - Liquid Sunshine
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V/A - Vinyl 2 (A1) Roman Flügel - Secret Service
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V/A - Vinyl 2 (B1) Daniel Stefanik - Here Comes The Afterglow
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5. (B1) Daniel Stefanik - Here Comes The Afterglow (DE-Q20-25-00054)
6. (B2) Marcel Dettmann - Magnet (DE-Q20-25-00055)
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12. (B2) Matthias Schildger - Hypersphere (DE-Q20-25-00060)
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25 Years Cocoon Recordings - Volume Two
Continuing the celebration of 25 years of Cocoon Recordings, the label presents the second chapter of its anniversary project. 25 Years Cocoon Recordings - Volume Two again unites exclusive tracks from artists who have shaped the label's sound over the decades, alongside fresh contributions that reflect its evolving spirit.
Across 15 tracks, the compilation highlights the richness and diversity of the Cocoon Universe. Marcel Dettmann, Audion, Roman Flügel, and Secret Cinema deliver signature tracks, complemented by longtime friends André Galluzzi, Dana Ruh, Petar Dundov, Pig&Dan, Gregor Tresher, Ricardo Tobar, Daniel Stefanik, and Funk D'Void. Recent additions to the Cocoon family over the past decade, including Emanuel Satie, Fango, Krystal Klear, Awen, Denis Horvat, Floyd Lavine, Matthias Schildger, and Gabriele Carasco, bring fresh perspectives and energy, resulting in a dynamic and multifaceted experience.
Over 25 years, Cocoon Recordings has built a catalog of hundreds of releases, spanning 12-inches, albums, mix CDs, and iconic compilation box sets, always linking the label's history with the present. While techno and house remain at its core, the label continues to explore electronica, ambient, and other evolving electronic styles, following its own instincts and curiosity, with no boundaries and a love for venturing into beautiful, unexpected sounds.
The luxurious 5x12" box set with spectral-reflective foil finish continues the anniversary presentation, cementing Cocoon's legacy as one of electronic music's most influential labels.
The journey continues.
The second volume unfolds.
New sounds, discoveries, and the spirit of Cocoon shine brighter than ever.
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Tracklisting:
Vinyl 1
1. (A1) Emanuel Satie - Activate (DE-Q20-25-00050)
2. (B1) Awen, Denis Horvat, Floyd Lavine - Love Is Like Music (DE-Q20-25-00051)
3. (B2) Dana Ruh, Gabriele Carasco - Liquid Sunshine (DE-Q20-25-00052)
Vinyl 2
4. (A1) Roman Flügel - Secret Service (DE-Q20-25-00053)
5. (B1) Daniel Stefanik - Here Comes The Afterglow (DE-Q20-25-00054)
6. (B2) Marcel Dettmann - Magnet (DE-Q20-25-00055)
Vinyl 3
7. (A1) Petar Dundov - Alpha Prime (DE-Q20-25-00056)
8. (B1) Secret Cinema - Moo Da Boo (DE-Q20-25-00057)
9. (B2) Pig&Dan, Funk D'Void - Overdose (DE-Q20-25-00058)
Vinyl 4
10. (A1) Fango - Corsa di Notte (DE-Q20-25-00062)
11. (B1) Krystal Klear - NEW GEN TECH TOOL (DE-Q20-25-00064)
12. (B2) Matthias Schildger - Hypersphere (DE-Q20-25-00060)
Vinyl 5
13. (A1) Ricardo Tobar - Union (DE-Q20-25-00063)
14. (B1) Gregor Tresher, André Galluzzi - Strahlung (DE-Q20-25-00059)
14. (B2) Audion - Chides (DE-Q20-25-00061)
25 Years Cocoon Recordings - Volume Two
Continuing the celebration of 25 years of Cocoon Recordings, the label presents the second chapter of its anniversary project. 25 Years Cocoon Recordings - Volume Two again unites exclusive tracks from artists who have shaped the label's sound over the decades, alongside fresh contributions that reflect its evolving spirit.
Across 15 tracks, the compilation highlights the richness and diversity of the Cocoon Universe. Marcel Dettmann, Audion, Roman Flügel, and Secret Cinema deliver signature tracks, complemented by longtime friends André Galluzzi, Dana Ruh, Petar Dundov, Pig&Dan, Gregor Tresher, Ricardo Tobar, Daniel Stefanik, and Funk D'Void. Recent additions to the Cocoon family over the past decade, including Emanuel Satie, Fango, Krystal Klear, Awen, Denis Horvat, Floyd Lavine, Matthias Schildger, and Gabriele Carasco, bring fresh perspectives and energy, resulting in a dynamic and multifaceted experience.
Over 25 years, Cocoon Recordings has built a catalog of hundreds of releases, spanning 12-inches, albums, mix CDs, and iconic compilation box sets, always linking the label's history with the present. While techno and house remain at its core, the label continues to explore electronica, ambient, and other evolving electronic styles, following its own instincts and curiosity, with no boundaries and a love for venturing into beautiful, unexpected sounds.
The luxurious 5x12" box set with spectral-reflective foil finish continues the anniversary presentation, cementing Cocoon's legacy as one of electronic music's most influential labels.
The journey continues.
The second volume unfolds.
New sounds, discoveries, and the spirit of Cocoon shine brighter than ever.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Butch - Official Bump Call
2
Butch - Official Bump Call (Riva Starr Warehouse Remix)
3
Butch - Foxtrot Uniform
Butch returns to Rekids with the ‘Offi cial Bump Call’ EP. Riva Starr steps up with a Warehouse remix. German DJ/producer Butch returns to Rekids with the ‘O?cial Bump Call’ EP 22nd May 2026. It marks his ?rst release on the label since 2011’s ‘Raw Beats’ two-tracker, followed by a 2018 appearance remixing Basement Jaxx’s ‘Good Luck’. This time, Snatch! Records boss Riva Starr joins for a remix fresh o? the back of his ‘Shine A Light’ EP on Radio Slave’s main imprint. “‘Bump Call’ and 'Foxtrot Uniform' are messages from old-school players to new-school fools. At a time, when everything revolves around health, discipline, and maximising output – more shows, more structure, more money – this EP is a reminder of where it all came from. From a scene that wasn’t optimised, but lived. From DJs who didn’t just perform – they partied. Yes, times have changed. Even I’m on that ?tness wave now, living cleaner and more focused. But this record isn’t about that. It’s a nod to the chaos, the excess, and the raw energy that de?ned an era. A reminder that it wasn’t always about performance – sometimes it was just about crossing lines
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DE - 22113 Hamburg
Germany
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1
Sa Pa - Mokira Ultra Dub
2
Sa Pa - Waiting For You
3
Sa Pa - Modular System
4
Sa Pa - World Saving Banger
Sa Pa launches Dub Techno For Life: a dedicated outlet for the artist’s more dancefloor-focused material - work that has largely sat outside the conceptual frame of his previous releases.
The label’s first release, Girls on Tour EP, opens with “Mokira Ultra Dub”, a 10-minute club rework of Mokira classic “Manipulation Musik”. Originally produced alongside an ambient version commissioned for Kontra Musik’s 2016 Kontra X compilation, the dancefloor mix was ultimately shelved until now. With Andreas ‘Mokira’ Tilliander’s blessing, it finally surfaces as a standalone Sa Pa production. A track too banging to go unreleased.
“Waiting For You” traces back to Sa Pa’s orbit around the giegling ecosystem via FORUM. Once lined up for an official release on the parent label before plans stalled, the track slipped into the archives. Buoyant and disarmingly pop by Sa Pa standards, it finds its place here as the A2 - tuned to the collective memory of mid-2010s German house music.
Harnessing the spirit of Chain Reaction from the abandoned patches and borrowed machines of a rainy night’s recording in Taipei, the B-side’s “Modular System” captures a late-night, one-take modular jam. A broken yet hopeful “World Saving Banger” closes the EP with some raw and IDM-leaning force, showcasing Sa Pa’s new label - and the Girls On Tour EP - as a space for neo dub techno ideals to take shape.
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WAS - Word and Sound Medien GmbH
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The label’s first release, Girls on Tour EP, opens with “Mokira Ultra Dub”, a 10-minute club rework of Mokira classic “Manipulation Musik”. Originally produced alongside an ambient version commissioned for Kontra Musik’s 2016 Kontra X compilation, the dancefloor mix was ultimately shelved until now. With Andreas ‘Mokira’ Tilliander’s blessing, it finally surfaces as a standalone Sa Pa production. A track too banging to go unreleased.
“Waiting For You” traces back to Sa Pa’s orbit around the giegling ecosystem via FORUM. Once lined up for an official release on the parent label before plans stalled, the track slipped into the archives. Buoyant and disarmingly pop by Sa Pa standards, it finds its place here as the A2 - tuned to the collective memory of mid-2010s German house music.
Harnessing the spirit of Chain Reaction from the abandoned patches and borrowed machines of a rainy night’s recording in Taipei, the B-side’s “Modular System” captures a late-night, one-take modular jam. A broken yet hopeful “World Saving Banger” closes the EP with some raw and IDM-leaning force, showcasing Sa Pa’s new label - and the Girls On Tour EP - as a space for neo dub techno ideals to take shape.
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Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller. "The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above." Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and al.
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Label:Biophon Records
Cat-No:BIO30LP
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:LP
Label:Biophon Records
Cat-No:BIO30LP
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:LP
1
biosphere - Drifter
2
biosphere - Black Mesa
3
biosphere - Turned To Stone
4
biosphere - The Petrified Forest
5
biosphere - Just One Kiss
6
biosphere - This Is The End
2026 Repress
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
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DE - 22113 Hamburg
Germany
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Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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1
MD X-Spress - - God Made Me Phunky (Original Mix)
2
Three Kings Featuring Jaygun & Bashy - - Shake Dat Booty (A Pal Joey Interpretatio
3
Three Kings Featuring Jaygun & Bashy - - Shake Dat Booty (Wahoo Main Mix)
4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilises energetic drums and techy synths to up the ante.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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1
DFRA - All About You
2
DFRA - Late Night Coffee
3
DFRA - Subterfuge
4
DFRA - GUS
Following the success of his project DFRA Experience Jazz Band – Jazz In, Argentinian deep house maestro DFRA returns to Groovin Recordings for his highly anticipated second 12" vinyl release, "All About You EP".
While his first Groovin record heavily merged live modal jazz and bebop structures with electronic music, All About You sees DFRA shifting focus directly back to the late-night dancefloor. Dropping just in time for the July summer heat, this four-track EP delivers a masterclass in clean, sophisticated deep house.
Across both sides, the Buenos Aires producer effortlessly pairs crisp percussion with warm, hypnotic basslines and soulful chord progressions. From the smooth, vocal-tinted groove of the title track to the late-night atmosphere of the B-side cuts, this record perfectly balances a timeless, classic edge with modern production weight.
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While his first Groovin record heavily merged live modal jazz and bebop structures with electronic music, All About You sees DFRA shifting focus directly back to the late-night dancefloor. Dropping just in time for the July summer heat, this four-track EP delivers a masterclass in clean, sophisticated deep house.
Across both sides, the Buenos Aires producer effortlessly pairs crisp percussion with warm, hypnotic basslines and soulful chord progressions. From the smooth, vocal-tinted groove of the title track to the late-night atmosphere of the B-side cuts, this record perfectly balances a timeless, classic edge with modern production weight.
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CD!
Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
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Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London.
In 2016, Pitchfork ranked it at number 38 on its list of the 50 Best Ambient Albums of All Time.
Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
David Stubbs´review of the original album in Melody Maker ,July 12th 1997.
Biosphere, aka Norwegian Geir Jenssen, is transmitting from a cold, polar outpost of the imagination. "Substrata"
is the best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty, the
music of a man who's stared too long and too hard at the Northern lights, a music of distant rumbles, tremors
underfoot, stray radio signals, yawning chasms and indistinct, grainy images in the half-light when the mind begins to play tricks. "Poa Alpina" reminds me of recent, frightening TV footage of vast chunks of iceberg cracking and falling away into the sea under the duress of global warming. As for "The Things I Tell You", imagine what Oasis would have sounded like had they been born Eskimos. "Sphere Of No Form" is shot through with a frantic peal like the Mayday song of the world's last whale and, best of all, "Kobresia" looms with a vast, mournful, symphonic motif, like the ghost of the Titanic. Chill out has never been this chilling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More