1
Monsta - Give Me Something Good
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More records from Past Due
1
Tempess - So Nice (Vocal)
2
Tempess - So Fine (Vocal)
3
Tempess - So Nice (Inst)
4
Tempess - So Nice (Radio Edit)
Past Due is back digging even deeper into the world of obscure, highly sought-after boogie funk. This time we land in Miami, 1986–87, at the doorstep of the Palmer brothers’ short-lived but now cult-favorite imprint, Gold Star Records.
As Gary Palmer recalls, Gold Star was a passion project — a moment where each of the brothers took turns writing and producing a handful of singles that would later become serious collector bait. Small runs, big sound, and pure Miami energy.
For this release, the spotlight is on Tempess, a studio project crafted by the Palmers around one of the most in-demand vocalists in Miami at the time, Johnny Bokat (pictured on the sleeve). The collaboration yielded two standout singles: “So Fine” and “So Nice.”
Both cuts are sublime examples of laid-back, sun-drenched Miami funk — rich in groove, melody, and late-’80s sophistication — and now reissued for the first time on Past Due.
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As Gary Palmer recalls, Gold Star was a passion project — a moment where each of the brothers took turns writing and producing a handful of singles that would later become serious collector bait. Small runs, big sound, and pure Miami energy.
For this release, the spotlight is on Tempess, a studio project crafted by the Palmers around one of the most in-demand vocalists in Miami at the time, Johnny Bokat (pictured on the sleeve). The collaboration yielded two standout singles: “So Fine” and “So Nice.”
Both cuts are sublime examples of laid-back, sun-drenched Miami funk — rich in groove, melody, and late-’80s sophistication — and now reissued for the first time on Past Due.
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1
Midnight Blue - Coolin Out (Club Version)
2
Midnight Blue - Because Of You
3
Midnight Blue - So Fine
4
Midnight Blue - Feel It And Groove Together
5
Midnight Blue - Wishing
6
Midnight Blue - I Who Have Nothing (Vocal)
7
Midnight Blue - Enjoy With Me (12" Vocal)
8
Midnight Blue - Dealin With Reality
Past Due Records is thrilled to announce the release of Midnight Blue's "One Wish - South Carolina 1975-83," a compilation showcasing the legendary funk and modern soul band from Columbia. This limited edition double LP compilation is an exclusive collection highlighting the band's peak during the mid-1980s American boogie funk era.
Formed in 1975, Midnight Blue blended the talents of local musicians Myron Alford, Robert Hoefer, Jr., Ronnie Amiker, and many others. Despite their underground status, their music left a lasting impact, performing alongside legends like Midnight Star and Prince.
The compilation includes their debut single "Feel It and Groove Together," their powerful rendition of "I Who Have Nothing," and unreleased tracks recorded with Cameo's Larry Blackmon.
Fan favorites such as "All Because of You" and "Coolin' Out" will also be featured.
This double LP comes with a full story and many never-before-seen pictures of the band, making it a must-have for any fan of eighties funk, courtesy of Past Due Records.
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Formed in 1975, Midnight Blue blended the talents of local musicians Myron Alford, Robert Hoefer, Jr., Ronnie Amiker, and many others. Despite their underground status, their music left a lasting impact, performing alongside legends like Midnight Star and Prince.
The compilation includes their debut single "Feel It and Groove Together," their powerful rendition of "I Who Have Nothing," and unreleased tracks recorded with Cameo's Larry Blackmon.
Fan favorites such as "All Because of You" and "Coolin' Out" will also be featured.
This double LP comes with a full story and many never-before-seen pictures of the band, making it a must-have for any fan of eighties funk, courtesy of Past Due Records.
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1
The Jammers - Can You Keep It Up?
2
The Jammers - Halfway There
As it often happens, while Richie Weeks and Jerome Derradji were working on Volume 3 of the Love Magician Archives, Richie uncovered a couple more unreleased Jammers tracks that never saw release on Salsoul. He believes these songs were intended for a second Jammers album that, sadly, never materialized.
So here you go—two absolute stormers of NYC Boogie and post-disco madness. All the usual suspects are on the tracks, delivering that signature sound. What can we say but: thank you, Richie, for giving us even more heat to play out!
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So here you go—two absolute stormers of NYC Boogie and post-disco madness. All the usual suspects are on the tracks, delivering that signature sound. What can we say but: thank you, Richie, for giving us even more heat to play out!
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1
Subway Feat. Wave - Ten Toes Up Ten Down
2
Subway Feat. Wave - You Can Bet I'll Get You Yet
3
Subway Feat. Wave - What You Do For Love
4
Subway Feat. Wave - What's In The Dark (Will Come To Life)
Jerome Derradji’s Past Due Records is proud to announce the first part in a reissue series of Lee Moore’s rarest and meanest boogie funk tracks originally produced for his labels Score Records and LM Records, circa 1981-85.
Lee Moore produced the seminal soul stomper “Ain’t Gonna Spread Myself” in 1971 for Michigan-based label Tri-City. While this 7” is fantastic, nothing could have predicted what Lee Moore would unleash in the studio, out of his own frustration, a decade later.
Fast forward to 1979 in Memphis, Tennessee, Lee released the disco hit “Reachin’ Out (For Your Love),” a song he co-wrote with his then-wife Patricia Moore, on Source Records. Lee still claims the song inspired “Ring My Bell” after he played it to the TK Disco execs.
Obviously fed up with major labels and their shady biz, Lee then decided to work on new material with Patricia Moore. Lee hired Stax musicians, including guitarist Michael Toles, keyboard player Lester Snell, and drummer Willie Hall, all members of the Isaac Hayes Movement. He also hired bassist Ray Griffin who recorded numerous sessions for both Stax and Malaco Records.
Lee, his wife, and the studio band locked themselves in the legendary Sound Of Memphis studio with a bunch of forward thinking engineers, such as Paul Zaleski, and created the music that would soon be released on their own label, Score Records, supposedly named after scoring cocaine during a studio session in 1980.
Score records never achieved any commercial success as Lee, his team, and the studio crew were more focused on recording and producing music than selling records, wanting to get them played on the radio or live. They would, for example, spend “two weeks working on a snare drum sound”, just so it matched their vision of future funk.
As rare as can be, what came out of these sessions is now considered the holy grail of Memphis boogie funk, and its superior quality is undeniable. Original Score vinyl releases are so rare that only a handful of aficionados around the world own copies, and their prices are astronomical.
Jerome Derradji is thrilled to reissue the first four Score releases on vinyl & digitally for the first time since their release via Past Due Records as an introduction to a comprehensive Lee Moore Anthology that will be released later this year.
Now let’s focus on the sounds of Lee and Patricia Moore, Subway Featuring Wave, The First Family, and Alien. Four incredible records, way ahead of their time, finally available again..
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Lee Moore produced the seminal soul stomper “Ain’t Gonna Spread Myself” in 1971 for Michigan-based label Tri-City. While this 7” is fantastic, nothing could have predicted what Lee Moore would unleash in the studio, out of his own frustration, a decade later.
Fast forward to 1979 in Memphis, Tennessee, Lee released the disco hit “Reachin’ Out (For Your Love),” a song he co-wrote with his then-wife Patricia Moore, on Source Records. Lee still claims the song inspired “Ring My Bell” after he played it to the TK Disco execs.
Obviously fed up with major labels and their shady biz, Lee then decided to work on new material with Patricia Moore. Lee hired Stax musicians, including guitarist Michael Toles, keyboard player Lester Snell, and drummer Willie Hall, all members of the Isaac Hayes Movement. He also hired bassist Ray Griffin who recorded numerous sessions for both Stax and Malaco Records.
Lee, his wife, and the studio band locked themselves in the legendary Sound Of Memphis studio with a bunch of forward thinking engineers, such as Paul Zaleski, and created the music that would soon be released on their own label, Score Records, supposedly named after scoring cocaine during a studio session in 1980.
Score records never achieved any commercial success as Lee, his team, and the studio crew were more focused on recording and producing music than selling records, wanting to get them played on the radio or live. They would, for example, spend “two weeks working on a snare drum sound”, just so it matched their vision of future funk.
As rare as can be, what came out of these sessions is now considered the holy grail of Memphis boogie funk, and its superior quality is undeniable. Original Score vinyl releases are so rare that only a handful of aficionados around the world own copies, and their prices are astronomical.
Jerome Derradji is thrilled to reissue the first four Score releases on vinyl & digitally for the first time since their release via Past Due Records as an introduction to a comprehensive Lee Moore Anthology that will be released later this year.
Now let’s focus on the sounds of Lee and Patricia Moore, Subway Featuring Wave, The First Family, and Alien. Four incredible records, way ahead of their time, finally available again..
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1
Hot Cargo - What's In It For Me (Short Mix)
2
Hot Cargo - What's In It For Me (Long Mix)
As a preview of the upcoming release Richie Weeks' The Love Magician Archives: Boogie & Post Disco. NYC 1980–1983 Vol. 3 on Past Due Records, we’re proud to present a killer 7” featuring two previously unreleased versions of What’s In It For Me by Hot Cargo.
Hot Cargo was a fresh project Richie Weeks was developing with Salsoul Records around 1982–83, right at the height of New York City’s Post-Disco and Boogie Funk explosion. These two versions were recorded at the legendary Right Track Studios, with an all-star lineup of top-tier disco and funk musicians.
Had it seen the light of day back then, there’s little doubt that What’s In It For Me would have become a staple at Larry Levan’s Paradise Garage—and yet another major hit in Richie Weeks’ unstoppable run.
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Hot Cargo was a fresh project Richie Weeks was developing with Salsoul Records around 1982–83, right at the height of New York City’s Post-Disco and Boogie Funk explosion. These two versions were recorded at the legendary Right Track Studios, with an all-star lineup of top-tier disco and funk musicians.
Had it seen the light of day back then, there’s little doubt that What’s In It For Me would have become a staple at Larry Levan’s Paradise Garage—and yet another major hit in Richie Weeks’ unstoppable run.
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1
Captain Sky - Moonchild (Peter Lewicki Disco Mix)
2
Captain Sky - Hero
Back in 1979, a new kind of superhero entered the Chicago music scene, '...Daryl Cameron somehow entered the phonebooth of his mind and emerged as Captain Sky.' His first album for LA based AVI record 'The Adventures of Captain Sky' was a smash hit and established Captain Sky as a serious Afro Funk artist right next to Detroit’s George Clinton and Bootsy Collins.The first song on the album, Moonchild was released as a very limited promo 12-inch and remixed by Chicago radio DJ Peter Lewicki. The result is a timeless cosmic disco tune that may be one of the best disco song ever made.
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1
Chateau - Feelings
2
Chateau - Strike A Spark
In 1983, Chateau, a San Francisco based boogie funk band, won the KRE Radio Hot Fun In The Sun Battle of the Bands in Mosswood Park, Oakland. As a prize, they received $5000 (approximately 8 hours) of studio time and a pressing run of 200 45s.Chateau included Alan Ross on lead vocals and percussion, singer Damara 'Candy' Stepney, and Kevin Dailey who sang and played saxophone, bass, and guitar.
Melvin Jones was on horn and keys, Dennis Knepper played keyboard, Frank Lemon played drums, Lemon's cousin Michael Clark played rhythm guitar, Doug Hearne played guitar and Bill Ortiz (from Santana) contributed trumpet parts.Chateau only released one 7-inch single in 1984, but to this day 'Feelings' is, arguably so, one of the most sought-after West Coast slices of funk.Jerome Derradji and Past Due Records are proud to officially reissue this incredible slice of boogie. Originally released in 1984 on Quiet Storm Records, San Francisco.
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Melvin Jones was on horn and keys, Dennis Knepper played keyboard, Frank Lemon played drums, Lemon's cousin Michael Clark played rhythm guitar, Doug Hearne played guitar and Bill Ortiz (from Santana) contributed trumpet parts.Chateau only released one 7-inch single in 1984, but to this day 'Feelings' is, arguably so, one of the most sought-after West Coast slices of funk.Jerome Derradji and Past Due Records are proud to officially reissue this incredible slice of boogie. Originally released in 1984 on Quiet Storm Records, San Francisco.
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1
The Ray Contreras Band - You Make It Harder
2
The Ray Contreras Band - Wishful Thinking
3
The Ray Contreras Band - If You Want My Love
4
The Ray Contreras Band - I Can Feel Your Heartbeat
5
The Ray Contreras Band - Miami Girl
Past Due Records is thrilled to announce the reissue of 'You Make It Harder,' a long-lost gem from the 1980s NYC dance music scene, originally released as a 7 inch single for the WBLS Budweiser Showdown under the name Contreras / Sokolov / Milgrom. This rare boogie funk record, known only to a select few aficionados, is now available for the first time as a 12 Inch single, featuring four additional unreleased tracks that perfectly capture the Ray Contreras Band’s multicultural, synth-driven funk. The release includes a full sleeve and the story of the band’s journey, from winning the legendary WBLS Budweiser Showdown to their near-miss at the national finals.
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1
Richie Weeks - So Much Funkin Fun Version 2
2
Richie Weeks - Loose Joints Version 6
3
Richie Weeks - Lover Lover You Found The Groove
4
Richie Weeks - Fire Down Below Version 3
5
Richie Weeks - My Baby Loves To Freak
6
Richie Weeks - Do It Do It Again Vocal
7
Richie Weeks - Praying For A Slow Dance Version 3
8
Richie Weeks - At The Disco Version 3 Feat. Tanyayette Whillough By
9
Richie Weeks - Can't Fight The Feeling
10
Richie Weeks - Fire Down Below Version 2
11
Richie Weeks - Who Cares Version 3 Feat. Leroy Burgess
12
Richie Weeks - Loose Joints Version 3
A beautiful compilation with some early New York Disco from the archives of Richie Weeks! "By Day, Richie Weeks Sorted Mail. At Night, He Was a Disco Mastermind." Declared the New York Times last year for the release of Richie Weeks first volume of the Love Magician Archive take from the incredible treasure trove of unreleased Disco songs co-produced by the late Patrick Adams and Richie from the late Seventies to the mid-Eighties. Volume 1 received critical acclaim and press worldwide and instantly floored every Disco aficionado. It also sold out instantly. So here's Volume 2. 12 songs straight from the archives, never released and absolutely mind-blowing. It's Disco at its finest with the bests in the game. A timeless compilation made with a lot of dedication and care. Curated by Past Due Records boss Jerome Derradji. Enjoy!
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A beautiful compilation with some early New York Disco from the archives of Richie Weeks! "By Day, Richie Weeks Sorted Mail. At Night, He Was a Disco Mastermind." Declared the New York Times last year for the release of Richie Weeks first volume of the Love Magician Archive take from the incredible treasure trove of unreleased Disco songs co-produced by the late Patrick Adams and Richie from the late Seventies to the mid-Eighties. Volume 1 received critical acclaim and press worldwide and instantly floored every Disco aficionado. It also sold out instantly. So here's Volume 2. 12 songs straight from the archives, never released and absolutely mind-blowing. It's Disco at its finest with the bests in the game. A timeless compilation made with a lot of dedication and care. Curated by Past Due Records boss Jerome Derradji. Enjoy!
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1
Richie Weeks - I'll Kep You Up
2
Richie Weeks - I've Been There Before (Version 2)
3
Richie Weeks - The Beat Of The Times (Version 2)
4
Richie Weeks - Find That Disco Rhythm (Version 2)
5
Richie Weeks - Love Magician (Version 2)
6
Richie Weeks - Just Cause I Don't Dance (Vocal Mix)
7
Richie Weeks - At The Disco (Feat. Tanyayette Willoughby)
8
Richie Weeks - Everyone Knows (Version 3)
9
Richie Weeks - Who Cares? (Feat. Leroy Burgess - Version 4)
10
Richie Weeks - Just Cause I Don't Dance (Version 2)
11
Richie Weeks - How Many Times? (Feat. Tanyayette Willoughby - Version 4)
12
Richie Weeks - Love Magician (Richie Vocal Mix - Version 4)
Richie Weeks' work as a singer, songwriter, musician, and producer was foundational to New York's disco, boogie funk, house scenes and beyond. From the late 1970s right through to the 1990s he racked up releases on a multitude of labels in the USA and abroad while leading groups such as Weeks & Co. and The Jammers and recording as Bambu, Major Weeks and Jiraffe. Past Due Records due signed Weeks in 2019 and set about realigning his legacy. This triple album of previously unreleased music, cut to a DJ-friendly template of two tracks per side, focusses in on the eye of the disco storm, namely the years 1978-9, and the 12 tracks instantly transport you back to a NYC of steaming sidewalks and liberated fire hydrants. These are immaculately crafted songs, delivered with smooth confidence by Weeks, but arranged with plenty of instrumental grooving - check the slinky bassline on 'Find That Disco Rhythm" (version 2)' or the blissful, elongated funk-stye intro to 'Love Magician' for further proof.
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1
captain sky - Moonchild (Peter Lewiki Disco Mix)
2
captain sky - Hero
Repress!
Back in 1979, a new kind of superhero entered the Chicago music scene, "...Daryl Cameron somehow entered the phonebooth of his mind and emerged as Captain Sky." His first album for LA based AVI record The Adventures of Captain Sky was a smash hit and established Captain Sky as a serious Afro Funk artist right next to Detroits George Clinton and Bootsy Collins.The first song on the album, Moonchild was released as a very limited promo 12 and remixed by Chicago radio DJ Peter Lewicki. The result is a timeless cosmic disco tune that may be one of the best disco song ever made.Jerome Derradji and Past Due Records are proud to officially reissue this most wanted Captain Sky 12 for the first time. Later this year, Past Due Records will reissue all of the Captains full length and some more surprises along the way Enjoy!
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Back in 1979, a new kind of superhero entered the Chicago music scene, "...Daryl Cameron somehow entered the phonebooth of his mind and emerged as Captain Sky." His first album for LA based AVI record The Adventures of Captain Sky was a smash hit and established Captain Sky as a serious Afro Funk artist right next to Detroits George Clinton and Bootsy Collins.The first song on the album, Moonchild was released as a very limited promo 12 and remixed by Chicago radio DJ Peter Lewicki. The result is a timeless cosmic disco tune that may be one of the best disco song ever made.Jerome Derradji and Past Due Records are proud to officially reissue this most wanted Captain Sky 12 for the first time. Later this year, Past Due Records will reissue all of the Captains full length and some more surprises along the way Enjoy!
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1
Cordial - Wave
2
Cordial - Special Love
3
Cordial - Cordial's Preview
Past Due Records and Jerome Derradji are at it again! This time with the reissue of the superb and ultra rare EP by San Francisco's Cordial: "Their First". This record was produced by Bill Withers in 1979 and is a cult favorite amongst disco lovers worldwide! "Their First" includes the legendary disco cover of Antonio Carlos Jobim "Wave". This EP is fully remastered, comes with a full sleeve and an insert with the story of Cordial and their main man, Raymond Coats! Ultra limited to 500 copies.
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1
9th creation - Mellow Music
2
9th creation - A Step Ahead
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Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
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Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
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Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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1
Lego Edit - Dance Girl
2
Chewy Rubs - Tokin
3
Scruscru - Brass & Jazz
4
Frank Virgilio - Where Is The Light
5
Sparkling Attitude - The Valley Of Temples
6
The Magic Track - Ghetto Grandma
Legofunk Records returns with a brand-new volume of “Super Disco Edits” series — this time bringing together an all-star lineup of artists from across the funk and disco scene. Bursting with groove, soul, and analog warmth, the compilation celebrates the golden vibes of dancefloor magic while pushing the sound forward with fresh energy and creativity. Get ready to move!
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1
VOILAAA - Ku La Foon feat. Lass (JKriv Remix)
2
VOILAAA - Ben Bene La feat. Lass (Patchworks Remix)
3
VOILAAA - Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
4
VOILAAA - Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
Favorite Recordings presents Remixes by Voilaaa, a new EP built with exclusive versions of
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
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some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
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Cat-No:FM006LP
Release-Date:27.08.2021
Configuration:2LP Excl
Cat-No:FM006LP
Release-Date:27.08.2021
Configuration:2LP Excl
1
Jabberwocky - A1. Feeling Dancing Tempo
2
Jabberwocky - A2. How Much I Dance
3
Jabberwocky - B1. Satan Samba (Extended Version)
4
Jabberwocky - B2. Under UFO
5
Jabberwocky - C1. Get High
6
Jabberwocky - C2. Dystopia
7
Jabberwocky - D1. Blue Moves (ft. Amouë) (Extended Version)
8
Jabberwocky - D2. Italobingo
- Third album from Jabberwocky
2LP Vinyl + Downloadcode
Genre: Indie Dance / Indie disco
Tracklist 12":
SIDE A 05:27 Feeling Dancing Tempo
05:40 How Much I Dance
SIDE B
05:18 Satan Samba (Extended Version)
05:32 Under UFO
SIDE C
03:42 Get High
05:31 Dystopia
SIDE D 04:08 Blue Moves (ft. Amouë) (Extended Version)
07:39 Italobingo
Short Info:
French electronic trio Jabberwocky are back with bangers. After 2 albums released on Polydor/Universal Music, 4 years of touring, and millions of views on streaming platforms and Youtube, the group of long time friends independently released a series of EPs with italodisco and 80's clubs high energy influences. The producers are now imposing their italo-disco shift by announcing a new album to come in June 2021. "Feeling Dancing Tempo" is saturated with powerful beats and analog sounds inspired by space music and guaranteed to make you dance.
Vital Sales Points:
Named after a Lewis Carroll poem and consisting of three friends in Camille Camara (piano conservatoire), Emmanuel Bretou (self-taught guitar and bass), and Simon Pasquer (sampling and MAO), there's a wonderfully organic sense of chemistry between each member. Best known for their hit single "Photomaton", Jabberwocky are now looking to evolve past their previous sounds into wholly new territory.
Equally inspired by sci-fi films, Italodisco, and Salvador Dali, there's multidimensional layers to Jabberwocky's music that reveals new details with every listen. They've also been influenced by the energy accrued from years of touring alongside a recent move to Paris that's engulfed them in the city's long-standing culture.
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2LP Vinyl + Downloadcode
Genre: Indie Dance / Indie disco
Tracklist 12":
SIDE A 05:27 Feeling Dancing Tempo
05:40 How Much I Dance
SIDE B
05:18 Satan Samba (Extended Version)
05:32 Under UFO
SIDE C
03:42 Get High
05:31 Dystopia
SIDE D 04:08 Blue Moves (ft. Amouë) (Extended Version)
07:39 Italobingo
Short Info:
French electronic trio Jabberwocky are back with bangers. After 2 albums released on Polydor/Universal Music, 4 years of touring, and millions of views on streaming platforms and Youtube, the group of long time friends independently released a series of EPs with italodisco and 80's clubs high energy influences. The producers are now imposing their italo-disco shift by announcing a new album to come in June 2021. "Feeling Dancing Tempo" is saturated with powerful beats and analog sounds inspired by space music and guaranteed to make you dance.
Vital Sales Points:
Named after a Lewis Carroll poem and consisting of three friends in Camille Camara (piano conservatoire), Emmanuel Bretou (self-taught guitar and bass), and Simon Pasquer (sampling and MAO), there's a wonderfully organic sense of chemistry between each member. Best known for their hit single "Photomaton", Jabberwocky are now looking to evolve past their previous sounds into wholly new territory.
Equally inspired by sci-fi films, Italodisco, and Salvador Dali, there's multidimensional layers to Jabberwocky's music that reveals new details with every listen. They've also been influenced by the energy accrued from years of touring alongside a recent move to Paris that's engulfed them in the city's long-standing culture.
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Thirteen tracks recorded for the BBC, ranging from a funky Get Out My Life Woman (as the Jaybirds) to an early version of the Woodstock-featured classic I'm Going Home. Five of these tracks were not included on any of the band's studio albums. The LP highlights jazz, blues and acoustic influences, which would dimin-ish as the band's driving blues-rock became internationally successful. Sound quality ranges from sound-board to very good and the release includes full recording details and extensive sleeve notes.
Tracklisting
Side One
1. Love Until I Die
2. Don't Want You Woman
3. Sometimes I Feel Like Going Home
4. Haven't Seen No Whiskey
5. Rock Your Mama
6. Portable People
7. I May Be Wrong
Side Two
1. Woman Trouble
2. No Title Blues
3. I'm Going Home
4. Get Out My Life Woman (Instrumental)
5. Yes It's Me (Instrumental)
6. My World Fell Down
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Tracklisting
Side One
1. Love Until I Die
2. Don't Want You Woman
3. Sometimes I Feel Like Going Home
4. Haven't Seen No Whiskey
5. Rock Your Mama
6. Portable People
7. I May Be Wrong
Side Two
1. Woman Trouble
2. No Title Blues
3. I'm Going Home
4. Get Out My Life Woman (Instrumental)
5. Yes It's Me (Instrumental)
6. My World Fell Down
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1
Robert Hood - Internal Empire 03:23
2
Robert Hood - Minus 05:22
3
Robert Hood - Within 03:10
4
Robert Hood - Home 07:32
5
Robert Hood - Rek 03:46
6
Robert Hood - Chase 05:59
7
Robert Hood - Spirit Levels 05:05
2026 Repress
FORMAT 2LP black vinyl, full printed sleeve, download code
TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05
Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood
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FORMAT 2LP black vinyl, full printed sleeve, download code
TRACKLIST
A1 Internal Empire 03:23
A2 Minus 05:22
B1 Within 03:10
B2 Home 07:32
C Rek 03:46
D1 Chase 05:59
D2 Spirit Levels 05:05
Release Info:
This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor's legacy. Its story is deeply entwined with that of the label, following Robert Hood's Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno's history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.
Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
"I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, set up my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. Years later I am still discovering.”
– Robert Hood
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1
Kuniyuki Takahashi & Joaquin Joe Clausse - From Then Until Now (The Cosmic Arts album version)
2
Kuniyuki Takahashi & Joaquin Joe Clausse - From Then Until Now (Drum dub)
Where we welcome you to the Fourth installment of 'Divine Harmonics" Featuring Kuniyuki Takahashi. Music produced in collaboration with friends
Here we present Part one of a Two Part Series.
Recorded in a full-fledged Recording Studio in Brooklyn New York, the idea behind this current project was to assemble a few admires of Kuniyuki's music and invite them to participate in the composition.
The musicians on this project include master percussionist composer Lekan Babalola on African Drums and Percussion, Lead Guitarist James Bergeau , Joaquin Joe Claussell Main Voice and Percussions; And of course, the artist himself Kuniyuki Takahashi and Acoustic Piano, Keyboards and Drum Programming.
Artwork Created by the one and only artist Akemi Shimada.
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Here we present Part one of a Two Part Series.
Recorded in a full-fledged Recording Studio in Brooklyn New York, the idea behind this current project was to assemble a few admires of Kuniyuki's music and invite them to participate in the composition.
The musicians on this project include master percussionist composer Lekan Babalola on African Drums and Percussion, Lead Guitarist James Bergeau , Joaquin Joe Claussell Main Voice and Percussions; And of course, the artist himself Kuniyuki Takahashi and Acoustic Piano, Keyboards and Drum Programming.
Artwork Created by the one and only artist Akemi Shimada.
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1
Funtown - Turnaround
2
Funtown - Jungle Rumble
DISCO EDITS
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1
Nathan McKinney - Very Special Lady Pt. II
2
Nathan McKinney - Ver Special Lady (Instrumental)
Artwork tbc. Comes in a plain disco sleeve.
The first, and fully licensed reissue of this funk treasure by Desert Bone label boss and producer Nathan McKinney.
Featuring the original version and instrumental just like the original release from 1983. It was originally self released as a limited pressing and is now one of the most sought after records from this era.
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The first, and fully licensed reissue of this funk treasure by Desert Bone label boss and producer Nathan McKinney.
Featuring the original version and instrumental just like the original release from 1983. It was originally self released as a limited pressing and is now one of the most sought after records from this era.
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1
Hermon Mehari / Cheick Tidiane Seck - Hermon Mehari - Tenafaqit (Danilo Plessow remix) (7:32)
2
Hermon Mehari / Cheick Tidiane Seck - Cheick Tidiane Seck - Motherless Child (Angel Bat Dawid Mothersip Child Sankof
We're happy to share with you our first ever remixes on the Komos label.
ANGEL BAT DAWID takes legendary Malian keyboardist CHECK TIDIANE SECK's heartfelt piano solo version of MOTHERLESS CHILD to the Stars.
DANILO PLESSOW gives his trademark analog dance-floor treatment to HERMON MEHARI's 'Eritrean jazz' masterpiece TENAFAQIT.
TRACKLIST:
1. Hermon Mehari -Tenafaqit - Danilo Plessow remix
2. Cheick Tidiane Seck - Motherless Child - Angel Bat Dawid Mothersip Child Sankofa Re-Mix
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ANGEL BAT DAWID takes legendary Malian keyboardist CHECK TIDIANE SECK's heartfelt piano solo version of MOTHERLESS CHILD to the Stars.
DANILO PLESSOW gives his trademark analog dance-floor treatment to HERMON MEHARI's 'Eritrean jazz' masterpiece TENAFAQIT.
TRACKLIST:
1. Hermon Mehari -Tenafaqit - Danilo Plessow remix
2. Cheick Tidiane Seck - Motherless Child - Angel Bat Dawid Mothersip Child Sankofa Re-Mix
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First ever official compilation of Risco Connection’s sought-after singles
Includes new interview with Joe Isaacs and liner notes by Angus Taylor
Audio restored by Sean P and fully remastered by The Carvery
Includes the vocal and dub versions of ‘Ain’t No Stopping Us Now’, a favourite
Tracklist
01 / A1. AIN’T NO STOPPIN’ US NOW (Vocal) 7.03
02 / A2. AIN’T NO STOPPIN’ US NOW (Version) 9.05
03 / B1. GOOD TIMES 7.25
04 / B2. ONE MORE TIME (Instrumental) 8.19
05 / C1. I’M CAUGHT UP 7.42
06 / C2. ARGUMENT 6.19
07 / D1. IT’S MY HOUSE (Special Disco version) 7.58
08 / D2. IT’S MY HOUSE (Version) 7.42
09 / E1. BRINGING OUT THE SUNSHINE 6.21
10 / E2. RISCO MUSIC 6.09
11 / E3. REGGAE MUSIC 5.57
12 / F1. SITTING IN THE PARK 5.22
13 / F2. PARK VERSION 4.23
14 / F3. STOPPING (Version) 4.51
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Includes new interview with Joe Isaacs and liner notes by Angus Taylor
Audio restored by Sean P and fully remastered by The Carvery
Includes the vocal and dub versions of ‘Ain’t No Stopping Us Now’, a favourite
Tracklist
01 / A1. AIN’T NO STOPPIN’ US NOW (Vocal) 7.03
02 / A2. AIN’T NO STOPPIN’ US NOW (Version) 9.05
03 / B1. GOOD TIMES 7.25
04 / B2. ONE MORE TIME (Instrumental) 8.19
05 / C1. I’M CAUGHT UP 7.42
06 / C2. ARGUMENT 6.19
07 / D1. IT’S MY HOUSE (Special Disco version) 7.58
08 / D2. IT’S MY HOUSE (Version) 7.42
09 / E1. BRINGING OUT THE SUNSHINE 6.21
10 / E2. RISCO MUSIC 6.09
11 / E3. REGGAE MUSIC 5.57
12 / F1. SITTING IN THE PARK 5.22
13 / F2. PARK VERSION 4.23
14 / F3. STOPPING (Version) 4.51
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1
Prins Thomas - Anything For You
2
Prins Thomas - Anything For You? (Eagles & Butterflies Remix)
3
Prins Thomas - Anything For You? (Barratt Remix)
3 new EP's purposed made for the dancefloor.
Inc.remixes by Barratt, Eagles And Butterflies, Fango and Norman Nodge
Prins Thomas – Anything for you?
A Anything For You? 09:30
B1 Anything For You? (Eagles & Butterflies Remix) 06:24
B2 Anything For You? (Barratt Remix) 06:56
No long story to tell... I wanted to make something I could play
at peaktime and then I went and asked 3 mighty producers whose stuff I adored
if they would like to make a version each.
unleash these bea(s)ts
prins thomas, asker november 2019
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Inc.remixes by Barratt, Eagles And Butterflies, Fango and Norman Nodge
Prins Thomas – Anything for you?
A Anything For You? 09:30
B1 Anything For You? (Eagles & Butterflies Remix) 06:24
B2 Anything For You? (Barratt Remix) 06:56
No long story to tell... I wanted to make something I could play
at peaktime and then I went and asked 3 mighty producers whose stuff I adored
if they would like to make a version each.
unleash these bea(s)ts
prins thomas, asker november 2019
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