Label:Isle Of Jura Records
Cat-No:ISLE022
Release-Date:24.11.2023
Genre:Dub/Reggae
Configuration:12"
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Label:Isle Of Jura Records
Cat-No:ISLE022
Release-Date:24.11.2023
Genre:Dub/Reggae
Configuration:12"
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1
Sonia Whittingham - Sweet Sensation
2
Sonia Whittingham - Sweet Dub
UK Lovers Rock holy grail 12” from Sonia Whittingham, produced by Glen Sloley and originally released in 1988. ‘When I look into your eyes I feel a sweet sensation. I know our love is true ‘cos you make me happy'
A 140gram pressing in full colour sleeve designed by Bradley Pinkerton.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A 140gram pressing in full colour sleeve designed by Bradley Pinkerton.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Isle Of Jura Records
Label:Isle Of Jura Records
Cat-No:ISLELP014
Release-Date:14.02.2025
Genre:Dub/Reggae
Configuration:LP
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Label:Isle Of Jura Records
Cat-No:ISLELP014
Release-Date:14.02.2025
Genre:Dub/Reggae
Configuration:LP
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1
Granti Asher Paulette Tajah - Love Or Physical (Instrumental)
2
Michael Prophet - Body Fusion Version
3
Protek - I Love To Dance With You (The Nighlark Edit)
4
The Cool Notes - Natural Energy
5
Ilija Rudman - Dub 4 Love Secret
Welcome to 'Instrumental Dubs #3', the ongoing series that delves into the world of the Dub Version and beyond. Side one explores the axis of UK Street Soul and Reggae with the opening two tracks produced by Howard Hill and originally released on his Passion Enterprises label in the late eighties. Both 'Versions' have a machine lead rhythm section paired with a reggae skank and snippets of soulful vox. The Proto House of Protek's 'I Love to Dance With You' featured on a Jura Soundsystem DJ Mix for Planet Trip, a one off single from the now sadly deceased Errol Parkes that's been re-edited with love by The Nightlark from Edinburgh.
The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.
Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.
Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Isle Of Jura Records
Cat-No:ISLE028
Release-Date:06.12.2024
Configuration:12"
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Label:Isle Of Jura Records
Cat-No:ISLE028
Release-Date:06.12.2024
Configuration:12"
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1
D.D. Mirage - Feel It (Original Mix)
2
D.D. Mirage - Feel It (12" Instrumental)
3
D.D. Mirage - So Hot (Original Mix)
4
D.D. Mirage - So Hot (Jura Soundsystem Dub)
Presenting the second single from D.D. Mirage, a double header aimed squarely at the dancefloor featuring guest musicians Daniel Monaco and Nu Genea's Andrea De Fazio. A side 'Feel it' is a glittering cosmic disco jam with a hint of hedonism and an air of psychedelia. Capturing the euphoric exuberance of the dance floor, it draws influence from boogie legends such as 400 Blows, Patrick Cooley, Quando Quango and the Idjut Boys. The 12" Instrumental Mix takes inspiration from the Paradise Garage and Larry Levan, stripping back the musical elements to their core resulting in a Dubby and powerful DJ orientated mix.
B side 'So Hot' is a wonky mid-tempo heater, fusing trippy, sun-stroke delieria with infectious disco grooves. D.D. Mirage collaborated with some of Italy's finest groove merchants on this track, with Daniel Monaco (Rush Hour/Periodica Records) featuring on bass and Andrea De Fazio (Nu Genea/Parbleu) on drums. The track was influenced heavily by 80s Italo and Nigerian Disco. Label head Jura Soundsystem provides a Dubby extended take on the B2.
Instruments: JX-3P, Farfisa, Roland D-50, Jupiter, JV-1080, Korg Poly61, Juno-60, Guitar, Bass, Drums and various percussion.
A 140 gram pressing in 3mm spine kraftboard sleeve with labels and sticker designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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B side 'So Hot' is a wonky mid-tempo heater, fusing trippy, sun-stroke delieria with infectious disco grooves. D.D. Mirage collaborated with some of Italy's finest groove merchants on this track, with Daniel Monaco (Rush Hour/Periodica Records) featuring on bass and Andrea De Fazio (Nu Genea/Parbleu) on drums. The track was influenced heavily by 80s Italo and Nigerian Disco. Label head Jura Soundsystem provides a Dubby extended take on the B2.
Instruments: JX-3P, Farfisa, Roland D-50, Jupiter, JV-1080, Korg Poly61, Juno-60, Guitar, Bass, Drums and various percussion.
A 140 gram pressing in 3mm spine kraftboard sleeve with labels and sticker designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Isle Of Jura Records
Cat-No:ISLE027
Release-Date:15.11.2024
Genre:Dub/Reggae
Configuration:12"
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Label:Isle Of Jura Records
Cat-No:ISLE027
Release-Date:15.11.2024
Genre:Dub/Reggae
Configuration:12"
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1
Judy & Lynda - Baltimore
2
Judy & Lynda - Heavenly Day
A smooth Reggae version of the Randy Newman classic, most famously covered by Nina Simone, that was originally released in 1985. Licensed from producer and bona fide reggae legend Errol Dunkley, this version features killer horns and soulful vocals from Judy & Lynda. Backed with 'Heavenly Day'.
A 140 gram pressing in 3mm spine black disco sleeve with sticker and labels designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A 140 gram pressing in 3mm spine black disco sleeve with sticker and labels designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Isle Of Jura Records
Cat-No:ISLE029
Release-Date:01.11.2024
Configuration:12"
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Label:Isle Of Jura Records
Cat-No:ISLE029
Release-Date:01.11.2024
Configuration:12"
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1
Steve Jones / Fatboys U.K. - I Need You By My Side
2
Steve Jones / Fatboys U.K. - I Need You By My Side (Dub Version)
3
Fatboys U.K. - The Challenge
This rare Brit Funk 12” was originally released in 1984 and is now officially reissued for the first time. Licensed from producer Lindel Lewis, the 12” was heavily influenced by US Boogie and Disco and there’s a Dub influence at play as Lindel was also producing a lot of reggae around this time, most famously ‘Night Over Egypt’ by Mystic Harmony.
The 12” includes a previously unreleased Dub Version of ‘I Need You’ and was produced on two Analogue classics, Lindel says “I used a Linn Drum for the drums and played all synth parts using a Roland 106. I’m a classically trained musician and also a sound engineer, I worked at Mark Angelo Recording Studios for 18 years and have produced a great many artists. Steve Jones real name is Steve Myers, but I didn’t like the surname so changed it to Jones which felt more soulful. The name The Fat Boys came about because of the big bellies of myself the flute player Mike Appoh, my trainee engineer at the time. Ray Carlass played the sax solo, they have both now sadly passed”.
This long overdue reissue revives a standout moment in Brit Funk history, making it an essential addition for fans of classic Boogie and Disco. A 140 gram pressing in 3mm spine disco sleeve with labels and sticker designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The 12” includes a previously unreleased Dub Version of ‘I Need You’ and was produced on two Analogue classics, Lindel says “I used a Linn Drum for the drums and played all synth parts using a Roland 106. I’m a classically trained musician and also a sound engineer, I worked at Mark Angelo Recording Studios for 18 years and have produced a great many artists. Steve Jones real name is Steve Myers, but I didn’t like the surname so changed it to Jones which felt more soulful. The name The Fat Boys came about because of the big bellies of myself the flute player Mike Appoh, my trainee engineer at the time. Ray Carlass played the sax solo, they have both now sadly passed”.
This long overdue reissue revives a standout moment in Brit Funk history, making it an essential addition for fans of classic Boogie and Disco. A 140 gram pressing in 3mm spine disco sleeve with labels and sticker designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7"
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Label:Isle Of Jura Records
Cat-No:ISLESEVEN003
Release-Date:25.10.2024
Genre:Soul/Funk
Configuration:7"
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Label:Isle Of Jura Records
Cat-No:ISLESEVEN003
Release-Date:25.10.2024
Genre:Soul/Funk
Configuration:7"
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1
D.D. Mirage Feat. Private Joy - Night Time
2
D.D. Mirage Feat. Private Joy - Night Time Version
**Limited to 300 copies - housed in a kraftboard sleeve**
Lovers rock style soul runnings from Sydney, Australia on this debut 7” from D.D. Mirage featuring Private Joy. The Original has a true 80’s lovers vibe with sweet harmonies from Private Joy and the flipside features a dubbed version.
Labels and sticker designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Lovers rock style soul runnings from Sydney, Australia on this debut 7” from D.D. Mirage featuring Private Joy. The Original has a true 80’s lovers vibe with sweet harmonies from Private Joy and the flipside features a dubbed version.
Labels and sticker designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Isle Of Jura Records
Cat-No:ISLE026
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:2x12"
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Label:Isle Of Jura Records
Cat-No:ISLE026
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:2x12"
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1
ESA - A Muto (Original Mix)
2
ESA - A Muto (Instrumental)
3
ESA - A Muto (Dubstrumental)
4
ESA - A Muto (Keys Mix)
5
ESA - A Muto (Acapella
2x 12" 140g pressing of this big tune from Cameroonian outfit, ESA, originally released on an LP in 1986. Pressed in full 45RPM glory with extra versions from the original tapes. TIP!
For the first time ‘A Muto’ by Esa is given an official reissue. Not only does this mark a first as a stand along single, but the reissue contains previously unheard Instrumental, Dub and Keys Versions alongside an Acapella. Licensed from writer and producer Martin Socko Moukoko, for 40 years Martin kept the original 2” master tape in mint condition so for the reissue the tape was baked and stems transferred by Archive Audio in Paris and the tracks given new mixdowns by Martin himself alongside Jerome Caron. The resulting mixes stay true the original whilst making the most of today’s digital studio technology, cut at 45rpm and truly representing the gold standard of quality when it comes to a reissue.
‘A Muto’ was originally released in 1986 on the ‘Atesa’ album and became an instant hit in Cameroon and Africa. The lyrics tell the story of a woman who abandons her husband, complaining of being alone as the keeper of the house. ‘A Muto’ is a blend of Makossa, a style originating in the French Cameroons characterised by prominent brass arrangements, and Ambasse Bey, traditional fast paced dance music from Cameroon. Martin assembled a team of session musicians in Paris in 1985 and programmed the drums and synths himself on the Linn Drum and Yamaha DX 7.
The Esa project ground to a halt in 1989 following a legal dispute which saw Martin win a court case in France regaining the rights to his music. In the intervening years Martin has continued to work in music studying jazz for 4 years at the American school of modern music in Paris and providing background music for the corporate world.
Artwork by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
For the first time ‘A Muto’ by Esa is given an official reissue. Not only does this mark a first as a stand along single, but the reissue contains previously unheard Instrumental, Dub and Keys Versions alongside an Acapella. Licensed from writer and producer Martin Socko Moukoko, for 40 years Martin kept the original 2” master tape in mint condition so for the reissue the tape was baked and stems transferred by Archive Audio in Paris and the tracks given new mixdowns by Martin himself alongside Jerome Caron. The resulting mixes stay true the original whilst making the most of today’s digital studio technology, cut at 45rpm and truly representing the gold standard of quality when it comes to a reissue.
‘A Muto’ was originally released in 1986 on the ‘Atesa’ album and became an instant hit in Cameroon and Africa. The lyrics tell the story of a woman who abandons her husband, complaining of being alone as the keeper of the house. ‘A Muto’ is a blend of Makossa, a style originating in the French Cameroons characterised by prominent brass arrangements, and Ambasse Bey, traditional fast paced dance music from Cameroon. Martin assembled a team of session musicians in Paris in 1985 and programmed the drums and synths himself on the Linn Drum and Yamaha DX 7.
The Esa project ground to a halt in 1989 following a legal dispute which saw Martin win a court case in France regaining the rights to his music. In the intervening years Martin has continued to work in music studying jazz for 4 years at the American school of modern music in Paris and providing background music for the corporate world.
Artwork by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Isle Of Jura Records
Cat-No:ISLE004
Release-Date:13.09.2024
Genre:Afrobeat
Configuration:12"
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Cat-No:ISLE004
Release-Date:13.09.2024
Genre:Afrobeat
Configuration:12"
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1
Ozo - Anambra (12" Extended Mix)
2
Ozo - Anambra (Edited Version)
3
Ozo - Anambra River
(2024 repress) Isle Of Jura go back to 1976 to resurrect ‘Anambra’, the jewel in the crown of Dub, Soul & Funk outfit Ozo. ‘Anambra’ is something of a classic, a unique song that’s slow, ritualistic and spiritual, mixing African & Nyabinghi drumming with a Buddhist Sanskrit mantra ‘Om Mani Padme Hum’. An alternate version ‘Anambra River’ appears for the first time on the same 12”.
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Liebigstrasse 2-20
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Germany
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Liebigstrasse 2-20
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Germany
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Label:Isle of Jura Records
Cat-No:ISLE025
Release-Date:06.09.2024
Genre:House
Configuration:12"
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Label:Isle of Jura Records
Cat-No:ISLE025
Release-Date:06.09.2024
Genre:House
Configuration:12"
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1
Vermelho Wonder - Se Você
2
Vermelho Wonder - Se Você (Instrumental)
3
Vermelho Wonder - Se Você (Jura Soundystem Special Version)
4
Vermelho Wonder - Catman Dub
A 140 gram pressing in 3mm spine red disco sleeve with sticker.
Vermelho Wonder is a Brazilian duo formed by music producer and DJ Márcio Vermelho and performer/singer Ivana Wonder. Since their formation in 2016, they have been acclaimed for their avant-garde and experimental style. ‘Se Você’ is an electronic torch song that was originally released digitally in 2021 by Gop Tun (also one of Brazil’s main festivals for Electronic music). For the first time the single is brought to Vinyl alongside a new Jura Soundsystem interpretation. Bonus track ‘Catman’ (Dub) rounds off the 12” with a touch of underground house.
Vermelho Wonder is a unique phenomenon, creating a one-of-a-kind atmosphere with their mix of performance, vocals, and DJ sets. Ivana's mysterious and captivating presence, combined with Vermelho's elegant production, has seen their live show delivering captivating performances at iconic venues such as SESC, CCSP, Oca do Ibirapuera, Teatro Oficina, and Hélio Oiticica's installation in Brasília.
Design by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Vermelho Wonder is a Brazilian duo formed by music producer and DJ Márcio Vermelho and performer/singer Ivana Wonder. Since their formation in 2016, they have been acclaimed for their avant-garde and experimental style. ‘Se Você’ is an electronic torch song that was originally released digitally in 2021 by Gop Tun (also one of Brazil’s main festivals for Electronic music). For the first time the single is brought to Vinyl alongside a new Jura Soundsystem interpretation. Bonus track ‘Catman’ (Dub) rounds off the 12” with a touch of underground house.
Vermelho Wonder is a unique phenomenon, creating a one-of-a-kind atmosphere with their mix of performance, vocals, and DJ sets. Ivana's mysterious and captivating presence, combined with Vermelho's elegant production, has seen their live show delivering captivating performances at iconic venues such as SESC, CCSP, Oca do Ibirapuera, Teatro Oficina, and Hélio Oiticica's installation in Brasília.
Design by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP
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Label:Isle Of Jura Records
Cat-No:ISLELP001
Release-Date:12.07.2024
Configuration:LP
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Cat-No:ISLELP001
Release-Date:12.07.2024
Configuration:LP
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1
Brian Bennett - Voyage
2
Brian Bennett - Solstice
3
Brian Bennett - Chain Reaction
4
Brian Bennett - Pendulum Force
5
Brian Bennett - Air Quake
6
Brian Bennett - Ocean Glide
Repress!
Isle Of Jura's first LP reissue, the highly sought after 'Voyage'. A Journey Into Discoid Funk by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. 180g vinyl. Bootlegged badly in the past, re-issued with love now, the sound quality s top notch! TIP.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Isle Of Jura's first LP reissue, the highly sought after 'Voyage'. A Journey Into Discoid Funk by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. 180g vinyl. Bootlegged badly in the past, re-issued with love now, the sound quality s top notch! TIP.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Isle Of Jura Records
Cat-No:ISLELP009-2024
Release-Date:17.05.2024
Genre:Dub/Reggae
Configuration:LP
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Cat-No:ISLELP009-2024
Release-Date:17.05.2024
Genre:Dub/Reggae
Configuration:LP
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1
Glen Adams & Finesse - Sexual Instrumental
2
Tippa Irie - Panic Panic (Express Mix)
3
Special Occasion - Yes I Do (12” Instrumental Mix)
4
Carol Williams - Can’t Get Away (From Your Love) (Special Club Dub Mix)
5
La Palace De Beaute - Sin (Jura Soundsystem Dub)
**2024 Repress on 140g Vinyl with updated Sleeve**
The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.
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The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Isle Of Jura Records
Cat-No:ISLE024
Release-Date:19.04.2024
Configuration:12"
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Label:Isle Of Jura Records
Cat-No:ISLE024
Release-Date:19.04.2024
Configuration:12"
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1
Terrance T - Power (Extended Vocal Mix)
2
Terrance T - Power (Extended Instrumental Mix)
Originally released in 1986 ‘Power’ was the work of Philly producer Derrick Graves and vocalist Terrance T. The machine lead production on ‘Power’ was part of an emerging wave of post disco producers embracing a dub aesthetic that proved to be the precursor to the emergence of house music. The vocal harmonies from Terrance were influenced by Cameo and Prince and combined with the powerful production results in a dancefloor bomb in the Larry Levan style, stripped back and dubby with a strong song at its core. This level of musicality and production was no fluke, Derrick was a seasoned session musician who worked extensively with the likes of Sister Sledge, Dexter Wansel & Donny Hathaway. Derrick had a clear understanding of emerging studio trends “Music production was evolving into a new phase where home studios were developing and it was becoming more possible for real recordings to be made! From there, I eventually enhanced my production skills by learning how to compose using sequencers, computer software (DAWs), and midi instrument implementation in the 80's and 90's. I went from a 4-track to eventually a 24-Track 2" tape machine setup!”.
The fully remastered 12” includes the essential Instrumental mix.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The fully remastered 12” includes the essential Instrumental mix.
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Liebigstrasse 2-20
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Label:Isle Of Jura Records
Cat-No:ISLELP013
Release-Date:01.03.2024
Genre:Dub/Reggae
Configuration:LP
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Label:Isle Of Jura Records
Cat-No:ISLELP013
Release-Date:01.03.2024
Genre:Dub/Reggae
Configuration:LP
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1
Ronnie Lion - Hombre Peligroso
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Ronnie Lion - Central Village
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Ronnie Lion - The Negotiator
4
Ronnie Lion - Naranja Colina
5
Ronnie Lion - Grants Pen Steppers
6
Ronnie Lion - Peace Chalice
7
Ronnie Lion - The Reunion
8
Ronnie Lion - Cascada
9
Ronnie Lion - Alligator Pond
180g Pressing
The debut solo album from Ronnie Lion, one half of Ambient Warrior, is a homage to Spanish Town the capital of St Catherine in Jamaica. As the title suggests the Spanish guitar features heavily from both Ronnie and lead guitarist Sean Wilkinson. The album has a reggae palette at its core with the rhythm section of Ronnie on Bass and Horseman on drums providing a rock solid foundation for the intricate and memorable hooks provided by Sean’s Spanish Guitar. The album’s fusion of Reggae with Bossa Nova & Flamenco Guitar creates another special album that will appeal to fans of Ambient Warrior and beyond.
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The debut solo album from Ronnie Lion, one half of Ambient Warrior, is a homage to Spanish Town the capital of St Catherine in Jamaica. As the title suggests the Spanish guitar features heavily from both Ronnie and lead guitarist Sean Wilkinson. The album has a reggae palette at its core with the rhythm section of Ronnie on Bass and Horseman on drums providing a rock solid foundation for the intricate and memorable hooks provided by Sean’s Spanish Guitar. The album’s fusion of Reggae with Bossa Nova & Flamenco Guitar creates another special album that will appeal to fans of Ambient Warrior and beyond.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Isle Of Jura Records
Cat-No:ISLELP012
Release-Date:16.02.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:
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Last in:16.05.2024
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Label:Isle Of Jura Records
Cat-No:ISLELP012
Release-Date:16.02.2024
Genre:Dub/Reggae
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1
Tracy Kerr - If U Want My Loving (Dub)
2
Harold Melvin The Blue Notes - Todays Your Lucky Day (Dub)
3
Diater Edwards - Loving Sweet Devotion (Sweeter Mix)
4
Mad Professor - Hs204
5
Original Rockers - Push Push The Underwater World Of Jah (Couteau Mix)
Pressed on 180g Heavyweight Vinyl.
Welcome to ‘Instrumental Dubs #2’, a deep dive into the world of the Dub version and beyond. The A side has a distinct boogie feel, starting slow with a George Kerr produced cut from 1984 followed by a Brit Funk-esq instrumental from Harold Melvin & the Bluenotes originally released on the Philly World label (home to ‘Voice of Q’). The B side closes with the ‘Sweeter’ instrumental mix of Boogie bomb ‘Loving Sweet Devotion’ by Idiater Edwards.
The B side opens with ‘H2S04’ from Mad Professor that defies categorisation, sitting somewhere between Electro, Disco and Dub. Last but by no means least there’s an uptempo Dub mix of Original Rockers ‘Push Push’ making its first appearance on Vinyl having only been on the CD single release first time around.
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Welcome to ‘Instrumental Dubs #2’, a deep dive into the world of the Dub version and beyond. The A side has a distinct boogie feel, starting slow with a George Kerr produced cut from 1984 followed by a Brit Funk-esq instrumental from Harold Melvin & the Bluenotes originally released on the Philly World label (home to ‘Voice of Q’). The B side closes with the ‘Sweeter’ instrumental mix of Boogie bomb ‘Loving Sweet Devotion’ by Idiater Edwards.
The B side opens with ‘H2S04’ from Mad Professor that defies categorisation, sitting somewhere between Electro, Disco and Dub. Last but by no means least there’s an uptempo Dub mix of Original Rockers ‘Push Push’ making its first appearance on Vinyl having only been on the CD single release first time around.
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DE - 22113 Hamburg
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Contact: [email protected]More
LP
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Label:Isle Of Jura Records
Cat-No:ISLELP002
Release-Date:02.02.2024
Genre:Eclectic
Configuration:LP
Barcode:0191515874719
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Cat-No:ISLELP002
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Genre:Eclectic
Configuration:LP
Barcode:0191515874719
1
Ingleton Falls - It's Just A Hobby
2
Ingleton Falls - Possessed
3
Ingleton Falls - She Felt Love
4
Ingleton Falls - High
5
Ingleton Falls - Mind Yer Head
Isle Of Jura’s second longplayer reissue is an album from Ingleton Falls that touches upon Ambient, Dub, House and Balearic styles and was originally released in 1991 as a limited run of 100 self distributed cassette tapes Ingleton Falls are Andy Hannam Seymour and Andy Eardley from Tyne and Wear in Newcastle. Having come from a more traditional band background originally, Ingleton Falls was their electronic project and the result of a love of acts like Dub Syndicate, African Headcharge, Gary Clail, The Orb and The KLF. Andy Hannam Seymour remembers “It was a very creative time musically, there was a lot going on around us that used new technology. I was excited by the possibilities. Up until then I'd been playing guitar with a more traditional drums/bass/guitar/vocal band with all the 'musical differences' that entailed (the two bands ran side by side for a while). I also liked the idea that you could write and record a piece of music that was ready to release yourself, rather than it being a demo or having to pay a lot of cash for studio time. That DIY aspect was a lot of fun.” The album is split into 2 parts, ‘Aware’ and ‘Unaware’. Andy explains “We decided that 'side1' and side2' were pretty dull and came up with the aware and unaware division based on a kind of enlightened and unenlightened mind kind of idea. The unaware side had the tunes with themes like necrophilia and samples of christians and the aware side was more expansive mindful themes.” Equipment used the make the album included a Cheetah SX16 sampler, Alesis HR16 Drum Machine, Yamaha FG440 Acoustic Guitar, Tokai Stratocaster Guitar and an Atari ST computer running a Steinberg Pro 24 sequencing program (from floppy disk!). Due to a lack of sampling memory sounds were added live from cassette into the final mixes.
25 years later these songs finally reach a wider audience, initially via a limited cassette release followed 6 weeks later by the 180 Gram Heavyweight L
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25 years later these songs finally reach a wider audience, initially via a limited cassette release followed 6 weeks later by the 180 Gram Heavyweight L
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Isle Of Jura Records
Cat-No:ISLE023
Release-Date:20.10.2023
Configuration:12"
Barcode:
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Cat-No:ISLE023
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1
The NM Band - She Wants
2
The NM Band - She Wants More
The long awaited official reissue of ‘She Wants’, one of the first UK Street Soul singles originally released in 1985 by The NM Band.
The NM Band was an alias for UK Lovers Rock band Natural Mystic, responsible for a number of hits in the late 70’s and early 80’s most notably ‘Runaway Love’ and ‘Groove Rocking’. They released a string of acclaimed reggae LPs and toured extensively throughout the UK, but by 1985 wanted to try something away from their trademark roots reggae sound. Influenced by the availability of affordable hardware the band set about fusing Reggae and Soul using an Akai Drum machine, Yamaha DX7 and Roland sound module. ‘She Wants’ is one of the forebearers of UK Street Soul, raw machine drums paired with an incredibly soulful vocal from Ashley Sommers. The band created their own imprint ‘Mixdown’ to release the single, but it slipped under the radar, despite strong radio play from Choice FM and the then pirate station Kiss. The 12” is backed with Dub Version ‘She Wants’ (More).
A 140gram pressing in 3mm spine black disco sleeve with metallic sticker designed by Bradley Pinkerton.
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Germany
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The NM Band was an alias for UK Lovers Rock band Natural Mystic, responsible for a number of hits in the late 70’s and early 80’s most notably ‘Runaway Love’ and ‘Groove Rocking’. They released a string of acclaimed reggae LPs and toured extensively throughout the UK, but by 1985 wanted to try something away from their trademark roots reggae sound. Influenced by the availability of affordable hardware the band set about fusing Reggae and Soul using an Akai Drum machine, Yamaha DX7 and Roland sound module. ‘She Wants’ is one of the forebearers of UK Street Soul, raw machine drums paired with an incredibly soulful vocal from Ashley Sommers. The band created their own imprint ‘Mixdown’ to release the single, but it slipped under the radar, despite strong radio play from Choice FM and the then pirate station Kiss. The 12” is backed with Dub Version ‘She Wants’ (More).
A 140gram pressing in 3mm spine black disco sleeve with metallic sticker designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:Isle Of Jura Records
Cat-No:ISLELP003
Release-Date:07.07.2023
Genre:World Music
Configuration:2LP
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Label:Isle Of Jura Records
Cat-No:ISLELP003
Release-Date:07.07.2023
Genre:World Music
Configuration:2LP
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Repress!
The first in a series of compilations by Jura Soundsystem is a blend of Dub, Ambient, Downtempo, Boogie and Proto House with a focus on music never before released on Vinyl, sought after out of print titles and some special versions edited specifically for the album.
The intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. Highlights include Smackos (AKA Legowelt) Ambient epic ‘We Can Watch Alf In The Hotel Room’, never before released on Vinyl, the Dub / Psych hybrid of Minus Group’s ‘Black Shadow’, Kash’s sought after ‘Percussion Sundance’ and special edits of Ken Dang and Tabou Combo. The end of the album includes some soothing Ambient tools.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The first in a series of compilations by Jura Soundsystem is a blend of Dub, Ambient, Downtempo, Boogie and Proto House with a focus on music never before released on Vinyl, sought after out of print titles and some special versions edited specifically for the album.
The intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. Highlights include Smackos (AKA Legowelt) Ambient epic ‘We Can Watch Alf In The Hotel Room’, never before released on Vinyl, the Dub / Psych hybrid of Minus Group’s ‘Black Shadow’, Kash’s sought after ‘Percussion Sundance’ and special edits of Ken Dang and Tabou Combo. The end of the album includes some soothing Ambient tools.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Isle Of Jura Records
Cat-No:ISLE019
Release-Date:16.06.2023
Configuration:12"
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Release-Date:16.06.2023
Configuration:12"
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1
Shiva - What Does It Take (Featuring Leon Ware)
2
Shiva - What Does It Take (Instrumental)
3
Shiva - Never Gonna Give U Up
4
Shiva - Never Gonna Give U Up (Instrumental)
140gram pressing in 3mm spine Disco Sleeve
Two lost Disco classics appearing for the first time on a single 12” featuring soul legend Leon Ware and Jo Ann Harris, a little known backing singer for Bob Dylan throughout the 80s.
Both songs originally appeared on the ‘20 Minute Workout’ Video and LP released in 1983 by Canadian label Ronco, ‘What Does It Take’ providing an uptempo crescendo to the third part of the workout and ‘Never Gonna Give You Up’ the final warm down track. Licensed from producer Ira Newborn, Hollywood soundtrack royalty who composed the scores for an incredible run of films including The Blues Brothers, Ferris Bueller’s Day Off, The Naked Gun trilogy, Weird Science, Ace Ventura and Uncle Buck. Ira’s lawyer persuaded him to get involved in the project for Ronco and it was Ira who hand picked Leon Ware and Jo Ann Harris to add vocals to two tracks to aid the commercial potential of the album.
There are two original versions backed with extended instrumentals sourced from a rare Lazer Disc Version of the album. It feels right to shine a light on one of Leon Ware’s lesser known performances, whilst the Jo Ann Harris cut has a distinct Balearic air featuring sultry keys and sax at a tempo of 98 BPM.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Two lost Disco classics appearing for the first time on a single 12” featuring soul legend Leon Ware and Jo Ann Harris, a little known backing singer for Bob Dylan throughout the 80s.
Both songs originally appeared on the ‘20 Minute Workout’ Video and LP released in 1983 by Canadian label Ronco, ‘What Does It Take’ providing an uptempo crescendo to the third part of the workout and ‘Never Gonna Give You Up’ the final warm down track. Licensed from producer Ira Newborn, Hollywood soundtrack royalty who composed the scores for an incredible run of films including The Blues Brothers, Ferris Bueller’s Day Off, The Naked Gun trilogy, Weird Science, Ace Ventura and Uncle Buck. Ira’s lawyer persuaded him to get involved in the project for Ronco and it was Ira who hand picked Leon Ware and Jo Ann Harris to add vocals to two tracks to aid the commercial potential of the album.
There are two original versions backed with extended instrumentals sourced from a rare Lazer Disc Version of the album. It feels right to shine a light on one of Leon Ware’s lesser known performances, whilst the Jo Ann Harris cut has a distinct Balearic air featuring sultry keys and sax at a tempo of 98 BPM.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:Isle Of Jura Records
Cat-No:ISLE020
Release-Date:16.06.2023
Configuration:12"
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Cat-No:ISLE020
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Configuration:12"
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1
Shiva - Never Gonna Give U Up (Jura Soundsystem Dub Edit)
140g Vinyl and Limited to 300 copies
Limited one sided 12” featuring an extended edit by IOJ label boss Jura Soundsystem that teases out the vocal and pulls back on the Sax with judicious amounts of delay and reverb to create a 11’25 mins dubby disco excursion.
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Limited one sided 12” featuring an extended edit by IOJ label boss Jura Soundsystem that teases out the vocal and pulls back on the Sax with judicious amounts of delay and reverb to create a 11’25 mins dubby disco excursion.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
12" Excl
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Label:Too Slow To Disco
Cat-No:TSTDReworks01
Release-Date:02.12.2022
Configuration:12" Excl
Barcode:4251804139861
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Release-Date:02.12.2022
Configuration:12" Excl
Barcode:4251804139861
1
Prime Time Band - Fall In Love In Outer Space (Turbotito Rework)
2
Prime Time Band - Fall In Love In Outer Space (Blank & Jones Ride A Sunbeam Rework)
3
Prime Time Band - Fall In Love In Outer Space (Chuggin Edits Rework)
4
Prime Time Band - Fall In Love In Outer Space (Those Guys From Athens Rework)
5
Prime Time Band - Fall In Love In Outer Space (Vibes4YourSoul Rework)
6
Prime Time Band - Fall In Love In Outer Space (HOLDTight Rework)
lim. Collector’s item. Comes in black vinyl with transparent PVC sleeve, limited edition/500 units world wide.
DJ Supermarkt came across this rare private press 7 Inch a long time ago, and since tried to locate the band to include the track on his Too Slow To Disco compilation series. After years he found bandleader Jeff Wollman, who gave TSTD permission to finally rerelease this funky space beauty for the first time on the new compilation TSTD 4.
The story could have ended here, but Jeff and DJ Supermarkt went one step further, and came up with the plan to give the track to a few selected producers for new versions/reworks. We contacted our favorite smooth space approved producers of today, and they all said “Yes” and we are super proud to now give you: The Reworks!
About PRIME TIME BAND:
Some bands excel at turning up, turning it on and getting the job done. Prime Time Band have spent an unlikely 38 years in the business as we write, throwing down a smooth, funky-yet-jazzy set for discerning listeners in the USA, Japan and beyond. “Fall in love in outer space”, their 1986 almost-hit, hits that sweet spot between 80s funk-pop and the disco era’s love of anything galaxy-tinged. Guy Maxwell (bass), Larry Vann (drums), Jeff Wollman (keys), Kenn Peterson (guitar) and Tom Marken (vocals) gifted us a rather delicious spacey groover that feels as ready for
Tracklist:
Side A:
1 Fall In Love In Outer Space (Turbotito Rework)
2 Fall In Love In Outer Space (Blank & Jones Ride A Sunbeam Rework)
3 Fall In Love In Outer Space (Chuggin Edits Rework)
Side B:
1 Fall In Love In Outer Space (Those Guys From Athens Rework)
2 Fall In Love In Outer Space (Vibes4YourSoul Rework)
3 Fall In Love In Outer Space (HOLDTight Rework)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DJ Supermarkt came across this rare private press 7 Inch a long time ago, and since tried to locate the band to include the track on his Too Slow To Disco compilation series. After years he found bandleader Jeff Wollman, who gave TSTD permission to finally rerelease this funky space beauty for the first time on the new compilation TSTD 4.
The story could have ended here, but Jeff and DJ Supermarkt went one step further, and came up with the plan to give the track to a few selected producers for new versions/reworks. We contacted our favorite smooth space approved producers of today, and they all said “Yes” and we are super proud to now give you: The Reworks!
About PRIME TIME BAND:
Some bands excel at turning up, turning it on and getting the job done. Prime Time Band have spent an unlikely 38 years in the business as we write, throwing down a smooth, funky-yet-jazzy set for discerning listeners in the USA, Japan and beyond. “Fall in love in outer space”, their 1986 almost-hit, hits that sweet spot between 80s funk-pop and the disco era’s love of anything galaxy-tinged. Guy Maxwell (bass), Larry Vann (drums), Jeff Wollman (keys), Kenn Peterson (guitar) and Tom Marken (vocals) gifted us a rather delicious spacey groover that feels as ready for
Tracklist:
Side A:
1 Fall In Love In Outer Space (Turbotito Rework)
2 Fall In Love In Outer Space (Blank & Jones Ride A Sunbeam Rework)
3 Fall In Love In Outer Space (Chuggin Edits Rework)
Side B:
1 Fall In Love In Outer Space (Those Guys From Athens Rework)
2 Fall In Love In Outer Space (Vibes4YourSoul Rework)
3 Fall In Love In Outer Space (HOLDTight Rework)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Heist Recordings
Cat-No:heist044
Release-Date:06.03.2020
Genre:House
Configuration:12" Excl
Barcode:4251648416586
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Label:Heist Recordings
Cat-No:heist044
Release-Date:06.03.2020
Genre:House
Configuration:12" Excl
Barcode:4251648416586
1
Nebraska - Y’miss me baby?
2
Nebraska - Dip and flip
3
Nebraska - Y’miss me baby? (Giovanni Damico Jam mix)
4
Nebraska - Xiao long bao
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list :
A1 Nebraska – Y’miss me baby?
A2 Nebraska – Dip and flip
B1 Nebraska – Y’miss me baby? (Giovanni Damico Jam mix)
B2 Nebraska – Xiao long bao
Release Info:
Third time is a charm they say. But if the first 2 times were already so memorable, what more can you ask for?
Nebraska comes in with a bang for his third release on Heist after ‘Soften the Wireless’ EP in 2016 and ‘Metaphor to the floor’ in 2017. It’s hard to
believe it has been 3 years since his last appearance on Heist, but with ‘Y’miss me baby?’, Nebraska takes back center stage with another release
full of disco flavored electronics. Italian disco man-of-the-moment Giovanni Damico comes along for the ride and delivers a stunning 80’s flavored
remix.
It’s not to say that Nebraska (Alistair Gibbs) has been sitting still since 2017. He’s launched his own label ‘Friends & Relations’ where he explores
his cut-and-paste style even more with some seriously cool disco dubs and other sonic adventures. Furthermore, he made a guest appearance on
Aaron Dae and JKriv’s Razor ‘n tape Reserve. Apart from his regular musical explorations, he has also published a book (Surprise party every
week) where we get a glimpse of how Gibbs sees the world.
His view is one of humor and positivity and one of creating new meaning through rearranging context. This is certainly true for his music and this
new EP on Heist. The title track ‘Y’miss me baby?’ oozes funk with a clever combination of samples from different contexts put together to create
something altogether new, yet familiar. The track has a real 80’s disco vibe to it and the vocoder adds even more to the ‘Zapp & Roger’ flavor of
things. It’s a laidback track that feels like it was recorded on a gloomy Sunday evening with no pressure on anything and just room for fun.
The vibe takes a complete left-hand turn with ‘Dip and Flip’, a high energy house track that rattles, loops and bleeps into a full-on disco frenzy.
The b-side kicks off with Italian disco wizard Giovanni Damico remixing the title track. He’s had a great run recently with releases on Lumberjacks
in Hell and more recently on Star Creature, where he’s found a home to explore his own view on modern day boogie. His ‘jam’ remix flips the track
into a freeform arrangement where guitars, disco claps, delays and retro synth licks all work together for a great taste of Italian boogie.
The EP finishes off in true Nebraska style, with yet another curveball. ‘Xia long bao’ sounds like a lost Nick Holder track from the 90’s with its loopy
island style Rhodes and lazy chanting. The choice of samples along with the catchy groove makes this a signature Nebraska track and a quality
closer for this single.
We are super happy to have Nebraska back on Heist and with this amazing EP, you are certainly going to create smiles on your dancefloor of
choice.
Yours Sincerely,
Lars & Maarten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list :
A1 Nebraska – Y’miss me baby?
A2 Nebraska – Dip and flip
B1 Nebraska – Y’miss me baby? (Giovanni Damico Jam mix)
B2 Nebraska – Xiao long bao
Release Info:
Third time is a charm they say. But if the first 2 times were already so memorable, what more can you ask for?
Nebraska comes in with a bang for his third release on Heist after ‘Soften the Wireless’ EP in 2016 and ‘Metaphor to the floor’ in 2017. It’s hard to
believe it has been 3 years since his last appearance on Heist, but with ‘Y’miss me baby?’, Nebraska takes back center stage with another release
full of disco flavored electronics. Italian disco man-of-the-moment Giovanni Damico comes along for the ride and delivers a stunning 80’s flavored
remix.
It’s not to say that Nebraska (Alistair Gibbs) has been sitting still since 2017. He’s launched his own label ‘Friends & Relations’ where he explores
his cut-and-paste style even more with some seriously cool disco dubs and other sonic adventures. Furthermore, he made a guest appearance on
Aaron Dae and JKriv’s Razor ‘n tape Reserve. Apart from his regular musical explorations, he has also published a book (Surprise party every
week) where we get a glimpse of how Gibbs sees the world.
His view is one of humor and positivity and one of creating new meaning through rearranging context. This is certainly true for his music and this
new EP on Heist. The title track ‘Y’miss me baby?’ oozes funk with a clever combination of samples from different contexts put together to create
something altogether new, yet familiar. The track has a real 80’s disco vibe to it and the vocoder adds even more to the ‘Zapp & Roger’ flavor of
things. It’s a laidback track that feels like it was recorded on a gloomy Sunday evening with no pressure on anything and just room for fun.
The vibe takes a complete left-hand turn with ‘Dip and Flip’, a high energy house track that rattles, loops and bleeps into a full-on disco frenzy.
The b-side kicks off with Italian disco wizard Giovanni Damico remixing the title track. He’s had a great run recently with releases on Lumberjacks
in Hell and more recently on Star Creature, where he’s found a home to explore his own view on modern day boogie. His ‘jam’ remix flips the track
into a freeform arrangement where guitars, disco claps, delays and retro synth licks all work together for a great taste of Italian boogie.
The EP finishes off in true Nebraska style, with yet another curveball. ‘Xia long bao’ sounds like a lost Nick Holder track from the 90’s with its loopy
island style Rhodes and lazy chanting. The choice of samples along with the catchy groove makes this a signature Nebraska track and a quality
closer for this single.
We are super happy to have Nebraska back on Heist and with this amazing EP, you are certainly going to create smiles on your dancefloor of
choice.
Yours Sincerely,
Lars & Maarten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:Studio Barnhus
Cat-No:barn022
Release-Date:28.02.2014
Genre:House
Configuration:12" Excl
Barcode:827170541863
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Last in:28.05.2018
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Last in:28.05.2018
Label:Studio Barnhus
Cat-No:barn022
Release-Date:28.02.2014
Genre:House
Configuration:12" Excl
Barcode:827170541863
UPC 827170541863 Rel Date 24.3.2014
Tracklist 12'':
A1. Szikra – A2. Szikra (Bónusz Beat) – B1. Szikra (Abdulla Rashim Remix)
"Runs so deep it puts your butt to sleep", to paraphrase actor/musician Ice Cube in his seminal hit It Was a Good Day. And it is a good day for lovers of high-grade house music. Szikra is Kornél Kovács at his most wistfully nostalgic. Ultra-smooth keys offset by noisy lo-fi
breakbeats and vocals urging you to git fucked up, like Metro Area caught up... in smoke! All the trademark sounds of the Barnhus massive are present - off-kilter playfulness paired with the cocky swagger of a south Stockholm roughneck and an infectious pop sensibility that lingers in your
head long after the needle hits the inner groove. The so-called Bónusz Beat is actually a track in its own right, sacrificing most of the hook and the vocals for a dubby smackdown ripe for adventurous dancefloors. Young Stockholm producer Abdulla Rashim closes out the set with a perfectly horizontal techno groove, using only elements from the original production.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12'':
A1. Szikra – A2. Szikra (Bónusz Beat) – B1. Szikra (Abdulla Rashim Remix)
"Runs so deep it puts your butt to sleep", to paraphrase actor/musician Ice Cube in his seminal hit It Was a Good Day. And it is a good day for lovers of high-grade house music. Szikra is Kornél Kovács at his most wistfully nostalgic. Ultra-smooth keys offset by noisy lo-fi
breakbeats and vocals urging you to git fucked up, like Metro Area caught up... in smoke! All the trademark sounds of the Barnhus massive are present - off-kilter playfulness paired with the cocky swagger of a south Stockholm roughneck and an infectious pop sensibility that lingers in your
head long after the needle hits the inner groove. The so-called Bónusz Beat is actually a track in its own right, sacrificing most of the hook and the vocals for a dubby smackdown ripe for adventurous dancefloors. Young Stockholm producer Abdulla Rashim closes out the set with a perfectly horizontal techno groove, using only elements from the original production.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Funtown Records
Cat-No:FUNTOWNPR41
Release-Date:14.06.2024
Configuration:12"
Barcode:
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Last in:08.07.2024
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Last in:08.07.2024
Label:Funtown Records
Cat-No:FUNTOWNPR41
Release-Date:14.06.2024
Configuration:12"
Barcode:
1
Funtown - Pleasure
2
Funtown - For Love
DISCO EDITS
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Léman Records
Cat-No:LEMAN002
Release-Date:26.04.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:
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Last in:16.04.2024
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Label:Léman Records
Cat-No:LEMAN002
Release-Date:26.04.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:
1
Mystic V - Miracles (Kai Alcé NDATL Vocal Mix)
2
Mystic V - Miracles (Kai Alcé NDATL Dubstrumental Mix)
3
Mystic V - Miracles (Main Mix)
4
Mystic V - All One's Hopes
"In Search of the Good" features 4 tracks - 2 originals from our own Mystic V and 2 remixes from legend Kai Alcé, with vocals from Peter Jericho, known for his work with Vick Lavender and solo projects.
A-side starts with Kai's vocal mix - solid and efficient track with the signature NDATL groove! A2 features the flute instrumental dub, adding a melodic and airy element blending seamlessly with Peter Jericho's cut out vocals.
On the flip, check out the original version of "Miracles" - a percussive classic house track with lush chords and strings, warm bassline and of course Peter Jericho's vocals for that extra spirituality and emotion. B2 features "All One's Hope", a captivating dance floor-ready track built around a powerful bassline and deep synths.
(A1) Miracles (Kai Alcé NDATL Vocal Mix)
(A2) Miracles (Kai Alcé NDATL Dubstrumental Mix)
(B1) Miracles (Main Mix)
(B2) All One's Hopes
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Germany
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A-side starts with Kai's vocal mix - solid and efficient track with the signature NDATL groove! A2 features the flute instrumental dub, adding a melodic and airy element blending seamlessly with Peter Jericho's cut out vocals.
On the flip, check out the original version of "Miracles" - a percussive classic house track with lush chords and strings, warm bassline and of course Peter Jericho's vocals for that extra spirituality and emotion. B2 features "All One's Hope", a captivating dance floor-ready track built around a powerful bassline and deep synths.
(A1) Miracles (Kai Alcé NDATL Vocal Mix)
(A2) Miracles (Kai Alcé NDATL Dubstrumental Mix)
(B1) Miracles (Main Mix)
(B2) All One's Hopes
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:bewith137lp
Release-Date:25.08.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804139472
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Cat-No:bewith137lp
Release-Date:25.08.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804139472
1
MFSB - Manhattan Skyline 4:27
2
MFSB - Mysteries Of The World 5:27
3
MFSB - Tell Me Why 3:57
4
MFSB - Metamorphosis 5:16
5
MFSB - Fortune Teller 6:08
6
MFSB - Old San Juan 4:27
7
MFSB - Thank You Miss Scott 4:14
8
MFSB - In The Shadow 3:37
Territories: Worldwide no restrictions
Format Notes: 2023 reissue, 140g vinyl
Track List:
A1. Manhattan Skyline 4:27
A2. Mysteries Of The World 5:27
A3. Tell Me Why 3:57
A4. Metamorphosis 5:16
--
B1. Fortune Teller 6:08
B2. Old San Juan 4:27
B3. Thank You Miss Scott 4:14
B4. In The Shadow 3:37
Release Notes:
Mysteries Of The World is the stunning final studio album from legendary Philly supergroup MFSB. Expertly co-written and produced with the mighty Dexter Wansel, it features the untouchable, sparkling masterpiece "Mysteries Of The World". The whole album is truly exquisite; a stylish, classy collection of pure Philly soul and orchestral jazz-funk.
MFSB, an acronym for Mother, Father, Sister, Brother, was formed by producers Gamble & Huff of Philadelphia International Records. The band's roots can be traced back to the house band at the legendary Sigma Sound Studios, where they played on numerous hit records by artists like The O'Jays, Harold Melvin & The Blue Notes and The Stylistics. Mysteries Of The World comprises slick jazz-funk grooves, mostly penned by Wansel, who produced a fair chunk of the album in a similar style to his space-funk records. MFSB's smooth sound is retained but it receives a fresh, elegant and jazzy upgrade. While this album is as mellow as the rest of the latter-period MFSB recordings, it never forgets the group's soul music underpinnings.
Swaggering, well-timed horn blasts, sweeping strings and a percolating, hard thumping slap-bassline combine to devastating effect on amazing opener "Manhattan Skyline". It's a sexy mid-tempo instrumental which sets us up nicely for what follows. Essays could be written analysing the perfection of title track. Arguably the finest jazz-funk instrumental ever made, it's absolutely magnificent. Featuring musicianship of the highest calibre, the band play with their trademark tight discipline, cooking up a syncopating rhythm with an array of exploratory keyboard riffs wrapped around a punchy bassline sent from heaven. It sounds like house music, it's that ahead of its time. The string intro is sumptuous, hypnotic and divine and that's all before the beat hits. The track fuses classical, jazz and funk into a musical journey that you never want to end. Absolutely flawless, it's a dramatic disco dancefloor killer.
Says Dexter Wansel himself: "You know, of all the songs I wrote/produced/arranged for MFSB, this is for me the most different. I think it's an experiment in rhythmic, soft sonic synth and live string and harp combinations. I composed it in an effort to blend a funky groove, along with synthesis, and orchestral sounds. There are 3 synthesizers: Oberheim 4 voice, Polymoog, and of course Arp 2600v. And, as I remember, I recorded the track with the rhythm section, string, harp and flute players first. Then I added synthesis."
The profound elegance remains in abundance on the slinky, harp-laced "Tell Me Why"; Carla Benson's beautiful voice truly shines on this sophisticated cut. The side closes out in dramatic style with the string-drenched "Metamorphosis". It's a staccato, Blaxploitation groove workout featuring wah-wah guitar, creeping basslines, rich horn solos and soulful vocals drifting in and out of the mix. The bouncy, irrepressible "Fortune Teller" opens the B side in the bass-heavy orchestral funk style before the beautiful "Old San Juan" glides in, a Balearic-adjacent track with intricate arrangements, building its mellow soul groove around an atypical flamenco guitar hook. Melancholy, guitar-led instrumental "Thank You Miss Scott" is a real highlight, with gorgeous flute, string and percussive elements whilst closer "In the Shadow" works an otherworldly synth line into its bossa nova groove.
An essential record for fans of Philly soul and groovy jazz-funk, Mysteries Of The World was mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios. The stunning artwork, the work of renowned illustrator Robert Giusti, was restored at Be With HQ to round out this beautiful reissue.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 2023 reissue, 140g vinyl
Track List:
A1. Manhattan Skyline 4:27
A2. Mysteries Of The World 5:27
A3. Tell Me Why 3:57
A4. Metamorphosis 5:16
--
B1. Fortune Teller 6:08
B2. Old San Juan 4:27
B3. Thank You Miss Scott 4:14
B4. In The Shadow 3:37
Release Notes:
Mysteries Of The World is the stunning final studio album from legendary Philly supergroup MFSB. Expertly co-written and produced with the mighty Dexter Wansel, it features the untouchable, sparkling masterpiece "Mysteries Of The World". The whole album is truly exquisite; a stylish, classy collection of pure Philly soul and orchestral jazz-funk.
MFSB, an acronym for Mother, Father, Sister, Brother, was formed by producers Gamble & Huff of Philadelphia International Records. The band's roots can be traced back to the house band at the legendary Sigma Sound Studios, where they played on numerous hit records by artists like The O'Jays, Harold Melvin & The Blue Notes and The Stylistics. Mysteries Of The World comprises slick jazz-funk grooves, mostly penned by Wansel, who produced a fair chunk of the album in a similar style to his space-funk records. MFSB's smooth sound is retained but it receives a fresh, elegant and jazzy upgrade. While this album is as mellow as the rest of the latter-period MFSB recordings, it never forgets the group's soul music underpinnings.
Swaggering, well-timed horn blasts, sweeping strings and a percolating, hard thumping slap-bassline combine to devastating effect on amazing opener "Manhattan Skyline". It's a sexy mid-tempo instrumental which sets us up nicely for what follows. Essays could be written analysing the perfection of title track. Arguably the finest jazz-funk instrumental ever made, it's absolutely magnificent. Featuring musicianship of the highest calibre, the band play with their trademark tight discipline, cooking up a syncopating rhythm with an array of exploratory keyboard riffs wrapped around a punchy bassline sent from heaven. It sounds like house music, it's that ahead of its time. The string intro is sumptuous, hypnotic and divine and that's all before the beat hits. The track fuses classical, jazz and funk into a musical journey that you never want to end. Absolutely flawless, it's a dramatic disco dancefloor killer.
Says Dexter Wansel himself: "You know, of all the songs I wrote/produced/arranged for MFSB, this is for me the most different. I think it's an experiment in rhythmic, soft sonic synth and live string and harp combinations. I composed it in an effort to blend a funky groove, along with synthesis, and orchestral sounds. There are 3 synthesizers: Oberheim 4 voice, Polymoog, and of course Arp 2600v. And, as I remember, I recorded the track with the rhythm section, string, harp and flute players first. Then I added synthesis."
The profound elegance remains in abundance on the slinky, harp-laced "Tell Me Why"; Carla Benson's beautiful voice truly shines on this sophisticated cut. The side closes out in dramatic style with the string-drenched "Metamorphosis". It's a staccato, Blaxploitation groove workout featuring wah-wah guitar, creeping basslines, rich horn solos and soulful vocals drifting in and out of the mix. The bouncy, irrepressible "Fortune Teller" opens the B side in the bass-heavy orchestral funk style before the beautiful "Old San Juan" glides in, a Balearic-adjacent track with intricate arrangements, building its mellow soul groove around an atypical flamenco guitar hook. Melancholy, guitar-led instrumental "Thank You Miss Scott" is a real highlight, with gorgeous flute, string and percussive elements whilst closer "In the Shadow" works an otherworldly synth line into its bossa nova groove.
An essential record for fans of Philly soul and groovy jazz-funk, Mysteries Of The World was mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios. The stunning artwork, the work of renowned illustrator Robert Giusti, was restored at Be With HQ to round out this beautiful reissue.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Miss You
Cat-No:MISSYOU020
Release-Date:16.12.2022
Genre:Dub/Reggae
Configuration:LP
Barcode:
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Label:Miss You
Cat-No:MISSYOU020
Release-Date:16.12.2022
Genre:Dub/Reggae
Configuration:LP
Barcode:
1
Shakeena - Dance Music
2
Shakeena - Your Love
3
Shakeena - Deep Inside
4
Shakeena - Reggae Music
5
Shakeena - I Will Never Change
6
Shakeena - Just A Little Love
7
Shakeena - Birds Don't Fly
8
Shakeena - We Are The Mothers Of The World
Another one from the fruitful collaboration with LA's highly regarded Patrick Houchen aka Shakaman. After Shakeena's “I bet you” 12" re-issue flying off the shelves, we deepen the exploration within Shakaman's treasure chest of Reggae/Dub gems with Shakeena's first and last album on Majicaa Records. Originally released in 1987, this album is a proper act of musical generosity, not so easy to point out the “hit” track here – clearly a case of all killer no filler. Unlike too many albums where the format length sadly gets the best of the artists' work, rest assured with this one you can play from the beginning to end and you'll only have to come back to flip it. The professional execution of what is hands down an ensemble of highly seasoned musicians sets the tone for the dreamy lyrics and arrangements to unravel. Besides expected reggae rhythms, Shakaman brings in other influences with subtle electro/freestyle hints that might have been hard to ignore in LA at the time. New remastered version sounding especially big and cozy on the low end. Can't go wrong!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
in stock
Label:Mutual Intentions
Cat-No:MI-023
Release-Date:26.02.2021
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:7090011905077
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Last in:20.01.2021
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Cat-No:MI-023
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Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:7090011905077
1
Stimulator Jones - A1 Drama Time
2
Stimulator Jones - A2 Floatin On
3
Stimulator Jones - A3 La Mano
4
Stimulator Jones - A4 Late Night With Terry Phillmore
5
Stimulator Jones - A5 Shaman's Dose
6
Stimulator Jones - A6 Cupcakes
7
Stimulator Jones - A7 Prince Sammy
8
Stimulator Jones - B1 Don't Be Afraid
9
Stimulator Jones - B2 Tripp Cisco
10
Stimulator Jones - B3 Chuck Taylor Strut
11
Stimulator Jones - B4 Bout Dat Love
12
Stimulator Jones - B5 Stoned Sneakers
13
Stimulator Jones - B6 From Afar
Special remarks :
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker!
Genre: Jazz-funk, library, fusion, soul, funk, dub
Tracklist:
A1 Drama Time
A2 Floatin On
A3 La Mano
A4 Late Night With Terry Phillmore
A5 Shaman's Dose
A6 Cupcakes
A7 Prince Sammy
B1 Don't Be Afraid
B2 Tripp Cisco
B3 Chuck Taylor Strut
B4 Bout Dat Love
B5 Stoned Sneakers
B6 From Afar
Press text:
Stimulator Jones breaks new ground on his sophomore LP, La Mano. The Stones Throw affiliate heads over to Mutual Intentions for a novel instrumental record that expands a musical dialect built on his singular fusion of sounds. The artist explores the musical possibilities contained in his hands as he moves between keys, guitars, drums and wind instruments in arrangements that break down the intellectual barriers of genre for the corporeal intimacy of the soul.
Vital Sales Points:
The title track is already picked up and compiled by Gilles Peterson on Brownswood Recordings.
La Mano is Stimulator Jones first instrumental LP between two Stones Throw albums as a singer.¨
Scroll to next page for audio and artwork links + resources…
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker!
Genre: Jazz-funk, library, fusion, soul, funk, dub
Tracklist:
A1 Drama Time
A2 Floatin On
A3 La Mano
A4 Late Night With Terry Phillmore
A5 Shaman's Dose
A6 Cupcakes
A7 Prince Sammy
B1 Don't Be Afraid
B2 Tripp Cisco
B3 Chuck Taylor Strut
B4 Bout Dat Love
B5 Stoned Sneakers
B6 From Afar
Press text:
Stimulator Jones breaks new ground on his sophomore LP, La Mano. The Stones Throw affiliate heads over to Mutual Intentions for a novel instrumental record that expands a musical dialect built on his singular fusion of sounds. The artist explores the musical possibilities contained in his hands as he moves between keys, guitars, drums and wind instruments in arrangements that break down the intellectual barriers of genre for the corporeal intimacy of the soul.
Vital Sales Points:
The title track is already picked up and compiled by Gilles Peterson on Brownswood Recordings.
La Mano is Stimulator Jones first instrumental LP between two Stones Throw albums as a singer.¨
Scroll to next page for audio and artwork links + resources…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Be With Records
Cat-No:BEWITH007TWELVE
Release-Date:17.11.2023
Genre:Soul/Funk
Configuration:12" Excl
Barcode:5050580692558
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Last in:02.10.2023
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Last in:02.10.2023
Label:Be With Records
Cat-No:BEWITH007TWELVE
Release-Date:17.11.2023
Genre:Soul/Funk
Configuration:12" Excl
Barcode:5050580692558
1
The Whispers - A1 : Keep On Lovin’ Me (5:49)
2
The Whispers - B1 : Turn Me Out (5:50)
Format Notes: 2023 re-press, 140g vinyl
Track List:
A1 : Keep On Lovin’ Me (5:49)
B1 : Turn Me Out (5:50)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from The Whispers. Both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record before.
Side A features the notorious anthem “Keep On Lovin’ Me” (the one with *that* life affirming video) whilst over on the flip you’ll find the outstanding, semi-slept-on “Turn Me Out”.
Freshly re-pressed for 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List:
A1 : Keep On Lovin’ Me (5:49)
B1 : Turn Me Out (5:50)
Release Notes:
Two seminal 12" mixes of a pair of enormous tracks from The Whispers. Both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record before.
Side A features the notorious anthem “Keep On Lovin’ Me” (the one with *that* life affirming video) whilst over on the flip you’ll find the outstanding, semi-slept-on “Turn Me Out”.
Freshly re-pressed for 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Star Creature
Cat-No:SC1257
Release-Date:31.05.2024
Configuration:12"
Barcode:
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Last in:25.11.2024
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Label:Star Creature
Cat-No:SC1257
Release-Date:31.05.2024
Configuration:12"
Barcode:
1
Stimulator Jones - Night Walk
2
Stimulator Jones - Precious
3
Stimulator Jones - Strive To Survive
4
Stimulator Jones - Moon
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
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Last in:25.10.2024
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Last in:25.10.2024
Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
“‘A La Sala,’ I used to scream it around my house when I was a little girl, to get everybody in the living room; to get my family together. That’s kind of what recording the new album felt like. Emotionally there was a desire to get back to square-one between the three of us, to where we came from–in sonics and in feeling. Let’s get back there.” - Laura Lee Ochoa
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mutual Intentions
Cat-No:MI-034
Release-Date:10.03.2023
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:4251804140973
in stock
Last in:18.01.2023
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in stock
Last in:18.01.2023
Label:Mutual Intentions
Cat-No:MI-034
Release-Date:10.03.2023
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:4251804140973
1
Ivan Ave - A1 R U (Gonna Eat That)
2
Ivan Ave - A2 Bread
3
Ivan Ave - A3 Inthecut ft. Children ofZeus
4
Ivan Ave - A4 What A Day!!!
5
Ivan Ave - A5 Don’t Fuck Up (Interlude)
6
Ivan Ave - A6 Sweet
7
Ivan Ave - B1 Pre
8
Ivan Ave - B2 Orbit ft. Zee, MoRuf & Jay Prince
9
Ivan Ave - B3 All Season
10
Ivan Ave - B4 Gear
11
Ivan Ave - B5 Post
12
Ivan Ave - B6 Unpack
Special remarks: LP with pantone + CMYK printed outer and inner sleeve, shrink wrap and silver hype
sticker!
Genre: Hip-Hop. Rap. RnB, Neo-Soul, Jazz-funk,
A1 R U (Gonna Eat That)
A2 Bread
A3 Inthecut ft. Children ofZeus
A4 What A Day!!!
A5 Don’t Fuck Up (Interlude)
A6 Sweet
B1 Pre
B2 Orbit ft. Zee, MoRuf & Jay Prince
B3 All Season
B4 Gear
B5 Post
B6 Unpack
Press text:
If there is a space in this place for a voice of this age, it’s still sealed in wax. Above the din of the noise a vocal appears, in calm
reflection, it delivers a message of hope in a time of despair. Ivan Ave is back. A lot has transpired since we last heard him on a
full-length project, there's a lot to ponder as we get into his latest LP, All Season Gear.
On his 4th solo album, Ivan offers a glimpse into the various seasons he and his friends went through in the last three years. All
Season Gear was recorded on highs and lows through a pandemic, through healing, falling in love and observing the chaos that
is the hyper-textual information age. Lyrically an all-weather-proof record, breaking even with with a joie de vivre, backed by
production from the likes of Sasac, Mndsgn, Like, DJ Harrison and Ivan Ave himself.
The Norwegian rapper’s sixth solo release percolates between desperation and buoyancy, through a tide of beats, as Ivan taps
into his signature observations. His lyrics are an astute surveillance that exploit the mundane in a pensive exploration, touching
on hedonistic heights, with a constant focus on the beauty of the everyday.
The Mutual Intentions mouthpiece breezes through a record of wistful sonorities brought together by the larger Mutual intentions
collaboration. Keys swell and bass undulates, as the production convene on vintage aesthetics, repurposed for air-pod traveling.
It extends the sonic palette of his last LP, Double Goodbyes, and plunges the sound deeper than ever before.
Ivan Ave reinforces our vision of him as a voice for our time. A philosopher’s touch-stone in a world where the incongruous prevails over the sincere.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
sticker!
Genre: Hip-Hop. Rap. RnB, Neo-Soul, Jazz-funk,
A1 R U (Gonna Eat That)
A2 Bread
A3 Inthecut ft. Children ofZeus
A4 What A Day!!!
A5 Don’t Fuck Up (Interlude)
A6 Sweet
B1 Pre
B2 Orbit ft. Zee, MoRuf & Jay Prince
B3 All Season
B4 Gear
B5 Post
B6 Unpack
Press text:
If there is a space in this place for a voice of this age, it’s still sealed in wax. Above the din of the noise a vocal appears, in calm
reflection, it delivers a message of hope in a time of despair. Ivan Ave is back. A lot has transpired since we last heard him on a
full-length project, there's a lot to ponder as we get into his latest LP, All Season Gear.
On his 4th solo album, Ivan offers a glimpse into the various seasons he and his friends went through in the last three years. All
Season Gear was recorded on highs and lows through a pandemic, through healing, falling in love and observing the chaos that
is the hyper-textual information age. Lyrically an all-weather-proof record, breaking even with with a joie de vivre, backed by
production from the likes of Sasac, Mndsgn, Like, DJ Harrison and Ivan Ave himself.
The Norwegian rapper’s sixth solo release percolates between desperation and buoyancy, through a tide of beats, as Ivan taps
into his signature observations. His lyrics are an astute surveillance that exploit the mundane in a pensive exploration, touching
on hedonistic heights, with a constant focus on the beauty of the everyday.
The Mutual Intentions mouthpiece breezes through a record of wistful sonorities brought together by the larger Mutual intentions
collaboration. Keys swell and bass undulates, as the production convene on vintage aesthetics, repurposed for air-pod traveling.
It extends the sonic palette of his last LP, Double Goodbyes, and plunges the sound deeper than ever before.
Ivan Ave reinforces our vision of him as a voice for our time. A philosopher’s touch-stone in a world where the incongruous prevails over the sincere.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More