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Label:Disco Bits
Cat-No:DBS1014
Release-Date:20.10.2023
Configuration:7"
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1
KLA vs TSI - Make Me Believe In Free
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2
The Chopper - People On Hold
Disco Bits are back with 2 slices of high class edits/mash ups !!
SIDE X
KLA vs TSI - MAKE ME BELIEVE IN FREE
The Patti Jo classic is reworked for the dance floor. Brand new vocals cut together with a steppin' Nu-disco beat and soulful strings. We believe in free!
SIDE Y
THE CHOPPER - PEOPLE ON HOLD
Lisa, our best friend from the 80's is dressed up in nu disco clothes by The Chopper. An uptempo chugger that will work in nightclubs and weddings alike!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
SIDE X
KLA vs TSI - MAKE ME BELIEVE IN FREE
The Patti Jo classic is reworked for the dance floor. Brand new vocals cut together with a steppin' Nu-disco beat and soulful strings. We believe in free!
SIDE Y
THE CHOPPER - PEOPLE ON HOLD
Lisa, our best friend from the 80's is dressed up in nu disco clothes by The Chopper. An uptempo chugger that will work in nightclubs and weddings alike!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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1
Cannon & Mirrorball - No Title
2
Cannon & Mirrorball - No Title
Disco Bits are back with another party time 45.
Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing.
A - Hot Lovin' (Dont Stop Dont Quit)
On side A they they serve up some peaktime Studio 54 realness mixed with a bit of late 80's style hip house.
This is Cerrone meeting Sergio Mendes uptown, Saturday Night, whilst Chali 2na and his posse bumrush the show and grab the mic.
B - Shack Attack !
On the flipside the boys funk it up with some never fail drum breaks from the Disco Shack, vocal snatches of a houseparty classic and a swathe of brand new instrumentation.
The result is a jam is so dope you'll get a contact high by un-sleeving the wax.
Ain't no party like a Cannon & Mirrorball party, y'all !
Get 'em while you can.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing.
A - Hot Lovin' (Dont Stop Dont Quit)
On side A they they serve up some peaktime Studio 54 realness mixed with a bit of late 80's style hip house.
This is Cerrone meeting Sergio Mendes uptown, Saturday Night, whilst Chali 2na and his posse bumrush the show and grab the mic.
B - Shack Attack !
On the flipside the boys funk it up with some never fail drum breaks from the Disco Shack, vocal snatches of a houseparty classic and a swathe of brand new instrumentation.
The result is a jam is so dope you'll get a contact high by un-sleeving the wax.
Ain't no party like a Cannon & Mirrorball party, y'all !
Get 'em while you can.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Disco Bits
Cat-No:dbs1011
Release-Date:23.01.2020
Configuration:7"
Barcode:
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Last in:24.03.2020
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Last in:24.03.2020
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Cat-No:dbs1011
Release-Date:23.01.2020
Configuration:7"
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1
Kazahaya - No Title
2
Kazahaya - No Title
The DISCO BITS collective knock up another of their sought after 7's !
Japanese producer KAZAHAYA gets to work on a two mash-ups of the highest quality...
Late night dancefloor sureshots : ]
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Japanese producer KAZAHAYA gets to work on a two mash-ups of the highest quality...
Late night dancefloor sureshots : ]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Disco Bits
Cat-No:dbs1010
Release-Date:08.11.2019
Configuration:12"
Barcode:
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Release-Date:08.11.2019
Configuration:12"
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1
Disco Bits - No Title
2
Disco Bits - No Title
3
Disco Bits - No Title
4
Disco Bits - No Title
Disco Bits are back with 4 more essential edits aimed at late night dancefloors...
A1 - MY LOVE
The smooth early 80's production of Goldie original comes to the fore in an edit that lets the groove build towards the signature vocal and keyboard refrain of the chorus. A glittering disco classic.
A2 - OH MY WOMAN
A staple of 70's Disco dancefloors that has been neglected in recent times. Here reworked with a modern disco beat and an arrangement highlighting all the best parts of the original. A dancefloor sureshot
B1 - MAKE YOU DANCE
Disco Bits love a bit of hip house and here they take one of the best female MC's of all time and rework her 80's attempt at acid house. This will make you dance!
B2 - UNDER MY SKIN
Neneh's reimagining of Cole Porter for the 90's is given an edit that adds funk guitar and percussion to the original's unmistakable bassline, bringing the vocal performance and stark message into focus. One for the after hours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 - MY LOVE
The smooth early 80's production of Goldie original comes to the fore in an edit that lets the groove build towards the signature vocal and keyboard refrain of the chorus. A glittering disco classic.
A2 - OH MY WOMAN
A staple of 70's Disco dancefloors that has been neglected in recent times. Here reworked with a modern disco beat and an arrangement highlighting all the best parts of the original. A dancefloor sureshot
B1 - MAKE YOU DANCE
Disco Bits love a bit of hip house and here they take one of the best female MC's of all time and rework her 80's attempt at acid house. This will make you dance!
B2 - UNDER MY SKIN
Neneh's reimagining of Cole Porter for the 90's is given an edit that adds funk guitar and percussion to the original's unmistakable bassline, bringing the vocal performance and stark message into focus. One for the after hours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Disco Bits
Cat-No:dbs1009
Release-Date:29.08.2019
Configuration:7"
Barcode:
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Last in:06.09.2019
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Cat-No:dbs1009
Release-Date:29.08.2019
Configuration:7"
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1
Cannon & Mirrorball - Black Rhythm Rap
2
Cannon & Mirrorball - Makin' Time
More cut n paste action aimed straight at late nite floors!
The mysterious mischief makers Cannon & Mirrorball are back with another slice of sample-heavy dancefloor madness for ya'll.
The A side is all about feverish disco breaks, strings, cowbells, crowd noise, and ear-worm riffs and old school raps to keep the club pumping.
It's a melting pot of park jam throwback energy at its finest, and is a guaranteed hoot to the last drop.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The mysterious mischief makers Cannon & Mirrorball are back with another slice of sample-heavy dancefloor madness for ya'll.
The A side is all about feverish disco breaks, strings, cowbells, crowd noise, and ear-worm riffs and old school raps to keep the club pumping.
It's a melting pot of park jam throwback energy at its finest, and is a guaranteed hoot to the last drop.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Disco Bits
Cat-No:dbs1008
Release-Date:06.03.2019
Configuration:7"
Barcode:
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Release-Date:06.03.2019
Configuration:7"
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1
Disco Bits - No Title
2
Disco Bits - No Title
3
Disco Bits - No Title
4
Disco Bits - No Title
More edit action aimed straight at late nite disco dancefloors!
Disco Bits return to the 12" format with another collection of varied cut n paste edits.
Side A
1. Funk Freak
Disco Bits are suckers for a bit of hip house and here they take a slept on 80's rap classic and polish it up for modern dancefloors.
The addition of beefed up drums and percussion turn this into a guaranteed floor filler. We've already lost count of how many people have asked us what this is when we tested it out on the floor.
2. What You Want
Here the crew take a Nu-Yorican Disco classic and put the break where it was always meant to be, right at the centre of the track. Drums, drums, drums to make the dancefloor rock, rock, rock!
Side B
1. Dance On
An edit of a timeless afro-tinged disco underground classic. An unstoppable percussion-heavy groove teases a build-up to a heady mix of horn stabs and vocal chants.
2. A Thousand Megatons
A rework of a 1980's slept on Jazz Fusion album track puts the groove front and centre, building around an up-front bass and brass workout that underpins an irresistible vocal hook. Destined to detonate any party-time dance floor.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Disco Bits return to the 12" format with another collection of varied cut n paste edits.
Side A
1. Funk Freak
Disco Bits are suckers for a bit of hip house and here they take a slept on 80's rap classic and polish it up for modern dancefloors.
The addition of beefed up drums and percussion turn this into a guaranteed floor filler. We've already lost count of how many people have asked us what this is when we tested it out on the floor.
2. What You Want
Here the crew take a Nu-Yorican Disco classic and put the break where it was always meant to be, right at the centre of the track. Drums, drums, drums to make the dancefloor rock, rock, rock!
Side B
1. Dance On
An edit of a timeless afro-tinged disco underground classic. An unstoppable percussion-heavy groove teases a build-up to a heady mix of horn stabs and vocal chants.
2. A Thousand Megatons
A rework of a 1980's slept on Jazz Fusion album track puts the groove front and centre, building around an up-front bass and brass workout that underpins an irresistible vocal hook. Destined to detonate any party-time dance floor.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:disco bits
Cat-No:dbs1007
Release-Date:04.01.2019
Configuration:7"
Barcode:
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Cat-No:dbs1007
Release-Date:04.01.2019
Configuration:7"
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1
Cannon & Mirrorball - No Title
2
Cannon & Mirrorball - No Title
More cut n paste action aimed straight at late nite disco dancefloors!
Disco Bits return to the 7" format for a nod back to the days of the late 70's and early 80's New York, when Disco and early hip hop combined thru cut n paste pioneers Tom Moulton, Jellybean Benitez, Steinski, Mantronix and more...
Side A - Cannon & Mirrorball - At The Disco
Throwback disco-rap type party record.
Vintage loops, licks and samples, heavy on the beats and grooves and underpinned by classic early rap samples.
A sure shot for fans of late 70's disco breaks and the dusted sounds of both Paradise Garage and the Latin Quarter.
Side B - Cannon & Mirrorball - Discobunny Megamix
They don't make em like this anymore!
Insanely fun mash-up of killer dance floor records from the golden era of megamix cut & paste records.
Chock full of well known loops and vocal samples all blended together into one great party record.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Disco Bits return to the 7" format for a nod back to the days of the late 70's and early 80's New York, when Disco and early hip hop combined thru cut n paste pioneers Tom Moulton, Jellybean Benitez, Steinski, Mantronix and more...
Side A - Cannon & Mirrorball - At The Disco
Throwback disco-rap type party record.
Vintage loops, licks and samples, heavy on the beats and grooves and underpinned by classic early rap samples.
A sure shot for fans of late 70's disco breaks and the dusted sounds of both Paradise Garage and the Latin Quarter.
Side B - Cannon & Mirrorball - Discobunny Megamix
They don't make em like this anymore!
Insanely fun mash-up of killer dance floor records from the golden era of megamix cut & paste records.
Chock full of well known loops and vocal samples all blended together into one great party record.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:disco bits
Cat-No:dbs1004
Release-Date:22.09.2017
Configuration:12"
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Last in:08.12.2017
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Cat-No:dbs1004
Release-Date:22.09.2017
Configuration:12"
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1
v.a. - Love Affair
2
v.a. - Night Freak
3
v.a. - House Of Music (Soca Boat)
4
v.a. - Let's Get Down In A Funky Lifetime
Disco Bits return with more edits aimed straight at late night disco dancefloors. Four more lovingly re-tooled jams (including a very cheeky early 90's style mash-up !) await As varied as they are well crafted, this is optimum floor-food once again from the Disco Bits crew
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:disco bits
Cat-No:dbs1002
Release-Date:07.10.2016
Configuration:12"
Barcode:
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Last in:11.11.2016
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Release-Date:07.10.2016
Configuration:12"
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1
disco bits - disco power
2
disco bits - i wanna thank you
3
disco bits - LET'S DO IT AGAIN
4
disco bits - TIGHTEN IT UP
Aimed straight at the late-night dancefloors, Disco Bits continues its policy of tweaking dancefloor classics for maximum Disco Power! On the A-side:
A1 'Disco Power' - first up is a relatively unknown Afro Disco number by Bomp. Here it's beefed up and re-arranged with extra drums, extra breaks, proper bass and proper Disco Power! A2 'I Wanna Thank You' - The Alicia Myers original has always needed a re-arrangement. The Disco Bits boys take a small scalpel and re-imagine this with a proper verse and chorus taking the classic break and turning this track from an uncut diamond into a finely cut gem
On the flipside we have: B1 'Let's Do It Again' - a classy edit of the Nightlife Unlimited favourite, which builds a deep groove from the bassline up, adding layers of keys and vocals and climaxing with the original's hooky chorus. B2 'Tighten It Up' - The BLT original gets a similarly bass-centric treatment, the evolving groove underpinning the refrain of 'drinkin' wine and wastin' time' as the track builds to reveal its familiar verse and chorus towards the end
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 'Disco Power' - first up is a relatively unknown Afro Disco number by Bomp. Here it's beefed up and re-arranged with extra drums, extra breaks, proper bass and proper Disco Power! A2 'I Wanna Thank You' - The Alicia Myers original has always needed a re-arrangement. The Disco Bits boys take a small scalpel and re-imagine this with a proper verse and chorus taking the classic break and turning this track from an uncut diamond into a finely cut gem
On the flipside we have: B1 'Let's Do It Again' - a classy edit of the Nightlife Unlimited favourite, which builds a deep groove from the bassline up, adding layers of keys and vocals and climaxing with the original's hooky chorus. B2 'Tighten It Up' - The BLT original gets a similarly bass-centric treatment, the evolving groove underpinning the refrain of 'drinkin' wine and wastin' time' as the track builds to reveal its familiar verse and chorus towards the end
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Cat-No:LPS-PS13
Release-Date:14.07.2023
Genre:Electronic
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Barcode:4062548058758
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1
Swayzak - Speedboat (2023 Edit)
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2
Swayzak - Low Res Skyline (2023 Edit)
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3
Swayzak - Blocks (2023 Edit)
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4
Swayzak - Burma Heights (2023 Edit)
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5
Swayzak - Skin Diving (2023 Edit)
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6
Swayzak - Fukumachi (2023 Edit)
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7
Swayzak - l.o.9.v.e. (2023 Edit)
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8
Swayzak - Cone (Mix 2)
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9
Swayzak - Bueno (2023 Edit)
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10
Swayzak - French Dub (2023 Edit)
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11
Swayzak - Evild Dub (2023 Edit)
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12
Swayzak - Blufarm (Abbey Road 2023 Edit)
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13
Swayzak - Unknown Mind
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14
Swayzak - Bueno (Ambient Mix)
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15
Swayzak - Speedboat (96 Demo)
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16
Swayzak - l.o.9.v.e. (Boat Mix, 2023 Edit)
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17
Swayzak - Redfarm (Abbey Road 2023 Edit)
Dance music has always been grounded in a sense of place. Chicago, Detroit, London, Berlin—a zip code can tell you as much about the music as the year it was made.
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
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Cat-No:toyt064
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Barcode:0880655506412
Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
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A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Label:Razor-N-Tape Reserve
Cat-No:RNTR015
Release-Date:02.12.2016
Configuration:12"
Barcode:
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Label:Razor-N-Tape Reserve
Cat-No:RNTR015
Release-Date:02.12.2016
Configuration:12"
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1
COEO - Like It Is
2
COEO - Nigerian Affair
3
COEO - Long Night Ahead
4
COEO - Pajama Stomp
Repress!
Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.
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Liebigstrasse 2-20
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Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Heist Recordings
Cat-No:heist070
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4251804140348
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Last in:04.04.2023
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Last in:04.04.2023
Label:Heist Recordings
Cat-No:heist070
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4251804140348
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1
Dam Swindle - The break up
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2
Scan 7 - The best is yet to come
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3
Fouk - Kill Frenzy
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Demuir - Werq. feel. gruv. vogue.
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Adryiano - Me and you and her
Format: Vinyl 12” (Limited 180 gr. Cristal Clear Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)
Track list:
A1 Dam Swindle – The break up
A2 Scan 7 – The best is yet to come
B1 Fouk – Kill Frenzy
B2 Demuir – Werq. feel. gruv. vogue.
B3 Adryiano – Me and you and her
Release Info:
Label bosses Dam Swindle dive into the label back catalog and compile 2 special edition releases of classics to celebrate 10 years of
Heist Recordings.
Founded in 2013, Heist Recordings has quickly become a go-to house label, giving rise to a vibrant scene of groove aficionados and all things
deep house. Now in the label’s 10th year, Dam Swindle take a moment to reflect on the great tracks that have come out over the years with 2
limited edition compilations of classics.
On this first compilation, the duo starts with the track that helped the label burst onto the scene: Their instant classic ‘The break up’. With its
vintage vocals, Rhodes chops and instantly recognizable bell loop, it’s easy to understand why so many people are still in love with this track. It’s
only fitting that this anniversary release for Heist goes back to where it all started.
The second track on the compilation is from the legendary Detroit outfit Scan 7: Their 2020 track ‘The Best is yet come’ from Heist’s 50th release.
The appearance of Scan 7 on the label turned quite some heads at the time, but in fact, it made total sense. The mutual love for house, key
grooves and that classic Detroit vibe brought Scan 7 and Dam Swindle together and the result was an amazing release full of Midwest electronic
funk.
On the flip, we’ve got Dutch duo Fouk with their first hit on the label ‘Kill Frenzy’, which kickstarted the rise of their signature sound back in 2014.
The release ends with 2 extremely catchy and strong house releases by Demuir and Adryiano. Demuir’s vocal cut ‘Werq. Feel. Gruv. Vogue’. is
one of the highlights in Demuir’s catalog and a showcase of the producer’s knack for sampling and writing a house groove. Adryiano’s piano
house track ‘Me and you and her’ is a perfect ending to this first compilation, showing us that great house music can be as simple as repeating
something over and over and over, until that groove is all you hear.
The vinyl release of Heist Classics vol. 01 is printed on clear 180 grams heavyweight vinyl and is limited to 1000 records with a special design by
our Art Director Bas Koopmans (Wellness.)
Yours Sincerely,
Maarten & Lars
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Track list:
A1 Dam Swindle – The break up
A2 Scan 7 – The best is yet to come
B1 Fouk – Kill Frenzy
B2 Demuir – Werq. feel. gruv. vogue.
B3 Adryiano – Me and you and her
Release Info:
Label bosses Dam Swindle dive into the label back catalog and compile 2 special edition releases of classics to celebrate 10 years of
Heist Recordings.
Founded in 2013, Heist Recordings has quickly become a go-to house label, giving rise to a vibrant scene of groove aficionados and all things
deep house. Now in the label’s 10th year, Dam Swindle take a moment to reflect on the great tracks that have come out over the years with 2
limited edition compilations of classics.
On this first compilation, the duo starts with the track that helped the label burst onto the scene: Their instant classic ‘The break up’. With its
vintage vocals, Rhodes chops and instantly recognizable bell loop, it’s easy to understand why so many people are still in love with this track. It’s
only fitting that this anniversary release for Heist goes back to where it all started.
The second track on the compilation is from the legendary Detroit outfit Scan 7: Their 2020 track ‘The Best is yet come’ from Heist’s 50th release.
The appearance of Scan 7 on the label turned quite some heads at the time, but in fact, it made total sense. The mutual love for house, key
grooves and that classic Detroit vibe brought Scan 7 and Dam Swindle together and the result was an amazing release full of Midwest electronic
funk.
On the flip, we’ve got Dutch duo Fouk with their first hit on the label ‘Kill Frenzy’, which kickstarted the rise of their signature sound back in 2014.
The release ends with 2 extremely catchy and strong house releases by Demuir and Adryiano. Demuir’s vocal cut ‘Werq. Feel. Gruv. Vogue’. is
one of the highlights in Demuir’s catalog and a showcase of the producer’s knack for sampling and writing a house groove. Adryiano’s piano
house track ‘Me and you and her’ is a perfect ending to this first compilation, showing us that great house music can be as simple as repeating
something over and over and over, until that groove is all you hear.
The vinyl release of Heist Classics vol. 01 is printed on clear 180 grams heavyweight vinyl and is limited to 1000 records with a special design by
our Art Director Bas Koopmans (Wellness.)
Yours Sincerely,
Maarten & Lars
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Semi-Skimmed Edits
Cat-No:SSE006
Release-Date:20.11.2023
Configuration:12"
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Configuration:12"
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1
Semi-Skimmed Edits - Under Your Spell
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Semi-Skimmed Edits - Jog On
Semi Skimmed Edits return with another duo of lovingly restored, extended and adored nuggets from the deepest crates
Two blazing jams for playing LOUD.
SUPER limited hand-stamped vinyl...
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Liebigstrasse 2-20
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Two blazing jams for playing LOUD.
SUPER limited hand-stamped vinyl...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Mirage
Cat-No:SPEC1823
Release-Date:21.03.2022
Configuration:12"
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Label:Mirage
Cat-No:SPEC1823
Release-Date:21.03.2022
Configuration:12"
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1
Carly Simon - A1. Carly Simon - Why (12 Inch Version)
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Carly Simon - B1. Chic - Why (Instrumental)
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Carly Simon - B2. Carly Simon - Why (Radio Version)
The ultimate sun-kissed feel-good anthem, Carly Simon’s ‘Why’ produced by none other than Bernard Edwards and Nile Rodgers sees a much welcomed 12 inch reissue. Originally recorded for the film Soup for One in 1982, though the movie flopped the soundtrack was a success and ‘Why’ became a classic by anyone’s standards - hitting number 10 in the UK charts and staying in them for 18 weeks.
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Liebigstrasse 2-20
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12" Excl
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Last in:21.08.2024
Label:Pampa
Cat-No:pampa006
Release-Date:25.11.2022
Genre:House
Configuration:12" Excl
Barcode:827170379169
1
Isolée - Taktell
2022 repress
Pampa Records is back with its sixth release. This one will be a split 12" of Isolée and Robag Wruhme who each drop tracks of their upcoming artist albums to be released on Pampa in 2011.
Side A: Isolée -Taktell
There it is again - the very unique Isolée feeling. This diffuse happiness that occurs. No matter in which club of the world this tune might be dropped, pure euphoria appears instantaneously. "Taktell" is a warm, intelligent timeless piece of music. Yes, it's classic mesmerizing, melty, melancholic, terrific sounddesigned Rajko Müller material. Oh, that's Isolée's real name. Yes, it's hard to believe something so beautiful could come from such a wretched species as homo sapiens. This is the kind of music that sounds like it was plucked directly from a dewy-leafed Haribo tree by a one-eyed synthasaurus. It's an evergreen already and taken from upcoming Isolée album Well Spent Youth, to be released on Pampa Records on January 28th, 2011.
Side AA: Robag Wruhme - Thora Vukk
Robag Wruhme, by no mere coincidence, is also preparing his latest full-length album Thora Vukk, to be released in late March 2011. Robag´s festive anthem "Thora Vukk", here in a special 12" edit, raises highest expectations on the upcoming longplayer, which guarantees the most exceptional & beautiful material that the world has seen in a long time. On "Thora Vukk" THX-sounds meet frenzy-melancholy, tardiness on focused half metallic reverberations and half fairy-tale make-out sessions. This is the kind of dance music, that reflects the belief in the movement perfectly.
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Liebigstrasse 2-20
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Pampa Records is back with its sixth release. This one will be a split 12" of Isolée and Robag Wruhme who each drop tracks of their upcoming artist albums to be released on Pampa in 2011.
Side A: Isolée -Taktell
There it is again - the very unique Isolée feeling. This diffuse happiness that occurs. No matter in which club of the world this tune might be dropped, pure euphoria appears instantaneously. "Taktell" is a warm, intelligent timeless piece of music. Yes, it's classic mesmerizing, melty, melancholic, terrific sounddesigned Rajko Müller material. Oh, that's Isolée's real name. Yes, it's hard to believe something so beautiful could come from such a wretched species as homo sapiens. This is the kind of music that sounds like it was plucked directly from a dewy-leafed Haribo tree by a one-eyed synthasaurus. It's an evergreen already and taken from upcoming Isolée album Well Spent Youth, to be released on Pampa Records on January 28th, 2011.
Side AA: Robag Wruhme - Thora Vukk
Robag Wruhme, by no mere coincidence, is also preparing his latest full-length album Thora Vukk, to be released in late March 2011. Robag´s festive anthem "Thora Vukk", here in a special 12" edit, raises highest expectations on the upcoming longplayer, which guarantees the most exceptional & beautiful material that the world has seen in a long time. On "Thora Vukk" THX-sounds meet frenzy-melancholy, tardiness on focused half metallic reverberations and half fairy-tale make-out sessions. This is the kind of dance music, that reflects the belief in the movement perfectly.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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1
unknown - EROS01X_A
2
unknown - EROS01X_B1
3
unknown - EROS01X_B2
The mysterious EROS return ! Their initial 3 part series from a few years back became buy-on-sight homages to the raw, decadent & formative birth of club music. And while the first series concentrated on the darker, more electronic & mind-bending side of nightlife, the 'X' series works up an altogether more strobe-lit and full-tilt take on the glorious Disco supernova from whence we all came.
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v.a. - No Title
2
v.a. - No Title
3
v.a. - No Title
4
v.a. - No Title
The mysterious EROS are back with the second in their 'X' series... This buy-on-sight collection of homages to the raw, decadent & formative birth of club music moves towards the final chapter. Darker, more electronic & mind-bending moments, mingling with an altogether more strobe-lit and full-tilt take on the glorious Disco supernova from whence we all came.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Liebigstrasse 2-20
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Label:Toy Tonics
Cat-No:toyt046
Release-Date:29.01.2016
Configuration:12" Excl
Barcode:0880655504616
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Label:Toy Tonics
Cat-No:toyt046
Release-Date:29.01.2016
Configuration:12" Excl
Barcode:0880655504616
Special Remarks: limited to 300 copies
Tracklist 12":
A1) Back In The Days
A2) Native Riddim (Vinyl Bonus Track)
B1) Jugendstil
B2) +++
Info:
COEO are to Toy Tonics records, what Master at Work were to the House scene of the 1990ies: They bring the Soul into the House. Their new EP "Back In The Days" is a 4 track house stomper that could have been made in 1997 by guys like Sneak, Dimitri from Paris or Little Louie. But still the similarities to the new Berlin Sample-House scene around Max Graef and Hodini are evident, too. Already their last years' superhit NATIVE RIDDIM (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents' bag of soul. Native Riddim has been no.1 in the Traxsource charts for several weeks and was the basis for their already huge following. From Laurent Garnier to Tensnake - the feedback has been awesome. Now they proceed their way of souldful house. Just good taste.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Tracklist 12":
A1) Back In The Days
A2) Native Riddim (Vinyl Bonus Track)
B1) Jugendstil
B2) +++
Info:
COEO are to Toy Tonics records, what Master at Work were to the House scene of the 1990ies: They bring the Soul into the House. Their new EP "Back In The Days" is a 4 track house stomper that could have been made in 1997 by guys like Sneak, Dimitri from Paris or Little Louie. But still the similarities to the new Berlin Sample-House scene around Max Graef and Hodini are evident, too. Already their last years' superhit NATIVE RIDDIM (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents' bag of soul. Native Riddim has been no.1 in the Traxsource charts for several weeks and was the basis for their already huge following. From Laurent Garnier to Tensnake - the feedback has been awesome. Now they proceed their way of souldful house. Just good taste.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:In Dust We Trust
Cat-No:IDWT006
Release-Date:27.01.2023
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT006
Release-Date:27.01.2023
Genre:House
Configuration:12"
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1
Chaos In The CBD - Orange Blank
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Chaos In The CBD - Green Dove
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Slow and smooth build up with an intense but mellow peak that just goes on and on. It fills you with empathy and intense sensation heightening. SWIM smoked a joint halfway through and melted into the couch. It’s perfect for a rolling party with a group of friends, though SWIM imagines it would be great for a proper party too. Sometimes SWIM felt like dancing, but spent most of the time staring into space. This is really nice, intense, smooth and mellow. Get ahold of these if you get the chance!
Note: Your experience will vary depending on your settings. If you're in a bad place with bad people, you won’t feel a thing.
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Slow and smooth build up with an intense but mellow peak that just goes on and on. It fills you with empathy and intense sensation heightening. SWIM smoked a joint halfway through and melted into the couch. It’s perfect for a rolling party with a group of friends, though SWIM imagines it would be great for a proper party too. Sometimes SWIM felt like dancing, but spent most of the time staring into space. This is really nice, intense, smooth and mellow. Get ahold of these if you get the chance!
Note: Your experience will vary depending on your settings. If you're in a bad place with bad people, you won’t feel a thing.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:X-Kalay
Cat-No:XK027
Release-Date:30.06.2023
Genre:House / Techno
Configuration:12"
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Label:X-Kalay
Cat-No:XK027
Release-Date:30.06.2023
Genre:House / Techno
Configuration:12"
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1
Maara - Spiral 2 The Other Side
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Maara - Take The Wheel Miss Sweetie
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Maara - Forget The World
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Maara - Doom Quest
Repress!
Maara makes seductively uninhibited, proggy dance music. In fact, she’s quickly becoming one of its foremost exponents. Barely pausing for breath between releases, ‘Spiral 2 the Other Side’ finds the Montreal artist summoning divine feminine frequencies with a hypnotic, ritual-ready 4-tracker.
Some Maara productions are shot through with an almost radiant optimism, but here, darkroom throb prevails. Big on the gated vocals, ‘Spiral 2 the Other Side’ achieves cybernetic sensuality through trippy,
moire´-d electro, while ‘Take the Wheel Miss Sweetie’, with its driving, fathoms-deep approach, provides a direct take on the blueprint.
The Canadian assumes the role of high priestess on the flip. ‘Forget the world’ is a ritual incantation for bridging seen and unseen worlds; prog house magick with shades of ‘90s trance utopia. Rounding things off with a tunnelling electro tripper, ‘Doom Quest’ references the vortex-dwelling atmospherics of early tribal modes to mind-altering effect.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Maara makes seductively uninhibited, proggy dance music. In fact, she’s quickly becoming one of its foremost exponents. Barely pausing for breath between releases, ‘Spiral 2 the Other Side’ finds the Montreal artist summoning divine feminine frequencies with a hypnotic, ritual-ready 4-tracker.
Some Maara productions are shot through with an almost radiant optimism, but here, darkroom throb prevails. Big on the gated vocals, ‘Spiral 2 the Other Side’ achieves cybernetic sensuality through trippy,
moire´-d electro, while ‘Take the Wheel Miss Sweetie’, with its driving, fathoms-deep approach, provides a direct take on the blueprint.
The Canadian assumes the role of high priestess on the flip. ‘Forget the world’ is a ritual incantation for bridging seen and unseen worlds; prog house magick with shades of ‘90s trance utopia. Rounding things off with a tunnelling electro tripper, ‘Doom Quest’ references the vortex-dwelling atmospherics of early tribal modes to mind-altering effect.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore