Disco Bits are back with 2 slices of high class edits/mash ups !!

SIDE X
KLA vs TSI - MAKE ME BELIEVE IN FREE
The Patti Jo classic is reworked for the dance floor. Brand new vocals cut together with a steppin' Nu-disco beat and soulful strings. We believe in free!

SIDE Y
THE CHOPPER - PEOPLE ON HOLD
Lisa, our best friend from the 80's is dressed up in nu disco clothes by The Chopper. An uptempo chugger that will work in nightclubs and weddings alike! More

Disco Bits are back with another party time 45.
Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing.

A - Hot Lovin' (Dont Stop Dont Quit)
On side A they they serve up some peaktime Studio 54 realness mixed with a bit of late 80's style hip house.
This is Cerrone meeting Sergio Mendes uptown, Saturday Night, whilst Chali 2na and his posse bumrush the show and grab the mic.

B - Shack Attack !
On the flipside the boys funk it up with some never fail drum breaks from the Disco Shack, vocal snatches of a houseparty classic and a swathe of brand new instrumentation.
The result is a jam is so dope you'll get a contact high by un-sleeving the wax.

Ain't no party like a Cannon & Mirrorball party, y'all !

Get 'em while you can. More

Disco Bits are back with 4 more essential edits aimed at late night dancefloors...
A1 - MY LOVE
The smooth early 80's production of Goldie original comes to the fore in an edit that lets the groove build towards the signature vocal and keyboard refrain of the chorus. A glittering disco classic.
A2 - OH MY WOMAN
A staple of 70's Disco dancefloors that has been neglected in recent times. Here reworked with a modern disco beat and an arrangement highlighting all the best parts of the original. A dancefloor sureshot
B1 - MAKE YOU DANCE
Disco Bits love a bit of hip house and here they take one of the best female MC's of all time and rework her 80's attempt at acid house. This will make you dance!
B2 - UNDER MY SKIN
Neneh's reimagining of Cole Porter for the 90's is given an edit that adds funk guitar and percussion to the original's unmistakable bassline, bringing the vocal performance and stark message into focus. One for the after hours. More

More cut n paste action aimed straight at late nite floors!
The mysterious mischief makers Cannon & Mirrorball are back with another slice of sample-heavy dancefloor madness for ya'll.
The A side is all about feverish disco breaks, strings, cowbells, crowd noise, and ear-worm riffs and old school raps to keep the club pumping.
It's a melting pot of park jam throwback energy at its finest, and is a guaranteed hoot to the last drop.

More

More edit action aimed straight at late nite disco dancefloors!
Disco Bits return to the 12" format with another collection of varied cut n paste edits.
Side A
1. Funk Freak
Disco Bits are suckers for a bit of hip house and here they take a slept on 80's rap classic and polish it up for modern dancefloors.
The addition of beefed up drums and percussion turn this into a guaranteed floor filler. We've already lost count of how many people have asked us what this is when we tested it out on the floor.
2. What You Want
Here the crew take a Nu-Yorican Disco classic and put the break where it was always meant to be, right at the centre of the track. Drums, drums, drums to make the dancefloor rock, rock, rock!
Side B
1. Dance On
An edit of a timeless afro-tinged disco underground classic. An unstoppable percussion-heavy groove teases a build-up to a heady mix of horn stabs and vocal chants.
2. A Thousand Megatons
A rework of a 1980's slept on Jazz Fusion album track puts the groove front and centre, building around an up-front bass and brass workout that underpins an irresistible vocal hook. Destined to detonate any party-time dance floor. More

More cut n paste action aimed straight at late nite disco dancefloors!
Disco Bits return to the 7" format for a nod back to the days of the late 70's and early 80's New York, when Disco and early hip hop combined thru cut n paste pioneers Tom Moulton, Jellybean Benitez, Steinski, Mantronix and more...
Side A - Cannon & Mirrorball - At The Disco
Throwback disco-rap type party record.
Vintage loops, licks and samples, heavy on the beats and grooves and underpinned by classic early rap samples.
A sure shot for fans of late 70's disco breaks and the dusted sounds of both Paradise Garage and the Latin Quarter.
Side B - Cannon & Mirrorball - Discobunny Megamix
They don't make em like this anymore!
Insanely fun mash-up of killer dance floor records from the golden era of megamix cut & paste records.
Chock full of well known loops and vocal samples all blended together into one great party record. More

Disco Bits return with more edits aimed straight at late night disco dancefloors. Four more lovingly re-tooled jams (including a very cheeky early 90's style mash-up !) await As varied as they are well crafted, this is optimum floor-food once again from the Disco Bits crew More

Aimed straight at the late-night dancefloors, Disco Bits continues its policy of tweaking dancefloor classics for maximum Disco Power! On the A-side:
A1 'Disco Power' - first up is a relatively unknown Afro Disco number by Bomp. Here it's beefed up and re-arranged with extra drums, extra breaks, proper bass and proper Disco Power! A2 'I Wanna Thank You' - The Alicia Myers original has always needed a re-arrangement. The Disco Bits boys take a small scalpel and re-imagine this with a proper verse and chorus taking the classic break and turning this track from an uncut diamond into a finely cut gem
On the flipside we have: B1 'Let's Do It Again' - a classy edit of the Nightlife Unlimited favourite, which builds a deep groove from the bassline up, adding layers of keys and vocals and climaxing with the original's hooky chorus. B2 'Tighten It Up' - The BLT original gets a similarly bass-centric treatment, the evolving groove underpinning the refrain of 'drinkin' wine and wastin' time' as the track builds to reveal its familiar verse and chorus towards the end More