In 1990, in an otherwise typical, provincial small town of Bracknell, located at the outer reaches of West London suburbia, a now infamous weekly Sunday night party ‘Shave Yer Tongue’ took place for the first time which played host to the likes of luminaries of the field of DJing such as Alfredo and Andrew Weatherall. On this musical outing by two founders of the party, Scott James & Christopher Hayne, under the guise of SYT in 1995 - we have the aptly titled Deep Drift EP: four driving, tasteful Progressive House & Trance cuts that are as equally likely to open a wormhole in space and time as they are to move a dancefloor to interdimensional bliss.

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A highly sought after album from UK's mid 90's underground trance/rave scene, originally released on the Magick Eye Records (label co-founded by Swordfish from Astralasia). "Cubic Space" is the only album released by SYT (Shave Yer Tongue) and it came in a double LP format, featuring 8 tracks in a wide range of paces, with extended length excursions ranging from downtempo atmospheric dub to faster trancey electronic psychedelia.

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A highly sought after album from UK's mid 90's underground trance/rave scene, originally released on the Magick Eye Records (label co-founded by Swordfish from Astralasia). "Cubic Space" is the only album released by SYT (Shave Yer Tongue) and it came in a double LP format, featuring 8 tracks in a wide range of paces, with extended length excursions ranging from downtempo atmospheric dub to faster trancey electronic psychedelia.

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The second release to come out of Sound Metaphors’ collaboration with the Italian electronic music Don, Gianpiero Pacetti aka JP Energy. “I Have A Pessimistic Outlook Of Life E.P.” showcases a considerably more mature and polished sound relative to the previous release as the artist moves into the end of the 90’s and seems to shed the naive playfulness one could still hear in “Strano E.P.” with it's Italo-disco influences. Here things get more serious and even more “industrial” with a darker and perhaps more cynical tone, not unlike the title of the EP. A 3 track record, very much oriented towards the dance floor, “Fantastic Machine” comes in at over 130BPM with a very metallurgical flavour, something one could imagine hearing at a moving assembly line for car engine parts in a factory somewhere in Brescia, yet with an overlaying eerie nuance. “Automatic Sun” comes in with a very driving beat, the secret weapon of the release by all means, very effective employment of electronic percussive elements. And finishing the EP, Gianpiero’s Requiem to the format, a once record store owner who by 1999 might have already been feeling the tides of change brought in with the early CDJs (one could imagine) “The End Of Vynil” goes into full on electro territory with the beat and very much in tune with the title expresses a funerary darkness with the melodic elements. All in all, no need to put on sunscreen for this one. Remastered with new full cover artwork.

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A continuation of the extensive research project initiated last year between Sound Metaphors, Transmigration and surviving eye-witness/historian Ray Castle. An in depth analysis of the dancefloor landscape that developed in Goa during the 80s' and early 90's well before "Trance" became the unfortunate dirty word it is today. Before "trance" was even a genre, Goa was brewing a scene with unparalleled aesthetics, with a constant influx of dedicated collectors and DJs coming and going to this tropical underground dancefloor haven, filtering through vast amounts of emerging electronic music of the times and distilling only the finest of "Special Goa Music". Here is another compilation of our chosen most impactful tracks that would have been soundtrack to a very special and pure moment of freedom in dancefloor culture before the bastardisation of what we now know as "Goa Trance". A highly sought after selection of New Beat, Proto Techno, early Progressive/Trance, Industrial, EBM and House Music. Featuring photographs of the events presented in a double LP gatefold with poster and liner notes by Ray Castle himself. Re-mastered at Manmade mastering in Berlin. A generous body of research essential to any well rounded record collection.

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"Something Scary" is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons. Remastered at Manmade Mastering in Berlin.

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"Something Scary" is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons. Remastered at Manmade Mastering in Berlin.

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Although one could imagine that by 1993 any Italo Disco nuances would have been vanquished from sophisticated Italian production setups of the time, it is hard to ignore its presence in this particular work of Italian DJ and producer Gianpiero Pacetti. Much more so than in the work of his contemporaries at the time who would have shifted into full on early progressive trance in pursuit of novelty. Resulting in a refreshingly playful exploration of melodic themes, an aesthetic only to be heard again more than 10 years later with Dutch works like Alden Tyrell. With exception of Alvorada which distinguished itself as completely detached from any of the previously mentioned influences, diving deep into percussive samba elements adjoined by alluring arpeggios and other subtle melodic ornaments characteristic of early progressive trancey movements of the time. Includes new remix of “Alvorada” by Berlin's E-Talking. Remastered with new artwork.

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Cafe Del Mar chill out classic classic from 1992. Tap into your subconscious and conquer anything with these 4 different mixes featuring the voice samples of new age hypnotist Barry Konicov, known for an outstanding proclivity towards not paying Federal Tax in the US, but also for being the founder of Potentials Unlimited, a self-help hypnotism program that became especially popular in some circles during the 80s and 90s. From beat less ambient excursions to rhythmic drum samples these mixes explore modern Balearic themes in different ways - take a trip.

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Hidden gem from the early 90s Frankfurt electronic sound, checking all the boxes for shifting gears in any well lubricated dancefloor, female cyborg spoken word about something important in a k-hole, dramatic/dreamy pads, new beat like acidity nuances, driving percussive bass lines, hard one to go wrong with. Re-issued with two previously unreleased mixes from the artists.



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Another release from the always surprising CATT records inventory, this time a generous 5 tracker EP featuring a wide variety tasting in early UK synthetic club sounds with 4 different projects. Clearly abandoning any pop influences in structure, these tracks celebrate the dancefloor's needs in a healthy club scene that would have already started to see a new wave of producers with backgrounds shifting from the conservatories to the dancefloor and DJ booths. Perfectly streamlined driving beats for maximum dancefloor effect of an epoch that would borrow from European new beat scenes while simultaneously establishing itself as a reference in club culture worldwide, timelessly transposed to current dance floors. Can't go wrong, thoroughly remastered at Manmade mastering in Berlin.



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Sound Metaphors and Transmigration take another dig at the CATT Records catalogue with another EP comprised of two cuts that have been part of the secret weapon arsenals of many seasoned DJs and collectors. A side investigates what might come across as a British response to the Belgian New Beat contingent that had been brewing for a while at the time, serious bass lines and synthetic Gregorian chants echoed over solid four on the floor action. B side unfolds the rhythm in half beat with a breaky electro/freestyle indulgence with Led Zeppelin samples unexpectedly sprinkled about. Highly effective on the dancefloor. Remastered at Manmade Mastering in Berlin.



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Hard to go wrong with another one from the mystery CATT Records catalog, once secret weapons to many seasoned dacefloor operators, brought back to clubby spotlights via the Sound Migration imprint. Originally released in 1990, this EP constitutes a sterling archetype of early sampling techniques woven into salubrious base lines, stripped down drum machine work and minimal melodic flavors - undoubtedly propelling a highly efficient Baleric deep UK club sound on to a new generation of dancefloors of its time. Another powerful example of the sound that established a direct correlation with airfare prices from UK to Ibiza. Original artwork with remastered and digitally restored sound.



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Two highly effective late 80's house tracks channeling early Balearic house vibes one might imagine hearing outdoors on a sunny dancefloor at Amnesia in Ibiza. "Feeling Wild's" dreamy use of samples and bass lines places the listener somewhere between subaquatic deep diving with sea mammals and moments of tropical dawn. A potential Balearic anthem that sounds too familiar for those who might have been previously swayed by classics like "Sueno Latino" or Malcom McLaren's "Call A Wave". "Mentality" brings a more decisive direction to the sound of the EP shedding some of the atmospheric nuances much enjoyed on the A-side yet very much in the same line of very digestible outdoor-house, much exported from the UK to the Mediterranean House Mecca at that time. Dial in the summer vibe with this aural breeze of ease, yet again, only 3 decades later. Skillfully remastered by manmade mastering in Berlin.

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A few years past the Technotronic hitmachine times, Belgian producer Jo Bogaert explored other outlets for big room club force to brew. Although his Nux Nemo project was more New Beat focused, “I Feel It” steps away from its roots and into the Rave/Techno realms. A powerful addition to the DJ's dancefloor arsenal, the Fast Forward Mix checks all the boxes for guaranteed dancefloor menace at peak time hour. Comes with the original beat-less “No Beat Mix” version and now for the first time with two additional new remixes by Berlin's finest Juan Ramos and Trent.



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Sound Metaphors and Transmigration explore the early underground Goa party scene with a 2x12” compilation.

A collection of Techno, Italian-House, New Beat and Post Punk all heard on the same dancefloors amongst Goa's tropical beaches during the late 80's and early 90's. What is now understood as Goa Trance was once preceded by an amalgamation of many different genres smuggled to Goa in tape format by true music devotees that filtered through all that was being produced in the West shaping a unique dancefloor sound that could only pertain to the “Special Goa Music” genre. Sound Metaphors teams up with Transmigration and journalist, DJ and first hand witness of the scene at hand - Ray Castle – to present a meticulous body of research into the sound signature of that unique scene. 11 highly sought after tracks presented in a double LP gatefold format with an A1 poster insert and insightful liner notes by Ray Castle. A tracklist so lush, your discogs wantlists will forever be grateful – buy on sight.

“Everything about the Goa counterculture was illicit. The music from vinyl was bought with black market money and bootlegged onto cassettes and backpacked to India. Collectors and DJs would swap, dub and edit it, for free parties. The music was disseminated tape-to-tape by a clandestine traveller clique of ragtag party makers. This highly coveted ‘Special Goa Music’ contained a vibe—a brain-infesting vibe—capable of triggering apotheosis-like states for dosed up dancefloors, only possible for sunrise Goa parties in nature, in India.” - Ray Castle

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Sunny Crypt is happy to announce its third release: the reissue of the now elusive Nine Minutes to Cairo - Nine Minutes To Cairo 12”, a mysterious post Cosmic 2- tracker with strong New Beat reminiscences from a one-off studio project. Originally released in 1991 by Westside Music, this reissue brings it back to life with a brand new artwork by Matteo Cerri, full remastering by Manmade Studio and cut at 45rpm for your eventual wrongspeed pleasures.



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Run by Gabriele and Paolo, Italy based newborn label Sunny Crypt's first output is a reissue of the sought-after "Random Rooms" album by Danish poets and multidisciplinary artists Niels Lyngsø and Morten Søndergaard. Both attending the Literature university in Copenhagen, they were linked at first by a mutual passion and fascination towards music - or rather "sound" - even before unveiling each other that they were writing poems. Niels and Morten started bringing their solo homemade DIY sound experiments together, giving birth to a wide genre-spanning album that ranges from slow tempo mutant disco to folk inspired synth-pop to sound collages and more musical compositions that is fairly complex to put in a precise musical genre box.
First released in 1992 on the same day as their debut poetry collections, Random Rooms should be a house or a flat or an exhibition space that you could walk through and in each room you would come across something new. A fusion of genre and bits and pieces of culture and play.
A kaleidoscope of past, present, and future.



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A time capsule from the golden age of Balearic history opened for the first time in 3 decades. Ibiza legends Leo Mas and Sergio Portaluri generously give Sound Metaphors the honor of releasing historical material from a special time and place. Originally produced in 1993 these tracks have been sitting in DAT tapes waiting for an opportunity to tell us a dancefloor story from a golden era where there were no smart phones or social media. Furthermore, the cherry on top, comes with none other than Apiento (Paul from Testpressing) gracefully remixing "Vogue Mars" into a breakbeat DJ tool bound to inspire new energy levels on the dancefloor. Mastered at Manmade Mastering in Berlin for optimal club efficiency.

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The long awaited official reissue of ‘She Wants’, one of the first UK Street Soul singles originally released in 1985 by The NM Band.

The NM Band was an alias for UK Lovers Rock band Natural Mystic, responsible for a number of hits in the late 70’s and early 80’s most notably ‘Runaway Love’ and ‘Groove Rocking’. They released a string of acclaimed reggae LPs and toured extensively throughout the UK, but by 1985 wanted to try something away from their trademark roots reggae sound. Influenced by the availability of affordable hardware the band set about fusing Reggae and Soul using an Akai Drum machine, Yamaha DX7 and Roland sound module. ‘She Wants’ is one of the forebearers of UK Street Soul, raw machine drums paired with an incredibly soulful vocal from Ashley Sommers. The band created their own imprint ‘Mixdown’ to release the single, but it slipped under the radar, despite strong radio play from Choice FM and the then pirate station Kiss. The 12” is backed with Dub Version ‘She Wants’ (More).

A 140gram pressing in 3mm spine black disco sleeve with metallic sticker designed by Bradley Pinkerton.

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Surya is a project from Rome formed by Joe Casagrande, Matthew Mountford and Roberto Lycke. Born in 1995 with consistent dub roots influenced with breaks and ethnic music samples.
The duo was quite active in the Roman scene in the late '90s, collaborating with clubs like GOA, Brancaleone, MCA and playing with seminal groups like ORB and Loop Guru.
"Wide Tuning" is Surya's first record, an extremely unique debut that goes beyond dance music boundaries. Self-produced in 1997 and released only on cd until now.

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Vibraphone Records presents 49th Floor - Zamani. incl. Magic K aka Juan Atkins RMX!
It's the first new release for 49th Floor after 1992 - highy recommended!

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An introduction to our next release that we name DOUBLE JOURNEY.

Featured When we are all truly Free composed by Kuniyuki Takahashi. Taken from the forth coming Translate Pt 2 by Joe Claussell. When we are all Free takes one on a journey into cosmic landscapes and deep though provoking sounds. Residue I Believe by Joaquin Joe Claussell of deep tech house that continues to tap into and express the darker side of Joe Claussell

SORA
It is times such as these that further supports our choice of remedy and why our pursuit to delve deeper into the creative process remains relentless and of profound importance. Due to the unfortunate and dangerous constant overlooking the special gift bestowed upon all of us by the higher power, it calls upon us to continue forward with our mission for productive change which has become ever more crucial to reach. What we're referring to isn't exactly in plain sight for all to see, but obvious enough to those who care to pay attention. However, what has become undeniably apparent to us; is the powerful moving vibration that emits from sound and art and how we connect with them. It is a higher calling that cannot be neither denied nor questioned, and we can only praise the wisdom, truth and love that they bestow upon us. Thoughts like the aforementioned is how and why SORA; an extension of Sacred Rhythm Music & Cosmic Arts, came into existence. Enjoy the Double Journey…


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Originally released in 2011 on 2 different EPs & out of print for a long time, those 3 remixes done by the legend Chez Damier gets a re-issue. A timeless classic.

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Repress!

Francois Kevorkian is a name that should need no introduction. With over 40 years in the game FK has occupied numerous roles in his long and storied career - drummer, DJ, A&R man, remixer and producer - his skills know no boundaries. Having DJ-ed during the nascent days of club culture in NYC alongside Walter Gibbons, Larry Levan and more, Kevorkian has been there from day one. Years spent in the seminal clubs of the day sharpened his ears and his prowess behind the mixing desk saw him become the A&R man at the legendary Prelude records in the early 80's, this in turn led to him working with everyone from The Eurythmics, Depeche Mode, Erasure, D-Train, Yazoo, The Smiths, Kraftwerk and many many more. A true NYC original and legend, Kevorkian is still active today and the respect he commands amongst his peers has never waned, his adventurous extended DJ sets, seminal mixes and remixes and his open ears and open mind have ensured that he will go down in history as a musical pioneer.

Rewind to 1995. Kevorkian's 'Wave Music' imprint has come into existence with a handful of releases. No-one could imagine that his self-produced 'FK EP' - the next release on the label - would be a stone cold classic. Easily one of the most consistent, exciting and solid EP's to come out of NYC during this golden era of dance music. Across 4 tracks we are taken on a sound journey through a world that is undoubtedly informed by FK's time as an engineer, DJ and most importantly, a music lover.

EP opener 'Hypnodelic' brings us into this world, a deep, driving cut that fuses the dubbed out vocals of Freddie Turner against FK's keyboards and immaculate drum programming, oozing cosmic electronic soul, this track was destined to be a future classic. 'Mindspeak' also boasts some tough drums and with a respectful nod to Chicago is an incredibly mixed and arranged peak-time cut that will drive your dancefloor into deep space again and again. 'Edge Of Time' welcomes us to the flipside of the EP, wild Latin percussions, tablas and old school horn stabs drive this monstrous cut, not to mention cavernous dub FX and that huge bassline that just doesn't let up. Essential. 'Moov' rounds things out on a more subdued, stripped back vibe. Reversed percussions and spaced-out synth chords lace this beautifully understated and warm track, one that builds into a crescendo of melodies and hypnotic rhythms and the perfect way to close what has been a truly special musical journey.

This essential reissue of the 'FK EP' has been fully licensed, sanctioned and remastered in conjunction with FK from the original master sources by Optimum Mastering, Bristol UK, repressed onto high quality vinyl and packaged as the 1995 release was. A truly classic record indeed, available again for 2018. Welcome back Wave Music!

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TRACKLISTING 2LP:

Side A
A1. Push Power ( a 1 )
A2. Hit That Spdiff ( b 8 )
A3. Azd Rain ( g 1 )

Side B
B1. Memory Haze ( c 1 )
B2. Game Over ( e 1 )
B3. Typewriter World ( c 8 )

Side C
C1. Its me ( g 8 )
C2. Chill ( h 2 )
C3. Green Blue Amnesia Magic Haze ( d 7 )

Side D
D1. Oway ( f 7 )
D2. M2 ( f 8 )
D3. Azifiziks ( d 8 )
D4. Pluto ( a 2 )

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When it first slipped out in 2015, Manabu Nagayama’s ‘Light & Shadow’ passed most people by. Yet it’s a genuinely overlooked gem a musically expansive and uplifting Japanese deep house workout that first featured on a promo-only compilation back in 2015. A softly spun slab of slow-building brilliance full of fluid piano motifs, heady hand percussion, the track effortlessly sashays between heartfelt dancefloor melancholia and tactile deep house positivity. One DJ to see its potential was Rush Hour co-founder Antal Heitlager, who asked Masalo to remix it. Over ‘a few years’, Masalo worked on the revision in bursts, tweaking it and subtly altering the arrangement until he was happy. The results are undeniably impressive, elevating an already excellent track to whole new levels. DJs seem to agree, too, with Masalo’s fine remix becoming something of an underground anthem following the release of a limited number of white label test pressings earlier last year.

Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.

Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights.

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