CD Jeweil Case, Sticker - Carefully ReEdited, 100% Original

Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.
Special remarks : LP with digital download card

Tracklist
CD 1 If I Should Fall In Love , 2 I'm In Love With An Angel, 3 Sincerita, 4 Sulla Luna, 5 Tomorrow May Never Come, 6 Lady Of Mine, 7 Wild Dream

Short info:

Lady of Mine is the 1989 debut LP by self-made Italian-American Joe Tossini. An astoundingly honest, passionate record of cosmopolitan lounge music, he willed this charming suburban oddity into existence without any formal musical training.

Sicilian by birth, Tossini drifted around the world between Italy, Germany and Canada, before finally settling in New Jersey. After the passing of his mother and the breakdown of a second marriage, an anxious and depressed Tossini took to songwriting as a form of therapy, crafting disarmingly candid lyrics from his extraordinary life and loves. Whatever industry savvy or musical virtuosity he lacked was made up for by unflinching resourcefulness and infectious charisma. Befriending bandleader Peppino Lattanzi at local club The Rickshaw Inn, he was encouraged to animate his singular songs with an ambitious cast of 9 players and 5 backing vocalists, sincerely credited as his Friends.

The Atlantic City basement sessions are a low budget, high romance testament to Tossini's character and the power of positive thinking. From the defiant, Casiotone samba of If I Should Fall In Love, to Wild Dream's dizzying escapism and the native tongue croons of Sulla Luna and Sincerita, Lady Of Mine hums with the inimitable magic of a true original. Piercing the heart with an effectively sparse combination of humming keys, CompuRhythm drums, horn flourishes and backing divas, ample room was left for Tossini to frankly deliver his much-needed life lessons.

Underperforming commercially at the hands of short lived label IEA Records, Lady Of Mine has since earned a place in the outsider music canon. Recently peaking interest as a cornerstone of the Sky Girl compilation, the private press trades for inordinate sums, typically with no financial benefit to its creator. Lady Of Mine is now finally reissued on the artist's own terms via Joe Tossini Music, in partnership with Efficient Space, restored from original master tapes with unseen photos, extensive liner notes and Tossini's trademark wisdom.

Devoutly independent, Tossini has previously self-released the 2015 instrumental album When You Love Someone as well as two books - a new fiction novel The Devil In White and his autobiography The Account of My Life.


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WAS - Word and Sound Medien GmbH
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Tracklist:

01. L'Último Sacrifacio (22:56)
02. Marcia, Baila, Suogna (09:30)
03. Suogna Piazzata (03:45)


Short info:

Pierre Bujeau is an expert at creating temporary escape zones—musical structures to evade the everyday. Sometimes he works collectively as part of the mysterious French groups Omertà and Tanz Mein Herz. But it’s when he’s on his own, performing as Megabasse, that he offers the most complete break from reality. His kit is simple: a few bottles of cheap lager, twin Fender amps, and his double-necked guitar. An instrument like this normally signals maximum rockist excess—think Jimmy Page, Geddy Lee, or that dude from the Eagles. In Pierre’s hands, it becomes more like a zither or a dulcimer, producing soft chiming patterns that build against themselves until the sound of the room, passed back and forth between his two amps, starts to blur everything, and we are away in another world. Wait, though—let down your yoga bun and don’t light the palo santo yet. The new space he creates has nothing to do with smug wellness. It’s a rough, do-it-yourself psychedelia, scuffed but hopeful. Not a perfect blank space to be your best self in, but instead a communal dreaming, an uncanny place where all are welcome.

Until now, without catching him live, the Megabasse experience has been difficult to find: CD-Rs, short-run tapes, and one blink-and-you-missed-it LP. Thankfully, this record on Efficient Space, a reissue of some pieces that were previously only available on a small cassette edition, will put that right. Here are two long, intricate pieces, and something new—a shorter track that hints at a move toward beautiful, burnt-out guitar soli.

Unless you are very lucky, wise, or rich, life imposes its structures on you. Maybe a record of shimmering, tranced guitar is all you need to get out from underneath?


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2LP, 2025 Repress

Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man

Short info:

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.







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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP, 2025 Repress

Tracklist

A1 Wurlitzer Jukebox
A2 Piano Movement With Percussion
A3 Song For The Meek
A4 I Hear A New World
A5 New Monotonic FM
A6 House Warming
A7 14th July
B1 Reprise
B2 Beloved Invader
B3 Interlude
B4 New Monotonic FM (Acoustic)
B5 LDR
B6 Send In The Clowns
B7 Completed Extract From The Previous 7"

Short info:

Hydroplane reinstate their formidable 1997 debut of sublime guitar atmospherics, fragile lyricism and droning incidentals with an overdue vinyl and digital reissue.

An offshoot of the now-féted The Cat’s Miaow, the trio formed after drummer Cameron Smith decamped to London, charting new territory with tape loops, manipulated samples and a borrowed Jupiter 4 in the wake of Endtroducing. Adopting a handle that Dean Wareham once considered calling Luna, Hydroplane intended to only ever release Excerpts From Forthcoming LP, a single-sided 7” sonic collage, before imploding in mystery. Their label however insisted they deliver their taunted album. From the comfort of a Brunswick flat, they continued to record soaring melodies and restrained song structures to 4-track, sculpting dramatic Radiophonic Workshop cues weighted in reverb and near-perfect dream pop lead by Kerrie Bolton’s empyrean vocals.

Bored of industry expectation and largely ignored by local audiences, the reluctant performers followed the way of The Cannanes and formed meaningful overseas alliances by mail and phone, securing releases on Michigan outpost Drive-In and Broadcast launching pad Wurlitzer Jukebox. Championed by John Peel with twenty spins on his converted Radio One slot and even polling in Festive Fifty of 1997, the humble three-piece still walked to their neighbourhood shops undetected.

Previously only available as a US-issued CD, this reminiscent late-night suite establishes Hydroplane as an everlasting ember in Australia’s beloved indie nexus.






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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:

01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake


Short info:

Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

2024 Repress, LP

Short info:
Wilson Tanner’s 69 returns to Australian soil for a new season. A uniquely provincial take on ambient music, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) assembled their prized debut over a shared love of seafood, wine and LPG. Recorded in a Perth backyard, these two new friends reached for the tools at hand and made the best of the fine weather. Instrument and implement combine in a languorous bricolage of synthesizer, clarinet and building materials - interrupted only by the occasional flutter of pigeon wings or a call to lunch. Back in print for the first time since 2017, Wilson Tanner hop into Efficient Space’s expanding pot.

Tracklist:

1. Sun Room
2. Long Water
3. Before Lotus
4. Keith
5. Further Than Your Headlights
6. Pilot
7. Tray Tail
8. Odd Low




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Tracklist:
1. Alone Tonight
2. Brief Call
3. Young Girls
4. Avril In The Alps
5. Conscious Effort
6. I Was Never Told
7. Left on the Shelf
8. Song of Love

Short info:

Simple Reality cements the short lived legacy of Coventry DIY group Skeet.

Emerging from a scene of first-generation punks and 2 Tone kids, Skeet was instigated by Gary and Nigel Meffen in 1981, fusing tightrope instrumentals with a Roland CR-8000 under the glow of projected visuals. After a cassette of their debut performance found its way to Kay Booth who worked at Inferno Records, the unsuspecting frontwoman took the liberty of adding her own vocals. Instantly embraced as a permanent member, Booth’s shy delivery and open-diary expressions of social alienation and romantic rejection hovered over the brothers’ scratchy guitar and agitated bass.

Playing as few as 10 shows, their unnerving minimalism was recorded in a suburban home studio, borrowing a reel-to-reel from Toby Lyons (The Colourfield) and a mixer from Jerry Dammers (The Specials). Record labels gestured interest until one day they were no more - no arguments, no official split, just a silent parting of the ways and three people taking journeys in different directions. Unheard and unloved in the vaults for nearly four decades, 'Brief Call' finally resurfaced via the Coventry Music Museum compendium Alternative Sounds Volume 1, followed by a micro pressing of the full suite on Chris Long’s Almost Unknown imprint in 2023.

Simple Reality now offers a definitive snapshot of these must-hear neurotic post-punks. Mastered by Skeet fanatic Mikey Young, newly discovered instrumental multitracks are restored alongside a live recording of their final stand. Performed atop of a trailer in a pub beer garden, the release-worthy desk tape adds three new tracks and a more energised swing at ‘Left On the Shelf’s apathetic techno-pop.

RIYL: Fire Engines, 23 Skidoo, A Certain Ratio, Young Marble Giants, pel mel



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:

1. Enchancity
2. Do You Bless It?
3. No Know
4. Elixa
5. Knuckledust
6. Esk
7. Umbrah
8. E v E

Short info:

Efficient Space welcomes Th Blisks to the fold with their mutant strain of melodica dub, torched hip hop breaks, post-punk and procession song.

Th Blisks' members have many notches on their collective belt. Amelia Besseny and Altered States Tapes’ founder Cooper Bowman are prolific in their ritualistic ambient-pop duo Troth, while Yuta Matsumura holds a formidable Sydney punk band pedigree on top of his Low Company-backed solo work. A reward for those who took the time to dig it out, Th Blisks’ 2022 debut How So? was a DIY creation that fully embraced its outsider roots, revelling in opportunities for connection through pop flourishes. Feeling like it might have been a one-off, we proclaim their return with Elixa.

With an unseen clarity of vision, Elixa conjures its meticulously fleshed out world. Those familiar pieces are all there - the mystery, the patience, a cheeky pop hook - however this time there's an intentionality to it all. A blurred dialogue stretching across Australia, it was largely recorded remotely with tracks bouncing between Bowman and Besseny in Muloobinba (Newcastle) and Nipaluna (Hobart), and Matsumura stationed in Warumpi (Papunya). Every element is carefully considered, stemming from their individual time spent as lifers in the local DIY scenes. Through these tracks you can feel that history; echoes of Castings and Vincent Over The Sink in ‘Do You Bless It?’, Bowman's distinctive submerged tape loops gurgling away under boom bap and *that* Sydney guitar tone in ‘Esk’.

Elixa attempts to bottle some pinged-eye wonder at the magic surrounding, whether in the city or the bush. Informed by the old but drug into The New, it is a begrudgingly current Australien record that respectively nods at the UK’s sound history.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Genres: Rock / Folk / Psych

2LP

Tracklist:

1. Sharkey - Someone Like Me
2. Lynne Ann Kingan - If You Love Me - Hate Me
3. James Thornbury - So Tan
4. Jim Huxley - Only A Song
5. Charlie Webster - Snodland
6. The Bob Hughes Band - You Broke My Heart
7. Goldrust - Going Yesterday
8. Jim Kennedy - You Are The Reason
9. Jon Betmead - Marie Elene
10. Charles Murphy - The Foot That's Holding Me Down
11. Remnant - I Will Set You Free
12. Fred Potts - Following Rainbows
13. The Superwomen - Lowlands
14. Robison Kaplan Ltd. - Don't Say Goodbye
15. Gary Ramey - You Are His
16. John Agostino - Loss of Love
17. Ritchie Tierney - Please Stop Breaking Me Down

Short info:

A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Genres: Rock / Folk / Psych

Digipack CD

Tracklist:

1. Sharkey - Someone Like Me
2. Lynne Ann Kingan - If You Love Me - Hate Me
3. James Thornbury - So Tan
4. Jim Huxley - Only A Song
5. Charlie Webster - Snodland
6. The Bob Hughes Band - You Broke My Heart
7. Goldrust - Going Yesterday
8. Jim Kennedy - You Are The Reason
9. Jon Betmead - Marie Elene
10. Charles Murphy - The Foot That's Holding Me Down
11. Remnant - I Will Set You Free
12. Fred Potts - Following Rainbows
13. The Superwomen - Lowlands
14. Robison Kaplan Ltd. - Don't Say Goodbye
15. Gary Ramey - You Are His
16. John Agostino - Loss of Love
17. Ritchie Tierney - Please Stop Breaking Me Down

Short info:

A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.




Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

CD

Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man

Short info:

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

LP

Tracklist
1. Una vida por delante (Candela´s song)
2. La manzana está en el árbol
3. ¡Que sensación tan extraña!
4. ¿Quién te va a querer ahora?
5. A veces no es fácil
6. Ayer como hoy
7. Tienes todo y no tienes nada
8. Escuchar el pasado
9. Bajo la mirada de las estrellas
10. Das lebewohl

Short info:

Spurred on by emergent footage of a recent live performance, Efficient Space delves deeper into the world of Spanish shoegaze outfit Bélver Yin, now solely helmed by founding member Pedro L. Orte-ga. An intimate collection of new recordings, Para Mi Madre is a parting gift to his mother, fulfilling a promise made in her final days.

Bélver Yin’s story begins at the turn of the ‘90s, blooming from a fixation with British ethereal alt-pop (Cocteau Twins, The Chameleons, The Cure et al.). Utilising guitar, bass and drum machine rhythms to record the cathartic 1991 debut Luz Bel, their quintessentially Mediterranean angle on slow, reverb and echo-laden atmospherics found a home on fleeting label Noisex Music. Despite radio play and con-certs around Spain, lack of distribution led to the album being largely overlooked, until Efficient Space’s faithful reissue in 2020.

With this newfound interest stoking Ortega’s fire, the wealth and strength of Para Mi Madre’s expres-sive impulses will woo fans and newcomers alike. Patiently moving from pastel hues, sepia-tones and balearic nostalgia, its crystallised instrumentals give a knowing nod to the wide-eyed possibilities of youthful summers as much as they do world-weary respite. Not wallowing in gloom, the deeply per-sonal and spirit-stirring memorandum documents Ortega coming to terms with the loss of his greatest champion.






Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

12” with picture sleeve

Tracklist

1. Love On A Funeral Pyre
2. Shipwrecked
3. Fool's House
4. Mr President
5. Late, Late Show
6. Calamity Jane

Short info:

After a ten year pursuit, Efficient Space finally presents Late, Late Show, the last recordings of influential Sydney-via-Newcastle band pel mel. Taped in the mid-’80s, these charmingly unvarnished sessions pare the combo back to their core, producing blue-collar sophisti-pop to a danceable LinnDrum beat. From the funky disco-not-disco of ‘Mr President’ to the effortless pop perfection of ‘Fool’s House’, the six tracks reveal a creatively open and well-oiled pel mel before they inevitably disbanded.

Formed in early 1979 as a misfit sextet from steel and surf town Newcastle, pel mel were inspired by New York and UK’s post-punk imports. Cutting their teeth speeding through originals and Joy Division, Wire and The Buzzcocks covers every Friday night to a regular turnout of dole bludgers, students and the under-age, the band would also cross-pollinate with electronic-leaning support act The Limp. In 1980, they decamped to Sydney to join the city’s flourishing alternative music scene alongside the likes of Laughing Clowns, Tactics, The Reels, Wild West and the M Squared crew, making an indelible mark with two albums and several singles as the only domestic signee of Factory’s Australasian licensee GAP Records. Catchy and intelligently experimental without being noisy, their musicianship and enduring legacy continues to be lauded by peers.

Undoubtedly some of their strongest output, this previously unreleased demo suite documents pel mel free from the pressures of a commercial outcome, naturally elevating them to a class alongside Orange Juice, Antena and Young Marble Giants.








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2023 repress

2LP with printed inner sleeves

Tracklist

1. The Mod 4 - A Puppet
2. The Yardleys - Just Remember
3. Decompressed Impossibility - You Can't Ride Away
4. The Living End - Brigitta
5. The Newports - Feelin' Low
6. The Landlords - I'm Through With You
7. The Prisners Dream - Autumn Days
8. The Fortels - She
9. The Bohemians - Say It
10. Tresa Leigh - Until Then
11. WM. Penn & The Quakers - Ghost Of The Monks
12. The Tempters - I Will Go
13. Jerry McGee - Twilight Zone
14. Carroll - The Boy Called Billy Joe
15. The Common People - Here, There & Everywhere
16. Dennis Harte - Summer's Over
17. Toe Head - Goodnight Jackie


Short info:

A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.








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Release Info:

Released for the first time in 2011, 'Summvs' is the fifth and final installment of Alva Noto and Ryuichi Sakamoto's V.I.R.U.S. series. The title 'Summvs' refers to the Latin word "summa" (eng. sum) and "versus" (eng. towards); it serves as a metaphor for the work being oriented towards a collaborative result. The album features "Microon" compositions containing recordings of a 16th tone interval tuning piano - Piano Metamorfoseador Carrillo en Dieciseisavos de Tono. The album also features two covers of the track "By This River," composed by Brian Eno, Dieter Moebius, and Hans-Joachim Roedelius in 1977.

In the album's twelve compositions, Sakamoto's haunting piano arrangements coalesce with Nicolai's digital rhythms, creating a sonic aura as magnetic as it is meditative. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by two new compositions titled 'Monomom' (released digitally in December 2021) and 'Kizuna.' Like 'Monomom,' 'Kizuna' is the studio version of the homonymous composition recorded during Alva Noto & Ryuichi Sakamoto's 2019 Australian tour and included in the album' TWO Live at Sydney Opera House" (2019, NOTON). The work 'Kizuna' means 'human bond' in Japanese and refers to the title of an animation piece by the Italian contemporary artist Valerio Berruti released in Japan in January 2011.

Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx


Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon I
Playtime: 00:03:06
Explicit Lyrics: No
ISRC: UK6821719515
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon II
Playtime: 00:02:39
Explicit Lyrics: No
ISRC: UK6821719518
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Reverso
Playtime: 00:07:00
Explicit Lyrics: No
ISRC: UK6821719516
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Pionier IOO
Playtime: 00:05:47
Explicit Lyrics: No
ISRC: UK6821719519
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Halo
Playtime: 00:07:10
Explicit Lyrics: No
ISRC: UK6821719517
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: Ionoscan
Playtime: 00:04:09
Explicit Lyrics: No
ISRC: UK6821719520
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 4

Artist: Alva Noto; Ryuichi Sakamoto
Title: By This River
Playtime: 00:04:03
Explicit Lyrics: No
ISRC: UK6821719521
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Naono
Playtime: 00:11:20
Explicit Lyrics: No
ISRC: UK6821719522
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1

Artist: Alva Noto; Ryuichi Sakamoto
Title: Monomom
Playtime: 00:05:31
Explicit Lyrics: No
ISRC: UK6821719525
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Kizuna
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: UK6821719526
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2

Artist: Alva Noto; Ryuichi Sakamoto
Title: Microon III
Playtime: 00:03:02
Explicit Lyrics: No
ISRC: UK6821719523
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3

Artist: Alva Noto; Ryuichi Sakamoto
Title: By This River – Phantom
Playtime: 00:08:14
Explicit Lyrics: No
ISRC: UK6821719524
(P): 2022 NOTON
Country: Germany

Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------



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Artwork and Typography by Stefan Marx

Four new and ultra deep italo-deephouse cuts from Jacy aka Giacy Bozzi from Bari in Southern Italy.

Jacy is running his own label Home Of House Records and is well-known in his comfort-zone, the very Underground. May it be for his contributions to the amazing „Welcome To Paradise“ Compilation Series on Safe Trip, being featured on Volume I, II and III or his records on Kalahari Oyster or Hot Haus Records.

All of these come with Jacy signature sound– timeless and deep tunes to stay, intense balearic feels that guide you through the night and revive the golden-era of House music.

Smallville 68 as always comes with a Full Cover Artwork by Stefan Marx.


Tracklist:

Tracklist:

A1 Move Your Body
A2 Feel The G
B1 One Kiss One ...
B2 Isola 89





All tracks written & produced by Giacy Bozzi
Mastering and Vinyl cut by Helmut Erler at Lathesville

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Tracklist 2LP:

A1 Better Times
A2 On The Dancefloor
B1 Ne Travaillez Jamais (Still Working Mix)
B2 Shibboleth
C1 Burning Snake
C2 Thank You feat. Taiko Saito
D1 IGFT
D2 Evin


Smallville purveyor of the deep Christopher Rau with his third longplayer for the label, „Better Times“. Timeless crispy house music to stay forever.

All tracks written, produced and mixed by Christopher Rau
Vibraphone on C2 by Taiko Saito
Mastering by Helmut Erler, Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound

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James Bangura’s Wichita EP is sound experience reflecting on the adolescent pursuit of finding freedom through driving.

Looking back on intense driving experiences with high school and college friends through canyons like Turn Bull, Idylewild, and San Timoteo, This EP represents the transition from childhood to adulthood - from being reckless to being thankful and more self aware.

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Special remarks : 2LP, 2022 Repress Edition

Vital Sales Points:
- Released by popular NTS show Noise In My Head
- Liner notes from Ivan Smagghe and artwork from Misha Hollenbach (Perks and Mini)
- Features many rarities reissued for the first time ever (Karen Marks' most wanted Australian cold wave single last sold for 290€ while Once traded for 170€)
- All tracks officially licensed, sourcing original masters when available
- Includes digital download

Tracklist
A1. Linda Smith - I So Liked Spring , A2. Karen Marks - Cold Café , A3. Bruce Langhorne - Leaving Del Norte , A4. The Seraphims - Conciousness of Happening
B1. Garry Davenport - Sarra , B2. Some of My Best Friends Are Canadians - Feeling Sheepish , B3. The Rising Storm - Frozen Laughter
C1. Warfield Spillers - Daddy's Little Girl , C2. Joyce Heath - I Wouldn't Dream Of It , C3. Joe Tossini and Friends - Wild Dream , C4. Scott Seskind - I Remember
D1. Angel - Driving (Down) , D2. Nini Raviolette and Hugo Weris - Slow , D3. Nora Guthrie - Home Before Dark , D4. Once - Joanna

Short info:
Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.






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Special remarks : LP with download code

Tracklist:

1. Height/Dismay - Mother's Footsteps
2. The Frenzied Bricks - Vicious Circle
3. Modern Jazz - Zoom Dub
4. Mr Knott - Poor Galileo (He Has Gone Mad)
5. Aeroplane Footsteps - Arabia
6. Shanghai Au Go-Go - I Cried All Winter
7. Matt Mawson - Open The Goddam Door
8. The Horse He's Sick - Terminal Rebound
9. Wrong Kind Of Stone Age - Ravi Dubbi
10. Les Trois Etrangers - Luna

Short info:

Oz Echoes peels away another layer of Australia's '80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups.

From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age's pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former's worn out apparition hails from an instantly deleted 1981 7", while Mr Knott entrust one of the compilation's five previously unreleased tracks.

Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide's Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow's prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz' improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave.

A cherry-picked cast of unusual suspects, Oz Echoes' unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action.


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Format: 2LP

Tracklist

A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do

Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.














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“Only those who will risk going too far can possibly find out how far one can go.” a sage modernist poet previously whispered. And here we go, far out and yet so near, the third edition of “Risks Issues Opportunities” brings frontier reverberations scratching at the edges of dance, pop, downbeat, and other trance- portive sectors. Eight fast/slow propelling tracks. Adventurous, full of grandeur, gratifying the dance floor while equally winning the relaxation zones. Pure emotions crafted by newcomers. There is Milan’s Tagliabue, trancing slow and insightful. Or Cologne’s Grischerr, eloquently Tolouse-Low-Traxing. Some go down the slow burning road, where rhythms hang low, and suspense is in full show. Like London’s Frank Rodas, Garnu Depot from Iran, or Xei Ju from the islands of Micronesia, striking all ears with ghostly transcendental percussive science. An autumnally global voyage, which likewise offers industrialized districts by Italian producer Federico Cassetta, Metropolis minimal wave pop by Japanese musician Saeko Killy, or odd swamp funk by Chilean/German duo 7697 Miles. They all show, how far you can go, without losing your distinct flow.

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