1
Juan Manuel Cidrón - S (21:44)
2
Juan Manuel Cidrón - L (20:52)
3
Juan Manuel Cidrón - G (20:48)
4
Juan Manuel Cidrón - 3 (20:48)
Juan Manuel Cidrón, hailing from Almeria (Andalusia), is a legendary Spanish synthesist who embarked on his musical journey in 1976. A veteran of analog electronic sounds, his early influences come from the Berlin School of the seventies (Tangerine Dream, Klaus Schulze, etc.) and American Minimal music.
Cidrón has independently released 16 albums on his label, Extrarradio, with very limited distribution. ‘Juan Manuel Cidrón has always been immersed in music. As a child, he fell in love with a radio adorned with flashing lights – radio is now one of his professions. He was equally captivated by the music that enveloped him. With whatever little money he had as a child and during his youth, he would spend all his money on records and analog machines. Music is everything to him, and that’s why we understand his compositions as a celebration of life. The vastness that his electronic keyboards offer us is akin to the immensity of the desert, snow, and wind. Albums like ‘Tau’ or ‘Sonido Para Acciones’ belong to the realm of Spanish electronic music and are cherished by enthusiasts of sonic poetry. This vinyl edition holds a special place as it marks a return to analog, a medium Cidrón reveres and continues to embrace. In this way, it becomes a classic, a testament to his unwavering commitment to the quality that arises from the harmonious blend of natural and artificial rhythms. The result is always him: a tangible presence that brings us closer to dreams and the unadorned face of the world.’ (F. Labordeta Blanco)
‘SLG3’ is a long-awaited double album with four lengthy tracks (one per side), available in a limited edition of 300 copies. It’s the first release exclusively on vinyl in over a decade (since ‘Patagón’ on Geometrik in 2012), considering that Cidrón has mainly released his recent works on CD.’The tracks S, L, and G evoke the personal perceptions that I could imagine for each of the three elements comprising our planet in all its forms, manifestations, and presences. The track ‘3’ evokes my unique interpretation of how an imaginary being from another world might perceive Earth – its discovery, journey to it, exploration filled with admiration, bewilderment, hope, and respect. However, all of this is open to free interpretation and imagination for those who listen.’ (Juan Manuel Cidrón, 2023)
All tracks were written, produced, and mixed by J.M. Cidrón between 2017-2019 at the Extrarradio Studio in Almeria.
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Cidrón has independently released 16 albums on his label, Extrarradio, with very limited distribution. ‘Juan Manuel Cidrón has always been immersed in music. As a child, he fell in love with a radio adorned with flashing lights – radio is now one of his professions. He was equally captivated by the music that enveloped him. With whatever little money he had as a child and during his youth, he would spend all his money on records and analog machines. Music is everything to him, and that’s why we understand his compositions as a celebration of life. The vastness that his electronic keyboards offer us is akin to the immensity of the desert, snow, and wind. Albums like ‘Tau’ or ‘Sonido Para Acciones’ belong to the realm of Spanish electronic music and are cherished by enthusiasts of sonic poetry. This vinyl edition holds a special place as it marks a return to analog, a medium Cidrón reveres and continues to embrace. In this way, it becomes a classic, a testament to his unwavering commitment to the quality that arises from the harmonious blend of natural and artificial rhythms. The result is always him: a tangible presence that brings us closer to dreams and the unadorned face of the world.’ (F. Labordeta Blanco)
‘SLG3’ is a long-awaited double album with four lengthy tracks (one per side), available in a limited edition of 300 copies. It’s the first release exclusively on vinyl in over a decade (since ‘Patagón’ on Geometrik in 2012), considering that Cidrón has mainly released his recent works on CD.’The tracks S, L, and G evoke the personal perceptions that I could imagine for each of the three elements comprising our planet in all its forms, manifestations, and presences. The track ‘3’ evokes my unique interpretation of how an imaginary being from another world might perceive Earth – its discovery, journey to it, exploration filled with admiration, bewilderment, hope, and respect. However, all of this is open to free interpretation and imagination for those who listen.’ (Juan Manuel Cidrón, 2023)
All tracks were written, produced, and mixed by J.M. Cidrón between 2017-2019 at the Extrarradio Studio in Almeria.
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Liebigstrasse 2-20
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Germany
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The Andalusian label is back with a new compilation called 192 and once more, 4 new and neatly selected tracks. The E.P is intentionally made up of four talented music projects. Besides and as is becoming the custom, these four diverse tracks are full of catchy melodies, touching arpeggios, and powerful beats. There is harmony between the four artists, Dark Vektor, Synth Alien, Imiafan (Keen K RMX) and Wardum and without a doubt this compilation can show variety and bet on music that the label loves and respects.
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Label:Waste Editions
Cat-No:VV.AA429
Release-Date:21.10.2022
Genre:Alternative/Electronic
Configuration:12"
Label:Waste Editions
Cat-No:VV.AA429
Release-Date:21.10.2022
Genre:Alternative/Electronic
Configuration:12"
1
Vortice Mortale - Prophecy
2
Imiafan - Words
3
Asymetric80 - RitualsWords
4
Undo & Casiowaves - I Got Lost
Waste Edition is back with a new compilation called 429 and once more, 4 new and colorful tracks were carefully chosen by the Andalusian label. The E.P is intentionally made up of four creative and admired artists. Besides and as is becoming the custom, these four diverse tracks are full of catchy melodies, touching arpeggios and powerful beats. Conscientiously, there is harmony between the four artists, Vortice Mortale, Imiafan, Asymetric80 and Undo & Casiowaves and without a doubt this compilation can show anyone no interest in trends and bet on music that the label loves and respects.
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Germany
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3
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4
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5
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Kostantyn Isaev the man behind the project Volta Cab and also Rambal Cochet is now part of the Waste Editions family. The St. Petesburg’s colorful artist has just recorded 6 catchy and powerful tunes which are heavily influenced by the new wave/post punk music of the late 80’s , especially by bands like ???? (Kino) and the Soviet space disco as well.
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1
Vortice Mortale - No Title
2
Vortice Mortale - No Title
3
Vortice Mortale - No Title
4
Vortice Mortale - No Title
5
Vortice Mortale - No Title
6
Vortice Mortale - No Title
Half of the dark synthwave duo THE HUNT ,Herbert West is a French electronic producer heavily influenced by 70’s and 80’s horror soundtracks. This artist tends to use vintage, analog and modular synths and It ´s important to point out that he has released with the Hunt two albums through the well-known labels Giallo Disco (2014) and Bordello a Parigi (2018).
Vortice Mortale is his new project in which he mixes space disco and dark synth music.It is clear as water that Herbert West loves Italian horror movies and French disco music of the past decade considering that this work “Memento Mori” is perhaps a perfect combination of powerful beats, enigmatic passages and wicked catchy melodies.
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Germany
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Vortice Mortale is his new project in which he mixes space disco and dark synth music.It is clear as water that Herbert West loves Italian horror movies and French disco music of the past decade considering that this work “Memento Mori” is perhaps a perfect combination of powerful beats, enigmatic passages and wicked catchy melodies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
dead husband - No Title
2
dead husband - No Title
3
dead husband - No Title
4
dead husband - No Title
5
dead husband - No Title
6
dead husband - No Title
Boston duo Dead Husband are responsible for the new and captivating release “Luxe Kondo”. Six varied and punchy tracks made up the long-awaited debut 12? which as usual go hand in hand with a well prepared design and a white colored vinyl. Doubtless, this uplifting work is abounding with old and up-to-date influences and make clear that these tasteful guys share their love for Minimal wave, Electropop and Techno.
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Territories: WW minus FR
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Patrick Cowley - Big Shot
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Patrick Cowley - Surfside Sex
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Patrick Cowley - Hot Beach
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Patrick Cowley - The Runner
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Patrick Cowley - Furlough
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Patrick Cowley - One Hot Afternoon
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Patrick Cowley - Leather Bound
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Patrick Cowley - Bore & Stroke
9
Patrick Cowley - Cycle Tuff
Repress!
Tracklist:
Big Shot
Surfside Sex
Hot Beach
The Runner
Furlough
One Hot Afternoon
Leather Bound
Bore & Stroke
Cycle Tuff
Jungle Orchids
Take A Little Trip
Love Come Set Me Free
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12" singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.
Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:
Big Shot
Surfside Sex
Hot Beach
The Runner
Furlough
One Hot Afternoon
Leather Bound
Bore & Stroke
Cycle Tuff
Jungle Orchids
Take A Little Trip
Love Come Set Me Free
Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12" singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in May 1982. These recordings were culled from two 23-minute reels in the Fox Studio vaults. All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.
Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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49th Floor - Zamani (Body Mix)
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49th Floor - Magic K (Magic K Dub Remix)
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49th Floor - Zamani (Deep Mix)
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49th Floor - Zamani (Dub Mix)
Vibraphone Records presents 49th Floor - Zamani. incl. Magic K aka Juan Atkins RMX!
It's the first new release for 49th Floor after 1992 - highy recommended!
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Germany
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It's the first new release for 49th Floor after 1992 - highy recommended!
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Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liquid Earth - 1_HP_D
2
Art Of The State - 2_HP_D
3
Dan Piu - 3_HP_D
4
Luis Malon & Seb G - 4_HP_D
5
Freddy Fresh - 5_HP_D
The brand new Hyperdrive label kicks off with a mix of the old and the new - some tracks made recently, some that date back to the 90s, all of them top quality. Liquid Earth opens up with the spaced-out synths and electronic house sounds of '1_HP_D' then Art Of The State gets a little more tranced out and cosmic on '2_HP_D'. Dan Piu's '3_HP_D' is a tech house exploration with wispy sci-fi leads and a playful rhythm then Luis Malon & Seb G combine for the turbo-charged tech of '4_HP_D.' The legendary Freddy Fresh closes down with a high-speed sound on '5_HP_D.' Says the label, "Hyperdrive is dedicated to preserving the rich history of electronic music," and on this evidence, it will do so expertly.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
Contact: gpsr@wordandsound.netMore
1
Ardio Zemog - Generations
2
Ardio Zemog - Yeochu
3
Ardio Zemog - Nights In Leblon
4
Ardio Zemog - Nights In Leblon (Wendel Sields Acidic Rework)
Born and raised in New Jersey, Ardio Zemog delivers the goods for the next Obia Records release. Soulful harmonic percussion filled tracks with a whiff of Latin. Passed on from generation to generation people inherit their ancestral spirits and devotional practices to create vibrations that lift our souls. Ardio Zemog takes on the skin of Obiaman for a sonic trip through connected spirits both young and old. The main cut “Generations” takes the dancer and listener on a wholesome state of well-being. Soothing percussion rhythms with a solid signature bassline drives the listener into a never ending feeling of bliss, the youngest generation has spoken.
Followed by “Yeochu” a deeper more mature arrangement of drums characterizes the unseen spirit from the father figure. A message of analogue synth stabs and pads deliver a blessing followed by hypnotic piano riffs. Instructions and spiritual advice are given for those who are able to open up.
“Nights in Leblon” behold the oldest wisest spirit of them all. A breathtaking deep harmonic pad layered by countless drum percussion. The presence of ever evolving synth stabs and piano chords define the tracks rhythm and timbre.
To finish the EP Wendel Sield takes us on a completely different ancestral path. Flipping the script on “Nights in Leblon Acidic Rework” with a solid tb-303 acid line layered with tr-505 drums. The rework focuses on playful rhythm and minimal usage of elements. Surprisingly the record takes on a different harmony mid tune what makes the track ideal for DJs who like to switch it up during their sets.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Followed by “Yeochu” a deeper more mature arrangement of drums characterizes the unseen spirit from the father figure. A message of analogue synth stabs and pads deliver a blessing followed by hypnotic piano riffs. Instructions and spiritual advice are given for those who are able to open up.
“Nights in Leblon” behold the oldest wisest spirit of them all. A breathtaking deep harmonic pad layered by countless drum percussion. The presence of ever evolving synth stabs and piano chords define the tracks rhythm and timbre.
To finish the EP Wendel Sield takes us on a completely different ancestral path. Flipping the script on “Nights in Leblon Acidic Rework” with a solid tb-303 acid line layered with tr-505 drums. The rework focuses on playful rhythm and minimal usage of elements. Surprisingly the record takes on a different harmony mid tune what makes the track ideal for DJs who like to switch it up during their sets.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Pechno - Mobster
2
Pechno - No Time To Lose
3
Pechno - Dove
4
Pechno - Titre Eponyme
Prodigious talent, Pechno, introduces a refined new school electro EP, redefining the Parisian scene, released on Straatkunst Records.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Atimpuri - Blade Soup
2
Atimpuri - Bleeding Rainbow
3
Atimpuri - Dolphin's Parade
4
Atimpuri - Summer Lies
Up next on SPAZIOTEMPO, we are pleased to welcome a long-time friend and supporter of the label, Atimpuri. Giordano is a true music connoisseur, an outstanding DJ, and an intriguing producer, as you'll discover in his SPAZIOTEMPO debut. The EP offers a blend of styles, genres, and moods, providing an eclectic journey that aptly showcases Atimpuri's holistic approach to music. With nods to the glorious Italian prog scene, broken rhythms, and hints of melodic electro, combined with deep, immersive techno, "Present Magnificus" is a one-of-a-kind release!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Om Unit + TM404 - Motorway Acid
2
Om Unit + TM404 - Microdose Mondays
3
Om Unit + TM404 - London Stock
4
Om Unit + TM404 - Meanwhile… In The Smoking Area
5
Om Unit + TM404 - Thursday
6
Om Unit + TM404 - Retracted
7
Om Unit + TM404 - Praha
2023 repress
Format: LP
Tracklist
A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock
B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha
Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.
Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format: LP
Tracklist
A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock
B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha
Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.
Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Artemis - Emerald
2
Artemis - Emerald (Sansibar remix)
3
Artemis - Emerald (Alpha Tracks remix)
4
Artemis - Emerald (KI/KI remix)
Tracklisting:
A1 Artemis - Emerald
A2 Artemis - Emerald (Sansibar remix)
B1 Artemis - Emerald (Alpha Tracks remix)
B2 Artemis - Emerald (KI/KI remix)
Sales Note
KI/KI's slash label takes a deep dive into the history of hard trance and proudly presents a first re-issue of a true classic and personal favorite 'Emerald' by Swiss production group Artemis. Originally released back in 1995 on the Swiss label Atoom Records, it's one of the most sought after gems from this era. At its fast pace of 180 bpm it's impressive how subtle and dreamy the 9 minute journey is, a truly unique piece of hard trance history. Remixes come from Sansibar, Alpha Tracks and label owner herself KI/KI.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Artemis - Emerald
A2 Artemis - Emerald (Sansibar remix)
B1 Artemis - Emerald (Alpha Tracks remix)
B2 Artemis - Emerald (KI/KI remix)
Sales Note
KI/KI's slash label takes a deep dive into the history of hard trance and proudly presents a first re-issue of a true classic and personal favorite 'Emerald' by Swiss production group Artemis. Originally released back in 1995 on the Swiss label Atoom Records, it's one of the most sought after gems from this era. At its fast pace of 180 bpm it's impressive how subtle and dreamy the 9 minute journey is, a truly unique piece of hard trance history. Remixes come from Sansibar, Alpha Tracks and label owner herself KI/KI.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Trance Vision Steppers - To All The Children
2
Trance Vision Steppers - Oh George
3
Trance Vision Steppers - Timeless
4
Trance Vision Steppers - TestDept
5
Trance Vision Steppers - Trance Vision Steppa
6
Trance Vision Steppers - Weekend Steppa
7
Trance Vision Steppers - ReAction Dub
8
Trance Vision Steppers - Und Imma Weita
ysticism's Dubplate series has got a couple of great drops lined up at the moment and this is one of them - a boule pack from German digidub pioneers TVS aka Trance Vision Steppers. This was a project that never made it out of the studio but still cooked up some brilliant sounds, which in the case of this collection come from their earlier period between 1995 - 1999, all of which land on vinyl for the first time here. Fans of Adrian Sherwood, Dennis Bovell and Mad Professor will be head over heels of these dub delights - they are deep and atmospheric, with lush ambient pads, downtempo vocals and stoner synths next to more twisted rhythms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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1
Patrick Cowley - Zygote
2
Patrick Cowley - Mockingbird Dream
3
Patrick Cowley - Nightcrawler
4
Patrick Cowley - Pagan Rhythms
5
Patrick Cowley - Seven Sacred Pools
6
Patrick Cowley - School Daze
7
Patrick Cowley - He's Like You
8
Patrick Cowley - Journey Home
9
Patrick Cowley - Out Of Body
10
Patrick Cowley - Primordial Landscape
11
Patrick Cowley - Tides Of Man
Repress!
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Dark Entries and Honey Soundsystem have teamed up to release the gay porn soundtrack work of San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer.
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. Of particular note was his 18-minute long remix of Donna Summer’s “I Feel Love” and production work with edgy New Wave band Indoor Life. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker.
In 1981 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene. "School Daze" is a collection of Cowley's instrumental songs recorded between 1973 and 1981 found in the Fox Studio vaults. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on "School Daze" range from sparse proto-techno to high octane funk to somber post-punk to musique concrete, revealing the depth of Cowley's unique talent.
Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, Jorge Soccarras. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from "School Daze" will be donated to Project Open Hand and the AIDS Housing Alliance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore