Repress!

“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?

What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?

The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90"s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.

Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.

Hmm sound familiar?

As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.

There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,

Nation 2 Nation a work inspired and that inspired what’s next.

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Size XXL

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Size L

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Size XXL

Black with red print on Gildan Ultra Cotton Shirt

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Size S

Black with red print on Gildan Ultra Cotton Shirt

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Size L

Screen-printed graphic logo on black Gildan Ultra Cotton T-shirt.

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Size M

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Size M

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Size XL

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Size XS

Black with red print on Gildan Ultra Cotton Shirt

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Size S

Screen-printed graphic logo on black Gildan Ultra Cotton T-shirt.

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Germany
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Size S

Black with white print on Gildan Ultra Cotton Shirt

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Repress!

"THESE ARE NEW REMASTERED RECORDS THESE ARE NOT THE ORIGINALS. THE ORIGINALS CANNOT BE PRODUCED AGAIN DUE TO RON MURPHY'S PASSING...........ONLY THE B-SIDE OF UR-044 (Aaron Carl mix of Hardlife is original. And yes it's slightly distorted as was the original. Plays fine and still kicks ass!!!)

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Repress!

“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?

What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?

The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90"s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.

Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.

Hmm sound familiar?

As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.

There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,

Nation 2 Nation a work inspired and that inspired what’s next.

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Germany
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Repress!

Oaths were made, plans and maps drawn up. The Spawn has escaped. Wavejumpers spotted off the coast of Scotland. Can you decode The Sound that lurks in the fog?

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Repress!

The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.

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Outer space or Cyber space, you decide… Fantasy or an urban introduction into the vast possibilities of the internet? Honoring sci fi heroes, citing inspiration, or something more sinister?

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Size XS

Screen-printed graphic logo on black Gildan Ultra Cotton T-shirt.

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Size S

Screen-printed graphic logo on black Gildan Ultra Cotton T-shirt.

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Size M

Screen-printed graphic logo on black Gildan Ultra Cotton T-shirt.

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Size L

Screen-printed graphic logo on black Gildan Ultra Cotton T-shirt.

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Size XL

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Size XL

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Size XS

Black with red print on Gildan Ultra Cotton Shirt

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Size S

Black with red print on Gildan Ultra Cotton Shirt

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Size M

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Size L

Black with red print on Gildan Ultra Cotton Shirt

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Size XL

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Size XXL

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NEW DELANO SMITH !

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Strut proudly reintroduces a sought after independent disco gem from the Topomic catalogue: Beckie Bell’s ‘In Need Of...’, reissued in full for the first time. Originally released in 1980, In Need Of... quickly became a cult classic of the French disco scene

TRACKLIST
A1. SUPER QUEEN
A2. SO MANY WAYS
A3. MAGIC LADY
B1. JOHNNIE'S HOME
B2. IN THE RIGHT PLACE
B3. MUSIC MADNESS
B4. WHAT YOU NEED I CAN BRIN

Listen: listen.k7.com/74dff3c8-1fe1-4ae3-abac-5262a8d2afc6

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Repress!

"THESE ARE NEW REMASTERED RECORDS THESE ARE NOT THE ORIGINALS. THE ORIGINALS CANNOT BE PRODUCED AGAIN DUE TO RON MURPHY'S PASSING...........ONLY THE B-SIDE OF UR-044 (Aaron Carl mix of Hardlife is original. And yes it's slightly distorted as was the original. Plays fine and still kicks ass!!!)

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Visions Recordings is thrilled to announce the release of the fifth Various Artists EP from THE EVOLUTION series, showcasing a deep, soulful house anthem by the incredible Sean McCabe. We have a deep appreciation for Sean’s music and have eagerly anticipated this release. Joining him is Attias Brother, featuring Sohan Wilson on keys, contributing another captivating soulful house track.
On the B-side, we are excited to welcome back Detroit’s own Patrice Scott, who presents one of his deepest tracks to date. This musical piece unfolds beautifully, taking listeners on a journey that only Patrice can deliver.
To conclude the EP, we introduce the debut track from emerging DJ Eva May. Infused with an electro-techno vibe and a hint of funk, this track reflects her unique musical passion, marking a promising start for this talented newcomer from the Visions roster.

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Solitary Dancer compose their first new works in five years for adidas & Yohji Yamamoto's pioneering Y-3 label. Originally featured as the score for Y-3's Spring/Summer 2025 runway presentation at Salle Pleyel in Paris, Y-3001 ushers in a series of artist commissions aimed at defining a new era of sound for the historic brand's return to runway format.

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Repress!

The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka Kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.”

Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.

Cover art by Ezra Miller.

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Bicoastal disco aficionado, Super Elevation label/shop owner, and all-around legend of the scene, Tom Noble brings forth a sprawling project 15 years in the making with his House of Spirits full length LP on Razor-N-Tape.

Slow-cooked over more than a decade, the eight tracks that stretch across this double 12 inch pack are the realization of Tom’s unique vision of modern dancefloor soul, with lush live instrumentation and deviously catchy hooks. Boasting a near encyclopedic knowledge of decades of club music, Tom draws on influences like Patrick Adams & the Mizell Brothers to build a sound that’s both reverent to the past, but feels extremely fresh and immediately timeless.

The lead off singles ‘Times Are Changing’ and ‘Please Take Me There’ and respective remixes by Harvey Sutherland, Makez and Sizmo have already garnered huge support, and ‘Holding On’ the beloved original House Of Spirits single from 2020 appears with a shiny new mix. The album opens with ‘Love Trip,’ an uptempo invitation to the sonic world to follow, and moves through various moods, like the Brit-funk vibe of ‘Time Is Running Out,’ the mid-tempo groover ‘I Get Lifted’ and the downtempo R&B smoothness of ‘Diamond Eyes’ featuring dreamcastmoe on vocals.

The cheeky dollar bin artwork rounds out this package perfectly, and with the tracks mixed to perfection and cut tough for the floor, this is an essential record that will surely find a permanent home in the bag.

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There isn’t many who would disagree with the underlying sentiment that electronic music makes us feel something extraordinary. Much in the same way, the possibilities for creative discourse and cosmic interactivity are accessible to anyone with an open mind. It’s in this place where these possibilities materialise, and it’s in this space where SYNCROPHONE 39 operates within.
You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.
Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.
One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix,
will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.


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2nd Pressing!

“There is no defined goal, rather a desire to explore new sonic languages that hold firmly to Neapolitan roots while opening up to a global and contemporary musical aesthetic.” - Pellegrino

With the name Koinè, a term that means “common language,” the work already guards a declaration of intent in its title, where languages (spoken and musical) and dialects mingle, creating a mosaic of sounds, sensations and visions that weaves the Neapolitan melodic tradition with disco, funk, jazz fusion and world music. Pellegrino abandons the patterns associated with revivalism, experimenting with new compositional dimensions and drawing from an imagery that blends vintage instruments, ethnic percussion and Mediterranean atmospheres.
Koinè is a musical journey that embraces the risk of change while exalting its liberating power: a sequence of images and emotions, traversing the past, experiencing the present with its baggage of disillusions and expectations and projecting itself into the future in search of a need for elsewhere that reconnects us with ourselves.

The album is a eulogy of contaminations: from popular music to synth pop, contemporary songs blending with a “dance” fusion. A delicate balance between roots and change, tradition and creative drive, in which the Pellegrino & Zodyaco project draws an authentic and contemporary portrait of the Neapolitan “new school” of which it was among the first promoters with the works “Zodyaco I” (2018) and “Morphé

Koinè is proof that escape, when it is conscious, can bring us back to the heart of things.

"In times like these, escape is the only way to stay alive and keep dreaming" H.L.

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Tracklisting
A1 Beau Didier - Tool 10
A2 Isaiah - The Blue
B1 Flits - Club to Club
B2 Beau Didier & Flits & Isaiah - Bojum

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