Japan Import! Non Retournable.
Territory WW-JP - Please Preorder!

A selection of Jazz/Funk arrangements of folk melodies from Okinawa, Japan's southern islands

A must-have for Asian rare groove fans

Pressed on black vinyl

Japanese pressing with Obi



A compilation of tracks that rearrange Okinawan folk songs into Jazz Funk, crossover, and large ensemble jazz, featuring works by Kiyoshi Yamaya, who was also highlighted in "Diggers Dozen" (BBE) by the Japanese DJ MURO, known as the "King of Diggin," and "Wamono Groove: Shakuhachi & Koto Jazz Funk 1976" (180g). This collection debuts as the latest installment in the "Ryukyu Rare Groove" series, which was originally released in Japan in 2003 to great acclaim.

Tracklist

A1. Kifu Mitsuhashi - Asadoya Yunta
A2. Toshiko Yonekawa - Tanchame
A3. Kiyoshi Yamaya - Ryukyu Miyabi 2
A4. Kiyoshi Yamaya - Ryukyu Miyabi 3
A5. Kiyoshi Yamaya - Ryukyu Miyabi 4
A6. Kiyoshi Yamaya - Nishinjo-bushi/Asadoya Yunta/Tanchame

B1. Tadaaki Misago and Tokyo Cuban Boys - Tanchame-bushi
B2. Tadaaki Misago and Tokyo Cuban Boys - Hatoma-bushi
B3. Minoru Murayama - Asadoya Yunta
B4. Kiyoshi Yamaya - Ryukyu no Sora
B5. Kiyoshi Yamaya - Ryukyu no Matsuri 1
B6. Kifu Mitsuhashi – Tanchame






Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

A pioneering force in African music, Jo Tongo has always been on top of the game. Since the late 60s he has been recording music under his early Jojo L'Explosif moniker. His debut album "Jo Tongo" was released 1976 on Fiesta/Decca and features classic tracks like Jangolo and Piani. Now, after decades of underground influence and global recognition, his second album Sa Discossa (1980) is re-released for the first time. Being an electrifying fusion of African rhythms, disco, makossa, reggae and funk it is reflecting his lifelong journey of musical exploration and cultural storytelling and claims its place as an essential recording in the Afro-disco movement.
Jo Tongo's music is inseparable from his life's story-a journey that spans continents, struggles, and victories. From his early years as a leading African musician before the global rise of Afrobeat, to his deep roots in classical training, and his time performing in France and Germany, his sound is shaped by a rich blend of influences. Having played in bands across Europe, from American military bases in Germany to the jazz and soul circuits of Paris, he absorbed the pulse of multiple musical worlds, creating a sound uniquely his own.
"My music is my life. I never saw it as a way to become a star-I am a simple man," Tongo explains. "I came into music to say something, to tell about life, to share my experiences with the world." His perspective on fame and artistry is deeply rooted in his Cameroonian background. "I wasn't interested in business. I wanted to build something with music, to create a sound that was mine."
But Jo Tongo's music has always carried a deeper message. His work reflects his strong political stance against colonialism, social injustice, and oppression. "I cannot stay silent while my people suffer," he says. "Music is a way to resist, to stand strong, and to remind people of their dignity and their power." Throughout his career, Tongo has used his platform to advocate for African identity and independence. His songs, layered with messages of social consciousness, have continued to resonate with younger generations who recognize the relevance of his words even today.
Sa Discossa is more than just a disco record. It embodies Jo Tongo's philosophy of resistance, identity, and celebration. The title itself is a blend of "disco" and "makossa," reflecting the seamless fusion of African groove and the dancefloor energy that defined the era. Tracks like Bunya, sung in his native language, carry messages of love, gratitude, and resilience-sentiments that remain as relevant today as they were nearly 50 years ago. As Tongo describes it, "Every day, give thanks and praise to your Lord. Every day, show me your love. Every day, let me show you my tender love."
Tongo's musical journey also took him through the world of reggae, inspired by his exposure to American and Caribbean artists. "At first, I didn't like reggae-it was too slow for me," he admits. "But then I heard Bob Marley, and I realized the power in its simplicity. The rhythm, the
message-it was all connected to something bigger." He later found himself embracing reggae as an essential part of his musical DNA. "I realized that my music and reggae shared the same roots. We are all connected, all telling the same story in different ways."
Having spent much of his career performing across Europe, Jo Tongo reflects on his connection with international audiences. "I've played everywhere-from Africa to Germany, from Paris to other cities in France and what I've learned is that music speaks a universal language. You don't need to know the words to feel the message."
Despite taking a step back from the stage in recent years, he remains open to new possibilities. "Music is like a fire-it never truly dies. I have a lot to say, and music is the best way to say it."
For Jo Tongo, music is more than entertainment-it's a language of truth, a testament to history, and a bridge between cultures. The rhythm of Sa Discossa lives on, stronger than ever. With Sa Discossa returning under the African Edge series on The Outer Edge label, Jo Tongo's legacy continues to resonate, proving that real music never fades.

VITAL SALES POINTS:

- First ever reissue of extremely sought after Afro-Disco LP
- Fully Licenced
- Thick 350 g picture sleeve with hype sticker
- Quality lacquer cut by SST
- Mastered by Frederic Stader

Side A
A1 Sa Discossa
A2 Stand Up Now
A3 What A Lovely Day

Side B
B1 Get Down And Freak
B2 Bunya Tengue
B3 Sona Sita



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore