BBE Music are proud to reissue one of the most elusive and sought-after Afro-Funk LPs of all time: SON OF AFRICA, by REMI KABAKA.
Now a proud 85 years of age and enjoying retirement in America, Remi was the cornerstone of British West African music in the 50s, 60s and 70s, along with Ginger Oloronso Johnson, Fela Kuti and others. But while Ginger played mambo and cha cha cha in Soho clubland and Fela released his early ‘highlife jazz’ records on the Melodisc label, Remi Kabaka was fully ensconced in the UK Rock world, playing sessions and live shows with The Rolling Stones, Paul McCartney, Ginger Baker, Steve Winwood and countless others.
As the 60s became the 70s, Kabaka developed yet another string to his bow: the development of a UK based West African Funk scene, that found its genesis in the legendary Osibisa, but with an influence and an inspiration that spilled over into every contemporary Brit Funk band from Cymande and the Equals to The Average White Band, Matata and beyond.
SON OF AFRICA was originally released by Chris Blackwell’s Island records in 1976, to little acclaim, very few reviews, and with almost no promotion. African music was a hard sell when the 70s Black British record market wanted reggae first and foremost, and with Bob Marley on the books, Island understandably had other priorities at the time. The record disappeared. Until it reappeared in the early 2000s, as a £700-plus collectors’ item.
Tracklist:
1. Kabaka
2. New Reggae Funk
3. Sure Thing
4. Future of a 1000 Years
5. All Black Festival
6. Aqueba Masaaba
7. African Hustle
8. Meteorite
9. Blue Lago
10. Follow Your Needs More
Now a proud 85 years of age and enjoying retirement in America, Remi was the cornerstone of British West African music in the 50s, 60s and 70s, along with Ginger Oloronso Johnson, Fela Kuti and others. But while Ginger played mambo and cha cha cha in Soho clubland and Fela released his early ‘highlife jazz’ records on the Melodisc label, Remi Kabaka was fully ensconced in the UK Rock world, playing sessions and live shows with The Rolling Stones, Paul McCartney, Ginger Baker, Steve Winwood and countless others.
As the 60s became the 70s, Kabaka developed yet another string to his bow: the development of a UK based West African Funk scene, that found its genesis in the legendary Osibisa, but with an influence and an inspiration that spilled over into every contemporary Brit Funk band from Cymande and the Equals to The Average White Band, Matata and beyond.
SON OF AFRICA was originally released by Chris Blackwell’s Island records in 1976, to little acclaim, very few reviews, and with almost no promotion. African music was a hard sell when the 70s Black British record market wanted reggae first and foremost, and with Bob Marley on the books, Island understandably had other priorities at the time. The record disappeared. Until it reappeared in the early 2000s, as a £700-plus collectors’ item.
Tracklist:
1. Kabaka
2. New Reggae Funk
3. Sure Thing
4. Future of a 1000 Years
5. All Black Festival
6. Aqueba Masaaba
7. African Hustle
8. Meteorite
9. Blue Lago
10. Follow Your Needs More
More records from Remi Kabaka
Following the great success of BBE’s 2023 reissue of Remi Kabaka’s 1976 lost masterpiece ‘Son of Africa’ comes yet another neglected and hitherto-hidden slice of pure Kabaka goodness: 1980’s ‘Roots Funkadelia’.
While the 1976 album was recorded at Island Studios London, roots was recorded and mixed in L.A. in the midst of a golden period for the Motown studios, and the sheer quality of the mix shows in spades. An unexpected but welcome bonus is the appearance throughout of the ‘mean machine’- Motown artists the commodores’ brass section alter-ego.
Released in 1980 on Polygram Nigeria with no international distribution deal, and lurking almost unnoticed in a handful of dedicated afro vinyl collections, this is the first-ever reissue outside Africa of an album that regularly fetches £500 plus on the ‘those who know’ market’. More
While the 1976 album was recorded at Island Studios London, roots was recorded and mixed in L.A. in the midst of a golden period for the Motown studios, and the sheer quality of the mix shows in spades. An unexpected but welcome bonus is the appearance throughout of the ‘mean machine’- Motown artists the commodores’ brass section alter-ego.
Released in 1980 on Polygram Nigeria with no international distribution deal, and lurking almost unnoticed in a handful of dedicated afro vinyl collections, this is the first-ever reissue outside Africa of an album that regularly fetches £500 plus on the ‘those who know’ market’. More
More records from bbe
Jessica Lauren has been a lynchpin of the UK scene for decades whose keyboard skills have augmented the live performances and studio recordings of all manner of legendary names, from Jean Carne, Tom Browne, Dexter Wansel, through to modern day heroes The Heliocentrics and she’s also a core member of Nick Woodmansey’s space jazz outfit Emanative.
Film is the latest and very welcome release by keyboard player, composer and producer Jessica Lauren, the long-time friend and collaborator of IMPRESS!VE Collective’s Greg Boraman. After assuming A&R control of Freestyle Records, Boraman’s first signing was ‘Jessica Lauren Four’ (2012) and also released ‘Almeria’ (2018). Both albums exhibited her minimalist approach: Jessica’s music is always sophisticated and complex but also accessible and listenable.
‘FILM’ has a fascinating backstory, inasmuch as it was originally recorded in 1997 and saw a CD only release in 1999 via the MELT 2000 label. That CD had been a firm favourite of Greg Boraman’s since then, and he recalls ‘I had it loaded onto my iPod and each time a track from Film came up on shuffle I thought just how much I thought it should be re-issued and given the attention it deserves’.
Jessica had also harboured plans to do something with this project, even treating the recordings to a 24 bit analog remastering by Guy Davie at Electric, but it remained on the shelf – until now.
In 2024, this 27-year-old album is quite remarkable in that it sounds simply and stunningly contemporary, and fits seamlessly with the current soundscape of explorative, genre bending 21st century jazz music.
Blending modal jazz, electronica, library music, field recordings and more, it melds acoustic and electric pianos, harpsichord with synthesisers, electronica and digital techniques as though it’s the most natural combination in the world.
Film cements Jessica’s reputation as a pioneering, far sighted artist who was years ahead of the crowd.
More
Film is the latest and very welcome release by keyboard player, composer and producer Jessica Lauren, the long-time friend and collaborator of IMPRESS!VE Collective’s Greg Boraman. After assuming A&R control of Freestyle Records, Boraman’s first signing was ‘Jessica Lauren Four’ (2012) and also released ‘Almeria’ (2018). Both albums exhibited her minimalist approach: Jessica’s music is always sophisticated and complex but also accessible and listenable.
‘FILM’ has a fascinating backstory, inasmuch as it was originally recorded in 1997 and saw a CD only release in 1999 via the MELT 2000 label. That CD had been a firm favourite of Greg Boraman’s since then, and he recalls ‘I had it loaded onto my iPod and each time a track from Film came up on shuffle I thought just how much I thought it should be re-issued and given the attention it deserves’.
Jessica had also harboured plans to do something with this project, even treating the recordings to a 24 bit analog remastering by Guy Davie at Electric, but it remained on the shelf – until now.
In 2024, this 27-year-old album is quite remarkable in that it sounds simply and stunningly contemporary, and fits seamlessly with the current soundscape of explorative, genre bending 21st century jazz music.
Blending modal jazz, electronica, library music, field recordings and more, it melds acoustic and electric pianos, harpsichord with synthesisers, electronica and digital techniques as though it’s the most natural combination in the world.
Film cements Jessica’s reputation as a pioneering, far sighted artist who was years ahead of the crowd.
More
1
Audrey Powne - Souled Out - The Cosmic Arts Interpretation Mix
2
Audrey Powne - Souled Out - Joaquin's Sacred Rhythm Version
3
Audrey Powne - Souled Out - Joaquin's Deep Version
4
Audrey Powne - Feed The Fire - musclecars Dream Dub
5
Audrey Powne - Feed The Fire - Atjazz Remix
Audrey Powne's eagerly anticipated debut album has been met with widespread acclaim from a host of tastemakers and musicians. Garnering over 500 plays on UK radio, her music has reached an audience exceeding 2 million listeners. Many have touted her work as a strong contender for Jazz Album of the Year—a remarkable achievement for a debut release.
This exceptional remix pack features a soulful interpretation from the illustrious DJ and producer Joe Claussell, profoundly inspired by the album cut "Souled Out." Claussell unveils three exquisite and spiritual remixes, each highlighting unique elements of Audrey's original production. Joaquin's Deep Version is quintessential Claussell, merging the bassy textures of a vintage King Tubby dub with vibrant percussion and dance-inducing beats. The "Sacred Rhythm Mix" is an essential for the dancefloor, weaving a seamless progression of expertly crafted sonic layers that culminate in a boogie-style crescendo, destined to be a summer anthem for DJs. The Souled The Cosmic Arts Interpretation mix completes the trinity expertly with an enchanting downtempo mix expertly seasoned with orchestral and percussive elements which breathes even more magic into Audrey’s incredible vocal display on this track. True to Claussell's renowned craftsmanship, these remixes speak for themselves— listen and be transported.
Adding to the allure of this remix pack are the superb renditions of "Feed The Fire'' by the legendary deep house producer Atjazz and the dynamic New York duo musclecars. Both remixes have garnered critical acclaim, elevating this package to an unprecedented level of excellence. Available for the first time on vinyl, these mixes are presented by BBE Music in a double pack, ensuring unparalleled sound quality that is spread out for maximum audio fidelity—a must-have for discerning DJs and vinyl aficionados who prize top-tier music pressed on wax.
This release is not just a collection of tracks but a treasure trove of sonic brilliance, making it indispensable for enthusiasts of high-quality, heartfelt music.
A1. Souled Out - The Cosmic Arts Interpretation Mix (08:17)
B1. Souled Out - Joaquin's Sacred Rhythm Version (13:53)
C1. Souled Out - Joaquin's Deep Version (08:20)
C2. Feed The Fire - Atjazz Remix (05:26)
D1. Feed The Fire - musclecars Dream Dub (09:05) More
This exceptional remix pack features a soulful interpretation from the illustrious DJ and producer Joe Claussell, profoundly inspired by the album cut "Souled Out." Claussell unveils three exquisite and spiritual remixes, each highlighting unique elements of Audrey's original production. Joaquin's Deep Version is quintessential Claussell, merging the bassy textures of a vintage King Tubby dub with vibrant percussion and dance-inducing beats. The "Sacred Rhythm Mix" is an essential for the dancefloor, weaving a seamless progression of expertly crafted sonic layers that culminate in a boogie-style crescendo, destined to be a summer anthem for DJs. The Souled The Cosmic Arts Interpretation mix completes the trinity expertly with an enchanting downtempo mix expertly seasoned with orchestral and percussive elements which breathes even more magic into Audrey’s incredible vocal display on this track. True to Claussell's renowned craftsmanship, these remixes speak for themselves— listen and be transported.
Adding to the allure of this remix pack are the superb renditions of "Feed The Fire'' by the legendary deep house producer Atjazz and the dynamic New York duo musclecars. Both remixes have garnered critical acclaim, elevating this package to an unprecedented level of excellence. Available for the first time on vinyl, these mixes are presented by BBE Music in a double pack, ensuring unparalleled sound quality that is spread out for maximum audio fidelity—a must-have for discerning DJs and vinyl aficionados who prize top-tier music pressed on wax.
This release is not just a collection of tracks but a treasure trove of sonic brilliance, making it indispensable for enthusiasts of high-quality, heartfelt music.
A1. Souled Out - The Cosmic Arts Interpretation Mix (08:17)
B1. Souled Out - Joaquin's Sacred Rhythm Version (13:53)
C1. Souled Out - Joaquin's Deep Version (08:20)
C2. Feed The Fire - Atjazz Remix (05:26)
D1. Feed The Fire - musclecars Dream Dub (09:05) More
Releasing in the autumn of 2024 Andy Smith's curation of the 3rd volume in his Reach Up – Disco Wonderland series brings us more carefully selected music from the Discosphere. With tracks from artists as far ranging as Buscrates, Trailer Limon and Rena Scott included in this 16 track killer compilation Andy has also included excellent edits and remixes from such stellar names as Full Intention, Yam Who and Skratch Bastid. Indeed, the CD and digital versions of the release also include a fully continuous Skratch Bastid mix of all 16 tracks. Reach Up-Disco Wonderland vol. 3 was curated during the lockdown periods of the pandemic after a series of virtual 'nights out' viewing DJs such as Skratch Bastid, The Nextmen, Chris Wheatley and others performing sets on the Twitch platform. Andy is now playing out in the real world with some of the DJs he 'met' online so now the time is right to drop this compilation on BBE Music. Andy Smith's pedigree in sourcing and mixing tracks from across eras and genres goes back to his debut compilation release The Document in 1998, he was the explorer and provider of samples and breaks for the first two Portishead albums and played as the band's international tour DJ. His compilation track record of some fifteen plus releases since 1998 has covered New Orleans Funk, Northern Soul, Reggae, the mixed genre follow ups to the The Document and, of course, the now three volumes of the Reach Up-Disco Wonderland series on BBE Music. Pressed as a triple vinyl LP, along with the aforementioned double CD and digital versions, not only is Reach Up-Disco Wonderland vol. 3 a delight for the DJ consul and the dance floor, but also an audiophile's dream on vinyl with all tracks mastered at the renowned and Grammy nominated Carvery Studios.
A1. Losers & Fools (DJ Andy Smith Reach Up Disco Wonderland Re-Edit) - Weekend Sun
A2. Body Work (Nick Reach Up Remix) - Hot Streak
A3. Lovin' You (Smoove Disco Dub) - The Honeyshotz
B1. I Like Funky Music (Skratch Bastid Turntable Mix) - Uncle Louie
B2. Beyond The Clouds - Quartz
B3. Five Days - Buscrates feat DJ Epik
C1. Please Don’t Break My Heart (DJ Andy Smith Reach Up Disco Wonderland Re-Edit) - The Affair feat Alyson Williams
C2. Change - Platinum City
D1. You're So Far Away (DJ Andy Smith Reach Up Disco Wonderland Re-Edit) - Rena Scott
D2. Free Yourself (Full Intention Extended Remix) - Birdee & Nick Reach Up feat Barbara Tucker
D3. Love Don't Pay The Bills - Trailer Limon
E1. Black Water Gold Part 2 (DJ Andy Smith Reach Up Disco Wonderland Extended Mix) - The Sunshine Band
E2. The Big Throwdown - Get To Know
E3. Make It Alright - BB Soul feat Laura Jackson
F1. Disco Hi-Life - Orlando Julius
F2. Bad Times (Yam Who Extended Vocal Remix) - Risk Assessment More
A1. Losers & Fools (DJ Andy Smith Reach Up Disco Wonderland Re-Edit) - Weekend Sun
A2. Body Work (Nick Reach Up Remix) - Hot Streak
A3. Lovin' You (Smoove Disco Dub) - The Honeyshotz
B1. I Like Funky Music (Skratch Bastid Turntable Mix) - Uncle Louie
B2. Beyond The Clouds - Quartz
B3. Five Days - Buscrates feat DJ Epik
C1. Please Don’t Break My Heart (DJ Andy Smith Reach Up Disco Wonderland Re-Edit) - The Affair feat Alyson Williams
C2. Change - Platinum City
D1. You're So Far Away (DJ Andy Smith Reach Up Disco Wonderland Re-Edit) - Rena Scott
D2. Free Yourself (Full Intention Extended Remix) - Birdee & Nick Reach Up feat Barbara Tucker
D3. Love Don't Pay The Bills - Trailer Limon
E1. Black Water Gold Part 2 (DJ Andy Smith Reach Up Disco Wonderland Extended Mix) - The Sunshine Band
E2. The Big Throwdown - Get To Know
E3. Make It Alright - BB Soul feat Laura Jackson
F1. Disco Hi-Life - Orlando Julius
F2. Bad Times (Yam Who Extended Vocal Remix) - Risk Assessment More
Tamil Rogeon, the Melbourne based multifaceted jazz, classical and electronic violin & viola player firmly cemented his reputation with the critical success of his 2021 album Son Of Nyx which was released on Soul Bank Music, Impressive Collective head honcho Greg Boraman's previous label. Lauded as a modal and spiritual jazz fusion opus, Son Of Nyx found favour with Gilles Peterson, Laurent Garnier, Rebecca Vasmant, BBC6 Music's' Cerys Matthews and Deb Grant, was a Jazz FM’ Album of the Week. Building upon that highly original sound concept, Wave Theory draws from the jazz fusion movements of the 70s and 80s and conjures up textured soundscapes rich with cosmic synths, soaring vocals and deep jazz funk, and sees Tamil once again joining forces with Son of Nyx contributors Rita Satch and Daniel Mougerman, plus new collaborators and special guests including Lance Ferguson and celebrated trumpeter, friend Audrey Powne. Listeners can expect the same modal experiments, driving percussion and cosmic synths of Son of Nyx as well as new and exhilarating experiments in electric string instrumentation. Across all 6 tracks the highlights are numerous, but of particular note are the album opener "Ascend it!"; a fusion masterpiece that seamlessly blends psychedelic elements, funk grooves, intricate melodies, and improvisation. When "Doom Date" takes flight we are transported to Mahavishnu Orchestra-like territory, before finishing with an angular melody that is pure jazz-fusion inventiveness. The irresistibly funky 'Gift Of The Gab” is built upon a hypnotic bass line over drum and percussion. Laden with synth and retro keyboards reminiscent of the deep funk of Herbie Hancock’s late 70s period. "Mountain Bug' alternates between minor and major keys, a hallucinatory violin solo is followed by a dazzling trumpet improvisation. A restatement of the melody accompanied by the gunfire of the drum set and percussion. Tamil says of Wave Theory “Sometimes themes reveal themselves through creative encounters and through life experience. I wrote and recorded the album in six months. A lot happened to me and my friends during that time so, for me, ‘Wave Theory’ is like a musical snapshot of life’s relentless ebbs and flows. It’s about the sadness and thrills of endless transformation and the power of creative connection".
Tracklisting
1. Beneath Her
2. Ascend It
3. Mountain Bug
4. Doom Date
5. Gift Of The Gab
6. Axe To Grind More
Tracklisting
1. Beneath Her
2. Ascend It
3. Mountain Bug
4. Doom Date
5. Gift Of The Gab
6. Axe To Grind More
Originally released in 1979 on the Orion label 'Music For Complete Jazz Dance Class With Lea Darwin' is an absolute double vinyl treasure vault of tracks composed by percussionist and multi-instrumentalist Rick Panzer. Re-discovered by Klinkhamer Record shop boss Michel Veenstra it is now being reissued on BBE Music as part of the Klinkhamer series. Michel Veenstra first heard the album in the early 2000s and spent years trawling through German phone directories to find the correct Rick Panzer to get his blessings to once again release the album to a music loving public. The album itself heralded the track 'Pre-Stretch Warm-up' which featured on the Klinkhamer Volume 2' compilation to great acclaim and airplay from broadcasters and DJs. Originally conceived as music for a Jazz Ballet or Jazz Dance theatre piece the album is a masterpiece of Jazz composition and musicianship. Starting with 'Pre-Stretch Warm-Up', which builds on a bedrock of amazing drum breaks and warm fender Rhodes interweaving with superb vocals from Paula Eastwood, the album takes the listener, and dancer, on a ride that captures deep Jazz-Funk grooves and heavy percussion as well as laidback grooves. 'Music For Complete Jazz Dance Class' is an album for the dance floor, for listening at home or in the car and one that adds to any discerning music lover's collection of vinyl must-haves.
Vinyl Tracklist:
A1. Pre-stretch Warm Up (16:18)
B1. Floor Stretch Warm Up (05:01)
B2. Adagio 04:03)
C1. Plies (09:04)
C2. Tendus 04:32)
C3. Attitude, Leg Swings And Developes (04:40)
C4. Isolations (03:59)
D1. Bar Stretch (04:12)
D2. Jazz Walks (04:52)
D3. Jazz Turns (05:48)
D4. Jazz Leaps (05:28) More
Vinyl Tracklist:
A1. Pre-stretch Warm Up (16:18)
B1. Floor Stretch Warm Up (05:01)
B2. Adagio 04:03)
C1. Plies (09:04)
C2. Tendus 04:32)
C3. Attitude, Leg Swings And Developes (04:40)
C4. Isolations (03:59)
D1. Bar Stretch (04:12)
D2. Jazz Walks (04:52)
D3. Jazz Turns (05:48)
D4. Jazz Leaps (05:28) More
This BBE released compilation is seriously a must have in any Black Music lover's collection. Compiled by the London DJ and promoter duo of husband and wife team, the Handson Family, as part of the massively important If Music presents: You Need This series and released on the UK's foremost independent Black Music label, An Introduction to the Handson Family has Black Music heritage coursing through its tracks. With a tracklist that includes music from Emanative, the much missed genius of south London's Ty, Cecilia Statin, Xantone Blacq and more, the album that Cyndi and Christian have put together is one that sheds light on the high quality and considered variety of selections in their DJ sets (Including Cross the Tracks, Southport Weekender and We Out Here), their hugely influential Off The Shelf radio show on Soho Radio and their south London residencies. If you are looking for knowledge in what is the sounds and styles of Black Music genres in recent years then this is a compilation that will be an education in absolute brilliance, if you are aware of these artists and tracks then this is a release that brings them together in a DJ set style of the highest order and if you are so far unaware of the Handson Family and their undoubted influence on south London place in the capital's (and the Uk's) club culture then here is their calling card. Releasing as both digital and a double vinyl LP, If Music presents You Need This: An Introduction to the Handson Family is simply superb and is unapologetically Black Music selected by Black DJs for everybody.
Viny Track List
A1. We Travel The Spacebeats - Emanative (05:10)
A2. Dreams - Ty (04:49)
A3. Sundown - MckNasty (feat. The MAC SiStars) (04:46)
B1. CPW - Cecilia Stalín (05:20)
B2. Hangers On - The Nabatean (06:00)
B3. Bologna - Jazz Chronicles (06:24)
C1. Dancing on Holiday - Souled (06:59)
C2. Bring Me to Your Life - One51 (feat. Heidi Vogel) (05:37)
C3. Illusions - Tommy Rawson (05:20)
D1. Staring at the Sun - P'taah (05:41)
D2. Search for the Sun (Platinum Remix) - Xantoné Blacq (05:23)
D3. Love Beams - Ian O'Brien (04:47) More
Viny Track List
A1. We Travel The Spacebeats - Emanative (05:10)
A2. Dreams - Ty (04:49)
A3. Sundown - MckNasty (feat. The MAC SiStars) (04:46)
B1. CPW - Cecilia Stalín (05:20)
B2. Hangers On - The Nabatean (06:00)
B3. Bologna - Jazz Chronicles (06:24)
C1. Dancing on Holiday - Souled (06:59)
C2. Bring Me to Your Life - One51 (feat. Heidi Vogel) (05:37)
C3. Illusions - Tommy Rawson (05:20)
D1. Staring at the Sun - P'taah (05:41)
D2. Search for the Sun (Platinum Remix) - Xantoné Blacq (05:23)
D3. Love Beams - Ian O'Brien (04:47) More
For 'The Ones', Chicago House and Disco producer, Rahaan has pulled together a plethora of musicians and vocalists to create a smokestack of soul fuelled excellence on this ten track album. From the amazing vocals courtesy of Marcus J. Austin and Nancy Clayton on the opener, 'We Are The Ones', through the amazing instrumental City Rain Supreme and the vocals of Spike Rebel on the anthemic 'Forever', this album absolutely excels. The promise made on the original three track EP released on BBE Music in the Summer of 2023 is well and truly delivered on. Working with live musicians throughout the recording process has added layers of finesse and genuinely unfeigned authenticity in the overall sound of this album. Carnell Newbill's basslines and keys, Todd Swope's Afrobeat inspired guitar licks and the horns of Ohio Players legend Kenny Anderson all blend organically with the aforementioned vocalists to create an album of sublime music befitting the best traditions of the Chicago House canon. Rahaan Young is a DJ and producer who has been DJing since playing at parties in his native Chicago the 1980s. As a DJ he's enjoyed residencies at both The Spot and Buddha Lounge as well as entertaining and moving dance floors around the globe with DJ sets that show his music knowledge and exquisite taste. The Ones is mastered at the Grammy nominated Carvery Studios and will be released on vinyl and digital on BBE Music, adding to the catalogue of innovative and highly pertinent releases from artists, musicians and producers from across the world.
Tracklisting
Disc: 1
1. What You Are To Me
2. We Are The Ones (Interlude)
3. We Are The Ones
4. Star Seed
5. City Rain Supreme
Disc: 2
1. Toy Boy
2. Promised Land
3. Manifest Into Movement
4. Forever
5. Fire More
Tracklisting
Disc: 1
1. What You Are To Me
2. We Are The Ones (Interlude)
3. We Are The Ones
4. Star Seed
5. City Rain Supreme
Disc: 2
1. Toy Boy
2. Promised Land
3. Manifest Into Movement
4. Forever
5. Fire More
1
musclecars - Tonight
2
musclecars - Tonight (Louie Vega Bronx Dub)
3
musclecars - Tonight (Louie Vega Remix)
4
musclecars - Hello? (Maurice Fulton Remix)
5
musclecars - Ha Ya! (Eternal Life)(Planetarium Mix)
6
musclecars - I Don’t Remember The Last Time I Saw Stars
After the highly anticipated debut album "Sugar Honey Iced Tea!," the dynamic NYC duo strikes once more with a double pack of alternate versions and remixes. Craig Handfield and Brandon Weems, better known as musclecars, have unveiled a dance music masterpiece, now graced by the touch of house music legends Louie Vega and Maurice Fulton.
This double pack showcases multiple versions of "Tonight," remixed by dance music maestro Louie Vega, who momentarily stepped away from his Masters At Work ventures to infuse this project with his magic. The main remix unfolds like an epic journey adorned with orchestral elegance, while the dub versions range from festival anthems (NV South Jersey Mix) to tracks that echo the early Masters At Work essence (Louie Vega’s Bronx Dub).
Additionally, we are gifted a new version of "Hello?" reimagined by Maurice Fulton. In this version, Maurice's signature live bass lines intertwine with exuberant, hard-hitting percussion, casting a whimsical light on the deep, introspective original.
Complementing the remixes from musclecars' esteemed inspirations, we encounter two new versions of "Ha Ya! (Eternal Life)" and "Water," both stripped of percussion to reveal the stunning arrangements, textures, and harmonies. These renditions are accompanied by a full side of musclecars’ dance odyssey "I Don’t Remember The Last Time I Saw Stars."
The Double Honey Pack is a tour de force. It’s a rarity to witness two legends unite to elevate an already stellar project, yet Vega and Fulton achieve just that. Meanwhile, Weems and Handfield meticulously peel back the layers, allowing the intricate details to shine. This promises to be the release of the summer!
A1. Tonight (05:55)
A2. Tonight (Louie Vega Bronx Dub) (05:50)
B1. Tonight (Louie Vega Remix) (08:22)
C1. Hello? (Maurice Fulton Remix) (06:44)
C2. Ha Ya! (Eternal Life)(Planetarium Mix) (07:38)
D1. I Don’t Remember The Last Time I Saw Stars (11:10) More
This double pack showcases multiple versions of "Tonight," remixed by dance music maestro Louie Vega, who momentarily stepped away from his Masters At Work ventures to infuse this project with his magic. The main remix unfolds like an epic journey adorned with orchestral elegance, while the dub versions range from festival anthems (NV South Jersey Mix) to tracks that echo the early Masters At Work essence (Louie Vega’s Bronx Dub).
Additionally, we are gifted a new version of "Hello?" reimagined by Maurice Fulton. In this version, Maurice's signature live bass lines intertwine with exuberant, hard-hitting percussion, casting a whimsical light on the deep, introspective original.
Complementing the remixes from musclecars' esteemed inspirations, we encounter two new versions of "Ha Ya! (Eternal Life)" and "Water," both stripped of percussion to reveal the stunning arrangements, textures, and harmonies. These renditions are accompanied by a full side of musclecars’ dance odyssey "I Don’t Remember The Last Time I Saw Stars."
The Double Honey Pack is a tour de force. It’s a rarity to witness two legends unite to elevate an already stellar project, yet Vega and Fulton achieve just that. Meanwhile, Weems and Handfield meticulously peel back the layers, allowing the intricate details to shine. This promises to be the release of the summer!
A1. Tonight (05:55)
A2. Tonight (Louie Vega Bronx Dub) (05:50)
B1. Tonight (Louie Vega Remix) (08:22)
C1. Hello? (Maurice Fulton Remix) (06:44)
C2. Ha Ya! (Eternal Life)(Planetarium Mix) (07:38)
D1. I Don’t Remember The Last Time I Saw Stars (11:10) More
Introducing “The Architecture of Oppression Part 2” – the highly anticipated follow-up to Jake Ferguson’s critically acclaimed debut album – Part 1. Ferguson is recognised as the ‘other half’ of The Heliocentrics, producing his solo work under the moniker, The Brkn Record. Effortlessly merging the realms of music and activism, he has created a groundbreaking album, which is set to be one of the most important bodies of work that illustrate ongoing systemic racism this side of the millennium.
Ferguson takes the listener to a world where artistry and social consciousness intersect. Crafting an array of captivating soundscapes and themes. This album showcases the vocal talents of both established artists and hidden gems discovered through Ferguson’s day-job as a former charity CEO and community activist.
While Part 1 served as a rallying cry to dismantle oppressive systems, Part 2 offers a compelling soundtrack of a Pro-Black world reclaiming its destiny. This thought-provoking art piece invites listeners to envision alternative paths while avoiding the pitfalls of past paradigms.
Unlike a broken record, this The Brkn Record album keeps pushing boundaries—
By enlisting the voices of The Global Majority, The Brkn Record creates a platform for genuine expression through sound. Renowned for his production skills, Ferguson has captured the admiration of industry heavyweights including Nas, Madlib and Kanye West. However, rather than seeking popular features, he chooses to amplify the authentic perspectives of the talented youth he collaborates with in Hackney.
One such initiative supported by Ferguson, Account Hackney, introduced him to two gifted artists showcased on this album – Great Okosun and Yolanda Lear.
‘This album serves as a visceral demonstration of my anger at the racially founded status quo in this country and globally. The continued oppression of people on the basis of their race is beyond evil, it’s common place and needs to end. Simple as.’
The album also sees Ferguson joining forces with award winning laureate Anthony Joseph and legendary hip-hop MC Percee P – their dynamic and thought-provoking lyrics seamlessly intertwine with expertly produced musical landscapes.
“The Architecture of Oppression Part 2” is not just an album; it is a transformative journey that challenges the listener and wants you to ‘feel’. It’s Art. A musical experience that inspires, compels, and empowers. Over to you! More
Ferguson takes the listener to a world where artistry and social consciousness intersect. Crafting an array of captivating soundscapes and themes. This album showcases the vocal talents of both established artists and hidden gems discovered through Ferguson’s day-job as a former charity CEO and community activist.
While Part 1 served as a rallying cry to dismantle oppressive systems, Part 2 offers a compelling soundtrack of a Pro-Black world reclaiming its destiny. This thought-provoking art piece invites listeners to envision alternative paths while avoiding the pitfalls of past paradigms.
Unlike a broken record, this The Brkn Record album keeps pushing boundaries—
By enlisting the voices of The Global Majority, The Brkn Record creates a platform for genuine expression through sound. Renowned for his production skills, Ferguson has captured the admiration of industry heavyweights including Nas, Madlib and Kanye West. However, rather than seeking popular features, he chooses to amplify the authentic perspectives of the talented youth he collaborates with in Hackney.
One such initiative supported by Ferguson, Account Hackney, introduced him to two gifted artists showcased on this album – Great Okosun and Yolanda Lear.
‘This album serves as a visceral demonstration of my anger at the racially founded status quo in this country and globally. The continued oppression of people on the basis of their race is beyond evil, it’s common place and needs to end. Simple as.’
The album also sees Ferguson joining forces with award winning laureate Anthony Joseph and legendary hip-hop MC Percee P – their dynamic and thought-provoking lyrics seamlessly intertwine with expertly produced musical landscapes.
“The Architecture of Oppression Part 2” is not just an album; it is a transformative journey that challenges the listener and wants you to ‘feel’. It’s Art. A musical experience that inspires, compels, and empowers. Over to you! More
BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music's acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.
This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.
Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.
The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world's leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.
Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan's fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more. More
This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.
Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.
The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world's leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.
Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan's fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more. More
Audrey Powne’s stunning debut album, From The Fire, is set to be one of those must have LPs in any music lover’s collection. Something of an auteur release it features nine tracks all composed by Audrey, with all string arrangements and all produced by her. Audrey’s decision to produce the whole album herself came from a desire to take creative control of her music and apply techniques developed from the influences of the producers she had previously worked with. If all of the above were not enough Audrey also wrote the lyrics for those tracks on which she sings, and as a multi-instrumentalist contributes piano, Rhodes and organ. She also features as a trumpeter with dextrous and soaring solos as evidenced by the two single releases so far; Feed The Fire and the title track, From The Fire.
Due to be released by BBE as both a vinyl and digital, From The Fire is an album of Soul- Jazz with a serious environmental and social messages as well as one which blends classical music, hip-hop and influences from Roy Hargrove, Bill Evans and Herbie Hancock. Indeed it is Roy Hargrove’s studio techniques evident in his work with the RH Factor that Audrey credits as a major factor in her producer role here. As well as her solo work, Melbourne born Audrey Powne has also worked as a session player with acts as diverse as Maceo Parker, Midnight Oil, Jimmy Barnes, Masta Ace and the Grammy nominated band The Teskey Brothers. More
Due to be released by BBE as both a vinyl and digital, From The Fire is an album of Soul- Jazz with a serious environmental and social messages as well as one which blends classical music, hip-hop and influences from Roy Hargrove, Bill Evans and Herbie Hancock. Indeed it is Roy Hargrove’s studio techniques evident in his work with the RH Factor that Audrey credits as a major factor in her producer role here. As well as her solo work, Melbourne born Audrey Powne has also worked as a session player with acts as diverse as Maceo Parker, Midnight Oil, Jimmy Barnes, Masta Ace and the Grammy nominated band The Teskey Brothers. More
Following the great success of BBE’s 2023 reissue of Remi Kabaka’s 1976 lost masterpiece ‘Son of Africa’ comes yet another neglected and hitherto-hidden slice of pure Kabaka goodness: 1980’s ‘Roots Funkadelia’.
While the 1976 album was recorded at Island Studios London, roots was recorded and mixed in L.A. in the midst of a golden period for the Motown studios, and the sheer quality of the mix shows in spades. An unexpected but welcome bonus is the appearance throughout of the ‘mean machine’- Motown artists the commodores’ brass section alter-ego.
Released in 1980 on Polygram Nigeria with no international distribution deal, and lurking almost unnoticed in a handful of dedicated afro vinyl collections, this is the first-ever reissue outside Africa of an album that regularly fetches £500 plus on the ‘those who know’ market’. More
While the 1976 album was recorded at Island Studios London, roots was recorded and mixed in L.A. in the midst of a golden period for the Motown studios, and the sheer quality of the mix shows in spades. An unexpected but welcome bonus is the appearance throughout of the ‘mean machine’- Motown artists the commodores’ brass section alter-ego.
Released in 1980 on Polygram Nigeria with no international distribution deal, and lurking almost unnoticed in a handful of dedicated afro vinyl collections, this is the first-ever reissue outside Africa of an album that regularly fetches £500 plus on the ‘those who know’ market’. More
In the time-honored spirit of excavating gold from the unlikeliest dark corners, we bring you the shiniest of gems which is guaranteed to thrill lovers of classic Brazilian bossa and MPB.
This self-titled album by Rio’s Grupo Ébano, an all-female gospel vocal group, was originally released on CD only in 1997 on a small independent label and in small quantities. The songs, all originals from the pen of group leader (and backing vocalist to the stars) Gil Miranda, are richly melodic and sophisticated in the mode of all the 60s and 70s Brazilian classics (think Quarteto Em Cy) while their positive spiritual message is more reminiscent of the Clark Sisters if they sang in Portuguese.
This first-time reissue, first-time vinyl & digital edition and debut international release will bring many new fresh ears to this lovely and very classy album which will appeal to different generations of Brazilian music lovers, from tastemaking DJs to their parents to even their grandparents.
Vinyl Tracklist:
A1. Ave No Ninho
A2. Serta~o Mar
A3. Tuas Obras Te Coroam
B1. Cristalina
B2. Verso E Rima
B3. Pe´ No Cha~o
C1. Pai Da Criac¸a~o
C2. Ele Chegou
C3. Esse Amor
C4. Rio Seco
D1. Horas
D2. Ja´ Vou Indo
D3. Meu Lugar More
This self-titled album by Rio’s Grupo Ébano, an all-female gospel vocal group, was originally released on CD only in 1997 on a small independent label and in small quantities. The songs, all originals from the pen of group leader (and backing vocalist to the stars) Gil Miranda, are richly melodic and sophisticated in the mode of all the 60s and 70s Brazilian classics (think Quarteto Em Cy) while their positive spiritual message is more reminiscent of the Clark Sisters if they sang in Portuguese.
This first-time reissue, first-time vinyl & digital edition and debut international release will bring many new fresh ears to this lovely and very classy album which will appeal to different generations of Brazilian music lovers, from tastemaking DJs to their parents to even their grandparents.
Vinyl Tracklist:
A1. Ave No Ninho
A2. Serta~o Mar
A3. Tuas Obras Te Coroam
B1. Cristalina
B2. Verso E Rima
B3. Pe´ No Cha~o
C1. Pai Da Criac¸a~o
C2. Ele Chegou
C3. Esse Amor
C4. Rio Seco
D1. Horas
D2. Ja´ Vou Indo
D3. Meu Lugar More
After the release of the first volume of music selected by Klinkhamer Record shop owner Michel Veenstra in 2022, the anticipation and expectation amongst the heads for a follow up compilation has been building. Now BBE Music can announce that Klinkhamer Volume 2’s collection of music from the 70’s and 80’s is ready to add to the series.
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1
musclecars - The Afro-American Conundrum (Where Does That Leave Us?)
2
musclecars - Dream Boy
3
musclecars - Tonight (feat Kamaal)
4
musclecars - Every Party Must Come To An End (feat Kamaal)
5
musclecars - Running Out Of Time
6
musclecars - Carlos Sanchez Interlude
7
musclecars - Hello? (feat Aden)
8
musclecars - Ha Ya! (Eternal Life
9
musclecars - Circles I (Prelude)
10
musclecars - Circles II (feat Toribio)
11
musclecars - There's Space For Us All
12
musclecars - Water (feat New Past)
Sugar Honey Iced Tea! is the highly anticipated debut album from musclecars, set for a May 2024 release on BBE Music. Having already established their presence in the club scene, from the joyous atmosphere of their Coloring Lessons parties to their residency at Nowadays in NYC, and with genre-bending performances worldwide, musclecars are eager to unveil this new world they've intentionally crafted.
This forthcoming album comprises 13 tracks that sonically come together to offer a profound lens into the Afro-American experience. Themes range from joy, to loss, intimacy, helplessness, perseverance, and all the facets that lie in between. From the very first tune, musclecars set the tone with an exploration of afro-dystopia, carrying listeners through the entire album whilst creating imaginary futures born out of self-preservation and self-discovery.
Through their practice of sonic storytelling, native New Yorkers Brandon Weems and Craig Handfield use this album to speak to the nuances of their daily lives and their environment. Join them on this musical journey as they delve into a collection that captures the essence of the black experience with authenticity, emotion, and rhythm. This album stands as one of their favorite bodies of work in recent memory, and they're so excited to share it with you. More
This forthcoming album comprises 13 tracks that sonically come together to offer a profound lens into the Afro-American experience. Themes range from joy, to loss, intimacy, helplessness, perseverance, and all the facets that lie in between. From the very first tune, musclecars set the tone with an exploration of afro-dystopia, carrying listeners through the entire album whilst creating imaginary futures born out of self-preservation and self-discovery.
Through their practice of sonic storytelling, native New Yorkers Brandon Weems and Craig Handfield use this album to speak to the nuances of their daily lives and their environment. Join them on this musical journey as they delve into a collection that captures the essence of the black experience with authenticity, emotion, and rhythm. This album stands as one of their favorite bodies of work in recent memory, and they're so excited to share it with you. More
5LP (with 20 page booklet)
Airto Moreira and Flora Purim, the legendary King and Queen of Brazilian Jazz, have captivated audiences for over six decades with their vibrant albums and exhilarating live performances. With a dedicated global fan base including the UK’s jazz funk and jazz dance scene to Japan’s concert halls, the power couple continues to make waves in the industry – Flora’s ‘If You Will’ (2022) album was even nominated for a Grammy!
The duo met and came together musically in Sambalanço and the Sambrasa Trio. The mixture of Airto’s rural Brazilian background and percussion talents and Flora’s classical training and involvement in the underground Bossa Nova movement, created a unique blend of sounds that resonates across generations. They have not only collaborated with music legends like Miles Davis and Chick Corea but have also produced ground-breaking music alongside the likes of Hermeto Pascoal.
Despite facing numerous challenges, including Flora’s arrest and incarceration in 1974, the duo’s close connection with friends-musicians like Thelonius Monk and Cannonball Adderley, their persistence and absolute passion for music have propelled them to the pinnacle of success. They worked with renowned musicians like Wayne Shorter, Jaco Pastorius, Herbie Hancock, Joe Henderson, McCoy Tyner, George Duke and producers such as Orin Keepnews and Creed Taylor.
Having been a part of numerous prestigious ensembles, including Dizzy Gillespie’s United Nations ensemble, Airto and Flora’s journey is a testament to their innovation and devotion to their craft. This collection offers a glimpse of that incredible journey, showcasing their extraordinary talent and unique sound and it’s also the first comp scanning their 60 year careers.
Compiled by Straight No Chaser editor/publisher Paul Bradshaw & Totally Wired Radio presenter Roberta Cutolo.
LP –
Tracklist
DISC 1
SIDE A
1. Jeito Bom de Sofrer – Flora Purim
2. Papo Furado (Jive Talking) – Airto Moreira
3. Xibaba (She-Ba-Ba) – Airto
4. Andei – Airto
5. Back Streets Of Havana – Airto Moreira
SIDE B
1. Flora’s Song – Airto
2. San Francisco River – Flora Purim
3. Vera Cruz – Flora Purim
DISC 2
SIDE C
1. Celebration Suite – Airto Moreira
2. Casa Forte – Flora Purim
3. From The Lonely Afternoon – Flora Purim
4. Black Narcissus – Flora Purim
SIDE D
1. When Angels Cry – Airto Moreira
2. O Sonho (Moon Dreams) – Airto Moreira
3. Summer Night – Flora Purim
DISC 3
SIDE E
1. A Secret from the Sea – Flora Purim
2. O Cantador / I Just Want To Be Here – Flora Purim
3. Light As A Feather – Flora Purim
4. O Canto da Sereia – Flora Purim
SIDE F
1. Open Your Eyes You Can Fly – Flora Purim
2. Hot Sand – Airto
3. Parana – Airto Moreira
4. Jump – Airto
DISC 4
SIDE G
1. Fingers (El Rada) – Airto Moreira
2. Toque de Cuica – Airto Moreira
3. Romance of Death – Airto Moreira
4. Peasant Dance – Airto
SIDE H
1. Samba De Flora – Airto
2. Amajour – Airto Moreira
3. The Road is Hard (But We’re Going To Make It) – Airto Moreira
DISC 5
SIDE I
1. Above The Rainbow – Flora Purim
2. Love Lock – Flora Purim
3. What Can I Say? – Flora Purim
4. Musikana – Airto
SIDE J
1. The Happy People – Airto Moreira
2. Dom-Um (A Good Friend) – Airto Moreira
3. Hungry on Arrival – Outernational Meltdown
More
Airto Moreira and Flora Purim, the legendary King and Queen of Brazilian Jazz, have captivated audiences for over six decades with their vibrant albums and exhilarating live performances. With a dedicated global fan base including the UK’s jazz funk and jazz dance scene to Japan’s concert halls, the power couple continues to make waves in the industry – Flora’s ‘If You Will’ (2022) album was even nominated for a Grammy!
The duo met and came together musically in Sambalanço and the Sambrasa Trio. The mixture of Airto’s rural Brazilian background and percussion talents and Flora’s classical training and involvement in the underground Bossa Nova movement, created a unique blend of sounds that resonates across generations. They have not only collaborated with music legends like Miles Davis and Chick Corea but have also produced ground-breaking music alongside the likes of Hermeto Pascoal.
Despite facing numerous challenges, including Flora’s arrest and incarceration in 1974, the duo’s close connection with friends-musicians like Thelonius Monk and Cannonball Adderley, their persistence and absolute passion for music have propelled them to the pinnacle of success. They worked with renowned musicians like Wayne Shorter, Jaco Pastorius, Herbie Hancock, Joe Henderson, McCoy Tyner, George Duke and producers such as Orin Keepnews and Creed Taylor.
Having been a part of numerous prestigious ensembles, including Dizzy Gillespie’s United Nations ensemble, Airto and Flora’s journey is a testament to their innovation and devotion to their craft. This collection offers a glimpse of that incredible journey, showcasing their extraordinary talent and unique sound and it’s also the first comp scanning their 60 year careers.
Compiled by Straight No Chaser editor/publisher Paul Bradshaw & Totally Wired Radio presenter Roberta Cutolo.
LP –
Tracklist
DISC 1
SIDE A
1. Jeito Bom de Sofrer – Flora Purim
2. Papo Furado (Jive Talking) – Airto Moreira
3. Xibaba (She-Ba-Ba) – Airto
4. Andei – Airto
5. Back Streets Of Havana – Airto Moreira
SIDE B
1. Flora’s Song – Airto
2. San Francisco River – Flora Purim
3. Vera Cruz – Flora Purim
DISC 2
SIDE C
1. Celebration Suite – Airto Moreira
2. Casa Forte – Flora Purim
3. From The Lonely Afternoon – Flora Purim
4. Black Narcissus – Flora Purim
SIDE D
1. When Angels Cry – Airto Moreira
2. O Sonho (Moon Dreams) – Airto Moreira
3. Summer Night – Flora Purim
DISC 3
SIDE E
1. A Secret from the Sea – Flora Purim
2. O Cantador / I Just Want To Be Here – Flora Purim
3. Light As A Feather – Flora Purim
4. O Canto da Sereia – Flora Purim
SIDE F
1. Open Your Eyes You Can Fly – Flora Purim
2. Hot Sand – Airto
3. Parana – Airto Moreira
4. Jump – Airto
DISC 4
SIDE G
1. Fingers (El Rada) – Airto Moreira
2. Toque de Cuica – Airto Moreira
3. Romance of Death – Airto Moreira
4. Peasant Dance – Airto
SIDE H
1. Samba De Flora – Airto
2. Amajour – Airto Moreira
3. The Road is Hard (But We’re Going To Make It) – Airto Moreira
DISC 5
SIDE I
1. Above The Rainbow – Flora Purim
2. Love Lock – Flora Purim
3. What Can I Say? – Flora Purim
4. Musikana – Airto
SIDE J
1. The Happy People – Airto Moreira
2. Dom-Um (A Good Friend) – Airto Moreira
3. Hungry on Arrival – Outernational Meltdown
More
With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central.
This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible style imaginable. Focussing on the key years 1968-1981, J Jazz volume 4 sees compilers Tony Higgins and Mike Peden dig even deeper into their record collections and pull-out tracks that span styles ranging from solo to big band, jazz classical interpretations and heavy jazz rock, to febrile post-bop, white hot samba fusion, and modal psychedelic wig-outs.
J Jazz volume 4 features icons such as drum master Takeo Moriyama, keyboard magi Hiromasa Suzuki, Fumio Itabashi, and Masahiko Satoh, and guitar wizards Kazumi Watanabe and Kiyoshi Sugimoto, alongside big band maestros and innovators Nobuo Hara and his Sharps and Flats, and Toshiyuki Miyama’s New Herd. Thunderous basslines nestle alongside glistening runs of electric piano, bubbling synths and air-tight drumming as the heavy psychedelic modal blues of Jiro Inagaki flows with the infectious samba grooves of Takashi Mizuhashi featuring Herbie Hancock; Shigeharu Mukai’s fusion funk epics take the music to another level and Mikio Masuda’s driving keyboard rhythms brings the heat to an incendiary dancefloor zone.
With 7,000 words of extensive sleeve notes, J Jazz vol 4 comes in a triple 180g vinyl set inside a deluxe gatefold sleeve with obi strip plus a 4 page insert. The double CD features two bonus tracks not on the vinyl edition. Mastered at the Grammy-nominated Carvery Studio by Frank Merritt, this latest collection is a worthy successor to the preceding three volumes that have set the bar so high.
J Jazz is curated for BBE Music by Tony Higgins and Mike Peden.
Tracklist LP:
1. Exchange – Takeo Moriyama
2. The Ground For Peace – Jiro Inagaki & His Soul Media
3. Chakkiri Bushi – Nobuo Hara and his Sharps & Flats, Hozan Yamamoto
4. Trial Road – Tomoki Takahashi
5. A Muddy Muffin – Masahiko Sato
6. Samba de Negrito – Takashi Mizuhashi & Herbie Hancock
7. Scramble – Hiromasa Suzuki
9. Prelude To The Afternoon Of A Faun – Nobuo Hara and His Sharps & Flats
10. Jones Street – Kiyoshi Sugimoto
11. By The Red Stream – Hiromasa Suzuki, Jiro Inagaki & Big Soul Media
12. Kaleidoscope (Edit) – Mickie Yoshino & Kazumi Watanabe
13. Ougi Denju-shiki – Toshiyuki Miyama and His New Herd
14. Toppu – Shigeharu Mukai
15. Mickey’s Samba – Mikio Masuda
More
This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible style imaginable. Focussing on the key years 1968-1981, J Jazz volume 4 sees compilers Tony Higgins and Mike Peden dig even deeper into their record collections and pull-out tracks that span styles ranging from solo to big band, jazz classical interpretations and heavy jazz rock, to febrile post-bop, white hot samba fusion, and modal psychedelic wig-outs.
J Jazz volume 4 features icons such as drum master Takeo Moriyama, keyboard magi Hiromasa Suzuki, Fumio Itabashi, and Masahiko Satoh, and guitar wizards Kazumi Watanabe and Kiyoshi Sugimoto, alongside big band maestros and innovators Nobuo Hara and his Sharps and Flats, and Toshiyuki Miyama’s New Herd. Thunderous basslines nestle alongside glistening runs of electric piano, bubbling synths and air-tight drumming as the heavy psychedelic modal blues of Jiro Inagaki flows with the infectious samba grooves of Takashi Mizuhashi featuring Herbie Hancock; Shigeharu Mukai’s fusion funk epics take the music to another level and Mikio Masuda’s driving keyboard rhythms brings the heat to an incendiary dancefloor zone.
With 7,000 words of extensive sleeve notes, J Jazz vol 4 comes in a triple 180g vinyl set inside a deluxe gatefold sleeve with obi strip plus a 4 page insert. The double CD features two bonus tracks not on the vinyl edition. Mastered at the Grammy-nominated Carvery Studio by Frank Merritt, this latest collection is a worthy successor to the preceding three volumes that have set the bar so high.
J Jazz is curated for BBE Music by Tony Higgins and Mike Peden.
Tracklist LP:
1. Exchange – Takeo Moriyama
2. The Ground For Peace – Jiro Inagaki & His Soul Media
3. Chakkiri Bushi – Nobuo Hara and his Sharps & Flats, Hozan Yamamoto
4. Trial Road – Tomoki Takahashi
5. A Muddy Muffin – Masahiko Sato
6. Samba de Negrito – Takashi Mizuhashi & Herbie Hancock
7. Scramble – Hiromasa Suzuki
9. Prelude To The Afternoon Of A Faun – Nobuo Hara and His Sharps & Flats
10. Jones Street – Kiyoshi Sugimoto
11. By The Red Stream – Hiromasa Suzuki, Jiro Inagaki & Big Soul Media
12. Kaleidoscope (Edit) – Mickie Yoshino & Kazumi Watanabe
13. Ougi Denju-shiki – Toshiyuki Miyama and His New Herd
14. Toppu – Shigeharu Mukai
15. Mickey’s Samba – Mikio Masuda
More
apan has produced some exceptionally talented jazz drummers and among them is Tatsuya Nakamura, who joins the BBE Music J Jazz Masterclass Series with his album ‘Locus’ from 1984, a session covering several bases, from heavy percussive samba to meditative avant-ambient. This is the album’s first ever reissue, although a track from ‘Locus’, ‘1/4 Samba’, was included on J Jazz vol. 3.
Nakamura began his drumming career as a teenager, inspired after seeing the documentary film “Jazz on A Summer’s Day” and listening to his idols Art Blakey and Miles Davis. By his early twenties, Nakamura was working with such luminaries as free jazz guitarist Masayuki Takayanagi, pianist Masaru Imada and band leader & composer Mitsuaki Kanno. In the mid-70s, like several other Japanese jazz players, Nakamura decided to make the move to New York where he studied drumming with Roy Haynes, and performed with members of the AACM and players from the loft and free jazz scenes including Richard Davis, George Adams, John Hicks, and Pharaoh Sanders. Returning to Japan, Nakamura continued playing as leader of his Japanese band The Jazz Fellows and in 1979, he went into the studio as leader for the classic “Where Is The Quarter” session featuring Masaru Imada, Hideto Kanai and Kenji Mori... more
A1. Locus (12:16)
A2. Wow (07:50)
B1. ¼ Samba II (11:43)
B2. Ballad (07:58) More
Nakamura began his drumming career as a teenager, inspired after seeing the documentary film “Jazz on A Summer’s Day” and listening to his idols Art Blakey and Miles Davis. By his early twenties, Nakamura was working with such luminaries as free jazz guitarist Masayuki Takayanagi, pianist Masaru Imada and band leader & composer Mitsuaki Kanno. In the mid-70s, like several other Japanese jazz players, Nakamura decided to make the move to New York where he studied drumming with Roy Haynes, and performed with members of the AACM and players from the loft and free jazz scenes including Richard Davis, George Adams, John Hicks, and Pharaoh Sanders. Returning to Japan, Nakamura continued playing as leader of his Japanese band The Jazz Fellows and in 1979, he went into the studio as leader for the classic “Where Is The Quarter” session featuring Masaru Imada, Hideto Kanai and Kenji Mori... more
A1. Locus (12:16)
A2. Wow (07:50)
B1. ¼ Samba II (11:43)
B2. Ballad (07:58) More
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A tribute to the late Kenny Hawkes, London's dark lord of house music. Lovingly selected and curated by Luke Solomon, Jonny Rock and Leon Oakey. Running from 1995 to 2002, 'Space' was a Wednesday night founded by Kenny Hawkes and Luke Solomon. It inhabited the underground world of Bar Rumba right in the heart of London's West End and took place each and every week. Kenny and Luke had both been regular fixtures on infamous London Pirate Radio station 'Girls FM', and were seeking a suitable place to play the kind of music they supported on their respective radio shows. They were presented with a weekly opportunity at Bar Rumba and snapped it up. 'Space' was THE place for 7 solid years, hosting local and international guests from the house music community week in week out, to 200+ hardcore and dedicated followers. Regular guest bookings read like a 'who's who' of the music scene with sets from Derrick Carter, Andrew Weatherall, DJ Harvey, Tom Middleton, A Man Called Adam, Ralph Lawson and Huggy, Harri and Domenic, Francois Kevorkian, Salt City Orchestra, Carl Cox, Chez Damier and Ron Trent.... the list goes on and on and on! Music from seminal record labels such as Classic, Prescription, Cajual, Paper, Relief was played on rotation amongst a killer mix of Disco classics, alternative 80s music, left-field B-sides and techno. The night undeniably became a cauldron of amazing music and midweek hedonistic chaos. As Soho changed beyond recognition and clubbing moved Eastwards, Kenny and Luke decided to call it a day. Sadly, Kenny Hawkes died in 2011, leaving a huge hole in the dance music community. Kenny was a legendary figure with an unmistakable sound and DJ style, he had a warped sense of humour and a huge personality and he continues to be dearly missed by all to this day. As a tribute to Kenny, his musical partner in crime Luke Solomon alongside 'Space' regular and DJ / Editor supreme Jonny Rock, and former Classic Records label boss Leon Oakey have joined forces to celebrate his life through music. 3 years of tweaking, pooling music and clearing tracks have culminated in 2 very special double albums and a digital compilation. A collection of 'Space' classics, underground jams and the tracks that shook the Shaftesbury Avenue dance floor, shaping one of London's most revered midweek sessions. All profits from the compilation will be donated to the British Liver Trust.
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A tribute to the late Kenny Hawkes, London's dark lord of house music. Lovingly selected and curated by Luke Solomon, Jonny Rock and Leon Oakey. Running from 1995 to 2002, 'Space' was a Wednesday night founded by Kenny Hawkes and Luke Solomon. It inhabited the underground world of Bar Rumba right in the heart of London's West End and took place each and every week. Kenny and Luke had both been regular fixtures on infamous London Pirate Radio station 'Girls FM', and were seeking a suitable place to play the kind of music they supported on their respective radio shows. They were presented with a weekly opportunity at Bar Rumba and snapped it up. 'Space' was THE place for 7 solid years, hosting local and international guests from the house music community week in week out, to 200+ hardcore and dedicated followers. Regular guest bookings read like a 'who's who' of the music scene with sets from Derrick Carter, Andrew Weatherall, DJ Harvey, Tom Middleton, A Man Called Adam, Ralph Lawson and Huggy, Harri and Domenic, Francois Kevorkian, Salt City Orchestra, Carl Cox, Chez Damier and Ron Trent.... the list goes on and on and on! Music from seminal record labels such as Classic, Prescription, Cajual, Paper, Relief was played on rotation amongst a killer mix of Disco classics, alternative 80s music, left-field B-sides and techno. The night undeniably became a cauldron of amazing music and midweek hedonistic chaos. As Soho changed beyond recognition and clubbing moved Eastwards, Kenny and Luke decided to call it a day. Sadly, Kenny Hawkes died in 2011, leaving a huge hole in the dance music community. Kenny was a legendary figure with an unmistakable sound and DJ style, he had a warped sense of humour and a huge personality and he continues to be dearly missed by all to this day. As a tribute to Kenny, his musical partner in crime Luke Solomon alongside 'Space' regular and DJ / Editor supreme Jonny Rock, and former Classic Records label boss Leon Oakey have joined forces to celebrate his life through music. 3 years of tweaking, pooling music and clearing tracks have culminated in 2 very special double albums and a digital compilation. A collection of 'Space' classics, underground jams and the tracks that shook the Shaftesbury Avenue dance floor, shaping one of London's most revered midweek sessions. All profits from the compilation will be donated to the British Liver Trust.
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With the timely reissue of Megalon's highly acclaimed album 'Pandora's Box,' we are now thrilled to present the first of two archival compilations by the London-based electronic production duo. This compilation meticulously curates handpicked tracks from Megalon's 1993 collection, featuring music from their EPs released on the legendary Plink Plonk label during that year. By delving into these archival tracks, the compilation effortlessly showcases Megalon's signature blend of modern, forward-thinking, and impeccably sleek techno hybrids. Prepare yourself for a diverse range of musical moods that provide a comprehensive 360° sonic experience of Megalon's esteemed catalog, ranging from deep techno meditations to high-octane dancefloor anthems. Every track included in this compilation has been meticulously sourced from Megalon's original DAT tape archive and expertly remastered by the highly skilled Curvepusher. Furthermore, the artwork and design have been thoughtfully crafted under the watchful eye of Rogan Jeans, the original Plink Plonk Records and Megalon designer, ensuring a visually captivating experience that complements the music perfectly.
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5LP (with 20 page booklet)
Airto Moreira and Flora Purim, the legendary King and Queen of Brazilian Jazz, have captivated audiences for over six decades with their vibrant albums and exhilarating live performances. With a dedicated global fan base including the UK’s jazz funk and jazz dance scene to Japan’s concert halls, the power couple continues to make waves in the industry – Flora’s ‘If You Will’ (2022) album was even nominated for a Grammy!
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Compiled by Straight No Chaser editor/publisher Paul Bradshaw & Totally Wired Radio presenter Roberta Cutolo.
LP –
Tracklist
DISC 1
SIDE A
1. Jeito Bom de Sofrer – Flora Purim
2. Papo Furado (Jive Talking) – Airto Moreira
3. Xibaba (She-Ba-Ba) – Airto
4. Andei – Airto
5. Back Streets Of Havana – Airto Moreira
SIDE B
1. Flora’s Song – Airto
2. San Francisco River – Flora Purim
3. Vera Cruz – Flora Purim
DISC 2
SIDE C
1. Celebration Suite – Airto Moreira
2. Casa Forte – Flora Purim
3. From The Lonely Afternoon – Flora Purim
4. Black Narcissus – Flora Purim
SIDE D
1. When Angels Cry – Airto Moreira
2. O Sonho (Moon Dreams) – Airto Moreira
3. Summer Night – Flora Purim
DISC 3
SIDE E
1. A Secret from the Sea – Flora Purim
2. O Cantador / I Just Want To Be Here – Flora Purim
3. Light As A Feather – Flora Purim
4. O Canto da Sereia – Flora Purim
SIDE F
1. Open Your Eyes You Can Fly – Flora Purim
2. Hot Sand – Airto
3. Parana – Airto Moreira
4. Jump – Airto
DISC 4
SIDE G
1. Fingers (El Rada) – Airto Moreira
2. Toque de Cuica – Airto Moreira
3. Romance of Death – Airto Moreira
4. Peasant Dance – Airto
SIDE H
1. Samba De Flora – Airto
2. Amajour – Airto Moreira
3. The Road is Hard (But We’re Going To Make It) – Airto Moreira
DISC 5
SIDE I
1. Above The Rainbow – Flora Purim
2. Love Lock – Flora Purim
3. What Can I Say? – Flora Purim
4. Musikana – Airto
SIDE J
1. The Happy People – Airto Moreira
2. Dom-Um (A Good Friend) – Airto Moreira
3. Hungry on Arrival – Outernational Meltdown
More
Airto Moreira and Flora Purim, the legendary King and Queen of Brazilian Jazz, have captivated audiences for over six decades with their vibrant albums and exhilarating live performances. With a dedicated global fan base including the UK’s jazz funk and jazz dance scene to Japan’s concert halls, the power couple continues to make waves in the industry – Flora’s ‘If You Will’ (2022) album was even nominated for a Grammy!
The duo met and came together musically in Sambalanço and the Sambrasa Trio. The mixture of Airto’s rural Brazilian background and percussion talents and Flora’s classical training and involvement in the underground Bossa Nova movement, created a unique blend of sounds that resonates across generations. They have not only collaborated with music legends like Miles Davis and Chick Corea but have also produced ground-breaking music alongside the likes of Hermeto Pascoal.
Despite facing numerous challenges, including Flora’s arrest and incarceration in 1974, the duo’s close connection with friends-musicians like Thelonius Monk and Cannonball Adderley, their persistence and absolute passion for music have propelled them to the pinnacle of success. They worked with renowned musicians like Wayne Shorter, Jaco Pastorius, Herbie Hancock, Joe Henderson, McCoy Tyner, George Duke and producers such as Orin Keepnews and Creed Taylor.
Having been a part of numerous prestigious ensembles, including Dizzy Gillespie’s United Nations ensemble, Airto and Flora’s journey is a testament to their innovation and devotion to their craft. This collection offers a glimpse of that incredible journey, showcasing their extraordinary talent and unique sound and it’s also the first comp scanning their 60 year careers.
Compiled by Straight No Chaser editor/publisher Paul Bradshaw & Totally Wired Radio presenter Roberta Cutolo.
LP –
Tracklist
DISC 1
SIDE A
1. Jeito Bom de Sofrer – Flora Purim
2. Papo Furado (Jive Talking) – Airto Moreira
3. Xibaba (She-Ba-Ba) – Airto
4. Andei – Airto
5. Back Streets Of Havana – Airto Moreira
SIDE B
1. Flora’s Song – Airto
2. San Francisco River – Flora Purim
3. Vera Cruz – Flora Purim
DISC 2
SIDE C
1. Celebration Suite – Airto Moreira
2. Casa Forte – Flora Purim
3. From The Lonely Afternoon – Flora Purim
4. Black Narcissus – Flora Purim
SIDE D
1. When Angels Cry – Airto Moreira
2. O Sonho (Moon Dreams) – Airto Moreira
3. Summer Night – Flora Purim
DISC 3
SIDE E
1. A Secret from the Sea – Flora Purim
2. O Cantador / I Just Want To Be Here – Flora Purim
3. Light As A Feather – Flora Purim
4. O Canto da Sereia – Flora Purim
SIDE F
1. Open Your Eyes You Can Fly – Flora Purim
2. Hot Sand – Airto
3. Parana – Airto Moreira
4. Jump – Airto
DISC 4
SIDE G
1. Fingers (El Rada) – Airto Moreira
2. Toque de Cuica – Airto Moreira
3. Romance of Death – Airto Moreira
4. Peasant Dance – Airto
SIDE H
1. Samba De Flora – Airto
2. Amajour – Airto Moreira
3. The Road is Hard (But We’re Going To Make It) – Airto Moreira
DISC 5
SIDE I
1. Above The Rainbow – Flora Purim
2. Love Lock – Flora Purim
3. What Can I Say? – Flora Purim
4. Musikana – Airto
SIDE J
1. The Happy People – Airto Moreira
2. Dom-Um (A Good Friend) – Airto Moreira
3. Hungry on Arrival – Outernational Meltdown
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The Sylvers - We Can Make It If We Try
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The Sylvers - Through The Love In My Heart
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The Sylvers - Handle It
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The Sylvers - I'll Never Let You Go
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The Sylvers - Cry Of A Dreamer
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The Sylvers - Stay Away From Me
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The Sylvers - Love Me, Love Me Not
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The Sylvers - I Remember
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The Sylvers - Yesterday
Repress!
This is a masterpiece. And we mean it. Beautiful, golden-era soul written by Leon Sylvers III, produced by Jerry Butler and Keg Johnson.
The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’.
This is the groups second album, from 1973, and is one of their strongest. Opening with the awesome mid-tempo ‘We Can Make It If We Try’ the record moves through funk, boogie and deep soul moods, finishing on a hazy, acapella version of The Beatles ‘Yesterday’.
The Sylvers always provide a goldmine of samples. This album has been flipped by Madlib (for MF DOOM), Homeboy Sandman, 50 Cent, Ghostface Killah, Black Milk, Roc Marciano, David Banner & 9th Wonder and more.
Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006. More
This is a masterpiece. And we mean it. Beautiful, golden-era soul written by Leon Sylvers III, produced by Jerry Butler and Keg Johnson.
The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’.
This is the groups second album, from 1973, and is one of their strongest. Opening with the awesome mid-tempo ‘We Can Make It If We Try’ the record moves through funk, boogie and deep soul moods, finishing on a hazy, acapella version of The Beatles ‘Yesterday’.
The Sylvers always provide a goldmine of samples. This album has been flipped by Madlib (for MF DOOM), Homeboy Sandman, 50 Cent, Ghostface Killah, Black Milk, Roc Marciano, David Banner & 9th Wonder and more.
Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006. More
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Mike 'Agent X' Clark - Activate
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Mike 'Agent X' Clark - Going Off The Wall
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Mike 'Agent X' Clark - It's Coming For Ya
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Mike 'Agent X' Clark - Mr Mitchell
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Sonia Whittingham - Sweet Sensation
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UK Lovers Rock holy grail 12” from Sonia Whittingham, produced by Glen Sloley and originally released in 1988. ‘When I look into your eyes I feel a sweet sensation. I know our love is true ‘cos you make me happy'
A 140gram pressing in full colour sleeve designed by Bradley Pinkerton. More
A 140gram pressing in full colour sleeve designed by Bradley Pinkerton. More
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Simoncino - A1.Simoncino - Distant (Original Unreleased Mix)
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Simoncino - A2.Simoncino - Distant (Mr Fingers Unreleased Remix)
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Simoncino - A3.Simoncino - Trance Fusion/a>
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Simoncino - A4.Simoncino - Fantasy
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Simoncino - B2.Simoncino - Smoke Channel
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Simoncino - B3.Simoncino - Vetroinox
Caution alert! The brilliant Italian producer made in peruggia Simoncino is back on Skylax Records again with a remix featuring the great Larry Heard aka Mr Fingers. You already know his ability to create sounds that are
deeply imbued with the chicago sound, you sometimes might think you're hearing some lost gems from the great Armando. In short, no need to add more, this item is essential for any normally constituted dj. Pure gold. More
deeply imbued with the chicago sound, you sometimes might think you're hearing some lost gems from the great Armando. In short, no need to add more, this item is essential for any normally constituted dj. Pure gold. More
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Foster Sylvers - Misdemeanor
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Foster Sylvers - Big THings Come In Small Packages
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Foster Sylvers - I'm Your Puppet
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Foster Sylvers - Mockingbird
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Foster Sylvers - I'll Get You In The End
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Foster Sylvers - Hey Little Girl
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Foster Sylvers - Happy Face
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Foster Sylvers - Swooperman
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Foster Sylvers - More Love
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Foster Sylvers - Only My Love Is True
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Foster Sylvers - Lullabye / Uncle Albert
Repress!
Brilliant funk-soul from 1973. Written by Leon Sylvers III, produced by a heavyweight line-up comprising Jerry Butler, Keg Johnson and Michael Viner.
As with the majority of The Sylvers music from this period, the album has been heavily sampled. ‘Misdemeanour’ is a truly classic break and has been utilised by Madlib, Big Daddy Kane, Rodney P, The D.O.C, Pete Rock and many more. Danny Krivit edited the track in 2007, adding an acappella version on the front – still a big record with DJ’s.
The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’.
Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006. More
Brilliant funk-soul from 1973. Written by Leon Sylvers III, produced by a heavyweight line-up comprising Jerry Butler, Keg Johnson and Michael Viner.
As with the majority of The Sylvers music from this period, the album has been heavily sampled. ‘Misdemeanour’ is a truly classic break and has been utilised by Madlib, Big Daddy Kane, Rodney P, The D.O.C, Pete Rock and many more. Danny Krivit edited the track in 2007, adding an acappella version on the front – still a big record with DJ’s.
The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’.
Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006. More
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Silent Servant - M-87 (04:02)
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Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK + North America
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
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Ron Carroll - Mysteries
2
Ron Carroll - Dreams
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Trilogy Inc. - Awakening
4
Trilogy Inc. - Hi Cycle
Legendary NYC label Nu Groove presents an unmissable vinyl package spotlighting two celebrated house selectors and their 2023 releases. First up on the A-side, Chicago native Ron Carroll presents two tracks from his ‘House Of Love EP’; ‘Mysteries’ aims to answer the question “Where does house come from?” as it namedrops fellow icons, while ‘Dreams’ is more forceful, asserting that “This is OUR house”.
Both feature Carroll’s distinctive vocals, their messages ringing clear and true over that classic, Chicago-club-ready sound. On the flip, Trilogy Inc. return with fresh originals ‘Awakening’, a bouncy club track built from smooth chords and a dynamic beat decorated with vocal house snippets, and ‘Hi Cycle’, continuing with energetic percussion and syncopated synth patterns to give a classic feel. Coming together on wax for the first time, these tracks are for the choice selectors seeking serious underground heat. More
Both feature Carroll’s distinctive vocals, their messages ringing clear and true over that classic, Chicago-club-ready sound. On the flip, Trilogy Inc. return with fresh originals ‘Awakening’, a bouncy club track built from smooth chords and a dynamic beat decorated with vocal house snippets, and ‘Hi Cycle’, continuing with energetic percussion and syncopated synth patterns to give a classic feel. Coming together on wax for the first time, these tracks are for the choice selectors seeking serious underground heat. More