Based on Francesco Fisotti's real life experience, Lido Sirena wants to be a sound details of late 80s summer on Salento coast. The new Apulian sound, also called "Adriatic Funk", is a perfect mix between floating disco strings and solid weighty kick drums.

A1. La Tartana
A2. Fuecu Brucia
A3. Fine Giugno
B1. Rustico Boogie
B2. Aria
B3. Night Vodka

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Soulful hip hop instrumentals from Italy on Best Record-affiliated Quattro Bambole! "The "Moderna Sonorizzazioni" series by Quattro Bambole Music continues its investigation of the infinite expressive possibilities of instrumental hip-hop, recognizing it as the most contemporary form of library music. After the first two chapters - signed by Biga and JayBee Vibes - the third volume of the series, "Sport & Calcio", features the Roman producer Delphi for whom there was a lot of anticipation on the part of both Italian and scattered beatmakers everywhere in Europe and the United States. With the subtitle which is already a declaration of intent ''Tales of a boy from Rome....'' etc. etc., "Sport & Calcio" is an instrumental fresco in which football and sport become narrative pretexts to evoke images, memories and suggestions. The twelve tracks that make up the album are real cinematic sketches, in which Delphi (born Valerio Del Prete) combines raw beats, nostalgic loops, sample-delia and a narrative that evokes family Sundays, spent on the street as well as stadium, and the heat of the crowded stands. Therefore a work that is musically declined based on moments and emotions.. ''Sport & Calcio'' is therefore a deliberately introspective and not very ''danceable'' work. Sound photographs, short descriptions, themes, small fragments associated with television reports on sport... with which the artist touches chords that allow him to express a different compositional depth, a conceptual work, more descriptive and functional to the line of "Moderna Sonorizzazioni" series."



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A great mixture of jazz, funk, afrobeat and house on new album by Italian outfit Asakaira for Quattro Bambole. "Asakaira is the name of a place that does not exist, an "invisible city" that is the backdrop to the meeting of four musicians. Michele Vassallo (sax and efx), Giuseppe Desiderio (bass), Francesco Fasanaro (percussion) and Giuseppe Limpido (drums) who together have already gone through various experiences to immerse themselves in an imaginary space, of the border! So, they exploit this nature to transcend the limit, throwing caution to the wind with carefree abandon, but not before carefully noting the history and legacy of jazz, hip-hop and afrobeat. Asakaira' s sound is psychedelic, fluid, constantly evolving: afrobeat & jazz punk alternate with funk, electronic music of Mediterranean culture. An absolutely "stateless" sound, while maintaining its own timbre and stylistic coherence to make it recognizable. The choice of not having a harmonic instrument present in the lineup gives ample space to electronic effects and the groove, creating a sort of modern ritual. The eponymous debut album, released by Quattro Bambole Records, consists of seven tracks, in which the ability to reinterpret their native sounds with polysemic rhythms emerges in a work where layered drums and percussions intertwine with effected saxophones and psychedelic bass lines. A path that moves between songs with a more "ethereal" ancestry, such as the opening track "Night Tales", an acoustic groove that rests on the use of the handpan, an idiophone instrument that gives the song a psychedelic vibration and like "Chatting With You" where a soft and extended overlapping of multiple musical meters emerges, between neo soul, jazz and hip-hop."

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Horizon is the first official album by the italo-moroccan producer Issam Dahmani, also known with the alias NNatn. Issam's style flows between deep-house, balearic and afro influences, the perfect blend for a sunset aperitivo on the italian coast.

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AZZURRO is the soundtrack of a summer vacation in Italy of the Hungarian dj/producer duo "Pleasure Voyage". The label Quattro Bambole continues on his Adriatic Funk series blessing a new summer with the rightest vibes. Available on vinyl and on all digital stores.
The concept of the record was like a week-long vacation in Italy. It starts with jazzy, slower sessions and progresses to an italo-jazzy-house gem, Summer Voyage. Passionate vocals with smooth Rhodes solo and licks on this track. Following some clubby tunes Electromarea and Dolphine Dance as a nightlife hangout, and a remix by the label founder Francesco FIsotti with cool vocals follows.
Finally, with the last tune, you can feel the bittersweet emotions when you are on your way to the airport to leave this magical country, but you have some souvenirs on your skin that they call “Ambraskin” (tanned skin) and the visual memories of the crystal clear sea they often call Mare Azzurro.



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Gelateria Fisotti (a real gelato spot from Otranto, Apulia IT) is back with the 2nd volume of Gelato Italiano series, a various artists that presents itself as a summer soundtrack for the coolest gelaterias of the riviera.

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“Classe Operaia” is the 2nd volume of “Moderna Sonorizzazioni”, a series of instrumental hip hop inspired to library music. The italian beat-genius JayBee Vibes tells the story of his half-tunisian half-sicilian family emigrated to Milan. 15 hip hop beats with evocative sample-chops and dope drums



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Gelato Italiano vol.1 is a Various Artists EP created as if it was a playlist for a gelato shop, with different sounds inside, like various flavors of gelato. The idea comes from Francesco Fisotti, owner of Gelateria Fisotti, based in Otranto. The summer there is hot and gelato should be eaten with the right vibes, definitely Italo-Disco, Jungle, House, Hip Hop, Broken Beat.


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Based on Francesco Fisotti's real life experience, Lido Sirena wants to be a sound details of late 80s summer on Salento coast. The new Apulian sound, also called "Adriatic Funk", is a perfect mix between floating disco strings and solid weighty kick drums.

A1. La Tartana
A2. Fuecu Brucia
A3. Fine Giugno
B1. Rustico Boogie
B2. Aria
B3. Night Vodka

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Berlin based Philipp Otterbach debuts on Offen with "Correct Me If I Am Incorrectly You". TIP!

Post-music phantasmagoria for the world in which the past became more unpredictable than the future.
Remember Cowboy Bob, Salaryman and Gary Floyd in that opium den in Fischeln?

Deconstructed entertainment for hopeless romantics and testament to Otterbach's unique artistic language.

Supersound vinyl LP, full cover inside out print.

Written and produced by Philipp Otterbach
Additional voices on B1 by Nadia D´Alo
Drums on B3 by Freund Kern

Mastered by Enrico Mercaldi
Artwork by Percy

Offen Music 2023

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REPRESS!! 3LP+7"
You like African disco/boogie? Then this comp. is for you.. No need to drop crazy amounts of cash on the originals. This one holds winners only!



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2023 Repress!

Conceived by Colombian musician Mario Galeano, the force behind the band Frente Cumbiero, and English producer Will ‘Quantic’ Holland, Ondatrópica brings together an all-star cast representing both the classic and modern styles of la musica Colombiana.

Over 3 weeks in January 2012 at the famous Discos Fuentes studios in Medellín legendary figures from Colombian music joined a group of younger Colombian musicians that included members of both Mario’s band Frente Cumbeiro and Quantic’s Combo Barbaro. The plan; “to re-interpret the tropical musical heritage of Colombia with new approaches in composition, arrangement and production in a classic and mythical setting.”

For the recording Will and Mario invited musicians that they felt had made a particularly important contribution to the history of tropical music in Colombia. Michi Sarmiento, crowned the Godfather of Ondatrópica during the recording process, sounds as at home playing on the drunken Black Sabbath cover ‘I Ron Man’ as he does on 'El Caiman y Gallenazo', a song penned by his father.

Multi-instrumentalist Fruko, the prodigy of the Fuentes Studio and one of the top progressive minds of the 70s got so involved that he joined the project for much longer than originally planned, and even ended up preparing desserts and fruit salads for the large group of musicians that had been assembled in the studio.

The Barranquilla-based accordion-playing don and singer Anibal Velasquez also joined the recording for two days. Another of the 42 musicians involved was octogenarian pianist Juancho Vargas who came straight from hospital to the studio to record ‘Cumbia Espacial’.

A mixture of well known and classic Colombian styles such as cumbia, porro, gaita and champeta clash head-on with boogaloo, ska, beat-box, hip hop, dub and funk. The tracks range from straight-up timeless pieces with one foot in the 1960s and 70s to progressive and forward-looking recordings firmly rooted in the 21st century. Mario and Will also adopted a 100% analogue recording approach in tribute to a sound and feel that the studio had been lacking for some years now.

Chilean MC Ana Tijoux takes the microphone for ‘Suena’, the melody line an ode to the major-key sound of 60s Sabanero cumbias. El Chongo, a young percussionist and beatboxer from the Caribbean city of Cartagena features on ‘Rap Maya’, a sound-clash with 82-year old gaita player Pedro Ramaya.

Soundway’s exploration into Colombian music began in 2007 with it’s much acclaimed compilation ‘Colombia! The Golden Age of Discos Fuentes The Powerhouse of Colombian Music 1960-76’. That compilation features many original works from the above-mentioned artists as well as some of the main session men of the day that also played on this new record. It's fitting then that Ondatrópica came together in the legendary Discos Fuentes studios in Medellín.

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On his fifth album as VC-118A, Samuel van Dijk is using his evolved electro practice to explore the notion of change - a universal constant which keeps us barrelling towards unknown futures. 2021's Spiritual Machines found van Dijk edging his sound into downtempo and experimental pastures. On the follow-up, Waves of Change, crooked machine rhythms and richly developed tones and textures spool from his trusted bank of outboard tools, while a subtle drop in tempo widens the space for the atmospheric sound design to weave its magic. Balancing the disciplines of machine-powered sequencing and hand-shaped sound to render his ideas in sonic form, the continued evolution of VC-118A results in another mesmerising record steeped in craft and loaded with intention.

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Official reissue with four hard to find Italo Disco gems (’83 – ’88) taken from the original master tapes!

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Deepening the sound well of the Mantis series' explorations in subliminal club music, Katatonic Silentio arrives with four tracks of spatial, subtle and elegant electronics. Milan-based Mariachiara Troianiello's approach to soundsystem-oriented music has evolved over time, moving from hyperkinetic, breakcore-tinted post-rave music to patient, sound design-rich tapestries on her latest Les Chemins De L'inconnu LP for Ilian Tape. On Mantis 11 she continues her established leftfield approach while also tapping into a particularly restrained, meditative mode which aligns with the loose ethos orbiting Mantis. Snaking, crooked rhythms plot a course through artfully sculpted reverb and delay - a skeletal, dub-informed sonic stamp shot through with especially expressive production, primed for dancehalls prepared to journey further in pursuit of full immersion.

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Artefakt dives deeper into their electronic universe with a worthy follow-up on their Days Bygone LP on the Delsin Interstellar series from early 2021. 'Brain Dripper' EP explores adventurous paths in dreamy electronics, experimenting with emotive melodies and floating chords rendered into immersive idm and ambient pieces. On the flip the pair fuses their trademark deep techno jams with stepping electro brain workouts.

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The hybridised nature of modern dub-rooted club music continues to define Delsin's Mantis series continues to platform hybridised variations on modernist soundsystem music with the arrival of RVSHES, the production partnership from Logos (James Parker) and DB1 (Dylan Brownsword). On Mantis 12 they their precision-tooled drum pressure is being applied to six exacting studies in rig-ready rhythm and repetition. There's a spartan, cyclical nature to the work they carry out, setting up a sturdy beat set to non-standard timings and teasing it out over an extended run time, but they also exercise a keen sense of infinitesimal progression, edging their tracks past DJ tool territory into a more captivating headspace. Maintaining the immersive atmospherics of the Mantis series to date, theirs is a sharply focused sound which sits at the intersection of tough minimal techno and polyrhythmic broken beat, positively geared towards DJs favouring inventive building blocks in their sets.

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