Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Touch Me Again
A2 Hang On
B1 The Joy of Melancholy
B2 Forever and Ever

Release Info:

Dam Swindle return to Heist in excellent form with a 4-track EP in their signature style.

The iconic Amsterdam duo returned to the studio after their much-lauded ‘Minor Fools’ EP, where the lead track ‘That’s Right’ became one of the most heartwarming tracks 2023. Their recent contribution to the Phonica 20-year compilation -‘Allright (just a tribute)’- is turning into one of the biggest hits of this year with big plays on pretty much every festival around, whether it’s Glastonbury or Dekmantel. The guys are known for their ability to bend different styles into something very much their own and their newest addition to the Heist catalog is no different. The ‘Touch Me Again’ EP sees them go from sample-heavy house to classic 90’s piano-driven tracks with a touch of acid and it’s one you don’t want to miss.

The record starts with ‘Touch Me Again’, a house jam with chopped vocals, energetic synth stabs and a big breakdown. Add to that a touch of acid and you’ve got a follow-up to their Phonica hit of 2023.

‘Hang On’ takes you back into classic Swindle territory, with their signature sampling style and knack for finding those lush vocals. The synth chops and bassline give the track its upbeat energy and the distant filtered pads move in an ever so subtle way, that there’s always something new happening while keeping the attention on that catchy main hook.

On the flip, we see the guys take things a bit deeper with emotive vocals and introverted keys layered over a steady groove on their track ‘The Joy of Melancholy’. Fast-forward to the drop and all that energy comes free with a huge piano break, which propels the track into a blissful ‘hands-in-the-air’ dancefloor moment.

The EP closes with ‘Forever and Ever’, a gospel-inspired Deep house tune full of organ hits and off-kilter sample chops. This 4-track EP gives you jam upon jam upon jam and sees Dam Swindle solidify their position as the go-to artist in the house scene and keeps them at the forefront of electronic music.

Grab this record while you can and share the love,

Heist Recordings. More

GENRE/S: House, Deep House

[12” vinyl]
A1. Acid Left And Right
A2. Forever Latino
B1. Space Drag
B2. Ohh Baby

SHORT INFO:
Axel Boman returns in defiantly good form with a brand new original EP on his very own Studio Barnhus label, blessing this fast paced world with some slow moving music inspired by the Eterna Primavera mountains outside Medellin. Specifically, this record was created during months of isolation spent on an avocado farm, with the Swedish producer letting the outside world disappear bit by bit, until only clear shapes of unclear importance remained.
Of course, this is all just an attempt to poetically describe a collection of tracks that sound exactly like the kind of disco business Axel has been meddling in for the last 15 years. Don't be fooled by the rocks that he got, he’s still, he's still Axel from the block. Viva house music!

VITAL SALES POINTS:
- limited edition vinyl, WAS exclusive.
- artwork by Robin Ekemark
- Released on Axels own label Studio Barnhus, following up his latest double album LUZ/ Quest for Fire
which got Grammis nominated and listed on uncountable "Best of 2022” lists all over the world.
- AXEL BOMAN!!!!!!!
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2023 repress

Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min

Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.


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FORMAT 2LP 180g vinyl, printed sleeve, dl card

TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30

Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.

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Tracklist

a1. Far Far Fantastic (Lauer Remix)
b1. Earlier Forms (Paula Tape ‘Bubble’ Remix)
b2. Fishers Theme (Ineffekt’s Azalea Version)

Release Info:
This spring, Atomnation is to serve up three remixes from Sam Goku's cultured East Dimensional Riddims album. The original full length landed in spring last year, and now contemporary innovators Lauer, Paula Tape and Ineffekt all offer their own unique versions.

Goku sees this remix EP as a way of showcasing the sort of tunes he plays in his mixes, most recently for the RA podcast series as well as for Ransom Note and Live At Robert Johnson. The Chinese-born but long Munich-based artist is an assured DJ who unites his different heritages when he plays. He's someone who taps into the similar emotions and motivations of east and west and does so with a nuanced, storytelling brand of house and techno that is warm and uplifting.


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The London resident Ross Evana already excelled as DJ at Pacha NYC, at Ministry of Sound London or in the We Love Space series in Ibiza, and has been ranked # 12 in the Beatport House charts with "Ouija Board". His track "Thrilla in Manila" first takes its time to build up before it sets a tremendously powerful exclamation mark on the dancefloor with its tropical-hypnotic percussions. With its second track, the ninth edition of Cocoon's 10"-series leads us to the land of the midnight sun. The two Stockholm-born cousins Alex Caytas and Aleks Patz have started their musical collaboration only in 2007 but can already look back on a hand full of very good produced releases for the Stuttgart-based label Parquet Recordings and the Italian label Caremella, as well as on remixes for Martin Dawson/King Roc and Voltique. "Blue Sea" shows the duo's affinity to the energetic Deep House Techno of the Nineties: with its organ sound, blues vocals and a highly infectous bass line, this track could almost pass as a modern and uncluttered version of St. Germain, being predestined for warm summer nights.
This is how Techno sounds in 2011.
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“Only those who will risk going too far can possibly find out how far one can go.” a sage modernist poet previously whispered. And here we go, far out and yet so near, the third edition of “Risks Issues Opportunities” brings frontier reverberations scratching at the edges of dance, pop, downbeat, and other trance- portive sectors. Eight fast/slow propelling tracks. Adventurous, full of grandeur, gratifying the dance floor while equally winning the relaxation zones. Pure emotions crafted by newcomers. There is Milan’s Tagliabue, trancing slow and insightful. Or Cologne’s Grischerr, eloquently Tolouse-Low-Traxing. Some go down the slow burning road, where rhythms hang low, and suspense is in full show. Like London’s Frank Rodas, Garnu Depot from Iran, or Xei Ju from the islands of Micronesia, striking all ears with ghostly transcendental percussive science. An autumnally global voyage, which likewise offers industrialized districts by Italian producer Federico Cassetta, Metropolis minimal wave pop by Japanese musician Saeko Killy, or odd swamp funk by Chilean/German duo 7697 Miles. They all show, how far you can go, without losing your distinct flow. More