Gonno is brightest hope of japanese underground house&techno scene. He has released on International Feel and Beats in Space to name a few and his track "Acdise#2" has been supported by Laurent Garnier, James Holden, Francois Kevorkian and Todd Terje. a side,"stop" is killer melodic acid house sound. It's like Theo Parrish & Dj Pierre meets Tangerine Dream and b side,"across the sadness" is euphpric balearic tune. More

Aptly titled The Noughties, the latest 12" from Beats In Space Records features three tracks recorded between 2005 and 2009 courtesy of Tokyo's humbly dynamic Gonno. A dynamic producer who is clearly not afraid to nest until crucial hatch time, Gonno flies the coop with a wingspan throwing psychedelic colour at a sunburst sky. Blending a spectrum of musical influences and personal touch points about the people (and animals) he’s encountered and the implicit joy / sorrow in that exchange, Gonno’s productions blur the lines between art and life experience. Propulsive and busy but light and airy, the A-side 'Are You Asleep' tucks in the listener under a sequenced duvet ensuring proper dream state dance floors are availed. 'Salmon Is Jamming' - an ode to Gonno’s collaborator friend and WC Recordings founder who passed away - that, strides on the sweet sorrow of a longing guitar line and a building synth billow. The final phreak-phonetic cut 'Notoize' creates a fugue state cross-processing the vague, hyper-evolution of a decade that we're either catching up to or completely eating its dust. If you ask us, we're all gonners. Each 12" from Beats in Space Records features original artwork in considerate and serial form. T his 12" features the Bardo freebasing of Perks & Mini mastermind Mischa Hollenbach spanning an additional two panels of heavy duty inner sleeve.

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Complete with deluxe packaging and 180g vinyl. Comes with a stripped down acid-cussive version from our favorite Swedish Techno machines Skudge and another storming remix from Gatto Fritto himself (and a beautiful ambient track 'Turn to Light'). More

Here comes JIN09: a four track solo EP from Seoul’s Cosmo. Cosmo began her DJ career in 2017 and has since become one of the most active and consistent artists in the Seoul club scene, having residency at BBCB: Beton Brut + Concrete Bar.

JIN09 sees Cosmo's productions take on an ethereal and cosmic atmosphere drawing from the traditions of house and balearic music. While A side is lush, and dreamingly chugs along, B side sees Cosmo venture into techier and grittier sounds.

We are excited to present our first solo EP from such a talented producer, and can't wait to see what will come next from one of the region's rising stars. More

For this striking 7th EP, we are lucky to have Mr. Ho back for another massive delivery. This time complete with fully versatile house music.

A1 “Burrow” storms out the gate with an acid attack. The spooky bassline, punchy drums, and acidic atmosphere makes this the complete peak time bomb.

Then the EP smoothly roles into the A2, “TCB2”. A loopy, repetitive drum pattern that is guaranteed to feature for many on repeat mode.

For B1’s “Shoplift” Mr. Ho brings out the melody. This is a feel-good tune featuring an old school jungle-like drum pattern that makes this a great summer outdoor weapon.

Finally, Mr. Ho’s Klasse Wreck partner in crime Luca Lozano provides a silkier twist on “Shoplift” for a vinyl only remix.

This EP provides a whole spectrum of tools for house heads. Groovy, melodic, banging, or loopy, Mr. Ho has got them all covered. More

Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release.

On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra.

Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all.

B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party.


For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2.


On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost. More

JIN05 enters the winter season with a funky warmth from synthesizer specialist Romain FX. Based in Lyon, raised in Taiwan and Hong Kong, Romain is a true multi-culturist. Growing up only speaking Mandarin in Taipei, then got in touch with keyboard at legendary Shaw Studio in Hong Kong at age of 16. A1 “?? Jiéhé” ( in English means Combine) and B1 Flagada both showcases Romain’s technical skills on boards and also his playful jam session disco vibe.

Remixes come in 2 opposite forms:On A2 Zurich’s Ozelot Records head honcho Manuel Fischer surprisingly delivers with an experimental approach, turning Jiéhé to a moody, dub funk. Choppy kicks and woozy atmosphere makes this a late night dance floor favourite cut. Then Telephones finishes up the EP on B2 with a total, 90’s peak time euphoric bomb, transforming “Flagada” into a pumping feel good vibe that is a must get weapon for all house heads and ravers alike. More

JIN 03 EP presents a 4 track EP from Osaka's Ground. True to his unique soul that's reminiscent of a nomad, traversing the planet, befriending kindred spirits found in humans and various environments, this EP presents 4 pieces of unique grooves that ranges from the more euphoric vibe to both daytime & night time of a winter season surrounding a temple.

On A side "Osakacid" comes in two versions : A1 original version is a slow motion acidic tripper under the winter street of Osaka city lights. Long Flight Version features Mayuko, 1/2 of ambient, electronica duo Synth Sisters. Soothing melody layered with Ground's goofy acidic flavor compliments perfectly with each other.

B1 turns to the pure creative side of Ground. "Stone Bridge" is based on a local bridge that connects to a temple nearby his country side home outside of Osaka. Mystic and minimalistically punchy, this cut digs deep into the soulful side of Ground's ever nomadic approach. B2 comes in a complete shock: Ground's longtime friends in Thailand - Mogambo twists up "Stone Bridge" into a psychedelic, GOA fused floor shaker that takes you to an imaginary zone of raving inside the temple late into early morning. More

Tracklist:

1 Holy Smokes
2 Holy Smokes (Dawl & Sween Remix)
3 Not Good With Others
4 Emo Springs (Sunsiaré Reshape)
4 Emo Springs

JIN’s 2nd EP storms out the gate with Hong Kong’s finest Mr. Ho. The Klasse Wreck’s head honcho boss drops three originals.

A1 “Holy Smokes” is a slow-motion, acid-flavored chugger, making one feel like snake-rolling through Hong Kong’s urban jungle. B1 “Not Good with Others,” a no BS bassy and bossy track, swings with a filthy kick from the get-go. The EP finishes with B3 “Emo Springs”, which blends futuristic jungle, tribal, house, and juicy basslines into a must-get dance floor heater.

Added are two sonic-weapon-remixes:

On A2 UK OG duo Dawl & Sween hits all the cylinders with mean breakbeat banger remix of “Holy Smokes.” On B2 Hong Kong’s ? Club’s music curator Sunsiaré runs “Emo Spring” through an electrifying old school jungle reshape, leaving all buzzed by his sonic assault. More

New collaborative album from Detroit legends !

Norm Talley returns to his Upstairs Asylum label alongside fellow US house pioneer Delano Smith for Straight Up No Chaser, an eight-track opus featuring four solo cuts each.

Talley's gritty, dubbed-out, low-rolling house style is present and correct throughout with the loopy chords of 'Blak Bottom' getting things going, 'The Flip' getting more cavernous and aqueous and 'ISO Vision' leaning into dub techno.

'Believe It' is a soulful deep house looper, while Smith gets bubbly with 'The Bassline', lays down thumping kicks on 'Travels 23' and his trademark synth smears on 'The Drive' while 'Remembrance' is a heady dub house cut that locks you into a state of perfect hypnosis. More

E.P. of low slung and tripped out Cologne style mind melters. Grischerr achieves a live and open sound in these grimy productions which adds to the immersive atmosphere conjured up across all tracks. It's inspiring stuff!
Lucas Croon doses up the psychedelic measures with a flipped version of 'The Man That Never Smiled' topping off the E.P. just nice.. RH TIP! More

Sure Thing presents Well of Sand, its second compilation. Six tracks from label friends and favorites, each new to the roster and offering bold, untempered explorations of tempo and weight, a concise yet expansive collection recalling the deliberate cadence of rippling sand and the sheen of shimmering oases. More

Chicago born & Detroit bred ALTON MILLER is a vessel of musical vibrations. Since his first release as a remixer on KEVIN SAUNDERSON'S 1987 "KEYNOTES," ALTON'S creative journey has remained consistent. The four tracks on this EP all feature low slung basslines, dirty synths & deep rhythms. More

We’ve waited over 20 years and finally Vince Watson is releasing the follow up to his seminal ‘Moments In Time’ album released on Ibadan and Alola, entitled ‘Another Moment In Time’. Over the twenty years since the release of ‘Moments In Time’, Vince has put out more than ten LPs of various flavours. Here he returns to the vibe and feel of those early works. ‘Another Moment in Time’ wastes no time in exploring those rich, melancholic tones with his stunning piano chords and an essence of nostalgia that is both thought provoking and deeply satisfying. This album takes Vince Watson ever further into his original sound but with a pristine quality and finesse that his early work was yet to benefit from.

There are many highlights, from the opener with its rich acid deepness and subtle keys, to the energetic and deeply fulfilling ‘Flashback’ that gives a nod to Funk d’Void’s Diablo or KiNK. ‘Peace Of Mind’ features the incredible talents of the hallowed Underground Resistance ‘Timeline’ keyboard master Jon Dixon as co-writer, this combination of both musicians is an ear to behold; the piano and Rhodes playing is straight up high-tech jazz. ‘Lost In the Deep’ takes its cues from Detroit but hits different with twisting chords and grooves. ‘Whispers’ delivers the most melancholic deepness on the LP, whereas ‘Sunshine’ is pure out and out happiness with its twisting chords and a firm foundation in Detroit. Written on the first sunny day after the winter, you can hear the breath of relief within the track.

‘Rendezvous [Finale]’ is the 3rd and final version of a cut that’s had a long and satisfying journey. Originally released on Carl Craig’s Planet E in 2006, it was then formatted into Afro House for Osunlade’s Yoruba Records in 2018, and in ‘22 this new version was debuted for Carl Cox’s Birthday at DC10 in Ibiza for Vince’s live set. The reaction sealed the deal! ‘Forever’ and ‘Make A Wish’ are straight up club cuts that featured on a single also in ‘22. The album closes out with the peacefully beautiful ‘Sleep’ that rounds things off to sonic perfection.

20 years is a long time to wait, and it would do ‘Another Moment in Time’ no justice to simply say it was worth the wait. This feels like the next evolution in Vince Watson. The finesse, the musicality, musicianship, and the production levels are of the highest level. ‘Peace of Mind’ and ‘Flashback’ may well be two of the biggest tracks that Watson has released to date. More