After the hit making debut EP from Harri Pierson sold out in under a week, he returns with the modestly titled 'The Most Balearic Record In The World'.
The international jet-set raconteur lands on the mythical White Isle with such bravado he must have the "Grandi Palle !!" and it is testifiable that Harri is not without merit.

The song comes in vocal and cheeky instrumental version for the truly adventurous. A simple 80's break beat, claps, groovy bass and then the magic begins. The lyrics are what you make of them. Tongue firmly in cheek.
All is forgiven though when the record is so catchy and cool. You can feel the sand under your toes, the sound of the waves calling, the blue, blue sky overhead.

You and me...and her? More

Well, we know absolutely nothing about this brand new edits label, nor the artist behind it, so in wonderfully cliched fashion, the music is left to do the talking. What we do know is that Harri Pierson must have a penchant for classic house because that's the vibe of the A-side 'Bananas'. It has retro-future vibes, a pitched-up rave vocal, and lively piano chords over shiny metallic drums. It's a real bouncer with hints of Italo madness, then 'Funk Rail' is a more worldly affair with Indian-sounding melodies, rich layers of instrumental funk and jostling, loose-limbed drums. What a scorcher. More

After the hit making debut EP from Harri Pierson sold out in under a week, he returns with the modestly titled 'The Most Balearic Record In The World'.
The international jet-set raconteur lands on the mythical White Isle with such bravado he must have the "Grandi Palle !!" and it is testifiable that Harri is not without merit.

The song comes in vocal and cheeky instrumental version for the truly adventurous. A simple 80's break beat, claps, groovy bass and then the magic begins. The lyrics are what you make of them. Tongue firmly in cheek.
All is forgiven though when the record is so catchy and cool. You can feel the sand under your toes, the sound of the waves calling, the blue, blue sky overhead.

You and me...and her? More

London party heads Good Block get snapped up for a new 12" on the ever more crucial Duca Bianco label here. They are well known for laying down tasteful party sounds at spots like Brilliant Corners and The Yard and count as finds the likes of Cosmic Slop, Habibi Funk and Jamie Tiller. That should give you an idea of what to expect here - a wonderfully bespoke and boutique mix of slow-motion dub, Balearic pop, New Age sounds, Japanese synth and proto-deep house with extra character. It's a bonkers collection that brings real charm to the club. More

The Duca Bianco label swerves its usual various artists' format to allow CW - who has appeared on those before - to step up with his own solo EP. He is a mysterious artist but is well known for his immersive record collection and legendary sets on the London scene. He is one-third of the Beauty & The Beat party and brings his unique twists of Afro and soul to this quartet of tunes. 'Karambolage' opens up with lots of big horns and noodling string sounds over a ramshackle beat then things take a cosmic turn on the rather more psychedelic 'Six Times Seven' with its Nippon-koku polyriddims, while 'Ou Ka Jis Fe Kole' is a party starter with a Zouk dub edge and 'Nzimbab' is built on a low slung and swaggering rhythm. More

Duca Bianco is back with one of its special various artists' releases, and a mighty fine one it is too. This one finds four guest producers all with their finest studio tools sharpened and ready for action. Two of the artists are well known but use new alias - one is Israeli synth and psyche wizards Red Axes who work their magic as Der Sexa on 'Gabi Plane' and another is Beauty & The Beat party man Cedric Woo as CW. He gets nice and twisted here while the other two cuts - one from Italo king Franz Scala who builds slow new wave funk, and one from Manchester's renowned edit kings Talking Drums who offer some lovely leftfield madness on 'DMNB', all make for crucial listening. More

Jonny 5 is known for his superlative edits as well as heading up the Bahnsteig 23 label and here he returns from time out becoming a father to kick off this new one from Duca Bianco. 'Joy riding' is loopy disco-post-punk for a peak-time trip. Multi Culti man Dreems then brings the Afro party vibes with his 'Bususua' which is packed with dub fx and steeped in fun. Miserymix then throws in his Italo-licked post-disco and punk sounds on 'Adjust Your Love' before a big finale by Black Bones. He offers deep and dubby house that has been a secret edit for a while but finally gets unveiled here to great effect as it worms its way into your brain.
More

A strong, strong showing from Duca Bianco after a period of relative dormancy, teaming up with Manchester's Talking Drums for a musical culture clash with maximum impact. The four tracks see a wide palate of influences being mixed up, from the cheeky Afrobeat shuffle of 'Monkey Key' to the 80s electropop of 'Voice Of Omicron' and the Nico-esque vocal delivery on Balearic groover 'Dolce Julia'. This is an EP with lots of surprises, tons of originality and musical confidence brimming over its edges. More

Duca returns in triumph. A winter in sabbatical, recuperating on THE WHITE ISLE.

Finding solstice, a discovery made. Where wrong speed becomes right.

A guitar homage for the archipelago. From beach to festival, club to Freddie's finca.

Spanish Guitar Tune. A Pikes Anthem. An '87 Love in Dub.

Gracias Alex !!
More

Duca Bianco has always had a loveable erratic approach to putting out edits. They have come at irregular intervals from a gamut of unknown artists. That leftfield tradition continues here with so-called "goth-percussion merchants" Black Bones who travel far and wide across four hard-to-define cuts. There is a real sonic scuzz to the first one 'T-2017' which is macho disco for a strobe-lit back room. 'Coming On Strong' meanwhile is techno-disco for the main room with crashing drum textures and machine-gun synths that echo the great 'I Feel Love.' Totally flipping the vibe, the B-1 cut 'BEEF' is spangled late-night disco with rugged guitar riffs and funky bass hidden amongst oodles of reverb. Closer 'Keep Dancin' is AOR pop with big strums, crooning vocals, and intense walls of sound all destined to make an impact on dance floors that like it different. More

ADSX / Hanoben jump da Berlino to Rimini sul train degli Acidio !!

Sina's Freun is all fidanzato fidanzato v 303 303 303. Luv ov my livvvvve.

Werner's Spiel acido bumbles, taglia and incolla. Boogie boogie.

Elvira's Katzenfisch inno elettronico Krautrock. Synth anthem !!

Infine, Mund. Punk slap. Basso. All join hands with...

ACEEIID !! More

Repress!

Bologna born Italo Disco legend Celso Valli’s ‘Tantra’ project had one aim; to push the boundaries of disco! Released in 1979 in the vein of Cerrone and Giorgio Moroder, ‘Hills of Katmandu’ is a unique, progressive slice of classic Italo Disco. The pulsating ‘Moroder-on-steroids bassline’, menacing female vocal and warbling synths take you on a trippy disco journey. The track became a huge dancefloor anthem at legendary clubs such as The Loft and The Saint in New York and Baia Degli Angeli in Rimini.

Originally available on vinyl in 1982 on San Francisco’s “Hot Classics” DJ Service”, Patrick Cowley’s “Original Underground Mix” is a work of pure genius that unleashes his skills on the synths and somehow manages to surpass the original.

High Fashion Music have enrolled Ben Liebrand to restore all the original remix-tapes, managing to re-edit and adjust each and every nuance to perfection, taking away any and all flaws which appeared in the original and it’s acetates, so that it is now steady preserving the original Hi NRG sound.

This is the first time this restored and upgraded version has been released.

On the flip-side, there is the original 16’20 minutes version of the Jurgen Koppers mix, an extended re-edit of the original Celso Valli version, which appeared first on Disconet in 1979, and in the following year on the US (Importe/12) release of the “Tantra – the Double Album” longplayer. More

Celebrating the interconnected strands of head-tripping hypnotic sounds, new age electronica and early/late 90s progressive house/trance, Rambal Cochet arrives on this EP, built to elevate the dance floors.

Since emerging in the scene, Rambal Cochet has ably demonstrated his instinct for different approaches, whether exploring expansive sonic palettes or holding down stages where he has performed. Throughout his career, this DJ, producer and versatil music curator, turned his capable hand into a truly immersive listening experience.

Dolphin’s Dance is an uplifting music journey, with a flavour of the good old prog sound and a dreamy atmosphere. The narrative flow in Twisted Reality and Virtual Nightmare use contrasting ecosystems to glide through distinctive spaces, unfolding with darker vibes infused with style sounds, as in Yello’s 90’s album “Pocket Universe”. At times the effect is nostalgic, calling to mind pulsating rhythms, bass lines and hypnotic melodies.

Rambal Cochet shows again an exceptional talent for producing high-level dance music. An exquisite—3 rhythmic and stimulating club jams to be savoured and absorbed in ALZ05. More

A new addition to our ever-growing discoid dance club is Curses. With recent releases on Snap Crackle & Pop, Bordello A Parigi and Dischi Autunno, the Italo American brings something a little darker to our party – four cuts of EBM influenced madness. Bone crunching snares and B-Movie samples sit atop shimmering synth licks that will be right at home on a wide variety of modern and retro dance-floors. More

Hi-NRG synth pioneer Patrick Cowley moved away from his usual robotic steeliness on 1982’s “Primitive World,” drawing instead on the groove rock of early 1970s gay discos. It’s a percussion track influenced by Baba- tunde Olatunji’s 1959 hit “Jin-Go-Lo-Ba,” made more famous by Santana’s 1969 cover. Cowley updated the sound for the 1980s with electronics and drum machines but kept the playful attitude of the original. Two choirs of voices chant back and forth to each other, giving Cowley a chance to include many of his friends from the San Francisco dance music community. This has been DJ Hifi Sean’s year, with a best-selling album with David McAlmont , count- less live gigs and high-profile remixes to his name. His interpretation of Cowley’s “Primitive World” can be counted among his best, bringing an intense TB-303 acid house vibe that perfectly complements Cowley’s weird electronic blips and bleeps. The effect is a disorienting mix of psychedelic 70’s groove, 80s synth pop, and 90s tacky house vibes. “Primitive World,” is one of the brilliant standouts on Cowley’s final record, Mind Warp, the so-called “death album” written as his health was rapidly sinking. Hifi Sean’s new remixes pay tribute to Cowley’s genius while fusing the track even more strongly to dance music’s electronic future. More

Stamp is back with a special three tracker of disco edits from J1mi Beyonders!
A trio of unashamed hands-in-the-air pumpers to induce dancefloor euphoria... More

Following his appearance on Soil Records’ second anniversary commemorative album, Rambal Cochet earned himself a special place on the label. His style makes him unique, the repeated tonal use of the harmonic minor scale is perhaps the most characteristic of this artist, with a musicality in his works that recall an early stage of Goa, situated long before moving to the force and energy of psy – trance.

His return this time is solo and he does it starring in the tenth reference on vinyl with UFO Researcher, an EP that he releases with 3 original tracks and 2 versions by Cute Heels and Pablo Bozzi. The homonymous track opens side A with an imposing bass and a rhythm that doubles its tempo as if it were IDM, but this is just the foundation of a much more complex sounding structure in which the melodies are crossed by different ranges of frequencies. . Paco Resist is the second track on side A, a cut with the standardized metric of techno but with a great groove originating from the bass line and with arpeggiated melodic elements. The Cute Heels version is more direct than the original track, its rhythm is more marked, direct and less expansive.

Side B opens with Tatra Tropicana, a track with a different sound from the rest, set in a scenario more typical of Synthwave and although this time the musicality is simpler because there are few tonal variations, Rambal Cochet’s predilection for the minor hues. The version of Tatra Tropicana by Pablo Bozzi closes the EP. the remix is ??much more energetic and its sound variations take on an acid tinge. More

Russian producer Rambal Cochet aka Volta Cab, an artist very much influenced by Goa Trance brings three new tracks with a sound that captivates us to that time, adding New Beat and EBM waves close to ‘Valencia Sound’ and its legendary ‘Ruta Destroy’. The record includes an absolute banger: a Kris Baha remix to burn the dancefloor, as usual. More

London party heads Good Block get snapped up for a new 12" on the ever more crucial Duca Bianco label here. They are well known for laying down tasteful party sounds at spots like Brilliant Corners and The Yard and count as finds the likes of Cosmic Slop, Habibi Funk and Jamie Tiller. That should give you an idea of what to expect here - a wonderfully bespoke and boutique mix of slow-motion dub, Balearic pop, New Age sounds, Japanese synth and proto-deep house with extra character. It's a bonkers collection that brings real charm to the club. More

With the second 12” V.A. the Italoexotica Crew takes you to the beaches of South America. The release consists of 4 fresh edits of tracks ranging from latin disco, jazz funk and samba.
More

2LP including insert with liner notes. Chapter 3 out of 3. Including 14 unreleased tracks! With music from The Hacker, Boy Harsher, Nuovo Testamento, Buzz Kull...'Next Wave Acid Punx DEUX' is a return to the dark romantic of the past, present and future. An undying passion for all things post-punk/wave/body music and beyond.

TRACKLISTING

A1. Boy Harsher - Machina (feat. Mariana Saldaña) (Dark Remix) *
A2. Silent Servant - Non Fiction *
A3. J.W.B. Hits The Beat - Body On Body (Curses Revamp) *
A4. Hungry Boys - Toi *
B1. Nuovo Testamento - Heartbeat (Curses Remix - Edit) *
B2. Autumns - Repeat Prescription *
B3. Buzz Kull - A Place (That’s Meant To Be) *
B4. Soft Crash - Dolce Morte *



C1. Dame Bonnet & Mufti - Pleasure Dreams *
C2. Ultra Sunn - Night Is Mine
C3. Neu-Romancer - Burning Eyes *
C4. EVA - Industrial Hope *
D1. Andi vs Randolph & Mortimer - Formidable Truths *
D2. Zanias - Tryptamine Palace *
D3. The Hacker - Monopoly *
D4. Paradox Obscur - Evo-Devo



*previously unreleased


INFO

Next Wave Acid Punx DEUX is the second compilation for Eskimo Recordings compiled and curated by Berlin-based Musician and DJ Luca Venezia, aka Curses, to explore the darker side of club music. Spread across 3CDs and three 2LPs Next Wave Acid Punx DEUX features a mammoth 49 tracks that join the dots between early industrial pioneers Throbbing Gristle, EBM legends like Nitzer Ebb and the post-punk experiments of people like Malcolm McLaren and Big Audio Dynamite with some of the most exciting artists around today, such as Boy Harsher, Nuovo Testamento and Years of Denial.

Where the first Next Wave Acid Punx compilation was a personal journey for Luca, a lockdown inspired exploration of his record collection to find the thread that ran through the music that had soundtracked much of his life, DEUX is a celebration of that music let loose on the world, the thrill of music performed live, the smoke and strobe filled clubs you'll hear it in and the artists you'll find on those stages.

"After our enforced break, getting back out there and playing live again really brought home to me so much of what I love about the scene I'm in but also just how important live music has been and is to club culture over the years," Luca explains. "Too often we think of club nights and live gigs as these separate things, but throughout the years it's where the two meet, the friction that can cause, that you'll find the most vibrant scenes."

"There's an energy, an atmosphere that you get with live music, an unpredictability where at any moment something can go wrong or even better right in a way you never expect. I think about a live set we played at a Lebanese festival where our MPC drum machine froze up because of all the dust and sand trapped in the pads. We had to improvise half our set, jamming bass and guitar and pedal FX and vocals, embracing this surreal environment and experience, something that could only happen in the moment."

"With Next Wave Acid Punx DEUX I wanted to celebrate those bands and artists, past and present who, to me, represent that spirit. Both full live bands and makeshift electronic duos alike, the kind of acts that you might have found wedged between DJs back in the day at The Hacienda in the 80s, Trash in the 00s or today at nights like Berlin's MILK ME, EXBTN in Paris, Night Terrors + SC&P in London, New York City's Synthicide or Ukraine's Worn Pop.

So I've put this compilation together much like my favourite kind of night, going out to see some bands play, hitting up a club where live music and DJs blur together, before the serious business of the after party. On Chapter 1 you'll find bands like Vicious Pink, DAF and Cabaret Voltaire, some of these acts are more obscure than others, some flirted with pop and even the charts but they were all embracing new ways of working in the late 70s and 80s that both set them apart and set the scene for much of what we think of as club music.

Chapter 2 moves the night on, and this is the sound of the clubs I love to both play and just hang out in these days, clubs where the people involved put a lot more time into digging through the crates than working on their Instagram Reels. These are places where you're as likely to find a band on stage as you are a DJ, where 80's German electro pop by a band like Boytronic seamlessly flows into tracks like Silent Servant's Non Fiction. Timeless music that can be romantic, dreamlike and ethereal one moment, then veer into dark, industrial sounds the next.

Then finally we get to that part of the night where you probably should go home but if it's too late for good decisions there's still time for good music. Things are a bit wilder here, the drums a bit harder, the synths are more aggressive, tracks like The Hacker's Monopoly, Zanias' Tryptamine Palace or EVA's Industrial Hope that don't let up, don't let you go, just subjugate you to the beat and keep you there till you stumble out blinking into a new day." More