Territories: World excl. UK + North America

FORMAT 2x12" 180g vinyl, full printed sleeve, artwork by Cyprien Gaillard

TRACKLIST
1 / A1. Silencio 12:34
2 / A2. Luminoso 08:53
3 / B1. Librarsi 03:04
4 / B2. Infinito 06:17
5 / B3. Colpo 05:05
6 / C1. Volta (Version) 04:02
7 / C2. Infinito (Version) 06:25
8 / C3. Luminoso (Version) 04:49
9 / D1. Volta 05:47
10 / D2. Opaco 08:57
11 / D3. Opaco (Version) 01:54

What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a
16-voice choir to explore this concept.
Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and
dark & dissonant.
As masterfully demonstrated in the early work of von Oswald and Mark Ernestus’ influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the
profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald’s repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms.
The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them.
The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter’s Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins & Moritz von Oswald present Borderland.
For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries. More

Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records LIST I (set out to be released end of september) & LIST II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).

Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.

Tracklist:

A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions

B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V

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Format: 4x12"LP

Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO



Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More

GENRE/S:
Electronica, Ambient, Deep House, Lo-Fi House

TRACKLISTS:
A1. Snow Storm
A2. Cargo
B1. Pilot (feat. Joseph Batrouney)
B2. Storage Room (feat. Leo Yucht)
B3. Helipad

SHORT INFO:
Sean La’Brooy is an Australian producer and composer currently based in New York, who’s work traverses ambient, jazz and house music. He is the co-founder of Australian ambient label Analogue Attic Recordings. With this release, La’Brooy has hooked up with the Scissor and Thread label to put out Merchant - five dreamy and versatile tracks featuring his distinct style of harmonically complex pads mixed with jazz-influenced instrumental melodies and solos. Snow Storm starts the journey, coupling field recordings with snippets of gentle jazz lines and wandering percussion. Cargo is the most dancefloor-oriented of the release, and locks into a driving groove early on, featuring various synth and piano fragments to add and flow through the track. Pilot is a track that also finds an off-kilter groove, embellished with dubbed-out percussion by fellow Australian Joseph Batrouney and samples. Storage too features a guest—New York based drummer Leo Yucht—who delivers a rolling breakbeat which is intertwined with live percussion, airy pads and snippets of piano to build a rich atmosphere. The closing piece is Helipad, a dubby bassline providing the anchor for an intricate rhythm of bongos and synth to support a light-as-a-feather melody.









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ll star cast from 4 different cosmic corners comes the more electronic side of Hamam. T hink of it as the dorian gray of Frankfurt airport , but instead it's at the hamam in istanbul. Fattish - no stranger to electronic versions of loved and cherished turkish songs, Fattish delivers a monster cinematic piece, strings section...the whole lot...check anything he puts his hands on, this one made it to the wax Kozmonotosman - our man on the moon, he visits regularly so if u need any rocks or bits ask him he will bring u, I got loads of rock so u can ask me alternatively.
My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.

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2022 Repress Edition. Original Art.

Ozer - a one hit disco wonder boy drops one of the best turkish disco edits as my bro cu-cu calls it in alacati turkey. epic. get your skates on.
FOC Edits - no stranger to turkish disco fusion via electronics 'k double a an' drops two deep saykodelic disco thrillers to play with ur mind. what? who said that! More

Territory: WORLD

FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve

TRACKLIST

A. Maintain 04:56
B. The Golden Ratio (Version) 04:43

INFO

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".

By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.

Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.

Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.

Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.

Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst





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Territory: World except France and Belgium

GENRE/S: Electronic / Techno / Dub

TRACKLISTS: 2 x LP

1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30


SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.

VITAL SALES POINTS:

In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.

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LP+ Postcard Insert

Tracklist

A1. A (Time 23:12)
B1. B (Time 23:24)

Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.

Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.
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Nicolas Jaar Vinyl- 2nd Flush! Now available again...
A1 . Être A2 . Colomb A3 . Sunflower A4 . Too Many Kids Finding Rain in the Dust A5 . Keep me There
B1. Problems with the Sun B2. Space is Only Noise if You Can See B3. Almost Fell B4 . Balance Her in Between Your Eyes B5 . Specters of the Future B6 . Trace B7 . Variations B8 . ^tre
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[Trifold 3x12” LP] incl. 18 Tracks for download

GENRE/S: House / Techno

TRACKLIST:

Vinyl:

A1 My Last Attempt
A2 Oliver's Silly Jam (feat. Oliver Klostermann)
A3 Get on the Bus

B1 Stay Until the Light (with Niko Schwind feat. Talmirage)
B2 Heart on Hold (feat. Fritz Kalkbrenner)
B3 Mind Games (with Natascha Polkè)

C1 Space Papi
C2 Candyflip
C3 Pleasure of the Very First Time

D1 Elevation (with Hidden Empire)
D2 Mantra for Bora
D3 Chasing Holes

E1 Branka (with Andhim)
E2 Hasenheide
E3 Is it Real (feat. Malou)

F1 Sonne geht auf (feat. LOLY)
F2 Midnight Reggae
F3 Don't Ever Wake Me Up (feat. Marlena Dae)



Download:

1. Oliver Koletzki, Oliver Klostermann - Oliver's Silly Jam
2. Oliver Koletzki - Get on the Bus
3. Oliver Koletzki, Niko Schwind feat. Talmirage - Stay Until the Light
4. Oliver Koletzki, Andhim - Branka
5. Oliver Koletzki, Fritz Kalkbrenner - Heart on hold
6. Oliver Koletzki feat. Natascha Polké - Mind Games
7. Oliver Koletzki - My Last Attempt
8. Oliver Koletzki feat. LOLY - Sonne geht auf
9. Oliver Koletzki - Midnight Reggae
10. Oliver Koletzki feat. Malou - Is It Real
11. Oliver Koletzki - Pleasure of the Very First Time
12. Oliver Koletzki - Candyflip
13. Oliver Koletzki - Space Papi
14. Oliver Koletzki, Hidden Empire - Elevation
15. Oliver Koletzki - Mantra for Bora
16. Oliver Koletzki - Chasing Holes
17. Oliver Koletzki - Hasenheide
18. Oliver Koletzki feat. Marlena Dae - Don't Ever Wake Me Up

Release Info:

With 'Trip to Sanity,' Berlin-based producer, DJ, live performer, and Stil vor Talent label head Oliver Koletzki presents a milestone in his 36-year long musical career and his 18-year tenure at the top of global electronic nightlife – his 10th studio album.

The album’s title, "Trip to Sanity’" – a reference to the classic German children’s story of the little dragon 'Tabaluga' – reflects Oliver's own path as a DJ within the world of club culture. But it also represents the appeal to an unbroken childlike curiosity as a producer, driven by the utopias of this parallel society. Naturally, Koletzki found his creative spark while performing on the stages of renowned festivals like Burning Man, Coachella, Garbicz, and Fusion, as well as in moments of peace and relaxation on meditative hikes and long beach walks in his second home of Cape Town.

In South Africa, Oliver wrote most of "Trip to Sanity" in the winter, then flashed out and finalised the tracks in his studio at Kreuzberg's Holzmarkt. Within the last 18 months a collection of complex and varied songs formed, which, typical for Oliver's collaborative approach, were often created in cooperation with musicians like techno-pop legend Fritz Kalkbrenner, Burning Man chance encounter Talmirage, scene friends Andhim, Hidden Empire, Oliver Klostermann and Niko Schwind, or the exceptional voices Natascha Polké, Malou, LOLY and Marlena Dae. The result is a rollercoaster ride through a diverse spectrum of dance music, effortlessly held together by Koletzki's unmistakable sound signature and his intrinsic sense for the exact tension between hedonistic dancefloor focus and poppy earworm impact. At the centre of it all shines a joie de vivre that runs like a thread through "Trip to Sanity": Playful, cheeky, imaginative, euphoric, a rainbow of genres and influences flow into each other, balanced by moments of reflection, melancholy or harshness.

The journey of discovery begins with the funky piano licks of "Oliver's Silly Jam," seamlessly followed by the disco groover "Get on the Bus." The radio single "Stay Until the Light" (feat. Niko Schwind & Talmirage) then combines pop vocals with deep emotions before Koletzki, alongside his superfriends Andhim, kicks it up a notch on the Afro-house masterclass "Branka." Next up, Fritz Kalkbrenner lends his unmistakable voice to the atmospheric anthem "Heart on Hold," paving the way for "Mind Games." Here, Natascha Polké's ethereal vocals glide over an almost haunting instrumental, heading towards the night.

At the album’s midpoint Koletzki breaks away from the expectations of the typical "techno blueprint" in a formal sense. Starting with the prophetically titled "My Last Attempt," a deep and muscular downtempo workout, Oliver creates a (further) homage to incredibly long nights with "Sonne Geht Auf" (feat. LOLY) and shows a completely different side of himself on the neon-infused dub track "Midnight Reggae." This segment of strong contrasts and a desire for reinvention is rounded off by the dreamy indie-dance atmosphere of "Is It Real" (feat. Malou), slowly leading us back to the club.

Because "The Pleasure of the Very First Time," "Candyflip," "Space Papi," "Elevation" (feat. Hidden Empire), and "Mantra for Bora" are clearly designed for the peak time, which is where Oliver predominantly finds himself during his sets. This part of the album is powerful, driving, and ecstatic – it captures the sweat of the dancefloor and the pulsation of the strobe light, making it tangible while listening.

Then, another shift is presented with "Chasing Holes" and "Hasenheide," two particularly rhythmic tracks characterised by hand drums and Balearic accents. Ultimately, Oliver concludes with the bittersweet closer "Don't Ever Wake Me Up" (feat. Marlena Dae). The title of this finale couldn't be more fitting, as it encapsulates what makes Oliver Koletzki's music so special at its core – it speaks to the subconscious, the senses, hits the heart, and leads it into the here and now.

For those who want to experience said state of mind even more intensely, there’s the opportunity this winter as part of the "Trip to Sanity" live concert tour in Germany. A long term dream of Oliver’s, who will present tracks from the new album paired with highlights from his extensive catalogue – naturally performed on an array of instruments in a proper live setup and as an audio-visual gesamtkunstwerk. For Oliver Koletzki, one milestone follows the other this year.








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Special remarks: 2 VINYL ONLY TRACKS // 180G VINYL // LIMITED COPIES // CRYSTAL CLEAR VINYL // PRINTED KRAFTPACK SLEEVE

Tracklist 12":

A1 UNM
A2 Evbody
B1 Neptunes (Vinyl Only)
B2 Breach Surge (Vinyl Only)

Release Info:
Romanian duo Dani and Robert aka NTFO delivering a fresh four track EP on Bondage-Music, a minimal house banger release. The vinyl comes as 180g limited crystal-clear vinyl and includes 2 vinyl only tracks on the B-side.














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