Label:Lapsus
Cat-No:LPS37
Release-Date:15.09.2023
Genre:Electronic
Configuration:LP
Barcode:4062548062397
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Cat-No:LPS37
Release-Date:15.09.2023
Genre:Electronic
Configuration:LP
Barcode:4062548062397
1
RRUCCULLA - Sarrera: Afinación de Color
2
RRUCCULLA - Arquitectura Capilar
3
RRUCCULLA - Pure Air Contortion
4
RRUCCULLA - Eco-noise Hunting
5
RRUCCULLA - Wind Pose
6
RRUCCULLA - Zeru Freq.
7
RRUCCULLA - Pausa: Basque Rain Dances
8
RRUCCULLA - Draw Us Before We Fade (feat. Violeta Azevedo)
9
RRUCCULLA - 1 Tsp Breeze
10
RRUCCULLA - Igandea (feat. A. Txabarria)
11
RRUCCULLA - ¿Punto Final?
Composer, percussionist and multidisciplinary artist RRUCCULLA is undoubtedly one of the most eclectic projects to emerge from Spain in recent times, combining abstraction, plasticity and experimentation with an uncommon mastery.
Since her first impact on the electronic "headz" scene with SHuSH [Sound Sketches, 2018], the Basque producer has been carefully distilling her new album Zeru Freq., which will be released on Barcelona’s Lapsus record label. The album is wide-ranging, interweaving sound and art that transports the listener into an immersive universe.
Zeru Freq. envelops us in a Euskadi environment, guiding us through an open-air museum, containing a collection of eleven sound productions that fuse nature, landscapes and the local climate. This epic musical journey incorporates organic frequencies painted in Technicolor, in which hyper-realistic synthesizer textures merge with acoustic instruments, resulting in an atmospheric ambient sound that warps our perceptions of reality.
At a sonic level the unmistakable stamp of RRUCCULLA is omnipresent, but this time she climbs to even higher plains. Zeru Freq. explores an expanded aural palette, traversing the borders of strictly electronic music, while laying foundations for a new audio discourse. Throughout its eleven tracks, RRUCCULLA embraces the broadest spectrum of contemporary music, flirting with avant- garde electronica at will, without succumbing to labels or pigeonholing.
Zeru Freq. is the sound of shapes; figures and strokes, it is a work that mutates with each passing moment, until the last note is heard. More
Since her first impact on the electronic "headz" scene with SHuSH [Sound Sketches, 2018], the Basque producer has been carefully distilling her new album Zeru Freq., which will be released on Barcelona’s Lapsus record label. The album is wide-ranging, interweaving sound and art that transports the listener into an immersive universe.
Zeru Freq. envelops us in a Euskadi environment, guiding us through an open-air museum, containing a collection of eleven sound productions that fuse nature, landscapes and the local climate. This epic musical journey incorporates organic frequencies painted in Technicolor, in which hyper-realistic synthesizer textures merge with acoustic instruments, resulting in an atmospheric ambient sound that warps our perceptions of reality.
At a sonic level the unmistakable stamp of RRUCCULLA is omnipresent, but this time she climbs to even higher plains. Zeru Freq. explores an expanded aural palette, traversing the borders of strictly electronic music, while laying foundations for a new audio discourse. Throughout its eleven tracks, RRUCCULLA embraces the broadest spectrum of contemporary music, flirting with avant- garde electronica at will, without succumbing to labels or pigeonholing.
Zeru Freq. is the sound of shapes; figures and strokes, it is a work that mutates with each passing moment, until the last note is heard. More
More records from Lapsus
Label:Lapsus
Cat-No:LPS-PS17
Release-Date:01.11.2024
Genre:Electronic
Configuration:3LP
Barcode:4062548092462
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Cat-No:LPS-PS17
Release-Date:01.11.2024
Genre:Electronic
Configuration:3LP
Barcode:4062548092462
1
Bedouin Ascent - Ancient Ocean III
2
Bedouin Ascent - Transition-R
3
Bedouin Ascent - Polarity Healing
4
Bedouin Ascent - He Is She
5
Bedouin Ascent - Lost In Glass
6
Bedouin Ascent - August Light
7
Bedouin Ascent - Ancient Ocean II
8
Bedouin Ascent - Beyond The 7th Gate
9
Bedouin Ascent - In The Clouds
10
Bedouin Ascent - Mammon
11
Bedouin Ascent - Thru Water
12
Bedouin Ascent - Composition C For Neutral Space
13
Bedouin Ascent - CirroLude
14
Bedouin Ascent - In The Clouds (Reprise)
'Science, Art And Ritual' is a story of ‘process'. Growing up in Harrow (a then quiet suburb of London) in the 70’s and 80’s from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80’s dub via David Rodigan’s Roots Rockers shows was the first prominent influence he received, and with punk roots —and his burgeoning record collection— became exposed to the breathless post punk experimentation that followed in the early 80’s sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent’s house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby’s Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers —punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane.
At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation.
'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too.
Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul.
Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this
left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993.
'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey. More
At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation.
'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too.
Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul.
Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this
left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993.
'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey. More
Label:Lapsus
Cat-No:LPS40
Release-Date:18.10.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548098235
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Label:Lapsus
Cat-No:LPS40
Release-Date:18.10.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548098235
1
Suzanne Ciani - Jungle VINT
2
Marina Herlop - Collige Virgo Gladium
3
Lord Of The Isles - Ca11
4
Le Motel - Serenade Of The Seas
5
Pépe - And Everything Glimmers
6
Kettel - Opsterland 99
7
Wordcolour - Weightless
8
Plaid - Unions
9
Seph - Lunarglass
10
Kode9 - Nuvola
11
Simo Cell - Jesus Suave
12
Nueen - Potentia Gaudendi
13
GAZZI - Trece
14
µ-Ziq - Holmbush 2
15
naemi - Ambergris
16
CLARAGUILAR - Vega
A gas generator, a hi-fi system, a semi-abandoned house, and 20 hastily printed flyers. That's how, almost
without realizing it, Lapsus was born in 2004.
Over the course of two decades, we've ridden a rollercoaster of emotions: from soaring epiphanies, convinced that nothing could stop us, to moments of near defeat when we almost threw in the towel. Let's be honest:
Making a career out of music is not exactly choosing the easy path. But epic tales aside, today we look back with pride at having created something that, in our humble view, is genuine. To celebrate Lapsus' journey and what lies ahead—and also keeping an eye on what is yet to come—we've gathered some of the artists who have joined us along the way, musicians we consider friends and for whom we have the deepest admiration. In a way, VINT (Catalan for “twenty”) is like a sonic photo album, a tracklist that tells our story better than we could ourselves, a collection of unreleased music that celebrates the fact that we've made it this far. Leading this outstanding compilation are forward-thinking producers, with contributions from some of the most respected names in cutting-edge electronic music (A-Z): CLARAGUILAR, GAZZI, Kettel, Kode9, Le Motel, Lord Of The Isles, Marina Herlop, naemi, Nueen, Pépe, Plaid, Seph, Simo Cell, Suzanne Ciani, Wordcolour, and µ-Ziq.
VINT is our way of thanking you for your unwavering support over these 20 years. We hope you enjoy it! More
without realizing it, Lapsus was born in 2004.
Over the course of two decades, we've ridden a rollercoaster of emotions: from soaring epiphanies, convinced that nothing could stop us, to moments of near defeat when we almost threw in the towel. Let's be honest:
Making a career out of music is not exactly choosing the easy path. But epic tales aside, today we look back with pride at having created something that, in our humble view, is genuine. To celebrate Lapsus' journey and what lies ahead—and also keeping an eye on what is yet to come—we've gathered some of the artists who have joined us along the way, musicians we consider friends and for whom we have the deepest admiration. In a way, VINT (Catalan for “twenty”) is like a sonic photo album, a tracklist that tells our story better than we could ourselves, a collection of unreleased music that celebrates the fact that we've made it this far. Leading this outstanding compilation are forward-thinking producers, with contributions from some of the most respected names in cutting-edge electronic music (A-Z): CLARAGUILAR, GAZZI, Kettel, Kode9, Le Motel, Lord Of The Isles, Marina Herlop, naemi, Nueen, Pépe, Plaid, Seph, Simo Cell, Suzanne Ciani, Wordcolour, and µ-Ziq.
VINT is our way of thanking you for your unwavering support over these 20 years. We hope you enjoy it! More
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Label:Lapsus
Cat-No:LPS39
Release-Date:26.07.2024
Genre:Electro
Configuration:LP
Barcode:4062548090338
1
Seph - OBI
2
Seph - Azure
3
Seph - Felina
4
Seph - Skyway Shuriken
5
Seph - Biker Bot Di4
6
Seph - Polycrom
7
Seph - Dragonscale
8
Seph - Fictions
9
Seph - Libra
10
Seph - Séptimo Sentido
There are albums that tap into the very heartbeats of rhythm, melody and intricate sound design, pulsating with every musical note. This is the case of 'Se´ptimo Sentido', the new album by Buenos Aires-based producer Seph.
Sebastia´n Galante aka Seph is no stranger to these realms; with almost two decades of experience under his belt, he has established himself as one of the leading talents in the Argentina techno scene and as one of the most intriguing minds in alternative Latin American electronic music. His productions have found a home in cutting edge labels such as Insurgentes –a platform led by the DJ and producer from Medelli´n (Colombia) Verraco, and sister label of TraTraTrax, which has reduced gaps between the Latin electronic scene and the rest of the globe– or his own label Aula Magna Records. He has also fostered collaborations, among which stands out his project Oscean alongside Andre´s Zacco, a project that was recently released on the legendary Berlin label Tresor.
In his new album 'Se´ptimo Sentido', Seph exhibits superlative production skills and masterfully showcases the widest palette of the braindance sound, that intersection where countless genres and sub-styles can coexist. Here we hear echoes from the mid-90s that revive undeniable references of early IDM; but with a renewed form, under a fiercely contemporary new skin.
At the core of this intriguing album, we find an artist whose devotion to experimentation takes his rhythmic and melodic obsessions through vibrant magical-techno-urban landscapes, where radiant colors and mutating forms collide in a bold and imaginative sonic journey.
'Se´ptimo Sentido' hails from the prism of perception, beyond the five senses and a step further than instinct, hunting for mysterious resonances with the cosmos; like a space portal inviting us to float a handspan above the ground. More
Sebastia´n Galante aka Seph is no stranger to these realms; with almost two decades of experience under his belt, he has established himself as one of the leading talents in the Argentina techno scene and as one of the most intriguing minds in alternative Latin American electronic music. His productions have found a home in cutting edge labels such as Insurgentes –a platform led by the DJ and producer from Medelli´n (Colombia) Verraco, and sister label of TraTraTrax, which has reduced gaps between the Latin electronic scene and the rest of the globe– or his own label Aula Magna Records. He has also fostered collaborations, among which stands out his project Oscean alongside Andre´s Zacco, a project that was recently released on the legendary Berlin label Tresor.
In his new album 'Se´ptimo Sentido', Seph exhibits superlative production skills and masterfully showcases the widest palette of the braindance sound, that intersection where countless genres and sub-styles can coexist. Here we hear echoes from the mid-90s that revive undeniable references of early IDM; but with a renewed form, under a fiercely contemporary new skin.
At the core of this intriguing album, we find an artist whose devotion to experimentation takes his rhythmic and melodic obsessions through vibrant magical-techno-urban landscapes, where radiant colors and mutating forms collide in a bold and imaginative sonic journey.
'Se´ptimo Sentido' hails from the prism of perception, beyond the five senses and a step further than instinct, hunting for mysterious resonances with the cosmos; like a space portal inviting us to float a handspan above the ground. More
Label:Lapsus
Cat-No:LPS-PS16
Release-Date:07.06.2024
Configuration:3LP
Barcode:4062548085341
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Cat-No:LPS-PS16
Release-Date:07.06.2024
Configuration:3LP
Barcode:4062548085341
1
Kettel & Secede - A New Factory
2
Kettel & Secede - Kirsten
3
Kettel & Secede - Admittance
4
Kettel & Secede - Pentimento
5
Kettel & Secede - Ringvanes
6
Kettel & Secede - Missing Time
7
Kettel & Secede - Jahe
8
Kettel & Secede - Deliria Noon
9
Kettel & Secede - Fullmoon
10
Kettel & Secede - Grandcan
11
Kettel & Secede - Canned Forever
12
Kettel & Secede - Zipvanes
13
Kettel & Secede - Spoonful
'When Can' is a journey through the realms of musical serendipity, an ode to the unexpected twists of collaborative intuition. Conceived in the spring of 2012, this masterpiece is the culmination of a decade-long friendship between Reimer Eising aka Kettel, and Lennard van der Last aka Secede, two of the most talented electronic music producers from The Netherlands.
'When Can' is not just a collection of songs; it's a seamless continuum where each track breathes life into the next. As the listener delves into the sonic story, the music leads to uncharted territories, incorporating ambient and cinematic sounds and blending them with reminiscences from Renaissance to Baroque music. Far from a preconceived plan, the album organically unfolded, capturing the essence of the musical exploration from these two brilliant minds.
More than a decade after its birth, Lapsus is proud to release 'When Can' for the first time on vinyl. For this meticulously curated deluxe edition all the tracks have been remastered, and the artwork has been updated by Basora studio. And there's much more inside: two lithographic prints featuring original paintings by Jeroen Advocaat plus an extra 10" including the unreleased tracks 'Zipvanes' –a 10 minutes alternative cut of 'Ringvanes'– and 'Spoonful'. More
'When Can' is not just a collection of songs; it's a seamless continuum where each track breathes life into the next. As the listener delves into the sonic story, the music leads to uncharted territories, incorporating ambient and cinematic sounds and blending them with reminiscences from Renaissance to Baroque music. Far from a preconceived plan, the album organically unfolded, capturing the essence of the musical exploration from these two brilliant minds.
More than a decade after its birth, Lapsus is proud to release 'When Can' for the first time on vinyl. For this meticulously curated deluxe edition all the tracks have been remastered, and the artwork has been updated by Basora studio. And there's much more inside: two lithographic prints featuring original paintings by Jeroen Advocaat plus an extra 10" including the unreleased tracks 'Zipvanes' –a 10 minutes alternative cut of 'Ringvanes'– and 'Spoonful'. More
Label:Lapsus
Cat-No:LPS38
Release-Date:29.03.2024
Configuration:LP
Barcode:4062548083750
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Label:Lapsus
Cat-No:LPS38
Release-Date:29.03.2024
Configuration:LP
Barcode:4062548083750
1
CLARAGUILAR - Invisible Orchestra
2
CLARAGUILAR - Veo Un Ciervo A Oscuras
3
CLARAGUILAR - Ros Elavy
4
CLARAGUILAR - Mirada Interior
5
CLARAGUILAR - Eyes From You
6
CLARAGUILAR - Al Bosc, Cega I Visionària
7
CLARAGUILAR - Mise En Abyme
The scenic artist and multi-instrumentalist CLARAGUILAR moves from performing arts to cinema as a composer and live performer. Over the last few years he has created soundscapes that blend electronics and sampled elements with orchestral arrangements, becoming one of the main names of the Spanish theater scene when it comes to soundtrack and sound design creation.
After her acclaimed EP 'Mystery is All' Lapsus is proud to present 'Figura', CLARAGUILAR's debut album, a heartfelt tribute to her connection with the scenic world, and especially with the operatic universe. The starting point of this project was born with the concept of an "invisible orchestra", an imaginary that aesthetically becomes a reality on stage thanks to the collaboration with the Barcelona studio Oscila, as well as with the help of the stylist Joan Ros, who has been in charge of the costume design.
'Figure' is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. Once again, the producer locked herself down from late 2022 to the beginning of 2023 to compose all the tracks in a very intimate and closed composition process. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside.
Each track is a pixelated lightshow and a live electronic instrumentation, presented onstage as an elegant performance with an expansive emotional range More
After her acclaimed EP 'Mystery is All' Lapsus is proud to present 'Figura', CLARAGUILAR's debut album, a heartfelt tribute to her connection with the scenic world, and especially with the operatic universe. The starting point of this project was born with the concept of an "invisible orchestra", an imaginary that aesthetically becomes a reality on stage thanks to the collaboration with the Barcelona studio Oscila, as well as with the help of the stylist Joan Ros, who has been in charge of the costume design.
'Figure' is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. Once again, the producer locked herself down from late 2022 to the beginning of 2023 to compose all the tracks in a very intimate and closed composition process. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside.
Each track is a pixelated lightshow and a live electronic instrumentation, presented onstage as an elegant performance with an expansive emotional range More
Label:Lapsus
Cat-No:LPS-PS15
Release-Date:08.03.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548079418
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Cat-No:LPS-PS15
Release-Date:08.03.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548079418
1
As One - Mihara
2
As One - Meridian
3
As One - Orchilla
4
As One - Shambala
5
As One - Dance Of The Uighurs
6
As One - Star Gaze
7
As One - Majik Jar
8
As One - Forgotten Memory
9
As One - The Priestess
10
As One - Soleil Levant
11
As One - Lunate
12
As One - Asa Nisi Masa
13
As One - Moon Over The Moab
Although 30 years after its birth this fundamental electronic gem called 'Reflections' has achieved cult status, it is worth remembering that it all started in 1993 in a small apartment in Waterloo, London, with the help of a mixer and a bunch of hardware synth and drum machines of hardware, with the mastodontic Oberheim OB-8 synthesizer as the main partner.
While in the UK the vast majority of kids showed a certain rejection of what came from North America in the form of electro, Kirk Degiorgio, under his alias As One, embraced it openly and incorporated it into his productions along with influences from other genres that he had already adored since he was young, such as jazz, soul or funk, thus becoming one of the true early adopters of Detroit techno in the UK.
If we look back, 'Reflections' is a challenge in itself, and even more so considering what the consumption pattern of electronic music was in the early 90s. This timeless album fits into the delicate border between being enough club to work on the dance floor, and still being musical and cerebral enough to be listened to at home. A milestone that, whether premeditated or not, Degiorgio more than achieved.
Three decades later Lapsus Records has been able to access the pre-masters extracted from the original DATs to build a special 30th anniversary edition within its Perennial series. For the occasion, this reissue not only offers the tracks included in the first edition, it also adds the songs 'The Priestess' –never released on vinyl before– and Forgotten Memory –until now unreleased and rediscovered in one of the DATs dating back to 1992 from the 'Reflexions' recording sessions. We are therefore facing the definitive edition of an album that, despite coexisting with the explosion of the rave movement, would pave the path for the UK-Detroit connection.
More
While in the UK the vast majority of kids showed a certain rejection of what came from North America in the form of electro, Kirk Degiorgio, under his alias As One, embraced it openly and incorporated it into his productions along with influences from other genres that he had already adored since he was young, such as jazz, soul or funk, thus becoming one of the true early adopters of Detroit techno in the UK.
If we look back, 'Reflections' is a challenge in itself, and even more so considering what the consumption pattern of electronic music was in the early 90s. This timeless album fits into the delicate border between being enough club to work on the dance floor, and still being musical and cerebral enough to be listened to at home. A milestone that, whether premeditated or not, Degiorgio more than achieved.
Three decades later Lapsus Records has been able to access the pre-masters extracted from the original DATs to build a special 30th anniversary edition within its Perennial series. For the occasion, this reissue not only offers the tracks included in the first edition, it also adds the songs 'The Priestess' –never released on vinyl before– and Forgotten Memory –until now unreleased and rediscovered in one of the DATs dating back to 1992 from the 'Reflexions' recording sessions. We are therefore facing the definitive edition of an album that, despite coexisting with the explosion of the rave movement, would pave the path for the UK-Detroit connection.
More
Label:Lapsus
Cat-No:LPS-PS14
Release-Date:01.12.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548066883
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Cat-No:LPS-PS14
Release-Date:01.12.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548066883
1
CoLD SToRAGE - A1. wipE'out? Intro
2
CoLD SToRAGE - A2. Hakapik Murder
3
CoLD SToRAGE - A3. Messij
4
CoLD SToRAGE - A4. Canada
5
CoLD SToRAGE - A5. Tenation
6
CoLD SToRAGE - B1. DOH-T
7
CoLD SToRAGE - B2. Trancevaal
8
CoLD SToRAGE - B3. Surgeon
9
CoLD SToRAGE - B4 Cairodrome
10
CoLD SToRAGE - C1. Body in Motion
11
CoLD SToRAGE - C2. Cardinal Dancer
12
CoLD SToRAGE - C3. Cold Comfort
13
CoLD SToRAGE - C4. Kinkong
14
CoLD SToRAGE - D1. Operatique
15
CoLD SToRAGE - D2. Plasticity
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CoLD SToRAGE - D3. Messij Extended
17
CoLD SToRAGE - D4. Argon
18
CoLD SToRAGE - D5. Phloem
19
CoLD SToRAGE - D6. Xenon
20
CoLD SToRAGE - D7. Xylem
21
CoLD SToRAGE - E1. wipEout Intro (µ-Ziq Remix)
22
CoLD SToRAGE - E2. DOH-T (Wordcolour Remix)
23
CoLD SToRAGE - E3. Xylem (Brainwaltzera Remix)
24
CoLD SToRAGE - E4. Canada (James Shinra Remix)
25
CoLD SToRAGE - E5. Messij (Kode9 Remix)
26
CoLD SToRAGE - E6. Trancevaal (Simo Cell Remix)
27
CoLD SToRAGE - E7 Cairodrome (Surgeons Girl Remix)
28
CoLD SToRAGE - E8. Messij (Datassette Remix)
Lapsus issue the much loved soundtrack from the legendary mid 90's Playstation game wipE'out'' This 3x12, gatefold sleeved edition also includes remixes from Kode9, µ-Ziq , Simo Cell, Datassette and more.
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Label:Lapsus
Cat-No:LPS-PS14CD
Release-Date:01.12.2023
Genre:Electronic
Configuration:2CD
Barcode:
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Cat-No:LPS-PS14CD
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Genre:Electronic
Configuration:2CD
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Lapsus issue the much loved soundtrack from the legendary mid 90's Playstation game wipE'out'' This 3x12, gatefold sleeved edition also includes remixes from Kode9, µ-Ziq , Simo Cell, Datassette and more.
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Label:Lapsus
Cat-No:LPS-PS02
Release-Date:28.07.2023
Genre:Electronic
Configuration:2LP
Barcode:
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Cat-No:LPS-PS02
Release-Date:28.07.2023
Genre:Electronic
Configuration:2LP
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1
Secede - Hospital Requiem
2
Secede - Foliage Pathway
3
Secede - Leraine (With Kettel)
4
Secede - The Realms Of Sanda
5
Secede - The King Of Sanda
6
Secede - Born In A Tropical Swamp
7
Secede - Kingdom Of Hearts
8
Secede - Friday Fall
9
Secede - Terata
10
Secede - Shrine
11
Secede - We No Longer Need Ourselves
Repress!
Originally released in 2005, "Tryshasla" is the second "Perennial" series release and was the second studio album by Dutch producer Secede. This classic album is one of our favourites and we are enormously proud to be able to reissue it on vinyl for the first time.
Lennard van der Last, better known in electronic music circles as Secede, has always remained an elusive character, preferring to prioritise to his work in the studio. Although "Tryshasla" is unanimously heralded as his finest work, throughout his career Lennard has continually demonstrated his unique ability in producing venerated musical pieces.
Upon its original release on CD by Dutch label Sending Orbs, "Tryshasla" immediately became a benchmark album and featured in many independent lists of that year. Lapsus Records is bestowed with the honour of pressing this masterpiece in a collector format: a double tricolor vinyl pack, remastered by Xavier Alarco´n and accompanied by a lithographic original art print from illustrator Jeroen Advocaat.
"Tyshasla" continues to sound as current and relevant as ever. It is an album with a powerful ambient spirit, replete with micro-passages in which field recordings and piano phrasing form its core sound, but which also include styles such as IDM, drum and bass and even trip-hop. As if this were not enough, Reimer Eising –aka our beloved label contributor Kettel– collaborates on one of the albums integral tracks, "Leraine". More
Originally released in 2005, "Tryshasla" is the second "Perennial" series release and was the second studio album by Dutch producer Secede. This classic album is one of our favourites and we are enormously proud to be able to reissue it on vinyl for the first time.
Lennard van der Last, better known in electronic music circles as Secede, has always remained an elusive character, preferring to prioritise to his work in the studio. Although "Tryshasla" is unanimously heralded as his finest work, throughout his career Lennard has continually demonstrated his unique ability in producing venerated musical pieces.
Upon its original release on CD by Dutch label Sending Orbs, "Tryshasla" immediately became a benchmark album and featured in many independent lists of that year. Lapsus Records is bestowed with the honour of pressing this masterpiece in a collector format: a double tricolor vinyl pack, remastered by Xavier Alarco´n and accompanied by a lithographic original art print from illustrator Jeroen Advocaat.
"Tyshasla" continues to sound as current and relevant as ever. It is an album with a powerful ambient spirit, replete with micro-passages in which field recordings and piano phrasing form its core sound, but which also include styles such as IDM, drum and bass and even trip-hop. As if this were not enough, Reimer Eising –aka our beloved label contributor Kettel– collaborates on one of the albums integral tracks, "Leraine". More
3LP
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Label:Lapsus
Cat-No:LPS-PS13
Release-Date:14.07.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548058758
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Label:Lapsus
Cat-No:LPS-PS13
Release-Date:14.07.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548058758
1
Swayzak - Speedboat (2023 Edit)
2
Swayzak - Low Res Skyline (2023 Edit)
3
Swayzak - Blocks (2023 Edit)
4
Swayzak - Burma Heights (2023 Edit)
5
Swayzak - Skin Diving (2023 Edit)
6
Swayzak - Fukumachi (2023 Edit)
7
Swayzak - l.o.9.v.e. (2023 Edit)
8
Swayzak - Cone (Mix 2)
9
Swayzak - Bueno (2023 Edit)
10
Swayzak - French Dub (2023 Edit)
11
Swayzak - Evild Dub (2023 Edit)
12
Swayzak - Blufarm (Abbey Road 2023 Edit)
13
Swayzak - Unknown Mind
14
Swayzak - Bueno (Ambient Mix)
15
Swayzak - Speedboat (96 Demo)
16
Swayzak - l.o.9.v.e. (Boat Mix, 2023 Edit)
17
Swayzak - Redfarm (Abbey Road 2023 Edit)
Dance music has always been grounded in a sense of place. Chicago, Detroit, London, Berlin—a zip code can tell you as much about the music as the year it was made.
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
Label:Lapsus
Cat-No:LPS36
Release-Date:16.06.2023
Genre:Electronic
Configuration:LP
Barcode:4062548056877
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Cat-No:LPS36
Release-Date:16.06.2023
Genre:Electronic
Configuration:LP
Barcode:4062548056877
1
Gacha Bakradze - Boredom
2
Gacha Bakradze - Opi (Album Version)
3
Gacha Bakradze - Overtime
4
Gacha Bakradze - Tainted
5
Gacha Bakradze - Backup
6
Gacha Bakradze - Attention
7
Gacha Bakradze - Presence
8
Gacha Bakradze - Morning Chatter
9
Gacha Bakradze - Last Escape
10
Gacha Bakradze - ff31warning
11
Gacha Bakradze - Terror
12
Gacha Bakradze - Echoes Of Silence
Gacha Bakradze releases his third album on Lapsus entitled "Pancakes", and while the name may appear conventional at first glance, it actually contains esoteric philosophical concepts.
The Georgian producer perceives the making of pancakes -a transformative and healing parental activity that he loves to partake in with his son- as a metaphor for alteration, metamorphosis and change. A reflection that also accentuates the importance of balance during each process of preparing a simple recipe, which in turn highlights key human attributes such as patience, attention to detail and willingness to adapt to shifting circumstances.
On a sonic level, Gacha’s new album embodies precisely that: the contextual reworking of his music, while maintaining the essence of his previous work. "Pancakes" provides the typically melancholic yet vibrant genetics already recognisable in his music, but also embraces new genres, including his unique and personal take on hyper-pop and trance. It is an album of contrasting elements, where bucolic interludes make way for heavier tracks that are more suited to a club environment, an aural universe that hybridises IDM, electro, bass music and cutting edge techno, and once again demonstrates that trying to pigeonhole Gacha Bakradze's sound is a somewhat fruitless task. More
The Georgian producer perceives the making of pancakes -a transformative and healing parental activity that he loves to partake in with his son- as a metaphor for alteration, metamorphosis and change. A reflection that also accentuates the importance of balance during each process of preparing a simple recipe, which in turn highlights key human attributes such as patience, attention to detail and willingness to adapt to shifting circumstances.
On a sonic level, Gacha’s new album embodies precisely that: the contextual reworking of his music, while maintaining the essence of his previous work. "Pancakes" provides the typically melancholic yet vibrant genetics already recognisable in his music, but also embraces new genres, including his unique and personal take on hyper-pop and trance. It is an album of contrasting elements, where bucolic interludes make way for heavier tracks that are more suited to a club environment, an aural universe that hybridises IDM, electro, bass music and cutting edge techno, and once again demonstrates that trying to pigeonhole Gacha Bakradze's sound is a somewhat fruitless task. More
2LP
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Label:Lapsus
Cat-No:LPS-PS05
Release-Date:05.05.2023
Genre:Electronic
Configuration:2LP
Barcode:
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Last in:03.05.2023
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Last in:03.05.2023
Label:Lapsus
Cat-No:LPS-PS05
Release-Date:05.05.2023
Genre:Electronic
Configuration:2LP
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1
Abfahrt Hinwil - Bumperstufe2
2
Abfahrt Hinwil - Sonic Surface
3
Abfahrt Hinwil - The Light
4
Abfahrt Hinwil - Planquadrat
5
Abfahrt Hinwil - Tech10
6
Abfahrt Hinwil - Triology
7
Abfahrt Hinwil - Tech8
8
Abfahrt Hinwil - Links Oben
9
Abfahrt Hinwil - Phase4
10
Abfahrt Hinwil - Tech7
11
Abfahrt Hinwil - Syntax Data
12
Abfahrt Hinwil - Radiowellen
13
Abfahrt Hinwil - Untitled
Super Limited Repress!
From its creation in the late 90s until its closure in 2009, the Toytronic label witnessed a digital revolution that transformed the record industry, turning glitch into a production tool for a whole generation heir to the of bleep ‘n’ bass sound.
Thanks to their impeccable A&R credentials, its head honchos, Martin Haidinger and Chris Cunningham, created an incredible IDM label catalogue, as well as producing their own material under pseudonym Abfahrt Hinwil.
Their only album to date ‘Links Berge Rechts Seen’ [Toytronic, 2002] was released as a compilation featuring tracks from their brief career that over the years has become a benchmark for the Toytronic sound. This album included their first –and only– three releases signed to Expending Records and Toytronic, and also included two previously unreleased songs: ‘Planquadrat’ and a hidden track at the end of the CD version. More
From its creation in the late 90s until its closure in 2009, the Toytronic label witnessed a digital revolution that transformed the record industry, turning glitch into a production tool for a whole generation heir to the of bleep ‘n’ bass sound.
Thanks to their impeccable A&R credentials, its head honchos, Martin Haidinger and Chris Cunningham, created an incredible IDM label catalogue, as well as producing their own material under pseudonym Abfahrt Hinwil.
Their only album to date ‘Links Berge Rechts Seen’ [Toytronic, 2002] was released as a compilation featuring tracks from their brief career that over the years has become a benchmark for the Toytronic sound. This album included their first –and only– three releases signed to Expending Records and Toytronic, and also included two previously unreleased songs: ‘Planquadrat’ and a hidden track at the end of the CD version. More
Label:Lapsus
Cat-No:LPS35
Release-Date:31.03.2023
Genre:Electronic
Configuration:LP
Barcode:4062548054569
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Label:Lapsus
Cat-No:LPS35
Release-Date:31.03.2023
Genre:Electronic
Configuration:LP
Barcode:4062548054569
1
Pépe - Goma A Mix
2
Pépe - Goma Prime Mix
3
Pépe - From Seed
4
Pépe - Katta
5
Pépe - Act I Soliance
6
Pépe - Optical Activate
7
Pépe - Act II Chasten
8
Pépe - HSC
9
Pépe - Act III Compatct City
10
Pépe - Resonant Bodies
Valencian producer Pepe's love of iridescent melodies, velvety pads and complex rhythms has seen him skilfully combine house, bass music and breakbeat in recent years. His music is globally reaching, having garnered attention from top artists including Ben UFO, Peggy Gou, Shanti Celeste, Moxie, Mount Kimbie and Disclosure. His heartfelt, mercurial and emotive sound is ever present on his new album for Lapsus, which also incorporates a lush sonic forest, resplendent in detail and jam packed with influences. The album 'Reclaim' opens the door to experimentation and sound design, while embracing the braindance and hyperpop sphere with surprising maturity. It is an amalgamation of electronic sounds and pulsating structures in which orchestral sounds, folk music, ambient textures and a strong vocal presence, both synthetic and authentic, sparkle. 'Reclaim' imagines a post-human future, where nature once again reclaims lost ground and is free to flourish and take root around manmade structures. Pepe exhibits his personal reverence for the work of Antonio Cortes Ferrando, the architect behind the Espai Verd building, which broke architectural and urban planning norms by using computation to create structures that promote the organic growth of foliage. It is a building designed for the future, where flora cultivates indefinitely. In Pepe's own words, "At a time when we have witnessed how nature strives to regain ground, once humans are removed from the streets, it is important to start thinking critically about new techniques in the creation of art and design, and imagining a future where posterity is embodied in the rejuvenation of a greener world".
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Label:Lapsus
Cat-No:LPS34
Release-Date:24.02.2023
Genre:Electronic
Configuration:LP
Barcode:4062548052268
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Label:Lapsus
Cat-No:LPS34
Release-Date:24.02.2023
Genre:Electronic
Configuration:LP
Barcode:4062548052268
1
Earth Trax - Closer Now
2
Earth Trax - Understand
3
Earth Trax - Porcelain
4
Earth Trax - White Carnations
5
Earth Trax - Lullaby B
6
Earth Trax - Bruises
7
Earth Trax - Pied Piper
8
Earth Trax - Today
9
Earth Trax - Skin
10
Earth Trax - The Great Blue Hole
Bartosz Kruczynski, also known as artist Earth Trax, is arguably among the leading names in Poland’s current electronic music scene. Based in Warsaw, his music is deeply emotive and explores a wide-ranging sonic palette that is complemented by well-defined artistic concepts. He has already featured on labels including Phonica Records, Growing Bin, Into The Light and Shall Not Fade –with whom he released his acclaimed debut album in 2020–.
His Lapsus release 'Closer Now', takes a different trajectory to his previous album 'The Sensual World' [Shall Not Fade, 2022], fundamentally an energetic and high tempo club record. In contrast, 'Closer Now' focuses on fresh and disparate ideas, with tracks that could typically be classified as more unrestrained B-sides that deconstruct sounds aimed at the dancefloor.
‘Closer Now' is influenced by liminal spaces and cultivates surreal and dreamlike qualities. Conversely it also possesses a sense of strength and grit, highlighted by moments where electronic distortion bares its teeth. It is an album that both refers both to IDM and chill out rooms. More
His Lapsus release 'Closer Now', takes a different trajectory to his previous album 'The Sensual World' [Shall Not Fade, 2022], fundamentally an energetic and high tempo club record. In contrast, 'Closer Now' focuses on fresh and disparate ideas, with tracks that could typically be classified as more unrestrained B-sides that deconstruct sounds aimed at the dancefloor.
‘Closer Now' is influenced by liminal spaces and cultivates surreal and dreamlike qualities. Conversely it also possesses a sense of strength and grit, highlighted by moments where electronic distortion bares its teeth. It is an album that both refers both to IDM and chill out rooms. More
Label:Lapsus
Cat-No:LPS33
Release-Date:23.12.2022
Genre:Electronic
Configuration:LP
Barcode:4062548049756
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Last in:23.02.2023
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Last in:23.02.2023
Label:Lapsus
Cat-No:LPS33
Release-Date:23.12.2022
Genre:Electronic
Configuration:LP
Barcode:4062548049756
1
Lord Of The Isles - Storm Mother
2
Lord Of The Isles - Soloi
3
Lord Of The Isles - Lo Theory
4
Lord Of The Isles - Coco Melon
5
Lord Of The Isles - Return To Yourself
6
Lord Of The Isles - Medi
7
Lord Of The Isles - Poly Ballad
8
Lord Of The Isles - Peak Flow
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Lord Of The Isles - Embers
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Lord Of The Isles - Spirit Owl
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Lord Of The Isles - Open Mode
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Lord Of The Isles - Subtle Thoughts
Beautiful cinematic electronix on this full length album by Lord Of The Isles inspired by the beauty of the islands of Scotland. Neil McDonald's love of the outdoors is a constant feature in his music, hence his Lord Of The Isles moniker, a direct reference to the Highlands and islands of his native Scotland. His vivid, effervescent and blissfully cinematic sound paints a soundtrack to unmade films, building imaginary worlds inspired by his childhood passion for science fiction. It is therefore no coincidence that the closing track 'Subtle Thoughts' samples the inimitable voice of Carl Sagan and is also the name of his forthcoming album on Lapsus Records. Subtle Thoughts' is an album of sumptuous melancholic electronica that, like all his previous works, avoids being pigeonholed. In it we find ambient and IDM, but also breaks and down-tempo 4x4 beats with deep ruminations, and even passages akin to new age and Balearic. In Neil's own words, the real concept behind 'Subtle Thoughts' is "The spaces in between. Listening to the quiet voices. Freedom of expression and being open. It also contains my hopes and fears for the future of our world, but mainly hope and love". Subtle Thoughts' will be released on 8 December with two advance singles: 'Open Mode' accompanying the album launch on 7 October; followed by 'Return to Yourself' on 4 November.
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Label:Lapsus
Cat-No:LPS-PS12
Release-Date:23.12.2022
Genre:Electronic
Configuration:2LP
Barcode:4062548046694
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Label:Lapsus
Cat-No:LPS-PS12
Release-Date:23.12.2022
Genre:Electronic
Configuration:2LP
Barcode:4062548046694
1
Vector Lovers - City Lights From A Train
2
Vector Lovers - Arrival, Metropolis
3
Vector Lovers - Substrata
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Vector Lovers - Microton
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Vector Lovers - Nostalgia 4 The Future
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Vector Lovers - Post Arctic Industries
7
Vector Lovers - Melodies And Memory
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Vector Lovers - Empty Buildings, Falling Rain
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Vector Lovers - Boulevard
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Vector Lovers - Neon Sky Rain
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Vector Lovers - Capsule For One
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Vector Lovers - To The Stars...
13
Vector Lovers - A Simulation
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Vector Lovers - Perfect Score
Beautiful seductive modern electronix alert!!! Vector Lovers has remained a firm favourite of the underground electronic music scene and holds a coveted place among the most hallowed of record shelves, and with good reason. Since the early 2000s Martin Wheeler has explored a sparse audio wasteland in order to develop a new sonic palette that looks outward to electro, IDM and ambient. After self-releasing a handful of his own productions on the Iwari label, Wheeler's career defining album was signed by British label Soma in 2005, leading to the first great revival of 90s IDM. Capsule for One' was an unrivalled masterpiece that perfectly synthesised the heritage of the Hardcore Continuum with renewed airs and degree of clarity that ushered in a new millennia and sound. It arrived as a worthy successor to the venerated Warp artists of the time, while embracing new panoramas and technologies. Capsule for One' is a melancholic album, with an almost cosmic spirituality that provokes daydreaming. From its opening track 'City Lights From a Train' it welcomes the listener onto an infinite journey at the speed of light, connecting the past, present and future, folding time and space and painting neon cities populated by cyborgs. The album reaches its zenith with 'Melodies and Memory', featuring Wheeler's very own voice, which has arguably become one of this century's greatest electronic ballads to date. In fact, the impact of 'Capsule for One' was such that Tracey Thorn commissioned him to produce her song 'Easy', from the album 'Out of the Woods' [Virgin, 2007]. For its forthcoming release on Lapsus Records, Martin Wheeler has remixed each and every song on 'Capsule for One', as well as adding two previously unreleased tracks 'A Simulation' and 'Perfect Score', both produced around the same epoch. This extra special release, with artwork redesigned by Josep Basora, features a double marbled vinyl and a limited edition insert print. TIP!!
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Last in:20.01.2022
Label:Lapsus
Cat-No:LPS29
Release-Date:21.01.2022
Genre:Electro
Configuration:12" Excl
Barcode:4062548031973
1
Datassette - A1. Sentinel
2
Datassette - A2. The Grey Goo Scenario
3
Datassette - B1. Gong Zahlensender
4
Datassette - B2. Compound Eyes
Territory: WW excluding US
Format: 12" EP (Transparent vinyl, limited to 330 units)
Tracklist:
A1. Sentinel
A2. The Grey Goo Scenario
B1. Gong Zahlensender
B2. Compound Eyes
Key Selling Points
Described by his peers as a keystone in ambient-electro, Datassette is a bastion of the
underground and one of alternative electronic music’s most exceptional and enigmatic
talents.
His extensive and diverse discography spans two decades and includes a plethora of
albums, EPs and remixes for independent record labels, including: Ai Records, Apollo/
R&S, Wall Of Sound, CPU and Shipwrec. His work and creative output also extends to
the design of music libraries for TV and radio; producing sound effects for 8-bit video
games; working as a graphic designer and co-running the Misc label.
Datassette has never been shy of creating complex, addictive and emotive music and this
magical music formula is replicated on Sentinel, his new EP for Lapsus Records.
As is emblematic in his long-standing career, Datassette demonstrates a healthy non-
conformist approach to conventional labels and pigeonholing. By using a combination of
powerful vintage hardware and latest generation digital techniques, the British producer
continually manages to redefine his sound. This new four track EP sees him fuse dub,
electro, braindance, ambient, experimental electronica and even abstract hip hop.
More
Format: 12" EP (Transparent vinyl, limited to 330 units)
Tracklist:
A1. Sentinel
A2. The Grey Goo Scenario
B1. Gong Zahlensender
B2. Compound Eyes
Key Selling Points
Described by his peers as a keystone in ambient-electro, Datassette is a bastion of the
underground and one of alternative electronic music’s most exceptional and enigmatic
talents.
His extensive and diverse discography spans two decades and includes a plethora of
albums, EPs and remixes for independent record labels, including: Ai Records, Apollo/
R&S, Wall Of Sound, CPU and Shipwrec. His work and creative output also extends to
the design of music libraries for TV and radio; producing sound effects for 8-bit video
games; working as a graphic designer and co-running the Misc label.
Datassette has never been shy of creating complex, addictive and emotive music and this
magical music formula is replicated on Sentinel, his new EP for Lapsus Records.
As is emblematic in his long-standing career, Datassette demonstrates a healthy non-
conformist approach to conventional labels and pigeonholing. By using a combination of
powerful vintage hardware and latest generation digital techniques, the British producer
continually manages to redefine his sound. This new four track EP sees him fuse dub,
electro, braindance, ambient, experimental electronica and even abstract hip hop.
More
Label:Lapsus
Cat-No:LPS26
Release-Date:30.11.2021
Genre:Electronic
Configuration:LP
Barcode:
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Label:Lapsus
Cat-No:LPS26
Release-Date:30.11.2021
Genre:Electronic
Configuration:LP
Barcode:
1
Gacha Bakradze - Indivisible
2
Gacha Bakradze - Thank You For This Upload
3
Gacha Bakradze - Driver
4
Gacha Bakradze - Frame
5
Gacha Bakradze - Impression
6
Gacha Bakradze - Lift
7
Gacha Bakradze - Lead
8
Gacha Bakradze - Endless Tool
9
Gacha Bakradze - Slow Heart
Repress!
Hailing from Georgia’s capital Tbilisi, Gacha Bakradze is one of the national scene’s leading electronic music exponents. He returns to Lapsus Records with his new album 'Obscure Languages', his second release for the Barcelona label.
Following the superb LP 'Word Color' [Lapsus Records, 2018], which appeared in several ‘album of the year’ lists for publications such as Pitchfork and XLR8R, the prolific producer now presents 'Obscure Languages'. This new piece of work could well be described as a sound continuation from his previous album and maintains a powerful narrative at its core.
‘Obscure Languages' delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design. More
Hailing from Georgia’s capital Tbilisi, Gacha Bakradze is one of the national scene’s leading electronic music exponents. He returns to Lapsus Records with his new album 'Obscure Languages', his second release for the Barcelona label.
Following the superb LP 'Word Color' [Lapsus Records, 2018], which appeared in several ‘album of the year’ lists for publications such as Pitchfork and XLR8R, the prolific producer now presents 'Obscure Languages'. This new piece of work could well be described as a sound continuation from his previous album and maintains a powerful narrative at its core.
‘Obscure Languages' delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design. More
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in stock
Last in:08.12.2022
Label:Aus Music
Cat-No:aus1346
Release-Date:09.12.2022
Genre:House
Configuration:12" Excl
Barcode:827170486263
1
Bicep, - Stash
2
Bicep, - Courtside Drama
3
Bicep, - Rise
4
Bicep, - The Game
2022 Repress
UPC: 827170486263
Tracklist EP: A1: Stash A2: Courtside Drama B1:Rise B2: The Game
Release Info:
Aus Music non-stop. Not quite content with already chalking up two of the biggest EPs of 2013 so far from Midland and Dusky, Aus return once again with yet another release you’ve been waiting for - the return of Belfast’s biggest sons, Bicep. The London-based duo of Andrew Ferguson and Matthew McBriar had a breakthrough year in 2012, four years after the pair's Feel My Bicep blog first began. The past year has seen them play in more than a dozen countries, including major gigs across the US, China and, more recently, Australia, with particular highlights including a peak time set at Berlin’s haloed Panorama Bar and capacity crowds at both Sub Club and Trouw. In addition to the release of “You/ Don’t” on Aus, the boys also inaugurated their own imprint With the Visions Of Love EP, whilst "$tripper", which was released through Love Fever, came in at number 35 on RA's top 50 tracks of 2012 poll. Further to that they scooped the award for DJ Mag’s Best Breakthrough DJ, supplied Tim Sweeney’s Beats In Space show with an exclusive mix of unreleased material, remixed Ripperton’s “Let’s Hope,” and all the while maintaining the DJ treasure trove that is their blog. Across the EP they take things a little deeper, delving into a different area of their own personal taste. What's presented is an overall more lo-fi style and broader approach, drawing from a wide range of influences including King Street Sounds, HBO's The Wire and Aphex Twin. More
UPC: 827170486263
Tracklist EP: A1: Stash A2: Courtside Drama B1:Rise B2: The Game
Release Info:
Aus Music non-stop. Not quite content with already chalking up two of the biggest EPs of 2013 so far from Midland and Dusky, Aus return once again with yet another release you’ve been waiting for - the return of Belfast’s biggest sons, Bicep. The London-based duo of Andrew Ferguson and Matthew McBriar had a breakthrough year in 2012, four years after the pair's Feel My Bicep blog first began. The past year has seen them play in more than a dozen countries, including major gigs across the US, China and, more recently, Australia, with particular highlights including a peak time set at Berlin’s haloed Panorama Bar and capacity crowds at both Sub Club and Trouw. In addition to the release of “You/ Don’t” on Aus, the boys also inaugurated their own imprint With the Visions Of Love EP, whilst "$tripper", which was released through Love Fever, came in at number 35 on RA's top 50 tracks of 2012 poll. Further to that they scooped the award for DJ Mag’s Best Breakthrough DJ, supplied Tim Sweeney’s Beats In Space show with an exclusive mix of unreleased material, remixed Ripperton’s “Let’s Hope,” and all the while maintaining the DJ treasure trove that is their blog. Across the EP they take things a little deeper, delving into a different area of their own personal taste. What's presented is an overall more lo-fi style and broader approach, drawing from a wide range of influences including King Street Sounds, HBO's The Wire and Aphex Twin. More
12" Excl
in stock
Label:Film Recordings
Cat-No:FILM014
Release-Date:22.03.2023
Genre:Electronic
Configuration:12" Excl
Barcode:4251804140898
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Last in:01.03.2023
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Last in:01.03.2023
Label:Film Recordings
Cat-No:FILM014
Release-Date:22.03.2023
Genre:Electronic
Configuration:12" Excl
Barcode:4251804140898
1
Brainwaltzera - A1. FMsquared [royal wavetable mellodies A]
2
Brainwaltzera - A2. copperfeel
3
Brainwaltzera - A3. WSsquared [royal wavetable mellodies B]
4
Brainwaltzera - B1. good endgar
5
Brainwaltzera - B2. FMsquared [epiloggy] [beauvine bonus perc version]
6
Brainwaltzera - B3. LANsqape4 [short_oneTake]
LP
tracklist:
A1. FMsquared [royal wavetable mellodies A] B1. good endgar
A2. copperfeel B2. FMsquared [epiloggy] [beauvine bonus perc version]
A3. WSsquared [royal wavetable mellodies B] B3. LANsqape4 [short_oneTake]
short info:
Brainwaltzera returns to FILM with a brace of archive recordings in the artist's characteristically idiosyncratic style.
The collection opens with FMsquared [royal wavetable mellodies A], a mesmerizing beatless composition split across two contrasting movements. Synth-focused, the first explores a more introspective tone whilst the second is decidedly more elevated and playful. Follow up good endgar showcases the artist's enviable talent for crafting rolling, wide-open IDM, marrying crisp drum machine hits with washed out pads and a resonant bassline. WSsquared [royal wavetable mellodies B] follows the same pattern as mellodies A, split once again into two movements. This time each movement is markedly more distinct: the first, an atmospheric, half-time dirge and the second a more uplifting and esoteric workout, with crystalline FX breaking up the composition. On LANsqape4 [short_oneTake] Brainwaltzera lets the drums roll out, underpinning more lush synth work with a hint of a break closing in as the piece subsides near its close. Copperfeel, the penultimate offering, is the most reduced work in the collection with a single main melody doing the bulk of the legwork, and buoyed by vocal-sounding synths. FMsquared [epiloggy] [beauvine bonus perc version] closes the collection, a pleasing bookend that sees the riff from the opening track's latter movement return - now underpinned with rolling drums.
More
tracklist:
A1. FMsquared [royal wavetable mellodies A] B1. good endgar
A2. copperfeel B2. FMsquared [epiloggy] [beauvine bonus perc version]
A3. WSsquared [royal wavetable mellodies B] B3. LANsqape4 [short_oneTake]
short info:
Brainwaltzera returns to FILM with a brace of archive recordings in the artist's characteristically idiosyncratic style.
The collection opens with FMsquared [royal wavetable mellodies A], a mesmerizing beatless composition split across two contrasting movements. Synth-focused, the first explores a more introspective tone whilst the second is decidedly more elevated and playful. Follow up good endgar showcases the artist's enviable talent for crafting rolling, wide-open IDM, marrying crisp drum machine hits with washed out pads and a resonant bassline. WSsquared [royal wavetable mellodies B] follows the same pattern as mellodies A, split once again into two movements. This time each movement is markedly more distinct: the first, an atmospheric, half-time dirge and the second a more uplifting and esoteric workout, with crystalline FX breaking up the composition. On LANsqape4 [short_oneTake] Brainwaltzera lets the drums roll out, underpinning more lush synth work with a hint of a break closing in as the piece subsides near its close. Copperfeel, the penultimate offering, is the most reduced work in the collection with a single main melody doing the bulk of the legwork, and buoyed by vocal-sounding synths. FMsquared [epiloggy] [beauvine bonus perc version] closes the collection, a pleasing bookend that sees the riff from the opening track's latter movement return - now underpinned with rolling drums.
More
Label:Be With Records
Cat-No:bewith146lp
Release-Date:15.09.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804140232
in stock
Last in:21.02.2024
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in stock
Last in:21.02.2024
Label:Be With Records
Cat-No:bewith146lp
Release-Date:15.09.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804140232
1
Guy Pedersen - Indian Pop Bass (2:35)
2
Guy Pedersen - Prélude À Une Angoisse (2:20)
3
Guy Pedersen - Patio Bass (2:30)
4
Guy Pedersen - Tension Nerveuse (2:10)
5
Guy Pedersen - Amour, Délices Et Contrebasse (2:30)
6
Guy Pedersen - Percussion Bass (2:50)
7
Guy Pedersen - Obsession Diabolique (2:02)
8
Guy Pedersen - Les Copains De La Basse (2:32)
9
Guy Pedersen - Doucement La Basse (2:22)
10
Guy Pedersen - Bass Session (2:25)
11
Guy Pedersen - Bass After Love (2:06)
12
Guy Pedersen - Ballade Pour Une Basse (2:02)
13
Guy Pedersen - Cosmic Bass (2:55)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Indian Pop Bass 2:35
A2 Prélude À Une Angoisse 2:20
A3 Patio Bass 2:30
A4 Tension Nerveuse 2:10
A5 Amour, Délices Et Contrebasse 2:30
A6 Percussion Bass 2:50
A7 Obsession Diabolique 2:02
B1 Les Copains De La Basse 2:32
B2 Doucement La Basse 2:22
B3 Bass Session 2:25
B4 Bass After Love 2:06
B5 Ballade Pour Une Basse 2:02
B6 Cosmic Bass 2:55
Release Notes:
Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.
"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.
Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".
The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Indian Pop Bass 2:35
A2 Prélude À Une Angoisse 2:20
A3 Patio Bass 2:30
A4 Tension Nerveuse 2:10
A5 Amour, Délices Et Contrebasse 2:30
A6 Percussion Bass 2:50
A7 Obsession Diabolique 2:02
B1 Les Copains De La Basse 2:32
B2 Doucement La Basse 2:22
B3 Bass Session 2:25
B4 Bass After Love 2:06
B5 Ballade Pour Une Basse 2:02
B6 Cosmic Bass 2:55
Release Notes:
Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.
"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.
Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".
The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Label:Maloca Records
Cat-No:MLC012
Release-Date:27.10.2023
Genre:Techno
Configuration:LP Excl
Barcode:4062548073744
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Last in:09.07.2024
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Last in:09.07.2024
Label:Maloca Records
Cat-No:MLC012
Release-Date:27.10.2023
Genre:Techno
Configuration:LP Excl
Barcode:4062548073744
1
Hihats In Trees - Cedar Walk
2
Hihats In Trees - Steppestep
3
Hihats In Trees - AKA 88
4
Hihats In Trees - Knee Dip
5
Hihats In Trees - Meander
6
Hihats In Trees - Au Coeur Tendre
7
Hihats In Trees - C=N
8
Hihats In Trees - Miniatuur 6
9
Hihats In Trees - Icicle Icicle
10
Hihats In Trees - Stillness
Territories: World ex UK
Tracklist:
1. Cedar Walk
2. Steppestep
3. AKA 88
4. Knee Dip
5. Meander
6. Au Coeur Tendre
7. C=N
8. Miniatuur 6
9. Icicle Icicle
10. Stillness
Artefacts is the second part of the diptych of 2 albums by Hihats In Trees, pseudonym for Belgian drummer, producer Lander Gyselinck
HHIT’s unprecedented experiments with rhythm and acoustic textures on its debut album ‘Disleksikon’, released in 2019, was well received. On Artefacts HHIT takes it a step further. A truly sensational sonic realm is explored.
Hihats In Trees’ obsession with singular physical objects, materials of wood, stone, metal evokes a dark dystopian sentiment and a recurring melancholy. A poetic expression of the solid object. In Artefacts, through this language with materials, the physical objects come to life sonically. The 10 compositions revolve around this peculiar vocabulary of texture and rhythm, balancing between the dance floor and a solitary ritual, reminiscing on HHIT’s major influences of gqom, detroit techno, hiphop and experimental ambient.
Fashion designer Dries Van Noten was fascinated by HHIT’s musical experiments, This resulted in a collaboration with photographer Viviane Sassen for his Spring Summer collection in 2021 with music by HHIT, partly from Disleksikon, partly tracks later to be released on Artefacts.
Artefacts is released on the Brussels based label Maloca Records, run by dj, producer Le Motel.
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Tracklist:
1. Cedar Walk
2. Steppestep
3. AKA 88
4. Knee Dip
5. Meander
6. Au Coeur Tendre
7. C=N
8. Miniatuur 6
9. Icicle Icicle
10. Stillness
Artefacts is the second part of the diptych of 2 albums by Hihats In Trees, pseudonym for Belgian drummer, producer Lander Gyselinck
HHIT’s unprecedented experiments with rhythm and acoustic textures on its debut album ‘Disleksikon’, released in 2019, was well received. On Artefacts HHIT takes it a step further. A truly sensational sonic realm is explored.
Hihats In Trees’ obsession with singular physical objects, materials of wood, stone, metal evokes a dark dystopian sentiment and a recurring melancholy. A poetic expression of the solid object. In Artefacts, through this language with materials, the physical objects come to life sonically. The 10 compositions revolve around this peculiar vocabulary of texture and rhythm, balancing between the dance floor and a solitary ritual, reminiscing on HHIT’s major influences of gqom, detroit techno, hiphop and experimental ambient.
Fashion designer Dries Van Noten was fascinated by HHIT’s musical experiments, This resulted in a collaboration with photographer Viviane Sassen for his Spring Summer collection in 2021 with music by HHIT, partly from Disleksikon, partly tracks later to be released on Artefacts.
Artefacts is released on the Brussels based label Maloca Records, run by dj, producer Le Motel.
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12" Excl
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Label:Poker Flat
Cat-No:pfr81
Release-Date:24.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:827170116566
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Last in:16.08.2024
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Label:Poker Flat
Cat-No:pfr81
Release-Date:24.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:827170116566
1
trentemoller - Moan (Trentemoller Remix)
2
trentemoller - Moan (Radioslave Remix)
2022 repress
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More
Label:GLUM
Cat-No:GLUM005
Release-Date:06.10.2023
Genre:Electronic
Configuration:LP
Barcode:5050580789982
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Last in:28.02.2024
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Last in:28.02.2024
Label:GLUM
Cat-No:GLUM005
Release-Date:06.10.2023
Genre:Electronic
Configuration:LP
Barcode:5050580789982
1
Lukid - End Melody
2
Lukid - Haringey Leisure
3
Lukid - Anatolia
4
Lukid - The Great Schlep
5
Lukid - Belly 1
6
Lukid - Belly 2
7
Lukid - Daisy Cutter
8
Lukid - Confessions of a Wimp
9
Lukid - How It's Made
10
Lukid - End Loop
Label:Ilian Tape
Cat-No:IT056
Release-Date:19.05.2023
Genre:Techno
Configuration:12"
Barcode:
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Last in:02.07.2024
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Last in:02.07.2024
Label:Ilian Tape
Cat-No:IT056
Release-Date:19.05.2023
Genre:Techno
Configuration:12"
Barcode:
1
KW - Midnight Run
2
KW - Paste
3
KW - Copy
4
KW - Lastmin_Res
Alluring Stripped Down Dribblers
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Label:Balmat
Cat-No:BALMAT08
Release-Date:03.11.2023
Configuration:LP
Barcode:4062548064681
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Last in:05.04.2024
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Label:Balmat
Cat-No:BALMAT08
Release-Date:03.11.2023
Configuration:LP
Barcode:4062548064681
1
Anagrams - Birds On Clifton
2
Anagrams - Blue Voices
3
Anagrams - Hymn No.2
4
Anagrams - Catch It
5
Anagrams - Ex Uno Plures
6
Anagrams - Hidden Hearts
7
Anagrams - Another Cloud
8
Anagrams - Song In Six
9
Anagrams - Interesting Times
10
Anagrams - Let Us Sing Sad Songs Together
11
Anagrams - What Is Left Is Music
Balmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers’ lilting, Balearic pop for years, so when Shy Layers’ JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this.
Together, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”
Crompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.
Across the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio- jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. More
Together, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat’s habitually electronic terrain. It’s not ambient music, but it’s also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. “I like it because it’s not jazz,” jokes Crompton, a veteran and credentialed jazz player. “And JD likes it because it’s jazz.”
Crompton is a musician (and former high-school band teacher) with deep roots in Georgia’s improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel’s 12-hour drone performance at Knoxville’s Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany’s Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney’s Beats in Space label put out Shy Layers’ sophomore album, Midnight Marker. Where those records channeled Walsh’s playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color.
Across the album’s 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois’ pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio- jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue. More
LP
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Label:Dead Oceans
Cat-No:DOCLP332
Release-Date:30.06.2023
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605163215
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Last in:22.11.2023
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Last in:22.11.2023
Label:Dead Oceans
Cat-No:DOCLP332
Release-Date:30.06.2023
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605163215
TRACKLIST:
1. SOURCE (LIVE AT RADIO CITY MUSIC HALL)
2. THE MESSAGE CONTINUES (LIVE AT RADIO CITY MUSIC HALL)
3. LA CUMBIA ME ESTá LLAMANDO (LIVE AT RADIO CITY MUSIC HALL)
4. SO WE WON'T FORGET (LIVE AT RADIO CITY MUSIC HALL)
5. THE INFAMOUS BILL (LIVE AT RADIO CITY MUSIC HALL)
6. PELOTA (LIVE AT RADIO CITY MUSIC HALL)
7. TIME (YOU AND I) [LIVE AT RADIO CITY MUSIC HALL]
It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's 'Live At' series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Most of all, Khruangbin's 'Live at' series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. 'Live at Radio City Music Hall' features performances by Nubya Garcia and Khruangbin. More
1. SOURCE (LIVE AT RADIO CITY MUSIC HALL)
2. THE MESSAGE CONTINUES (LIVE AT RADIO CITY MUSIC HALL)
3. LA CUMBIA ME ESTá LLAMANDO (LIVE AT RADIO CITY MUSIC HALL)
4. SO WE WON'T FORGET (LIVE AT RADIO CITY MUSIC HALL)
5. THE INFAMOUS BILL (LIVE AT RADIO CITY MUSIC HALL)
6. PELOTA (LIVE AT RADIO CITY MUSIC HALL)
7. TIME (YOU AND I) [LIVE AT RADIO CITY MUSIC HALL]
It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's 'Live At' series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Most of all, Khruangbin's 'Live at' series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. 'Live at Radio City Music Hall' features performances by Nubya Garcia and Khruangbin. More
Label:Well Street
Cat-No:WSRYSH1
Release-Date:21.04.2023
Genre:Techno
Configuration:12"
Barcode:
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Label:Well Street
Cat-No:WSRYSH1
Release-Date:21.04.2023
Genre:Techno
Configuration:12"
Barcode:
1
Yushh - Kara Arriba
2
Yushh - Siro Silo
3
Yushh - Dough
4
Yushh - OXI Ambigan
The Well Street label welcomes Yushh for her debut EP. The Pressure Dome label-head (who has previously landed on Facta & K-LONE's Wisdom Teeth as well as Banoffee Pies) brings a mind-altering mix of sounds here. There is sparse and futuristic space techno on 'Kara Arriba' then deeply introspective downbeat on 'Siro Silo'. 'Dough' is a percolating rhythm piece with rubbery bass and dreamy pads while 'OXI Ambigan' floats through space next to fizzing synth details, distant nebulas and alien life forms.
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Label:Anno
Cat-No:ANNO-002
Release-Date:01.09.2023
Configuration:12"
Barcode:
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Last in:28.08.2024
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Label:Anno
Cat-No:ANNO-002
Release-Date:01.09.2023
Configuration:12"
Barcode:
1
Loidis - A Parade
2
Loidis - In The Place I Sit
3
Loidis - The Floating World (& All It's Pleasures)
Repress!
Twelve on Hank Jacksons Anno label by Loidis aka Huerco S. aka Pendant aka The Royal Crown of Sweden. More
Twelve on Hank Jacksons Anno label by Loidis aka Huerco S. aka Pendant aka The Royal Crown of Sweden. More
Label:Mad Habitat
Cat-No:MADHAB07
Release-Date:29.09.2023
Configuration:LP
Barcode:
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Label:Mad Habitat
Cat-No:MADHAB07
Release-Date:29.09.2023
Configuration:LP
Barcode:
1
Posm - With The Birds
2
Posm - Pouched
3
Posm - Duel
4
Posm - Bamboo
5
Posm - Cacatau
6
Posm - Beads
7
Posm - Mobius
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Posm - Fleets
Posm is a convergence of talents, emerging from a series of spontaneous jams that took place nestled amongst the hills of Kuringgai country. These sessions continued for two months, weaving hypnotic, incantatory suites through improvisation. The instrumental palette rotates between effortlessly blending acoustic and electronic instrumentation into a heady, organic synthesis, creating sounds that harmonise with the verdant landscape and flourishing fauna of the Bilgola hills. The music itself is an unforced fusion, finding the synchronicity in their improvisations. It feels exploratory, and you can follow along with them in the shared joy of making music in tune with each other and their surroundings.
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