1
Jata - Stutter I
2
Jata - Midstate
3
Jata - Stutter II
Bristol-based imprint Sex Tapes From Mars third release comes via JATA, presenting a reissue of his highly sought after, 1991 dance relic. Presented are three gritty, pulsing exercises in delayed gratification that have all the more impact when they finally hit top gear.
The A1, ‘Stutter I’ manages deep introspection while still holding on to the part of the night that makes your head rush and your heart flutter. It comprises four sublimely sewn, yet prominently different movements, climaxing in beating, bumpy bliss.
On the flip, the sense of strangely balanced synthesis makes ‘Midstate’ a remarkable sonic quandary. Its uptempo synth melody is joined with spacey stabs, and deep, unnerving swells.
"Stutter II," meanwhile, centers on trippy, bright-eyed acid, lifted by a surprisingly tight flex of pummelling kicks, jagged hi-hats and pure, swelling pads. It’s a psychedelic symphony of earnest rhythms and bass, perfect for early-morning smoke and shadows.
Each track on STFM03 has its own subtle but effective drama, sharing a masterclass in esoterically crafted noises.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The A1, ‘Stutter I’ manages deep introspection while still holding on to the part of the night that makes your head rush and your heart flutter. It comprises four sublimely sewn, yet prominently different movements, climaxing in beating, bumpy bliss.
On the flip, the sense of strangely balanced synthesis makes ‘Midstate’ a remarkable sonic quandary. Its uptempo synth melody is joined with spacey stabs, and deep, unnerving swells.
"Stutter II," meanwhile, centers on trippy, bright-eyed acid, lifted by a surprisingly tight flex of pummelling kicks, jagged hi-hats and pure, swelling pads. It’s a psychedelic symphony of earnest rhythms and bass, perfect for early-morning smoke and shadows.
Each track on STFM03 has its own subtle but effective drama, sharing a masterclass in esoterically crafted noises.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Sex Tapes From Mars
1
Latent - Break Machine
2
Latent - Distress Robot
3
Latent - Disco Hijack
4
Latent - Virtual Body
Sex Tapes From Mars presents Outdom Records' boss, LATENT, who shares a brand-new four-track EP that spars with breakbeat, electro, house, and left-field electronics, neatly centring them all into a steady, sexy collision. The record as a whole captures genuinely original-sounding, rough-edged b-boy breaking badness - nostalgic, but never polite. It's a few BPMs slower than Sex Tapes' last few outings, but no less effective. Arguably, it's more late '80s sounding than ever, although, in fact, it's a brand-new, stonking release that showcases the label's versatility and unpredictability.
The opening track, "Break Machine", sets the pace with a clear nod to the '80s US group of the same name, bringing tidy drum workouts and clipped vocal samples that recall early Chicago, as well as choppy rave and street party energy at its most unfiltered.
"Disco Hijack" pushes the clutch into a more functional gear, merging delay-heavy, druggy, chuggy, sludgy bass with more robotic vocoder tropes, sharing something playful but IDM and European skewed. It's a dancefloor tool with a wink - just the style this now accomplished label has made its identity. Oh, don't forget the amens and clattering jungle breaks. 1990 or 2040? Fuck knows.
On "Distress Robot", pneumatic percussion and malfunctioning android chatter bring a darker, more mechanical edge, while "Virtual Body" closes with a spacious, garage-leaning shuffle that pulls the EP into recognisable contemporary yet still very much peak-time territory.
LATENT gives lean grit, pushes the edges, and lets the tracks feel alive in their imperfections. It’s music that thrives on tension between old-school reference points and modern floor pressure.
Bristol's label head Elon Dust HAS done it again.
Vinyl-only as per, don't sleep."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The opening track, "Break Machine", sets the pace with a clear nod to the '80s US group of the same name, bringing tidy drum workouts and clipped vocal samples that recall early Chicago, as well as choppy rave and street party energy at its most unfiltered.
"Disco Hijack" pushes the clutch into a more functional gear, merging delay-heavy, druggy, chuggy, sludgy bass with more robotic vocoder tropes, sharing something playful but IDM and European skewed. It's a dancefloor tool with a wink - just the style this now accomplished label has made its identity. Oh, don't forget the amens and clattering jungle breaks. 1990 or 2040? Fuck knows.
On "Distress Robot", pneumatic percussion and malfunctioning android chatter bring a darker, more mechanical edge, while "Virtual Body" closes with a spacious, garage-leaning shuffle that pulls the EP into recognisable contemporary yet still very much peak-time territory.
LATENT gives lean grit, pushes the edges, and lets the tracks feel alive in their imperfections. It’s music that thrives on tension between old-school reference points and modern floor pressure.
Bristol's label head Elon Dust HAS done it again.
Vinyl-only as per, don't sleep."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bassland Prophecy - Nine / Deeper
2
Bassland Prophecy - The Blue And Purple Starship Of Trust
"Bassland Prophecy" was a collection of Southern California musicians, including Alex Xenophon (Deep Squared), Stuart Breidenstein (formerly of Skylab 2000), Alissa Kueker (vocals), and Maxx Vaxx (Euterpre, Butterfly Garden).
The act nourished and grew the emerging LA scene and was a renegade force in live electronic improvisation. Rather than composing full tracks, Breidenstein stated over email that they built musical "ingredients" on the fly, syncing DOS and hardware sequencers mid-performance. Their unpredictable sets, from illegal raves to makeshift desert parties, resulted in electrifying, unforgettable sonic trips.
Recalling 90s LA, Breidenstein said: “Before the internet, finding a rave was an adventure. You’d get a flyer with a phone number, call it the night of the event, then drive—sometimes 100 miles or more from a map point to the actual party. The scene was raw and underground, built by music obsessives hunting for the freshest sounds.”
Two standout tracks from 1996—“Nine / Deeper” and “Blue and Purple Starship of Trust”—perfectly represent their unique genre-bending concoctions. Against all odds, the recordings survived and have been given new life, remastered and reissued on Bristol-based *Sex Tapes From Mars*. To produce the wizardry, their setup included a Juno 106, Yamaha FB-01, a Roland S330 sampler, and a Sequential Circuits Pro-One mono synth with external MIDI, and some guitar effects pedals.
“Nine / Deeper,” born from one of their many spontaneous studio sessions, became eerily intertwined with recurring appearances of the number 9 and black cats. So much was the frequency of apophenia episodes that paranoia began to take over the artists. Recorded in a makeshift living room studio, the 14-minute excursion traverses genres and tempos, beginning quick and hypnotic, and climaxing chuggy and drenched in adlibbed acid lines, culminating in a surreal and legendary live performance in Hollywood. The piece captures the raw spontaneity of their sets, crafted with vintage gear, cassette tape recordings, and, as always, a DIY ethos. Breidenstein states, “While improvised sessions often failed, when it succeeded, it was definitely a kind of infectious magic the listener would recognize.”
“The Blue and Purple Starship of Trust” is a deeply personal piece, named after when Breidenstein saw a heavenly blue morning glory on a walk around his neighborhood, and emerged from heartbreak and the following deep depression entrenching his life at the time. Recorded in a single take onto cassette tape, blending piano, guitar, and heart-rending vocals into an emotional, dreamlike journey. The track starts with a lush, cascading synth sound, bolstered up by rolling, reverbing downtempo drums. Using Sequential Circuits Pro-One throughout, the rippling synths and off-key piano licks act like pipetted droplets of water, all elements bleeding into each other in some kind of hallucinogenic swelling, reflecting Breidenstein’s fading relationship. The guitar part is a nod to Bill Withers’ “Ain’t No Sunshine,” and Breidenstein recalls just “bawling as the guitar line was recorded.”
Created in a time of artistic struggle, living in an old school bus, surviving on instant noodles while hauling their gear from venue to venue, and scraping by on gig money, these recordings act as rare artifacts of a movement that thrived on passion and perseverance, standing as a poignant testament to resilience. Though they released a handful of tracks, ranging from deep house to ambient to techno, their true legacy lay in their high-energy, genre-blurring live shows, which are powerfully encapsulated within these recordings and leave a lasting impact on underground electronic music today.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The act nourished and grew the emerging LA scene and was a renegade force in live electronic improvisation. Rather than composing full tracks, Breidenstein stated over email that they built musical "ingredients" on the fly, syncing DOS and hardware sequencers mid-performance. Their unpredictable sets, from illegal raves to makeshift desert parties, resulted in electrifying, unforgettable sonic trips.
Recalling 90s LA, Breidenstein said: “Before the internet, finding a rave was an adventure. You’d get a flyer with a phone number, call it the night of the event, then drive—sometimes 100 miles or more from a map point to the actual party. The scene was raw and underground, built by music obsessives hunting for the freshest sounds.”
Two standout tracks from 1996—“Nine / Deeper” and “Blue and Purple Starship of Trust”—perfectly represent their unique genre-bending concoctions. Against all odds, the recordings survived and have been given new life, remastered and reissued on Bristol-based *Sex Tapes From Mars*. To produce the wizardry, their setup included a Juno 106, Yamaha FB-01, a Roland S330 sampler, and a Sequential Circuits Pro-One mono synth with external MIDI, and some guitar effects pedals.
“Nine / Deeper,” born from one of their many spontaneous studio sessions, became eerily intertwined with recurring appearances of the number 9 and black cats. So much was the frequency of apophenia episodes that paranoia began to take over the artists. Recorded in a makeshift living room studio, the 14-minute excursion traverses genres and tempos, beginning quick and hypnotic, and climaxing chuggy and drenched in adlibbed acid lines, culminating in a surreal and legendary live performance in Hollywood. The piece captures the raw spontaneity of their sets, crafted with vintage gear, cassette tape recordings, and, as always, a DIY ethos. Breidenstein states, “While improvised sessions often failed, when it succeeded, it was definitely a kind of infectious magic the listener would recognize.”
“The Blue and Purple Starship of Trust” is a deeply personal piece, named after when Breidenstein saw a heavenly blue morning glory on a walk around his neighborhood, and emerged from heartbreak and the following deep depression entrenching his life at the time. Recorded in a single take onto cassette tape, blending piano, guitar, and heart-rending vocals into an emotional, dreamlike journey. The track starts with a lush, cascading synth sound, bolstered up by rolling, reverbing downtempo drums. Using Sequential Circuits Pro-One throughout, the rippling synths and off-key piano licks act like pipetted droplets of water, all elements bleeding into each other in some kind of hallucinogenic swelling, reflecting Breidenstein’s fading relationship. The guitar part is a nod to Bill Withers’ “Ain’t No Sunshine,” and Breidenstein recalls just “bawling as the guitar line was recorded.”
Created in a time of artistic struggle, living in an old school bus, surviving on instant noodles while hauling their gear from venue to venue, and scraping by on gig money, these recordings act as rare artifacts of a movement that thrived on passion and perseverance, standing as a poignant testament to resilience. Though they released a handful of tracks, ranging from deep house to ambient to techno, their true legacy lay in their high-energy, genre-blurring live shows, which are powerfully encapsulated within these recordings and leave a lasting impact on underground electronic music today.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Cam Stockman - Dreams In The RS
2
Cam Stockman - Chicktikka
3
Cam Stockman - Useless
4
Cam Stockman - The Acceptance Speech
Bristol-based, vinyl-only imprint Sex Tapes From Mars continues its voyage through the cosmos of underground electronic music with Suburbia head-honcho, Cam Stockman.
His latest EP, “All Juiced Out”, is a raw, hypnotic four-tracker, and deep-dive into the world of vintage analogue synthesis, acid-drenched basslines, and sensual vocal hooks - a bold statement from an artist unafraid to push boundaries.
Opening with “Dreams In The RS,” Stockman sets a sharp, pacey, retro-futuristic oxymoron tone, blending dreamy swirling pads and bells, with driving, squelchy rhythms.
The momentum builds and bellows with “Chicktikka,” a frenetic fusion of skittering percussion patterns, infectious bass grooves, and sexy vocal cuts.
The evocative “Useless” offers peak time energy, with its shadowy atmospheres and bubbling synth tinkers, before the EP culminates in “The Acceptance Speech” a euphoric and deeply layered finale that encapsulates the full space-age emotional spectrum of the release.
“All Juiced Out” is a testament to Stockman’s mastery of analogue textures and his ability to channel rousing emotion into the diverse language of techno. Dropping now on heavyweight vinyl, it’s a must-listen for fans of punchy rollers and Bristol’s ever-evolving sonic underground. To summarise simply, each track here presents an uncompromised dance floor bomb - not to be missed!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
His latest EP, “All Juiced Out”, is a raw, hypnotic four-tracker, and deep-dive into the world of vintage analogue synthesis, acid-drenched basslines, and sensual vocal hooks - a bold statement from an artist unafraid to push boundaries.
Opening with “Dreams In The RS,” Stockman sets a sharp, pacey, retro-futuristic oxymoron tone, blending dreamy swirling pads and bells, with driving, squelchy rhythms.
The momentum builds and bellows with “Chicktikka,” a frenetic fusion of skittering percussion patterns, infectious bass grooves, and sexy vocal cuts.
The evocative “Useless” offers peak time energy, with its shadowy atmospheres and bubbling synth tinkers, before the EP culminates in “The Acceptance Speech” a euphoric and deeply layered finale that encapsulates the full space-age emotional spectrum of the release.
“All Juiced Out” is a testament to Stockman’s mastery of analogue textures and his ability to channel rousing emotion into the diverse language of techno. Dropping now on heavyweight vinyl, it’s a must-listen for fans of punchy rollers and Bristol’s ever-evolving sonic underground. To summarise simply, each track here presents an uncompromised dance floor bomb - not to be missed!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Victorious - How Do You Do It?
2
Victorious - Living Without You
3
Victorious - All I Want To Do
4
Victorious - How Do You Do It? (The Poptastic Mix)
5
Victorious - Everybody
Yet again digging deep into the forgotten corners of dance music history, Sex Tapes From Mars is back with an essential reissue of 1997’s “Liquid Squid” by Victorious - a long-lost gem from the hazy heyday of mid-90s US house. Originally pressed in small quantities, the EP quickly became a cult favourite among vinyl purists and house music heads, with original copies going for hefty sums on Discogs, and as little as 50 members listing it in their collection. Now, after years of obscurity, “Liquid Squid” returns, bringing unfiltered, raw energy, and bolstered by a killer remix from Canadian duo Boomtang Boys, adding a respectful rework that breathes new life into the original track without overshadowing its original spirit.
Deep, driving, and dripping with analogue warmth, with chunky, rolling basslines that sit under warm, sweeping pads. The productions are stripped-back but loaded with texture, featuring subtly layered percussion that builds with precision, creating a spacious, immersive sound. Throughout the record, what’s consistent is low-swung, rolling rhythms, and rough-and-ready keys. It's dance floor-centric, but there’s a level of emotional depth in this singular to its era, and one you don’t find in contemporary sonic palettes.
Victorious provides a deep stroke into the realm of dubby, atmospheric house, revolving around hypnotic, evolving grooves, with spaced-out chords, lustrous vocals, and key tinkerings, perfect for more introspective sets. It’s a direct nod to the grit of Detroit along with clear remnants of early Chicago house glimmers - dreamy but yet still functional.
Sex Tapes From Mars has always been a label with a nose for the weird, slick, and the rare, and this reissue is no exception, crafting tantalising soundscapes that pull you into its orbit. “Liquid Squid” offers a snapshot of a time when the lines between genres were still fluid - it’s rich, warm, and dripping with sultry swagger - a piece of history that’s been given a second life, ready to work its magic on dance floors once again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Deep, driving, and dripping with analogue warmth, with chunky, rolling basslines that sit under warm, sweeping pads. The productions are stripped-back but loaded with texture, featuring subtly layered percussion that builds with precision, creating a spacious, immersive sound. Throughout the record, what’s consistent is low-swung, rolling rhythms, and rough-and-ready keys. It's dance floor-centric, but there’s a level of emotional depth in this singular to its era, and one you don’t find in contemporary sonic palettes.
Victorious provides a deep stroke into the realm of dubby, atmospheric house, revolving around hypnotic, evolving grooves, with spaced-out chords, lustrous vocals, and key tinkerings, perfect for more introspective sets. It’s a direct nod to the grit of Detroit along with clear remnants of early Chicago house glimmers - dreamy but yet still functional.
Sex Tapes From Mars has always been a label with a nose for the weird, slick, and the rare, and this reissue is no exception, crafting tantalising soundscapes that pull you into its orbit. “Liquid Squid” offers a snapshot of a time when the lines between genres were still fluid - it’s rich, warm, and dripping with sultry swagger - a piece of history that’s been given a second life, ready to work its magic on dance floors once again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Nizar Sarakbi - Mon Amore
2
Nizar Sarakbi - Mon Amore (HearThug 1001Nuits Remix)
3
Nizar Sarakbi - Synthetic Disco
4
Nizar Sarakbi - Red Cross
Bristol-based Sex Tapes From Mars continues its vinyl-only odyssey with the latest transmission from Ukrainian, half-Syrian, Nizar, whose Naked Groove EP fuses minimalist techno with a surreal twist, backed with vintage hardware and delivered with robotic precision. An exercise in controlled chaos, the EP embodies the label’s ethos of pushing boundaries through unconventional sound design, where abstract and wiggy, skipping grooves drive forward.
Across its four tracks, the EP navigates through a warped sonic terrain, stitching together fragmented rhythms and glitch-infused textures with a hypnotic, purposeful pulse. Nizar masterfully dismantles familiar late 80s and 90s techno frameworks, creating space for alien melodies, stuttering beats, and deeply physical low-end. The result is a sound that feels both stripped-down and intricately detailed—dance music at its most unhinged, with a raw edge that demands attention. The track's taut frameworks often build tension without release, offering a disquieting and strange dancefloor experience.
Among the highlights is a standout remix of "Mon Amore" by Hearthug, who twists the original into an even more disorienting version of itself—manipulating rhythm, space, and atmosphere to create something warped yet irresistibly groovy and swooning.
With Naked Groove, Nizar solidifies his status as a purveyor of leftfield techno curiosities, delivering a record that’s equal parts alien and captivating, uniquely exploring the fringes of a plethora of genres, and delivering a body of work that’s as unsettling as it is danceable.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Across its four tracks, the EP navigates through a warped sonic terrain, stitching together fragmented rhythms and glitch-infused textures with a hypnotic, purposeful pulse. Nizar masterfully dismantles familiar late 80s and 90s techno frameworks, creating space for alien melodies, stuttering beats, and deeply physical low-end. The result is a sound that feels both stripped-down and intricately detailed—dance music at its most unhinged, with a raw edge that demands attention. The track's taut frameworks often build tension without release, offering a disquieting and strange dancefloor experience.
Among the highlights is a standout remix of "Mon Amore" by Hearthug, who twists the original into an even more disorienting version of itself—manipulating rhythm, space, and atmosphere to create something warped yet irresistibly groovy and swooning.
With Naked Groove, Nizar solidifies his status as a purveyor of leftfield techno curiosities, delivering a record that’s equal parts alien and captivating, uniquely exploring the fringes of a plethora of genres, and delivering a body of work that’s as unsettling as it is danceable.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Monica Venturella - Talk Dirty 2 Me
2
Monica Venturella - Don't Think About It
3
Monica Venturella - Oh Shie
4
Monica Venturella - Espionage
Sicily-based, electro-contemporary, Monica Venturella steps up for Sex Tapes From Mars’ seventh outing, serving four acid-bleeding, delirious cuts.
The A1, ‘Talk Dirty 2 Me’ is a masterclass in rhythmic finesse, navigating the delicate balance between the syncopated shuffle of a two-step drum beat and the subterranean swelling of an early 00s reminiscent growling bass. The percussive intricacies propel the listener into a kinetic groove, while the bassline depth anchors the dance floor in an immersive, tactile low-end experience.
‘Don’t Think About It’ forays through bouncy, playful energy underscored by a distinctively corrupt acid line. The meticulous synth lines and off-kilter rhythms twist and turn with gleeful abandon, both twisted and slick.
On the flip, ‘Oh Shie’ displays a deranged, bumpy groove. It’s layers unfold with intricate detail, creating a textured sonic landscape that is masterfully controlled. The analog warmth and unpredictable modulations lend a raw, visceral edge that captivates and disorients in equal measure.
A fitting finale to the record, ‘Espionage’ begins with filmic, detuned vintage synth swells before dropping into nothing less than a seminal standout joyride in greezy waft. Verberating bleeps, clever pitch play and raunchy vocal stabs join the trip while the sonic palette grows in mania.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The A1, ‘Talk Dirty 2 Me’ is a masterclass in rhythmic finesse, navigating the delicate balance between the syncopated shuffle of a two-step drum beat and the subterranean swelling of an early 00s reminiscent growling bass. The percussive intricacies propel the listener into a kinetic groove, while the bassline depth anchors the dance floor in an immersive, tactile low-end experience.
‘Don’t Think About It’ forays through bouncy, playful energy underscored by a distinctively corrupt acid line. The meticulous synth lines and off-kilter rhythms twist and turn with gleeful abandon, both twisted and slick.
On the flip, ‘Oh Shie’ displays a deranged, bumpy groove. It’s layers unfold with intricate detail, creating a textured sonic landscape that is masterfully controlled. The analog warmth and unpredictable modulations lend a raw, visceral edge that captivates and disorients in equal measure.
A fitting finale to the record, ‘Espionage’ begins with filmic, detuned vintage synth swells before dropping into nothing less than a seminal standout joyride in greezy waft. Verberating bleeps, clever pitch play and raunchy vocal stabs join the trip while the sonic palette grows in mania.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deeper Cut - Feel It (Valhalla Edit)
2
Deeper Cut - Feel It (Velvet Velour Remix)
3
Deeper Cut - Feel It (Baldo Remix)
“Embark on a transcendent journey through time as Sex Tapes From Mars proudly resurrects a beloved classic: “Deeper Cut - Feel It”.
This release, features bewitching remixes from Velvet Velour and Baldo, and pays homage to the illustrious era's sultry groove while injecting an invigorating vitality into the chemistry.
Inspired by the fervent underground movements of the ‘90s, Deeper Cut "Feel It" encapsulates the essence of an epoch gone by, transporting listeners to a realm where unadulterated emotion and infectious rhythms reign supreme.
The A1, a meticulously crafted beam of puncturing class, sheds the antiquated vocal elements, presenting a polished rendition that resonates deeply with contemporary sensibilities. This transformative, evocative rework of the acclaimed version fervently championed by FDG, has ignited a digital wildfire, enrapturing audiences and rekindling an impassioned devotion for the track's timeless allure.
Serving as celestial companions on this nostalgic odyssey are the luminary remixes from Velvet Velour and Baldo. Velvet Velour infuses their unmistakable flair, imbuing the track with pulsating vitality and entrancing rhythms that elevate the dancefloor experience to sublime heights. Meanwhile, Baldo bestows his idiosyncratic perspective, guiding listeners through an exhilarating sonic expedition adorned with eclectic nuances and an irresistible groove.
As Sex Tapes From Mars, and the mysterious label head himself Elon Dust, continue to transcend boundaries and exalt the rich tapestry of electronic music, their latest cut stands as a testament to the label's unwavering commitment to cultural heritage, done properly.
For devotees of electronic music and seekers of auditory transcendence, this release is an indispensable addition to your collection.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This release, features bewitching remixes from Velvet Velour and Baldo, and pays homage to the illustrious era's sultry groove while injecting an invigorating vitality into the chemistry.
Inspired by the fervent underground movements of the ‘90s, Deeper Cut "Feel It" encapsulates the essence of an epoch gone by, transporting listeners to a realm where unadulterated emotion and infectious rhythms reign supreme.
The A1, a meticulously crafted beam of puncturing class, sheds the antiquated vocal elements, presenting a polished rendition that resonates deeply with contemporary sensibilities. This transformative, evocative rework of the acclaimed version fervently championed by FDG, has ignited a digital wildfire, enrapturing audiences and rekindling an impassioned devotion for the track's timeless allure.
Serving as celestial companions on this nostalgic odyssey are the luminary remixes from Velvet Velour and Baldo. Velvet Velour infuses their unmistakable flair, imbuing the track with pulsating vitality and entrancing rhythms that elevate the dancefloor experience to sublime heights. Meanwhile, Baldo bestows his idiosyncratic perspective, guiding listeners through an exhilarating sonic expedition adorned with eclectic nuances and an irresistible groove.
As Sex Tapes From Mars, and the mysterious label head himself Elon Dust, continue to transcend boundaries and exalt the rich tapestry of electronic music, their latest cut stands as a testament to the label's unwavering commitment to cultural heritage, done properly.
For devotees of electronic music and seekers of auditory transcendence, this release is an indispensable addition to your collection.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Sex Tapes From Mars
Cat-No:SEXTAPE005
Release-Date:16.02.2024
Genre:House / Techno
Configuration:12"
Label:Sex Tapes From Mars
Cat-No:SEXTAPE005
Release-Date:16.02.2024
Genre:House / Techno
Configuration:12"
1
Boulderhead - Okaii
2
Boulderhead - Tomorrow People
3
Boulderhead - Informatic
4
Boulderhead - Nutrient Streams
SEXTAPE005 lands in the form of four ethereal modular jams courtesy of Bristol-based Boulderhead. “Tomorrow People” is a record which tickles the dancefloor’s most tender spots, the tracks are trippy, dreamy and warm yet all the while driving, complex and intense.
The record kicks off with Okii - a sassy bassline driven groover with a playful vocal destined to put a smile on any listeners face. The intensity is turned up a notch with A2 - Tomorrow People, a slinky fist pumper with squelchy stabs and dissonant vocals designed to get the crowd going.
On the flip Informatic serves a tight yet smooth ride into bliss via shuffly percussion and long and enveloping pads resulting in a track with perfect utility for the warm up or the crack on. The EP ends with Nutrient Streams, a sticky minimal roller that cruises effortlessly with the same psychedelic swagger heard throughout the whole EP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The record kicks off with Okii - a sassy bassline driven groover with a playful vocal destined to put a smile on any listeners face. The intensity is turned up a notch with A2 - Tomorrow People, a slinky fist pumper with squelchy stabs and dissonant vocals designed to get the crowd going.
On the flip Informatic serves a tight yet smooth ride into bliss via shuffly percussion and long and enveloping pads resulting in a track with perfect utility for the warm up or the crack on. The EP ends with Nutrient Streams, a sticky minimal roller that cruises effortlessly with the same psychedelic swagger heard throughout the whole EP.
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Label:Sex Tapes From Mars
Cat-No:SEXTAPE003
Release-Date:21.04.2023
Genre:House / Techno
Configuration:12"
Label:Sex Tapes From Mars
Cat-No:SEXTAPE003
Release-Date:21.04.2023
Genre:House / Techno
Configuration:12"
1
Aldonna - Divine Time
2
Aldonna - Ikigai Ft. Sam Alfred
3
Aldonna - Ella
4
Aldonna - Divine Time (Cromby Remix)
Sex tapes from Mars' third release comes in the form of 4 joyous hits of euphoria courtesy of Australian party-starter, Aldonna.
Angel Numbers excitedly bounces and bounds through its tracklist and the numerous blissed-out grooves within it. The EP kicks off with the psychedelic, poem-sampling 'Divine Time' before switching to the driving rhythms and glistening synths of 'Ikigai' (featuring Sam Alfred).
On the B-side, Aldonna dedicates the airy keys and phasing delays of 'Ella' to a friend who encouraged her to keep on dreaming. Finally, Cromby takes 'Divine Time' and reduces it down to its raw elements for clubland functionality whilst still retaining the threads of the originals buoyant tonality.
A love letter to her friends and her self, this is trance music at its most hopeful. Get those hands in the air and smile.
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Angel Numbers excitedly bounces and bounds through its tracklist and the numerous blissed-out grooves within it. The EP kicks off with the psychedelic, poem-sampling 'Divine Time' before switching to the driving rhythms and glistening synths of 'Ikigai' (featuring Sam Alfred).
On the B-side, Aldonna dedicates the airy keys and phasing delays of 'Ella' to a friend who encouraged her to keep on dreaming. Finally, Cromby takes 'Divine Time' and reduces it down to its raw elements for clubland functionality whilst still retaining the threads of the originals buoyant tonality.
A love letter to her friends and her self, this is trance music at its most hopeful. Get those hands in the air and smile.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Muelsa - Across The Pampa
2
Muelsa - Wild Nights
3
Muelsa - No Joke (G-Knews Mix)
4
Muelsa - Pretty Little Monsters
Sex Tapes From Mars second outing into space comes from 28-year-old Parisian, Muelsa, delivering four high-octane club thrillers.
A1 - 'Across The Pampa' is spacious in old school lighting, relying on a deep-set rapidly shifting bassline and carnivalesque sample twangs to lift it to a melodic yet high-energy EP starter. This is the kind of track the could as easily be the last and first record at a party.
'Wild Nights' brings what it states in the title; grizzly low end, tinkering upper keys that shimmer psychedelic. The notes that the first breakdown brings paired with that vintage vocoder will give even the most stush raver goosebumps.
On the flip, 'No Joke (G-Knews Mix)' despite the playful sampling perhaps brings the deepest, if not certainly freakiest cut on the record. It combines elements of NY house with rolling nu-school acid and arduous, bumpy drum work.
To close things off, 'Pretty Little Monsters', further bends b-lines and star-line synth twinkles with a maliciously satisfactory attack on the senses. There are cinematic squeals at nearly every frequency, making for a full-bodied finale to a very well rounded second release on this exciting new label.
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A1 - 'Across The Pampa' is spacious in old school lighting, relying on a deep-set rapidly shifting bassline and carnivalesque sample twangs to lift it to a melodic yet high-energy EP starter. This is the kind of track the could as easily be the last and first record at a party.
'Wild Nights' brings what it states in the title; grizzly low end, tinkering upper keys that shimmer psychedelic. The notes that the first breakdown brings paired with that vintage vocoder will give even the most stush raver goosebumps.
On the flip, 'No Joke (G-Knews Mix)' despite the playful sampling perhaps brings the deepest, if not certainly freakiest cut on the record. It combines elements of NY house with rolling nu-school acid and arduous, bumpy drum work.
To close things off, 'Pretty Little Monsters', further bends b-lines and star-line synth twinkles with a maliciously satisfactory attack on the senses. There are cinematic squeals at nearly every frequency, making for a full-bodied finale to a very well rounded second release on this exciting new label.
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1
Monsieur Van Pratt - No Te Perdereì
2
Monsieur Van Pratt - Believe
We here at TSTD are longtime fans of Mexican producer/musician MONSIEUR VAN PRATT. So it’s a great pleasure to finally work with the man. For this 7 inch he delivers two tracks:
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe
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Germany
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Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe
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1
My Mine - Hypnotic Tango (Original 12” Version)
2
My Mine - Hypnotic Tango (Instrumental Version)
3
My Mine - Hypnotic Tango (1987 Powerhouse Mix)
4
My Mine - Hypnotic Tango (Hypnotic Mix)
Repress!
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.
Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.
Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
1
S.O.N.S - Nite-Club
2
S.O.N.S - Drive
3
S.O.N.S - Crystal Rhythms
Denizens of the Oyster Cult, rejoice. Elusive dancefloor operator S.O.N.S has followed last year’s compilation cameo up with the deadliest of full debuts.
Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.
Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.
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Germany
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Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.
Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.
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DE - 22113 Hamburg
Germany
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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mr. Fingers - Can You Feel It
2
Mr. Fingers - Washing Machine
3
Mr. Fingers - Beyond The Clouds
4
Mr. Fingers - Slam Dance
5
Mr. Fingers - Stars
6
Mr. Fingers - Waterfall
7
Mr. Fingers - Let's Dance All Night
8
Mr. Fingers - Bye Bye
9
Mr. Fingers - For So Long
10
Mr. Fingers - Amnesia
11
Mr. Fingers - The Juice
12
Mr. Fingers - Mystery Of Love Dub
Repress!
Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.
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Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.
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DE - 22113 Hamburg
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1
Steve Bicknell - Basic questions
2
Steve Bicknell - Magnitude of such
3
Steve Bicknell - Construction of thousands
4
Steve Bicknell - Mobile terminals
5
Steve Bicknell - A single process
6
Steve Bicknell - Accelerating others
7
Steve Bicknell - They speak
8
Steve Bicknell - Adverse effects
Tracklisting
A1 Steve Bicknell - Basic questions
A2 Steve Bicknell - Magnitude of such
B1 Steve Bicknell - Construction of thousands
B2 Steve Bicknell - Mobile terminals
C1 Steve Bicknell - A single process
C2 Steve Bicknell - Accelerating others
D1 Steve Bicknell - They speak
D2 Steve Bicknell - Adverse effects
Sales Note
RE-ISSUE / RE-MASTERED / RE-PRESSED
Steve Bicknell - Lost Recordings 1
This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996)
from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series LOST RECORDINGS
Rich, raw and unpredictable - every single one of these tracks sounds FRESH as ever!
In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series LOST)
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A1 Steve Bicknell - Basic questions
A2 Steve Bicknell - Magnitude of such
B1 Steve Bicknell - Construction of thousands
B2 Steve Bicknell - Mobile terminals
C1 Steve Bicknell - A single process
C2 Steve Bicknell - Accelerating others
D1 Steve Bicknell - They speak
D2 Steve Bicknell - Adverse effects
Sales Note
RE-ISSUE / RE-MASTERED / RE-PRESSED
Steve Bicknell - Lost Recordings 1
This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996)
from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series LOST RECORDINGS
Rich, raw and unpredictable - every single one of these tracks sounds FRESH as ever!
In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series LOST)
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1
Blu:sh - Temptations And Destructions
2
Blu:sh - Fly And Mimi
3
Blu:sh - Rave Up
4
Blu:sh - What Do Dreams Mean?
5
Blu:sh - Buzz Boyz
Almost exactly a year since since ‘Felt Cute’ debuted on Kalahari and Blu:sh is back in the building. But this time around, it’s with a record evoking the muggy closeness of a dancefloor suspended somewhere between peak-time elation and wide-eyed vision quest.
Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.
Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.
Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.
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Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.
Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.
Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.
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1
V/A - Snad & Ciphr - Green Acres
2
V/A - RQZ - Rachael Lights Her Cigarette
3
V/A - Pheek & Kike Mayor - Little Tiff
4
V/A - Penny - Groove Maniac
vinyl only
Tracklisting:
A1 Snad & Ciphr - Green Acres
A2 RQZ - Rachael Lights Her Cigarette
B1 Pheek & Kike Mayor - Little Tiff
B2 Penny - Groove Maniac
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Tracklisting:
A1 Snad & Ciphr - Green Acres
A2 RQZ - Rachael Lights Her Cigarette
B1 Pheek & Kike Mayor - Little Tiff
B2 Penny - Groove Maniac
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1
NTFO - A1 Paran
2
NTFO - A2 Nothing To Lose
3
NTFO - B1 Flashbacks (VINYL ONLY)
4
NTFO - B2 Paran (Nuzau Remix) (VINYL ONLY)
2023 Repress
Special remarks: 180G VINYL // 2 VINYL ONLY TRACKS // NEW PRINTED SLEEVE
Tracklist 12":
A1 Paran
A2 Nothing To Lose
B1 Flashbacks (VINYL ONLY)
B2 Paran (Nu Zau Remix) (VINYL ONLY)
Release Info:
Vinyl pressed on 180g, B-Side comes with two vinyl only tracks.
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Special remarks: 180G VINYL // 2 VINYL ONLY TRACKS // NEW PRINTED SLEEVE
Tracklist 12":
A1 Paran
A2 Nothing To Lose
B1 Flashbacks (VINYL ONLY)
B2 Paran (Nu Zau Remix) (VINYL ONLY)
Release Info:
Vinyl pressed on 180g, B-Side comes with two vinyl only tracks.
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1
Jovonn - Flutes 165th Street Mix
2
Jovonn - It's Gonna Be Alright
3
Jovonn - Nite Roads
4
Jovonn - Be Free (Vocal Mix)
5
Jovonn - Back To NY_NJ
6
Jovonn - Don't Wanna Let U Go
7
Jovonn - Crying Strings
8
Jovonn - Back To House (Jovonn's Classic Goldhouse Mix)
Repress!
New York, early 90's, the haydays of the New York and Jersey clubhouse! With labels such as NuGroove, Nervous, Freeze, Strictly Rhythm, Henry Street Music taking all the spot light, there is Jovonn working on a small but sensational catalogue of music that somehow gets overshadowed by the popular releases on the mentioned labels. The honest productions, jazzy melodies and playful vocals (rooted in gospel) were taking things into a more musical, more spiritual way, lacking gimmicks or dispensable samples. For the real diggers, the true lovers of House music Jovonn always was a name to watch, a producer of some of their favorite NY house tracks, tracks that have a raw edge combined with a sincere human touch and pure underground house vibes. People such as Rex resident Dj Deep was a huge fan, and also collaborated on couple later productions with Jovonn. Slowly he started getting recognition from europe which resulted in a handfull of records on European labels such as Distanc e, Coco Soul and Estereo. Now after almost 25 years since his first release the man's small discography on his own Goldtone label and Emotive records stand out with his unique musical personality. More then 20 years after their original release dates these tunes are still very relevant and stand for many things we love about house music! We are happy to offer this selection of his hard to find early works remastered by Alden Tyrell and pressed on fresh clean high quality vinyl.
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New York, early 90's, the haydays of the New York and Jersey clubhouse! With labels such as NuGroove, Nervous, Freeze, Strictly Rhythm, Henry Street Music taking all the spot light, there is Jovonn working on a small but sensational catalogue of music that somehow gets overshadowed by the popular releases on the mentioned labels. The honest productions, jazzy melodies and playful vocals (rooted in gospel) were taking things into a more musical, more spiritual way, lacking gimmicks or dispensable samples. For the real diggers, the true lovers of House music Jovonn always was a name to watch, a producer of some of their favorite NY house tracks, tracks that have a raw edge combined with a sincere human touch and pure underground house vibes. People such as Rex resident Dj Deep was a huge fan, and also collaborated on couple later productions with Jovonn. Slowly he started getting recognition from europe which resulted in a handfull of records on European labels such as Distanc e, Coco Soul and Estereo. Now after almost 25 years since his first release the man's small discography on his own Goldtone label and Emotive records stand out with his unique musical personality. More then 20 years after their original release dates these tunes are still very relevant and stand for many things we love about house music! We are happy to offer this selection of his hard to find early works remastered by Alden Tyrell and pressed on fresh clean high quality vinyl.
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1
Michel Cleis Ft. Totó La Momposina - La Mezcla (Original)
2
Michel Cleis Ft. Totó La Momposina - La Mezcla (Paul Kalkbrenner Remix)
3
Michel Cleis Ft. Totó La Momposina - La Mezcla (Charles Webster's Club Mix)
2024 OFFICIAL REISSUE
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DE - 22113 Hamburg
Germany
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1
The Barking Dogs - Mamarracho feat. Marcelo Burlon (Hot Version)
2
Munk & Kapote - Misterio (Severino Horse Meat Disco Remix Hot Version)
3
Dimitri From Paris & DJ Rocca - Ero Disco Theme
4
Capablanca & T. Keeler - No Hay Ritmo (Hot Version)
5
The Glimmers - U Rocked My World (Pete Herbert & Tristan da Cunha Remix)
6
The Deadstock 33s - Underneath The Pines
7
Mercury - Spiritual
8
Leroy Hanghofer - Pin (Hot Version)
9
Daniel Avery & The Deadstock 33s - Eric Zann Revisited
10
The KDMS - Never Stop Believing (Nicky Siano Remix Hot Version)
2 x 12"
Tracklist 12":
A1) The Barking Dogs - Mamarracho feat. Marcelo Burlon (Hot Version)
A2) Munk & Kapote - Misterio (Severino Horse Meat Disco Remix Hot Version)
A3) Dimitri From Paris & DJ Rocca - Ero Disco Theme
B1) Capablanca & T. Keeler - No Hay Ritmo (Hot Version)
B2) The Glimmers - U Rocked My World (Pete Herbert & Tristan da Cunha Remix)
C1) The Deadstock 33s - Underneath The Pines
C2) Mercury - Spiritual
D1) Leroy Hanghofer - Pin (Hot Version)
D2) Daniel Avery & The Deadstock 33s - Eric Zann Revisited
D3) The KDMS - Never Stop Believing (Nicky Siano Remix Hot Version)
TOY TONICS continues with re-releasing the best tracks of GOMMA RECORDS. The German label that between 2001 and 2015 was one of the key imprints of the then so hyped indie dance, new wave funk and proto disco sound (along with James Murphy’s DFA, Trevor Jackson’s Output records and later Ed Banger records). The Y2K sound.. that now starts to become in demand again.
The most important releases on Gomma were by Peaches, WhoMadeWho, The Rammellzee, James Murphy of LCD Soundsystem and Nick McCarthy of Franz Ferdinand. Their Gomma-tracks were on the first two parts of this GOMMA DANCEFLOOR GEMS compilations series on Toy Tonics.
Now here comes a 3nd compilation part with music by Dimitri from Paris who also did several EPs on Gomma in the 2000s. Also legendary Belgian disco DJs The Glimmers are featured (they had one album on Gomma in 2008) and UK legend Justin Robertson aka The Deadstock 33’s and one of the first ever releases by Daniel Avery (also on Gomma back then). You find remixes by Nicky Siano (Studio 54 DJs legend) and Horse Meat Disco who back then just started their party series and already were connected to Gomma records. The is an amazing Flamenco Disco track by Spanish producer Hugo Capablanca and T.Keeler that has been hammered by everybody from Optimo to Ivan Smagghe back then and Italian music diggers The Barking Dogs together with now fashion designer Marcelo Burlon are featured with an amazingly catchy Electro Pop track. Of course also Munk who was the founder of Gomma records is on the compilation. Munk is Mathias Modica and as you might know since a few years works under the name Kapote. He was the co-founder of Gomma and later Toy Tonics records. Toy Tonics actually starts as a mini sublabel of Gomma records in 2013 but took over later. While Gomma has been closed since 2015.
Gomma not only was a record label, but was also a home for cutting edge design, wild T-shirt styles, underground exhibitions with new artists from the Berlin scene and crazy poster and fanzine design.
Gomma not only preceded many musical trends by experimenting with club music and mixing up different styles but was also very respected for the graphic design work and almost initiated several graphic design trends of the last years in their poster and sleeve designs. And many record and street wear labels of today look a bit like Gomma was looking before ...
The Gomma visuals world was exposed in a couple of exhibitions around the world and at a big exhibition at Museum Haus der Kunst München before the label was closed in 2015.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1) The Barking Dogs - Mamarracho feat. Marcelo Burlon (Hot Version)
A2) Munk & Kapote - Misterio (Severino Horse Meat Disco Remix Hot Version)
A3) Dimitri From Paris & DJ Rocca - Ero Disco Theme
B1) Capablanca & T. Keeler - No Hay Ritmo (Hot Version)
B2) The Glimmers - U Rocked My World (Pete Herbert & Tristan da Cunha Remix)
C1) The Deadstock 33s - Underneath The Pines
C2) Mercury - Spiritual
D1) Leroy Hanghofer - Pin (Hot Version)
D2) Daniel Avery & The Deadstock 33s - Eric Zann Revisited
D3) The KDMS - Never Stop Believing (Nicky Siano Remix Hot Version)
TOY TONICS continues with re-releasing the best tracks of GOMMA RECORDS. The German label that between 2001 and 2015 was one of the key imprints of the then so hyped indie dance, new wave funk and proto disco sound (along with James Murphy’s DFA, Trevor Jackson’s Output records and later Ed Banger records). The Y2K sound.. that now starts to become in demand again.
The most important releases on Gomma were by Peaches, WhoMadeWho, The Rammellzee, James Murphy of LCD Soundsystem and Nick McCarthy of Franz Ferdinand. Their Gomma-tracks were on the first two parts of this GOMMA DANCEFLOOR GEMS compilations series on Toy Tonics.
Now here comes a 3nd compilation part with music by Dimitri from Paris who also did several EPs on Gomma in the 2000s. Also legendary Belgian disco DJs The Glimmers are featured (they had one album on Gomma in 2008) and UK legend Justin Robertson aka The Deadstock 33’s and one of the first ever releases by Daniel Avery (also on Gomma back then). You find remixes by Nicky Siano (Studio 54 DJs legend) and Horse Meat Disco who back then just started their party series and already were connected to Gomma records. The is an amazing Flamenco Disco track by Spanish producer Hugo Capablanca and T.Keeler that has been hammered by everybody from Optimo to Ivan Smagghe back then and Italian music diggers The Barking Dogs together with now fashion designer Marcelo Burlon are featured with an amazingly catchy Electro Pop track. Of course also Munk who was the founder of Gomma records is on the compilation. Munk is Mathias Modica and as you might know since a few years works under the name Kapote. He was the co-founder of Gomma and later Toy Tonics records. Toy Tonics actually starts as a mini sublabel of Gomma records in 2013 but took over later. While Gomma has been closed since 2015.
Gomma not only was a record label, but was also a home for cutting edge design, wild T-shirt styles, underground exhibitions with new artists from the Berlin scene and crazy poster and fanzine design.
Gomma not only preceded many musical trends by experimenting with club music and mixing up different styles but was also very respected for the graphic design work and almost initiated several graphic design trends of the last years in their poster and sleeve designs. And many record and street wear labels of today look a bit like Gomma was looking before ...
The Gomma visuals world was exposed in a couple of exhibitions around the world and at a big exhibition at Museum Haus der Kunst München before the label was closed in 2015.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More