We are glad to welcome a true legend to Kessell's Granulart label, Steve Bicknell, one of the foundations of European techno since the early nineties, creator of the infamous Lost parties and label. As well as the unforgettable Cosmic records imprint Musically speaking the minimum / maximum rule has always been in his tracks, a few elements but all of them fundamental, making true abstract dj tools for the most advanced dj's. For this release he offers two original tracks plus an energized remix by Oscar Mulero.
Three slices of pure techno, ahead of the times, or to be precise: timeless.

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For the fourth release on 6dimensions, Steve Bicknell has delved into the catalogue of the Lost Recordings series on his previous imprint; Cosmic. Originally released in 1996, Why? And For Whom? Has been named one of the best UK Techno records of all time with Bicknell being billed as a “criminally underrated producer”.


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DJ and producer, co-founder of the legendary London club night Lost, Steve Bicknell returns to the fray with a brilliant new 12", 'Modes of Thought'. Comprising three full tracks and six locked grooves, the record represents the debut release on Bicknell's brand new label, 6dimensions. Art by Harumasa Kono.



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UK techno stalwart Steve Bicknell's Lost Recordings series must be one of the longest running in dance music; the Lost and Cosmic founder has been putting out previous unheard material from his early '90s heyday on and off since 2004. There are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. The hissing, spacey, cymbal-heavy "Track 3" is particularly trippy, while there's a gnarled, ragged intensity about the pulsating heaviness of "Track 1". Arguably best of all, though - ambient interlude "Track 2" aside - is "Track 4", an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.


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Back on track after a nine year hiatus the next release from COSMIC RECORDS continues with the LOST RECORDINGS series - Atonement EP, LR9, by Steve Bicknell. COSMIC, founded in 1993 by Sheree Rashit and Steve Bicknell, ran in conjunction with the pairs infamous LOST events, the LOST RECORDINGS division of COSMIC, being a reflection of the LOST dance floor. LOST RECORDING 9, Atonement EP, comprises 4 untitled mesmerizing tracks filled with intensity and spirit. Supported by Jeff Mills, Mike Parker, Surgeon Oliver Ho & Luke Slater to date. Initially vinyl only. www.lost.co.uk


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After a nine-year hiatus, Sheree Rashit and Steve Bicknell relaunch Cosmic Records with the Transcendence EP within their LOST RECORDINGS division. Founded in 1993, the label ran in conjunction with the pair's infamous LOST events, which introduced acts such as Jeff Mills, Robert Hood and Basic Channel to the UK dancefloor. Past COSMIC releases include productions and remixes from US artists such as Juan Atkins, Tyree Cooper, DJs Funk and Rush alongside prominent UK names working under pseudonyms devised for Cosmic. Having previously released via Perfecto and Mute, COSMIC has provided a home for Steve Bicknell's releases since its' inception. His next phase continues the LOST RECORDINGS series that began in 1996 with the 8th segment, Transcendence. Comprising 4 untitled tracks in Steve Bicknell's inimitable style - a depiction of the LOST dancefloor - Transcendence, LR 8 is hypnotic with depth and soul, transcending boundaries. Initially vinyl only.


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Repress!
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.

Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"

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Sushitech never serves up anything less than high-class tech, house and dub and that is once more the case with the latest reissue project. This one turns its attention to a 1999 gem by Land-based Get Fucked. Originally dropped on the Eukahouse label and soon beaching a cult classic of the new millennium, it now arrives on a fresh 10" in two different forms. Up first is 'Dreams Are Made' Sweet Mix which is stylish deep tech with muffled vocals and heady pads, then Kenneth Graham brings his 'She Likes To Ed-It remix' to the flip and makes things even more deep and dubby.

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Almost exactly a year since since ‘Felt Cute’ debuted on Kalahari and Blu:sh is back in the building. But this time around, it’s with a record evoking the muggy closeness of a dancefloor suspended somewhere between peak-time elation and wide-eyed vision quest.

Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.

Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.

Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.

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Voodoos and Taboos are back with a bold new release on their own label, pushing boundaries with a fusion of Mediterranean influences, tribal grooves, and sexy vocals. This time, the duo ventures into new territory, blending house-inspired beats with Balearic vibes and electro textures, creating a dynamic and fresh sound which confirms their personal touch. The A1 track features a captivating collaboration with Brazilian vocalist Lourene, adding a unique vocal dimension to their signature style. Limited edition, no repress — grab your copy before it’s gone!

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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

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Denizens of the Oyster Cult, rejoice. Elusive dancefloor operator S.O.N.S has followed last year’s compilation cameo up with the deadliest of full debuts.

Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.

Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.

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Rapid-fire with the releases like it’s effortless, minimal donny Velvet Velour steps up with his latest 4-tracker. Strong tech house currents in a similar vein to Kepler’s recent ‘Lowlife’ EP, but with extra zonk - it’s a head turning label debut.

The growing catalogue of releases belies a relatively short time spent producing. That said, he’s already a key proponent of the sound’s contemporary vanguard and XK035 might be the most vital effort to date.

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SlapFunk returns with another slamming various artist ep full of on point joints that bring the raw to the floor.

Hitting volume 7 in the Raw Joints series the label has finely selected a range of tracks, representing the spectrum of their infectious sound that never fails to get the party jumping and fists pumping. Swinging house, tribal rhythms, maximal grooves and ravey breaks will all do the damage on the dancefloor.

This will be another essential ep that crosses over to a wide variety of DJ’s and stay in their bags and playlists for a while. Music that hits so hard and hurts so good, that's the SlapFunk sound.

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