Tracklisting
A1 Steve Bicknell - de-massifying media
A2 Steve Bicknell - a warehouse of images
B1 Steve Bicknell - picture of reality
B2 Steve Bicknell - facing the networks

Sales Note
The second release in the series on s-b-productions, Steve Bicknell's, Lost recordings # 4, 'In Order To Remember One Needs To Know', recorded in 1998 for the Lost dance-floor, the legendary event series in London, which ran from 1991 to 2014.
Now available with reimagined label art and remastered by Peter Van Hoesen at Memento Mastering.

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Tracklisting
A1 Steve Bicknell - de-massifies
A2 Steve Bicknell - erosion of
B1 Steve Bicknell - a single burning issue
B2 Steve Bicknell - the absence

Sales Note
Steve Bicknell, Lost recordings 3. 'When Things Of The Spirit Come First', remastered by Peter Van Hoesen at Memento Mastering and reimagined label art.
Steve Bicknell's releases on Lost recordings were produced for, and to reflect, theLost dance-floor, the legendary event series in London, which ran from 1991 to 2014.

'When Things Of The Spirit Come First' was originally released in 1997 on Lost recordings, a subsidiary of Cosmic Records. Lost recordings emerged in 1996 with two seminal releases from Steve Bicknell that year: Lost recordings 1 'Why? And For Whom? And Lost recordings 2 'How Can We Know?.
Steve Bicknell's productions continuously open the door to a whole new side of techno which is still to this day often emulated, cementing Steve Bicknell's landmark status.

'When Things Of The Spirit Come First'. The first in a series from Steve Bicknell's past productions to be released on his s-b-productions imprint.

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Tracklisting
A1 Steve Bicknell - The Power Pyramids
A2 Steve Bicknell - The Reassurance Ritual
B1 Steve Bicknell - The Telecommuters
B2 Steve Bicknell - Easing Into Tomorrow
C1 Steve Bicknell - Myths And Inventions
C2 Steve Bicknell - The Concept of Practopia
D1 Steve Bicknell - Scene Two

Sales Note
KR3.016
Steve Bicknell returns to KR3, once again unleashing his mastery of power electronics!
Following his two reinterpretations of last year's "JK Flesh Remixes" and four years after his solo EP "A Day In The Life" in 2021, Bicknell takes us deep into the realms of his sonic mysticism, marking a significant milestone in the fifth anniversary of the label.
Several Streams of Thought LP - is an unrelenting and immersive odyssey, presented through nine tracks, seven of which will be available on a double 12-inch vinyl, with two exclusive cuts in a limited 7-inch format.
The album hits hard, straight to the brain, with no warning, across sides A, B, and C. Each side is a raw, untamed techno experience, with Bicknell's unmistakable signature dominating throughout, delivering unwavering intensity and relentless impact.
However, on side D, a transformation takes place: a 15-minute soundscape that turns the embedded waves into breath - a blinding light emerging from the darkness. It's a moment of tribalism and evocative magic, offering a refreshing pause, a return to balance after the intensity of the shadows.
The 7-inch, available in a limited edition under the title "the eye of the invisible world", contains two tracks - one on side E and the other on side F.
The mystical sounds complete this dual experience: one part filled with dark, untamed energy, while the other brings a sense of mental lightness, emphasizing breathwork and emotional self-
healing.
S | B is back, stronger than ever!

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We are glad to welcome a true legend to Kessell's Granulart label, Steve Bicknell, one of the foundations of European techno since the early nineties, creator of the infamous Lost parties and label. As well as the unforgettable Cosmic records imprint Musically speaking the minimum / maximum rule has always been in his tracks, a few elements but all of them fundamental, making true abstract dj tools for the most advanced dj's. For this release he offers two original tracks plus an energized remix by Oscar Mulero.
Three slices of pure techno, ahead of the times, or to be precise: timeless.

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For the fourth release on 6dimensions, Steve Bicknell has delved into the catalogue of the Lost Recordings series on his previous imprint; Cosmic. Originally released in 1996, Why? And For Whom? Has been named one of the best UK Techno records of all time with Bicknell being billed as a “criminally underrated producer”.


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DJ and producer, co-founder of the legendary London club night Lost, Steve Bicknell returns to the fray with a brilliant new 12", 'Modes of Thought'. Comprising three full tracks and six locked grooves, the record represents the debut release on Bicknell's brand new label, 6dimensions. Art by Harumasa Kono.



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UK techno stalwart Steve Bicknell's Lost Recordings series must be one of the longest running in dance music; the Lost and Cosmic founder has been putting out previous unheard material from his early '90s heyday on and off since 2004. There are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. The hissing, spacey, cymbal-heavy "Track 3" is particularly trippy, while there's a gnarled, ragged intensity about the pulsating heaviness of "Track 1". Arguably best of all, though - ambient interlude "Track 2" aside - is "Track 4", an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.


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Back on track after a nine year hiatus the next release from COSMIC RECORDS continues with the LOST RECORDINGS series - Atonement EP, LR9, by Steve Bicknell. COSMIC, founded in 1993 by Sheree Rashit and Steve Bicknell, ran in conjunction with the pairs infamous LOST events, the LOST RECORDINGS division of COSMIC, being a reflection of the LOST dance floor. LOST RECORDING 9, Atonement EP, comprises 4 untitled mesmerizing tracks filled with intensity and spirit. Supported by Jeff Mills, Mike Parker, Surgeon Oliver Ho & Luke Slater to date. Initially vinyl only. www.lost.co.uk


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After a nine-year hiatus, Sheree Rashit and Steve Bicknell relaunch Cosmic Records with the Transcendence EP within their LOST RECORDINGS division. Founded in 1993, the label ran in conjunction with the pair's infamous LOST events, which introduced acts such as Jeff Mills, Robert Hood and Basic Channel to the UK dancefloor. Past COSMIC releases include productions and remixes from US artists such as Juan Atkins, Tyree Cooper, DJs Funk and Rush alongside prominent UK names working under pseudonyms devised for Cosmic. Having previously released via Perfecto and Mute, COSMIC has provided a home for Steve Bicknell's releases since its' inception. His next phase continues the LOST RECORDINGS series that began in 1996 with the 8th segment, Transcendence. Comprising 4 untitled tracks in Steve Bicknell's inimitable style - a depiction of the LOST dancefloor - Transcendence, LR 8 is hypnotic with depth and soul, transcending boundaries. Initially vinyl only.


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Denizens of the Oyster Cult, rejoice. Elusive dancefloor operator S.O.N.S has followed last year’s compilation cameo up with the deadliest of full debuts.

Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.

Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.

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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

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Almost exactly a year since since ‘Felt Cute’ debuted on Kalahari and Blu:sh is back in the building. But this time around, it’s with a record evoking the muggy closeness of a dancefloor suspended somewhere between peak-time elation and wide-eyed vision quest.

Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.

Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.

Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end.

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Repress!

Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.

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Repress!
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.

Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"

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Tracklisting
A1 Dukwa - Searching For A Match
A2 Dukwa - For You
B1 Dukwa - Talk To Me
B2 Dukwa - Chameleon
B3 Dukwa - Dedicated To..

Sales Note
Italian DJ // producer makes his debut for Shall Not Fade with the killer five track EP work.life.money.romance.

Dukwa showcases his dreamy take on modern House music, pulsating synths meet mesmiring vocals and rolling drum patterns, forming a stunning body of work.

work.life.money.romance EP drops December 6th via Shall Not Fade.

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Legendary and genre-defining Detroit label Metroplex Records is keeping on with its run of carefully selected releases from its classic-studded catalogue. The remastering and recut was done with uttermost care, using the newest mastering and audio-restoration technologies. These Techno and Electro benchmarks, taken from original sources, have never sounded better. Originally released in 1994 'Sonic Sunset' runs at over 50 minutes over five tracks that explore ambient electronica, techno and even trance. It includes the long versions of 'Neptune' and 'I Wanna Be There' two bonafide Model 500 classics. Recorded in Berlin and engineered by Maurice Von Oswald.

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Bristol-based imprint Sex Tapes From Mars third release comes via JATA, presenting a reissue of his highly sought after, 1991 dance relic. Presented are three gritty, pulsing exercises in delayed gratification that have all the more impact when they finally hit top gear.

The A1, ‘Stutter I’ manages deep introspection while still holding on to the part of the night that makes your head rush and your heart flutter. It comprises four sublimely sewn, yet prominently different movements, climaxing in beating, bumpy bliss.

On the flip, the sense of strangely balanced synthesis makes ‘Midstate’ a remarkable sonic quandary. Its uptempo synth melody is joined with spacey stabs, and deep, unnerving swells.

"Stutter II," meanwhile, centers on trippy, bright-eyed acid, lifted by a surprisingly tight flex of pummelling kicks, jagged hi-hats and pure, swelling pads. It’s a psychedelic symphony of earnest rhythms and bass, perfect for early-morning smoke and shadows.

Each track on STFM03 has its own subtle but effective drama, sharing a masterclass in esoterically crafted noises.

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LIMITED EDITION WHITE VINYL REPRESS. A defining moment in dance music history was the day that Roy Davis Jr. teamed with vocalist and writer Peven Everett in 1997 to create this deep, ethereal, soul-music gem that helped launch an entire musical movement known affectionately as Speed Garage. The "Live Garage" mix is the most popular but the other mixes have grown in popularity over time. It is hard to believe that this record is almost 20 years old yet it still sounds as fresh today as it did so long ago. Truly a classic that deserves to be celebrated by a new generation of dance music lovers. Gabriel Play! A1 Gabrielle - The Scroll Mix, A2 Gabrielle - Tamborine dub, B1 Gabrielle - Words To Give By mix, B2 Gabrielle - Live Garage Mix


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Following the success of Krewcial’s Woman edits, here’s three unmissable variations on another out and out disco classic, from stripped down and intimate, to peaktime dancefloor anthem, using only the original multitracks.

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Humanoid continue their push to shine the spotlight on up-and-coming artists and the fifth instalment on the label comes from another Liverpool local on the rise – Brent, with a powerful release bringing synthwave sensibilities and driving basslines to the forefront - taking you on a sleek, high-octane journey through a polyphonic landscape.

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