Wonky, bleepy and danceable electro is the flavour of the day on Adam Curtain’s debut EP for Alien Communications. All four tracks are bassline driven at heart, with many weird and intricate mechanical oddities scattered across them!

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Adam Curtain turns out a record of breaks, electro and bass-heavy tracks. Includes a 140 remix from the legendary Ciel and also a UK Funky tinged remix from Bakongo (aka Roska)

DJ Support from
Danielle, Two Shell, Midland, Dr Banana, Daisy Moon

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Handy Records returns for round two with another obscure electro flavoured EP. This time from the illusive, East London dwelling; Adam Curtain. Known for his own imprint ‘Troublemaker’ and his analogue heavy productions which dance between broken electro, huge sound design and cheeky melodies and rhythms. We are excited to have him up next with his offering for Handy Records. Teaming up with ‘UTTU’ Club’s very own DJ Haus for the remix duties this time round, it’s sounding rather naughty.

Opening the EP we have ‘Escape Velocity’ It’s a clear nod to the bleeps and bass scene of Adam’s native Sheffield stomping ground. A fusion of a paranoid electro-esque beat flecked with bouncing acidic squelching bass, ominous synths and mesmerising vocal hooks that dip in and out of the mix keepsit flowing. Following on we have; 'Pressure Point', from the go this is a weapon of a track, the creeping bass that sneaks around and follows the alarming leads. Minimal madness but also full and sonically curious.

On the flip we have 'Ratchet', bouncy baselines galore, reminiscent of 2007-10s darker garage and bass era and late 90s electro. Heavily syncopated rhythms, distant soaring synth lines and a 2 step beat make this an absolute gem of a production. Perfect for the nasty side really. 'Doping Scandal', another nasty one for sure. Adam’s characteristic haunting synth lines and squelchy bass notes flow endlessly over this clean and well thought out beat. With interesting synthesis and vocal cuts when needed. An excellent tribute to the music that shaped his youth.

Stepping up to the plate and offering us his take on Adam’s work is one of London’s finest, none other than DJ Haus. Taking influence from Adam’s synthesis and smashing it through the digital wonder machine that Haus’ has recently finished developing; the ‘Data Dump’. Haus has given us a slice of sonic madness for sure. Playing around heavily with the sounds of the original and applying that Haus touch, this one is sure to tear any dance floor up.

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Los Primos joins Lapse Records with their debut EP - “Under-Stompin’”. The novel project consists of Toronto’s Cosmic JD and Aaron Santos, members of the Hypnotic Mindscapes label and party collective.

Created in an extended after-hour production session at the mythical Payphone studios on Queen Street West, the duo present a 4 track collection of emotionally stripped mood stretching club tracks, encapsulating raw harmonics and modular electronics.

Acid infused analogue tech-house opens the A side with playful positivity in “What We’re On”, followed by a darker minimalist exploration in “Primitive Holiday '', a collaboration with Japanese artist and fellow local, Masayuki Tomita, tensioned by hypnotic arpeggios and creeping minor pads, setting the tone for a spooky flip.

B1 “Vicky’s Out 4 Blud”, centres raw retro techno energy sampling 90’s vocal chops from Nic Cage’s “Vampire Kiss”, before the vocoder-led electro twist of B2 “The TS Chronicles” closes the transmission resonating Darwinian ideas in the manner of “Natural selections acts by competition”.

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The second release on Lapse records welcomes UK Tech House mainstay Len Lewis, who’s extensive catalogue of club music stretches across the last few decades, along with newly appraised London based DJ and producer Mariiin. The split EP supports a four track selection of old and new head down club music touching different moods.

Len’s inserts lead on the A side with the carefully sampled Matrix acapella laid across “Morpheus”, a tweaking and dusted 2 step thrill, in keeping with the left leaning spooky tone of the first Lapse release and label sound. “Do U Want It” follows in similar ilk to the self professed Sinister tech house sounds previously ventured on the likes of early Swag and Poodle Records releases of the early 2000’s that became essential points of reflection for the genre’s progression since.

The B side spans a more contemporary 4x4 influenced thread of this style that circles closer to the outer rims of techno and acid. The Italian born producer joins the label with the “Snake Is Changing It’s Skin” and “Impasse” which continue fittingly to carve their signature sound, a style consistent in their early releases on the likes of BPR and EYA Records and across their DJ sets as Pleasure Club resident.

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WAS - Word and Sound Medien GmbH
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Germany
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