Lapse Records is pleased to welcome its first solo artist EP “LAPSE003” from UK club music innovator and Trouble Maker Records founder, Adam Curtain. He brings his now signature low end sound and genre blending style, marking the first step in broadening Lapse's sound within its current musical sphere. This output is presented with a moodier artwork reflecting the focus on darker sounds.

LAPSE003 features four bass heavy club tracks including summer dance floor anthem to be, “Noticed”, and a melodic percussive roller "Salt Water Trout" on the A. The disorientating and trippy "UFO" opens the flipside, with the understated "Crickets In My 2600" closing out the record with more sound system sonics. More

Adam Curtain turns out a record of breaks, electro and bass-heavy tracks. Includes a 140 remix from the legendary Ciel and also a UK Funky tinged remix from Bakongo (aka Roska)

DJ Support from
Danielle, Two Shell, Midland, Dr Banana, Daisy Moon More

Handy Records returns for round two with another obscure electro flavoured EP. This time from the illusive, East London dwelling; Adam Curtain. Known for his own imprint ‘Troublemaker’ and his analogue heavy productions which dance between broken electro, huge sound design and cheeky melodies and rhythms. We are excited to have him up next with his offering for Handy Records. Teaming up with ‘UTTU’ Club’s very own DJ Haus for the remix duties this time round, it’s sounding rather naughty.

Opening the EP we have ‘Escape Velocity’ It’s a clear nod to the bleeps and bass scene of Adam’s native Sheffield stomping ground. A fusion of a paranoid electro-esque beat flecked with bouncing acidic squelching bass, ominous synths and mesmerising vocal hooks that dip in and out of the mix keepsit flowing. Following on we have; 'Pressure Point', from the go this is a weapon of a track, the creeping bass that sneaks around and follows the alarming leads. Minimal madness but also full and sonically curious.

On the flip we have 'Ratchet', bouncy baselines galore, reminiscent of 2007-10s darker garage and bass era and late 90s electro. Heavily syncopated rhythms, distant soaring synth lines and a 2 step beat make this an absolute gem of a production. Perfect for the nasty side really. 'Doping Scandal', another nasty one for sure. Adam’s characteristic haunting synth lines and squelchy bass notes flow endlessly over this clean and well thought out beat. With interesting synthesis and vocal cuts when needed. An excellent tribute to the music that shaped his youth.

Stepping up to the plate and offering us his take on Adam’s work is one of London’s finest, none other than DJ Haus. Taking influence from Adam’s synthesis and smashing it through the digital wonder machine that Haus’ has recently finished developing; the ‘Data Dump’. Haus has given us a slice of sonic madness for sure. Playing around heavily with the sounds of the original and applying that Haus touch, this one is sure to tear any dance floor up. More

Introductory track Mushroom Waltz eases the listener in through a combination of dreamy pads and upbeat chords, before Midnight with T moves into more soulful territory with a New York-inspired cut which is both moody and spacious. Early Flight manages to build a cerebral atmosphere, whilst possessing the snapping drums which are so characteristic of what you can expect to hear from Dom in full flow. Acid Rain carries an air of nostalgia around it, as Cappello turns to a vocal sample from friend and house music luminary Kerri Chandler’s seminal house anthem Rain, utilising the lyrics in a way which perfectly complements the gradual progression of the track towards a powerful, acid-tinged crescendo. This rising intensity is also present on 3am Jamaica Street, a throbbing, peak-time belter which would no-doubt be best listened to through Sub Club’s pulsating sound system. A different type of atmosphere is created on Moon Jump, where languid melodies allow to create a track which does justice to the inspiration of the more house-orientated work of classic Underground Resistance. Basement Philosophy rounds off with two more electro-inspired euphonies, which signifies why Domenic Cappello and Alien Communications are such an appropriate pairing. Burning Past is a blissful, floating number whereas Not for Instagram DJs is an aptly-named way to conclude the album, with a driving, floor-focused beat providing a fitting and dynamic finale. Imagine Marty Bonds meets Glenn Underground. More

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