electronic luminary Nathan Fake presents the new longplayer ‘Crystal Vision’ on his own Cambria Instruments imprint, which features collaborations with Clark and Wizard Apprentice. This is music for music’s sake – recorded without angles, agendas and themes – so Fake was free to simply continue honing his craft and express himself non-literally. Aptly titled, there’s a clarity of execution and ambition, and a peak effectiveness to the record that just sounds right. Continuing to set a personal bar higher and topping his own best, the mark of master craftsperson is everywhere, but that doesn’t mean it’s polished; There’s plenty of rawness evident, with spiky sonics keeping ears on high alert – full of endorphin-flooded rave energy.
More
More records from Nathan Fake
1
Nathan Fake - Arrival
2
Nathan Fake - The Grass (ft. Wizard Apprentice)
3
Nathan Fake - Vimana
4
Nathan Fake - Boss Core
5
Nathan Fake - Crystal Vision
6
Nathan Fake - CMD
7
Nathan Fake - Bibled
8
Nathan Fake - Hawk
9
Nathan Fake - AMEN 96
10
Nathan Fake - Outsider (ft. Clark)
electronic luminary Nathan Fake presents the new longplayer ‘Crystal Vision’ on his own Cambria Instruments imprint, which features collaborations with Clark and Wizard Apprentice. This is music for music’s sake – recorded without angles, agendas and themes – so Fake was free to simply continue honing his craft and express himself non-literally. Aptly titled, there’s a clarity of execution and ambition, and a peak effectiveness to the record that just sounds right. Continuing to set a personal bar higher and topping his own best, the mark of master craftsperson is everywhere, but that doesn’t mean it’s polished; There’s plenty of rawness evident, with spiky sonics keeping ears on high alert – full of endorphin-flooded rave energy.
More
1
Nathan Fake - Vectra (Irène Dresel Remix)
2
Nathan Fake - Cry Me A Blizzard (AFRODEUTSCHE I'm Here Remix)
3
Nathan Fake - Torchsong (Live)
4
Nathan Fake - Sandstone
The final two tracks of the Blizzards Remix EP are Irène Dresel's epic warehouse belting version of Vectra and Nathan's own live version of Torchsong which melds choppy beat juggling with gorgeously glistening synths and is fresh from his recent UK tour. These follow the release of the 90s infused bass heavy Sandstone and Afrodeutsche’s rework of Cry Me A Blizzard, which stripped the original right back to its chords and added her own achingly beautiful vocals, to create a haunting choral ambient artwork. This follows last year’s new album ‘Blizzards’, which was described by The Quietus as “his best work”, and “his best LP yet” yet by Resident Advisor.
More
Nathan Fake and Wesley Matsell launch new imprint Cambria Instruments. Very Limited Pressing. "A highly expressive, lysergic trip and one of his finest productions to date. All in all, you couldn't hope for a stronger start from a new label." - Bleep One of the most consistently excellent artists within the Border Community fold, since impressing them with his simultaneously reflective, dance floor jams when just out of his teens in 2003; Nathan Fake is stepping out on his own. With his friend, fellow producer and DJ, Wesley Matsell, Fake has announced the launch of his new imprint, Cambria Instruments, with the first release set to be a split release between the pair. In some ways the title of the imprint follows Fake's interest in exploring the heritage of Britain - most notably on his 2012 record Steam Days, its tracks' titles referencing several historical areas around his native Norfolk. "Cambria is a reference to both Wesley and I," Fake explains. "He's from Wales, and Cambria is an ancient English/Latin name for Wales, so we thought that summed up where the label was coming from." Teaming up with Matsell - himself a Border Community club staple - the pair's first release on Cambria Instruments will be Fake's nocturnal groove-laden track 'Black Drift', coupled with Matsell's similarly crisp mixture of shifting percussion and submerged oscillations, 'Bismuth'. Both tracks have a similarly hi-fidelity feel to them, coupled with - as Fake puts it - "new esoteric melodies and textures previously unheard from both artists".
Details are yet to be confirmed on future releases from outside artists, but solo EPs from the co-founders can expected in the future. With Matsell's far-reaching tastes in everything from fifties electroacoustic, acid house and early Detroit, through to hardcore and rave, nineties techno and noise, the thought of him joining up with Fake's own naturally eclectically-informed mind is an exciting one indeed.
More
Details are yet to be confirmed on future releases from outside artists, but solo EPs from the co-founders can expected in the future. With Matsell's far-reaching tastes in everything from fifties electroacoustic, acid house and early Detroit, through to hardcore and rave, nineties techno and noise, the thought of him joining up with Fake's own naturally eclectically-informed mind is an exciting one indeed.
More
More records from Cambria Instruments
1
Nathan Fake - Arrival
2
Nathan Fake - The Grass (ft. Wizard Apprentice)
3
Nathan Fake - Vimana
4
Nathan Fake - Boss Core
5
Nathan Fake - Crystal Vision
6
Nathan Fake - CMD
7
Nathan Fake - Bibled
8
Nathan Fake - Hawk
9
Nathan Fake - AMEN 96
10
Nathan Fake - Outsider (ft. Clark)
electronic luminary Nathan Fake presents the new longplayer ‘Crystal Vision’ on his own Cambria Instruments imprint, which features collaborations with Clark and Wizard Apprentice. This is music for music’s sake – recorded without angles, agendas and themes – so Fake was free to simply continue honing his craft and express himself non-literally. Aptly titled, there’s a clarity of execution and ambition, and a peak effectiveness to the record that just sounds right. Continuing to set a personal bar higher and topping his own best, the mark of master craftsperson is everywhere, but that doesn’t mean it’s polished; There’s plenty of rawness evident, with spiky sonics keeping ears on high alert – full of endorphin-flooded rave energy.
More
1
Nathan Fake - Vectra (Irène Dresel Remix)
2
Nathan Fake - Cry Me A Blizzard (AFRODEUTSCHE I'm Here Remix)
3
Nathan Fake - Torchsong (Live)
4
Nathan Fake - Sandstone
The final two tracks of the Blizzards Remix EP are Irène Dresel's epic warehouse belting version of Vectra and Nathan's own live version of Torchsong which melds choppy beat juggling with gorgeously glistening synths and is fresh from his recent UK tour. These follow the release of the 90s infused bass heavy Sandstone and Afrodeutsche’s rework of Cry Me A Blizzard, which stripped the original right back to its chords and added her own achingly beautiful vocals, to create a haunting choral ambient artwork. This follows last year’s new album ‘Blizzards’, which was described by The Quietus as “his best work”, and “his best LP yet” yet by Resident Advisor.
More
Nathan Fake and Wesley Matsell launch new imprint Cambria Instruments. Very Limited Pressing. "A highly expressive, lysergic trip and one of his finest productions to date. All in all, you couldn't hope for a stronger start from a new label." - Bleep One of the most consistently excellent artists within the Border Community fold, since impressing them with his simultaneously reflective, dance floor jams when just out of his teens in 2003; Nathan Fake is stepping out on his own. With his friend, fellow producer and DJ, Wesley Matsell, Fake has announced the launch of his new imprint, Cambria Instruments, with the first release set to be a split release between the pair. In some ways the title of the imprint follows Fake's interest in exploring the heritage of Britain - most notably on his 2012 record Steam Days, its tracks' titles referencing several historical areas around his native Norfolk. "Cambria is a reference to both Wesley and I," Fake explains. "He's from Wales, and Cambria is an ancient English/Latin name for Wales, so we thought that summed up where the label was coming from." Teaming up with Matsell - himself a Border Community club staple - the pair's first release on Cambria Instruments will be Fake's nocturnal groove-laden track 'Black Drift', coupled with Matsell's similarly crisp mixture of shifting percussion and submerged oscillations, 'Bismuth'. Both tracks have a similarly hi-fidelity feel to them, coupled with - as Fake puts it - "new esoteric melodies and textures previously unheard from both artists".
Details are yet to be confirmed on future releases from outside artists, but solo EPs from the co-founders can expected in the future. With Matsell's far-reaching tastes in everything from fifties electroacoustic, acid house and early Detroit, through to hardcore and rave, nineties techno and noise, the thought of him joining up with Fake's own naturally eclectically-informed mind is an exciting one indeed.
More
Details are yet to be confirmed on future releases from outside artists, but solo EPs from the co-founders can expected in the future. With Matsell's far-reaching tastes in everything from fifties electroacoustic, acid house and early Detroit, through to hardcore and rave, nineties techno and noise, the thought of him joining up with Fake's own naturally eclectically-informed mind is an exciting one indeed.
More
1
nathan fake/ wesley matsell - Nathan Fake - "Black Drift"
2
nathan fake/ wesley matsell - Wesley Matsell - "Bismuth"
Nathan Fake and Wesley Matsell launch new imprint Cambria Instruments. Very Limited Pressing. "A highly expressive, lysergic trip and one of his finest productions to date. All in all, you couldn't hope for a stronger start from a new label." - Bleep One of the most consistently excellent artists within the Border Community fold, since impressing them with his simultaneously reflective, dance floor jams when just out of his teens in 2003; Nathan Fake is stepping out on his own. With his friend, fellow producer and DJ, Wesley Matsell, Fake has announced the launch of his new imprint, Cambria Instruments, with the first release set to be a split release between the pair. In some ways the title of the imprint follows Fake's interest in exploring the heritage of Britain - most notably on his 2012 record Steam Days, its tracks' titles referencing several historical areas around his native Norfolk. "Cambria is a reference to both Wesley and I," Fake explains. "He's from Wales, and Cambria is an ancient English/Latin name for Wales, so we thought that summed up where the label was coming from."
Teaming up with Matsell - himself a Border Community club staple - the pair's first release on Cambria Instruments will be Fake's nocturnal groove-laden track 'Black Drift', coupled with Matsell's similarly crisp mixture of shifting percussion and submerged oscillations, 'Bismuth'. Both tracks have a similarly hi-fidelity feel to them, coupled with - as Fake puts it - "new esoteric melodies and textures previously unheard from both artists".
Details are yet to be confirmed on future releases from outside artists, but solo EPs from the co-founders can expected in the future. With Matsell's far-reaching tastes in everything from fifties electroacoustic, acid house and early Detroit, through to hardcore and rave, nineties techno and noise, the thought of him joining up with Fake's own naturally eclectically-informed mind is an exciting one indeed.
More
Teaming up with Matsell - himself a Border Community club staple - the pair's first release on Cambria Instruments will be Fake's nocturnal groove-laden track 'Black Drift', coupled with Matsell's similarly crisp mixture of shifting percussion and submerged oscillations, 'Bismuth'. Both tracks have a similarly hi-fidelity feel to them, coupled with - as Fake puts it - "new esoteric melodies and textures previously unheard from both artists".
Details are yet to be confirmed on future releases from outside artists, but solo EPs from the co-founders can expected in the future. With Matsell's far-reaching tastes in everything from fifties electroacoustic, acid house and early Detroit, through to hardcore and rave, nineties techno and noise, the thought of him joining up with Fake's own naturally eclectically-informed mind is an exciting one indeed.
More
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OXIA - Domino Robag's Lasika Cafa
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OXIA - Domino Matador Remix
Oxia's classic 'Domino' gets reworked for it's ten year anniversary - in 2 vinyl parts.
A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.
Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.
"Finding remixers took some time, the amazing Frankey & Sandrino who's track 'Acamar' is my absolute favourite of 2015, Matador that just launched his Rukus label as well is the multi-talented ex label mate at Kompakt Robag Wruhme. They are all incredibly gifted and fortunately patient enough to wait for this EP" - OXIA
Tracklisting Vinyl 1
A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)
More
A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.
Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.
"Finding remixers took some time, the amazing Frankey & Sandrino who's track 'Acamar' is my absolute favourite of 2015, Matador that just launched his Rukus label as well is the multi-talented ex label mate at Kompakt Robag Wruhme. They are all incredibly gifted and fortunately patient enough to wait for this EP" - OXIA
Tracklisting Vinyl 1
A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)
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1
_ASSTNT & ROLL DANN - A1. Old Gem
2
_ASSTNT & ROLL DANN - A2. Emergency Area
3
_ASSTNT & ROLL DANN - A3. Green Rhythms
4
_ASSTNT & ROLL DANN - B1. Edipo
5
_ASSTNT & ROLL DANN - B2. Mono Groove
6
_ASSTNT & ROLL DANN - B3. Handsaw
EP
Vinyl Tracklist:
A1. Old Gem
A2. Emergency Area
A3. Green Rhythms
B1. Edipo
B2. Mono Groove
B3. Handsaw
Two years after the release of the acclaimed 'Emergency Break EP', _asstnt & Roll Dann return with their second studio collaboration on Pfirter's label.
The Spanish duo is back with 'Old Gem', a 6-track vinyl release showcasing their emerging talent and signature sound; powerful basslines and driving synths keep the pace high, perfectly distorted stabs create the rhythm, and haunting pads combined with sharp percussive elements generate the needed tension for a dark atmosphere. Meanwhile, a constant, steady groove remains pushing forward throughout the whole record.
This is a much anticipated physical record on our platform and is here for all wax lovers.
This is MindTrip!
written and produced by _asstnt & roll dann
mastered by mattias fridell
distributed by wordandsound.net
cover image of trifid nebula by pfirter
- Trifid Nebula is both a reflection and emission nebula located in the constellation sagitarius. Two different colors can be seen: bluish, due to light from nearby stars reflected by the dust in the nebula; and reddish, caused by the emission produced by the hydrogen from the 0-type star HD164492A. -
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Vinyl Tracklist:
A1. Old Gem
A2. Emergency Area
A3. Green Rhythms
B1. Edipo
B2. Mono Groove
B3. Handsaw
Two years after the release of the acclaimed 'Emergency Break EP', _asstnt & Roll Dann return with their second studio collaboration on Pfirter's label.
The Spanish duo is back with 'Old Gem', a 6-track vinyl release showcasing their emerging talent and signature sound; powerful basslines and driving synths keep the pace high, perfectly distorted stabs create the rhythm, and haunting pads combined with sharp percussive elements generate the needed tension for a dark atmosphere. Meanwhile, a constant, steady groove remains pushing forward throughout the whole record.
This is a much anticipated physical record on our platform and is here for all wax lovers.
This is MindTrip!
written and produced by _asstnt & roll dann
mastered by mattias fridell
distributed by wordandsound.net
cover image of trifid nebula by pfirter
- Trifid Nebula is both a reflection and emission nebula located in the constellation sagitarius. Two different colors can be seen: bluish, due to light from nearby stars reflected by the dust in the nebula; and reddish, caused by the emission produced by the hydrogen from the 0-type star HD164492A. -
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Gemini - Get Down"
2
Gemini - A Tight Grip
3
Gemini - Turn Da Music
4
Gemini - Ca
This is THE ONE! The legendary Gemini 12" that has been pushing discogs prices up to £250 for years.
One of the enigmatic producer's more obscure releases, Gemini's Get Down EP showcases some bumpy electronics on the title track, then rolls out some of his signature bassline and moody stabs on "A Tight Grip". The B side sees the great man flip a disco sample with some spiky percussion on "Turn Da Music", and back to some classic Gemini beeps and noises on "Ca". This is one reissue you don't want to miss.
Profits from this release will go directly to Spencer Kincy.
Tracklisting:
a1. Get Down
a2. A Tight Grip
b3. Turn Da Music
b4. Ca
More
One of the enigmatic producer's more obscure releases, Gemini's Get Down EP showcases some bumpy electronics on the title track, then rolls out some of his signature bassline and moody stabs on "A Tight Grip". The B side sees the great man flip a disco sample with some spiky percussion on "Turn Da Music", and back to some classic Gemini beeps and noises on "Ca". This is one reissue you don't want to miss.
Profits from this release will go directly to Spencer Kincy.
Tracklisting:
a1. Get Down
a2. A Tight Grip
b3. Turn Da Music
b4. Ca
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1
Cinthie - Won’t u take me
2
Cinthie - Piano heaven
3
Cinthie - Masterplan
4
Cinthie - Piano heaven (St. David remix)
Format: Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1 – Won’t u take me
A2 – Piano heaven
B1 – Masterplan
B2 – Piano heaven (St. David remix)
Release Info:
Cinthie joins the Heist fam with an EP full of lush, epic house music with 3 originals and a St. David remix.
Cinthie is the kind of artist who seems to be everywhere all at once. In the past years, we’ve seen her compile a lush DJ Kicks compilation, release numerous EP’s on labels such as Aus music, run one of Berlin’s finest record stores (Elevate Records), tour the world fiercely, and create an all-new live show. Her EP for Heist has been in the works for a long, long time and it’s an absolute pleasure to finally present the ‘Music for Discotheques’ EP. Spoiler alert: It’s a no holds-back, ‘all killers, no fillers’ record. Just the way we like it.
In classic Cinthie fashion, this EP has the Berlin-based artist explore various sides of house music, starting with the vocal cut ‘Won’t u take me’. Lush pads, shuffling snares and a dreamy female vocal work together to bring a warm and classy house track with a clear nod to 90’s US house, but with its feet firmly rooted in the present.
Piano heaven takes you on an Italo-meets-deephouse excursion straight into…Drum roll…: Piano heaven. A driving 909 groove and a deceptively simple bass form the foundation of the track, but it’s the keys (and strings) that bring this track to its full peak-time potential. The energy in this track is of the ‘hands-in-the-air / screaming-out-loud’ type and it has already become one of the biggest tracks in Cinthie’s live-show.
On the flip, Cinthie explores the pacier electronic side of the dance spectrum, with the footwork inspired jam ‘Masterplan’. Think classic 808’s, loopy synths and a cheeky spoken word piece that lifts the song to a level where it’s extremely danceable and quite simply put; really fun.
The final track of the EP is the expertly crafted remix by Italian house maestro St. David; an artist Cinthie has always been a big fan of. He’s made a dazzling rework of ‘Piano Heaven’: A deep and driving deephouse version that’s layered in sweeps, fx and bleeps for an altogether mesmerizing effect.
We’re thrilled that we can share Cinthie’s music on the label and have her join the family after having played so many shows together and having spoken about doing something together for such a long time. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars More
Track list:
A1 – Won’t u take me
A2 – Piano heaven
B1 – Masterplan
B2 – Piano heaven (St. David remix)
Release Info:
Cinthie joins the Heist fam with an EP full of lush, epic house music with 3 originals and a St. David remix.
Cinthie is the kind of artist who seems to be everywhere all at once. In the past years, we’ve seen her compile a lush DJ Kicks compilation, release numerous EP’s on labels such as Aus music, run one of Berlin’s finest record stores (Elevate Records), tour the world fiercely, and create an all-new live show. Her EP for Heist has been in the works for a long, long time and it’s an absolute pleasure to finally present the ‘Music for Discotheques’ EP. Spoiler alert: It’s a no holds-back, ‘all killers, no fillers’ record. Just the way we like it.
In classic Cinthie fashion, this EP has the Berlin-based artist explore various sides of house music, starting with the vocal cut ‘Won’t u take me’. Lush pads, shuffling snares and a dreamy female vocal work together to bring a warm and classy house track with a clear nod to 90’s US house, but with its feet firmly rooted in the present.
Piano heaven takes you on an Italo-meets-deephouse excursion straight into…Drum roll…: Piano heaven. A driving 909 groove and a deceptively simple bass form the foundation of the track, but it’s the keys (and strings) that bring this track to its full peak-time potential. The energy in this track is of the ‘hands-in-the-air / screaming-out-loud’ type and it has already become one of the biggest tracks in Cinthie’s live-show.
On the flip, Cinthie explores the pacier electronic side of the dance spectrum, with the footwork inspired jam ‘Masterplan’. Think classic 808’s, loopy synths and a cheeky spoken word piece that lifts the song to a level where it’s extremely danceable and quite simply put; really fun.
The final track of the EP is the expertly crafted remix by Italian house maestro St. David; an artist Cinthie has always been a big fan of. He’s made a dazzling rework of ‘Piano Heaven’: A deep and driving deephouse version that’s layered in sweeps, fx and bleeps for an altogether mesmerizing effect.
We’re thrilled that we can share Cinthie’s music on the label and have her join the family after having played so many shows together and having spoken about doing something together for such a long time. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars More
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Rossi. - Get On The Floor
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Rossi. - Mode
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Rossi. - Pass The Blunt
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Rossi. - I Wanna Dance
HOMEGROWN. boss Rossi. makes his Hot Creations debut as he drops four long-awaited cuts across his ‘Get On The Floor’ EP.Emerging to become a regular fixture at key venues across the globe including Club Space, Printworks and Pacha while playing for the likes of Music On and Paradise, London’s Rossi. continues to showcase his unique spin on minimal-leaning house music and prove why many, including DJ Mag, tipped him as one to watch from the start. A top-selling talent on Beatport, with releases via FUSE, No Art, Eastenderz and more, while recently launching his label and platform HOMEGROWN., mid-July sees him head to iconic imprint Hot Creations as he uncovers a selection of heavily-requested productions across his ‘Get On The Floor’ EP.Fusing rumbling low-ends, slinking metallic drums and evolving electronic beneath hooky hip-hop samples, title cut ‘Get On The Floor’ is a signature Rossi. track made for big dance floor moments, while ‘Mode’ is a skippy, playful production bringing a bumping groove guided by trippy vox interjections. The B-side brings further fresh flavours as ‘Pass The Blunt’ builds from crisp percussion arrangements and cheeky samples for a rolling terrace number, before the slick ‘I Wanna Dance’ shapes up the package with another trademark slice of bubbling late-night house.
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SUENO LATINO w/Manuel Goettsching ... - SUENO LATINO (Derrick May Illusion First Mix) 11:18
2
SUENO LATINO w/Manuel Goettsching ... - SUENO LATINO (Derrick May Emotion Second Mix) 4:31
3
SUENO LATINO w/Manuel Goettsching ... - SUENO LATINO (Derrick May Final Third Mix) 5:00
– original release on CREATIVE LABEL - CREA 001
SPECIAL EDITION 12” single MARBLED YELLOW vinyl /400 copies
180 gr.
TRACKLIST:
A01 – SUEÑO LATINO (Derrick May Illusion First Mix) 11:18
B01 – SUEÑO LATINO (Derrick May Emotion Second Mix) 4:31
B02 – SUEÑO LATINO (Derrick May Final Third Mix) 5:00
VITAL SALES POINTS:
"CCR - Club Culture Rarities" the record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.
The 11th release on "CCR - Club Culture Rarities" SUEÑO LATINO Derrick May Remix originally released on Creative Label 1992
Built around Manuel Göttsching’s astral classic E2-E4, Sueño Latino is, with no doubts, one of the most iconic records of the late 80's electronic music. Several remixes have followed the 1989 original release, but above all stands up Derrick May’s “Illusion First Mix” that adds his typical tribal motifs to the euphoric carpet of stars, tropical birds and cowbells. This reissue of Detroit genius’ version of Sueño Latino gives wings to our imagination making us fly on the most joyful nights of Ibiza.
Ask for it and stay tuned. More
SPECIAL EDITION 12” single MARBLED YELLOW vinyl /400 copies
180 gr.
TRACKLIST:
A01 – SUEÑO LATINO (Derrick May Illusion First Mix) 11:18
B01 – SUEÑO LATINO (Derrick May Emotion Second Mix) 4:31
B02 – SUEÑO LATINO (Derrick May Final Third Mix) 5:00
VITAL SALES POINTS:
"CCR - Club Culture Rarities" the record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.
The 11th release on "CCR - Club Culture Rarities" SUEÑO LATINO Derrick May Remix originally released on Creative Label 1992
Built around Manuel Göttsching’s astral classic E2-E4, Sueño Latino is, with no doubts, one of the most iconic records of the late 80's electronic music. Several remixes have followed the 1989 original release, but above all stands up Derrick May’s “Illusion First Mix” that adds his typical tribal motifs to the euphoric carpet of stars, tropical birds and cowbells. This reissue of Detroit genius’ version of Sueño Latino gives wings to our imagination making us fly on the most joyful nights of Ibiza.
Ask for it and stay tuned. More
Label:Watergate Records
Cat-No:wgvinyl57
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12" Excl
Label:Watergate Records
Cat-No:wgvinyl57
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12" Excl
1
WhoMadeWho & Artbat - Montserrat (Artbat Edit)
2
WhoMadeWho & Artbat - Closer feat. WhoMadeWho
Repress WG standard sleeve
Tracklist
A) WhoMadeWho – Montserrat (Artbat Edit)
B) WhoMadeWho – Closer feat. WhoMadeWho
Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles.
Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.
Flipping sides WhoMadeWho features on Artbat’s ‘Closer’ where we witness the two outfits concoct a dramatic, emotional ride into celestial spaces where sweltering vocals balance delicately on massive bursts of low end and dreamy progressions creating an incredibly tense yet captivating outcome. Indulge in these two timeless cuts until we bring you more soon from the stellar WhoMadeWho Watergate 26. Enjoy!
More
Tracklist
A) WhoMadeWho – Montserrat (Artbat Edit)
B) WhoMadeWho – Closer feat. WhoMadeWho
Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles.
Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.
Flipping sides WhoMadeWho features on Artbat’s ‘Closer’ where we witness the two outfits concoct a dramatic, emotional ride into celestial spaces where sweltering vocals balance delicately on massive bursts of low end and dreamy progressions creating an incredibly tense yet captivating outcome. Indulge in these two timeless cuts until we bring you more soon from the stellar WhoMadeWho Watergate 26. Enjoy!
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Om Unit + TM404 - Motorway Acid
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Om Unit + TM404 - Microdose Mondays
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Om Unit + TM404 - London Stock
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Om Unit + TM404 - Meanwhile… In The Smoking Area
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Om Unit + TM404 - Thursday
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2023 repress
Format: LP
Tracklist
A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock
B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha
Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.
Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
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Format: LP
Tracklist
A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock
B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha
Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.
Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
More
Tracklist:
A1. Essentia
A2. Essentia – Sunrise Mix
B1. Winnie’s Karaoke
B2. Winnie’s Karaoke – Sundown Mix
Release Info:
Essentia is not only the latin word for – you guessed that right – essential, but also the name of Krystal Klear’s return to Running Back. While trance might be a state of mind (according to DJ Dag), it’s also a tone theory with a very specific tool kit. Here you get the version that makes sense in the aural universe of a producer that got raised on a diet of hip hop, boogie and the foundation tunes in house music. Moderate in tempo, the result is still euphoric to say the least: melted brains, stimulated spinal cords and rave rampage included. Essentia balances the euphoric rush of its topical genre perfectly with the happy-sad moments after the rave. If that is not musical or emotional enough for your taste, you will find content in the Sunrise version. Excessive use of the well-beloved choir, breakbeats and - downs make it equally irresistible for sun-ups and love-ups.
Flip the coin for Winnies Karaoke. Stemming from the same source and session as Essentia. Named after the interactive entertainment bar in Chinatown NYC and made sometime in the early morning hours, its the quintessential Krystal Klear. Sawtooth boogie, if you will. It’s counterpoint is the Sundown mix. Techno prog for the tilted generation.
Sometimes, in the permanent search of happiness, the world of tomorrow needs the sound of yesterday made with the means and minds of today. Essential bliss.
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A1. Essentia
A2. Essentia – Sunrise Mix
B1. Winnie’s Karaoke
B2. Winnie’s Karaoke – Sundown Mix
Release Info:
Essentia is not only the latin word for – you guessed that right – essential, but also the name of Krystal Klear’s return to Running Back. While trance might be a state of mind (according to DJ Dag), it’s also a tone theory with a very specific tool kit. Here you get the version that makes sense in the aural universe of a producer that got raised on a diet of hip hop, boogie and the foundation tunes in house music. Moderate in tempo, the result is still euphoric to say the least: melted brains, stimulated spinal cords and rave rampage included. Essentia balances the euphoric rush of its topical genre perfectly with the happy-sad moments after the rave. If that is not musical or emotional enough for your taste, you will find content in the Sunrise version. Excessive use of the well-beloved choir, breakbeats and - downs make it equally irresistible for sun-ups and love-ups.
Flip the coin for Winnies Karaoke. Stemming from the same source and session as Essentia. Named after the interactive entertainment bar in Chinatown NYC and made sometime in the early morning hours, its the quintessential Krystal Klear. Sawtooth boogie, if you will. It’s counterpoint is the Sundown mix. Techno prog for the tilted generation.
Sometimes, in the permanent search of happiness, the world of tomorrow needs the sound of yesterday made with the means and minds of today. Essential bliss.
More
Label:Psssh Records
Cat-No:psssh003x
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12" Excl
Label:Psssh Records
Cat-No:psssh003x
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12" Excl
1
Dauwd - The Yuzer (DJ Plead Remix)
2
Dauwd - SpaceSamba (Electronic Live Mix)
3
Dauwd - The Yuzer (Deep Dub Mix)
4
Dauwd - SpaceSamba (Huerta Mix)
5
Dauwd - The Yuzer (Aubreys Solid Groove Mix)
GENRE/S: House / Techno
TRACKLISTS:
A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)
SHORT INFO:
PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.
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TRACKLISTS:
A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)
SHORT INFO:
PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.
More
1
Selace / Vintage Culture / Marco Faraone - Dennis Ferrer & Disciples with James Yuill - Whisper (Extended Mix)
2
Selace / Vintage Culture / Marco Faraone - Dennis Ferrer with Dawn Tallman - Sunny Days (Extended Mix)
3
Selace / Vintage Culture / Marco Faraone - Idris Elba & Inner City feat. Steffanie Christi’an - No More Looking Back (E
4
Endor - - Fur (Extended Mix)
‘EP11’ stays true to committing Defected’s biggest digital releases to wax, delivering an upfront package of house heat previously unavailable on vinyl. Opening the release with two massive tracks from long-time friend of the label Dennis Ferrer, the A-Side kicks off with his stunning cut ‘Whisper’, produced alongside Disciples and James Yuill, followed by another slice of house heat in the form of his joyous collaboration with Dawn Tallman ‘Sunny Days’. On the B-Side comes another massive collaboration, this time from Idris Elba and Inner City, with their club weapon ‘No More Looking Back’. Finally, closing out the package is Endor’s ‘Fur’, the record that saw the Brighton producer return to his underground roots following the platinum selling ‘Pump It Up’.
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Tracklist: 1. (A1) Fear Of An Extra Planet (Black Out) 2. (B1) Hail the Whale
Info:
Finally, the long awaited third part of the EXTRAWELT trilogy on Cocoon Recordings is on the way, and with this advance 12" release of "Fear Of An Extra Planet (Blackout)" and "Hail The Whale" we are given an incredibly strong first impression of EXTRAWELT's third Album. ??"Fear Of An Extra Planet (Blackout)" in particular, has the potential to become a monumental club hit. The title track from the new EXTRAWELT album is, strictly speaking, more than just a maxi-version, it's almost a separate EXTRAWELT remix of the original, fully optimized for the clubs. Arne Schaffhausen and Wayan Raabe have let loose a real bass and drum monster on us. From the very first second, the doubled-up kick bursts from the bassbins to signal the journey into this new EXTRAWELT adventure is underway. The acid-heavy bassline completes the pressure-packed arrangement until the track suddenly stops dead. Sometimes it's just so simple and effective to completely hit the brakes before re-energizing and building up to full speed again. The 12" version of "Fear Of An Extra Planet (Blackout) "is a powerful techno bomb and for us - one of the highlights of the year!? ?The exclusive, non-album cut "Hail the Whale", starts off a little more subdued. However, the cool old-skool cowbell intro with light Chicago house touches soon develops an energy through a driving electro bassline that shakes us from the initial calm. Although "Hail the Whale" doesn't appear on the album, it perfectly represents the science fiction sound aesthetics on EXTRAWELT's new LP. Sci-fi FX, distorted vocals and dramatic synth lines envelop us in an extremely intense soundtrack atmosphere. From warp speed space travel to misty wastelands on strange planets and breathtaking pursuit scenes, "Hail the Whale" conjures up all manner of images as it hammers from the speakers. To be honest, the notion of "grand cinema" has already been used too often but in this case it just fits! We are primed and we are ready for the new EXTRAWELT!
More
Info:
Finally, the long awaited third part of the EXTRAWELT trilogy on Cocoon Recordings is on the way, and with this advance 12" release of "Fear Of An Extra Planet (Blackout)" and "Hail The Whale" we are given an incredibly strong first impression of EXTRAWELT's third Album. ??"Fear Of An Extra Planet (Blackout)" in particular, has the potential to become a monumental club hit. The title track from the new EXTRAWELT album is, strictly speaking, more than just a maxi-version, it's almost a separate EXTRAWELT remix of the original, fully optimized for the clubs. Arne Schaffhausen and Wayan Raabe have let loose a real bass and drum monster on us. From the very first second, the doubled-up kick bursts from the bassbins to signal the journey into this new EXTRAWELT adventure is underway. The acid-heavy bassline completes the pressure-packed arrangement until the track suddenly stops dead. Sometimes it's just so simple and effective to completely hit the brakes before re-energizing and building up to full speed again. The 12" version of "Fear Of An Extra Planet (Blackout) "is a powerful techno bomb and for us - one of the highlights of the year!? ?The exclusive, non-album cut "Hail the Whale", starts off a little more subdued. However, the cool old-skool cowbell intro with light Chicago house touches soon develops an energy through a driving electro bassline that shakes us from the initial calm. Although "Hail the Whale" doesn't appear on the album, it perfectly represents the science fiction sound aesthetics on EXTRAWELT's new LP. Sci-fi FX, distorted vocals and dramatic synth lines envelop us in an extremely intense soundtrack atmosphere. From warp speed space travel to misty wastelands on strange planets and breathtaking pursuit scenes, "Hail the Whale" conjures up all manner of images as it hammers from the speakers. To be honest, the notion of "grand cinema" has already been used too often but in this case it just fits! We are primed and we are ready for the new EXTRAWELT!
More