Tracklist

A1 – Light A Fire
B1 – Keeping Strong
B2 – Everything

Release Info:
Fresh off the back of her recent DJ Kicks compilation release and an EP for Shall Not Fade in 2021, Cinthie returns to Will Saul’s Aus imprint for her first EP release of 2022, once again delivering her raw, energetic House sound to the world. Title-cut ‘Light A Fire’ leads the way and lays down organic drums, hypnotic vocal lines and choppy stab sequences alongside bumpy bass tones, intricately unfolding synth swells, resonant bleeps, and dynamic delays, resulting in a big sun-drenched anthem to perfectly set the tone. ‘Keeping Strong’ follows next and employs classic House tropes via gritty string stabs, plucked bass notes and dubbed out vocal cuts, running atop skippy, swinging drums for six and a half minutes. ‘Everything’ then rounds out the release, diving deeper this time as Cinthie employs dubbed out chords, weighty subs, crunchy percussion, and cinematic, elongated strings swells, concluding the release with a smooth, emotive feel.





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Cinthie returns to her own 803 Crystal Grooves this
September with the labels fourth instalment.

Tracklist 12":
A1: Just Us (06:46)
A2: From The Vaults (05:44)
B1: Jack Your Head Higher (05:55)
B2: Boss Lady In A Man’s World (04:15)

Vital Sales Points:
Following the release of her debut album on Aus Music this
summer, Cinthie returns to one of her own labels with
some fresh original material. A four-track EP coming on
the fledgling 803 Crystal Grooves imprint, a platform solely designed for the release of the Berliner’s own material
and launched in 2018. More

World excluding USA

2LP + DL card

Tracklist

A1. Skylines
A2. Houze Muzik
B1. Concentrate
B2. Horizon
C1. 2K Garage
C2. Calling ft Gill
D1. Citylights
D2. Flashback

Tracklist Free Download:

1. Skylines
2. Houze Muzik
3. Concentrate
4. 2k garage
5. Horizon
6. No One Can Take You Away From Me
7. Bassline
8. Flashback
9. Calling
10. City Lights
11. Mornings in Melbourne
12. 803 the meme queen


Release Info:
Cinthie marks a milestone in her career this June with her debut album ‘Skylines – City Lights’ on Aus Music. Berlin’s Cinthie has grown to become one of the most respected purveyors of house music, both as a DJ and producer, in Europe and across the globe over the past few years. Through the numerous imprints she’s headed up, her productions, her soul-infused DJ sets and even her own record store Cinthie has become a driving force in the contemporary electronic music scene.

Here we see the culmination of Cinthie’s career, which spans more than two decades, pieced together to make up her debut long player, a tribute to all the things that have inspired her over the years, from Chicago House to New York Garage, European rave, Nu-Disco and years of experience behind the booth and keeping dance floor’s moving. Across the project tracks like ‘Houze Muzik’, ‘Concentrate’, ‘Morning In Melbourne’ and ‘Bassline ‘shine a light on Cinthie’s true love, authentic, soul drenched and raw House music. ‘2k Garage’, as the name would suggest, also nods to her love of the UK Garage sound and cuts like ‘City Lights’ and ‘No One Can Take You From Me’ lean towards Disco influences old and new. Further additions see Cinthie exploring new territories for the album format, experimenting with a downtempo aesthetic on opening track ‘Skylines’, textural electronica on ‘Flashback’ and Acid House nostalgia on ‘Calling’ and ‘Horizon’. ‘Skylines – City Lights’ beautifully showcases the life and inherent passion for electronic music Cinthie has, all perfectly weaved together across twelve compositions.
More

Tracklist:
A1 - Bassline
A2 – No One Can Take You Away From Me
B1 – 803 Meme Queen

Release Info:
Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin where she was born and raised on the ever flowing current of electronic music coming from the city. Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence. Along with Diego Krause, Ed Herbst and stevn.aint.leavn, Cinthie represents the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels and most recently launching her 803 Crystalgrooves imprint to critical acclaim, a platform which will become a huge focus for her own productions for the foreseeable future. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint bubbling away with her debut for the label dropping in November 2018. Cinthie has also recently shifted focus towards Elevate Berlin, a label collective, digital and physical record store in the heart of Friedrichshain, a home for all of the label collectives output as well as releases from friends and affiliates.






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Cinthie’s 803 Crystal Grooves returns with its third release this June, four-track’s
of raw and emotive house music.

Track List:
1. Australian Summer
2. Infinity
3. This Bomb Is Mine
4. Rave Like Noone Is Watching


Cinthie launched the 803 Crystal Grooves imprint in 2018 with the aim to showcase a
new direction for her productions musically, she’d just built her own studio and
invested her time and money into a collection of vintage drum machines and
synthesizers, enabling her to create the sounds she’s loved and desired to create for
many years. The results led to heavy support from an array of producers and DJ’s and
Cinthie’s dance floor focused sound continues to evolve and unfold here with the labels
third release.
‘Australian Summer’ opens the package, a Balearic tinged house cut featuring sun
drenched pad melodies, bubbling arpeggios and choppy bass stabs alongside organic
drums. ‘Infinity’ follows next with bright chord sequences and crisp 909 drums.
‘This Bomb Is Mine’ leads the B-side, taking a more disco-tinged approach this time
with filtered string loops, billowing vocal murmurs and shuffled drums before ‘Rave
Like Noone Is Watching’ then completes the package, as the name would suggest a highoctane
workout designed for the peak-time with gritty rave stabs, penetrating drums
and resonant acid licks. More

Following the label launch in October, Cinthie returns with the second release on her
fledgling 803 Crystalgrooves imprint, this time four up-tempo originals from the Berlin
native.

Tracklist
1. Push It
2. The Worm
3. Boomboomroundtheroom
4. Peep Peep

Producer, DJ, founder of many labels, record store-owner and radio personality, Cinthie has
grown to become a highly respected figure in the contemporary electronic music scene over the
years and her most recent venture, 803 Crystalgrooves, kicked off in October to critical acclaim.
The imprint stands as a platform to present productions inspired by her beginnings in House and
Techno and while the debut focused on Disco-tinged House, here we see things edge towards
darker more raw territory, dubbed as the ‘’bad little sister of 001’’ by Cinthie…
‘Push It’ leads on the package with a stripped-back drum groove made up of a crunchy clap,
sharp hats and a weight kick while squelchy 303 licks and vocal shots uttering the track title drive
the composition. ‘The Worm’ follows, this time featuring a high-octane drum workout, subtly
unfolding synth flutters and an underlying low-end drive.
Opening the flip is ‘Boomboomroundtheroom’ employing dusty drums, frenzied synth stabs and
gritty bass chops, a cut harkening back to the most robust sounds coming out of Chicago in the
90’s. ‘Peep Peep’ then rounds out the release with vacillating resonant bleeps, bumpy shuffled
drums and a dynamically evolving structure. More

Beste Modus, we_r_house and Unison Wax co-founder Cinthie launches her new imprint Crystalgrooves this October with three raw House cuts.

Tracklist:
1. Together
2. Ada Lovelace
3. No Need To Worry

Berlin’s Cinthie has long been a respected figure in the underground electronic music scene of Berlin and further afield, heading up the Beste Modus and we_r_house imprints, as well as Unison Wax alongside Diego Krause amongst holding a residency at the infamous Watergate club in her hometown and recently opening her new record store in Friedrichshain, Elevate. It’s clear to see electronic music scene plays a huge part in Cinthie’s life and here we see her adding another label to her already impressive coterie of imprints, namely 803 Crystalgrooves, a platform for her own material edging towards more classic, raw House sounds in contrast to the deeper more stripped back sounds heard across the other labels.
Leading on the package is the anthemic heavy hitter ‘Together’, a heady House groove fuelled by a filtered, funk-infused bass line, bright organ chords and bumpy 909 drums, the result is an emotive slice of peak-time house to kick start the EP.x
‘Ada Lovelace’ follows and tips the focus over to dusty, swinging drum sounds and an amalgamation of choppy disco string and vocal samples all intricately programmed to create a dynamic dance floor workout. ‘No Need To Worry’ then rounds out the package with murky bass tones, wandering stab sequences and stripped-back shuffled percussion to close the package on a more dark and brooding tip. More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?

Release Info:

DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings. More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Touch Me Again
A2 Hang On
B1 The Joy of Melancholy
B2 Forever and Ever

Release Info:

Dam Swindle return to Heist in excellent form with a 4-track EP in their signature style.

The iconic Amsterdam duo returned to the studio after their much-lauded ‘Minor Fools’ EP, where the lead track ‘That’s Right’ became one of the most heartwarming tracks 2023. Their recent contribution to the Phonica 20-year compilation -‘Allright (just a tribute)’- is turning into one of the biggest hits of this year with big plays on pretty much every festival around, whether it’s Glastonbury or Dekmantel. The guys are known for their ability to bend different styles into something very much their own and their newest addition to the Heist catalog is no different. The ‘Touch Me Again’ EP sees them go from sample-heavy house to classic 90’s piano-driven tracks with a touch of acid and it’s one you don’t want to miss.

The record starts with ‘Touch Me Again’, a house jam with chopped vocals, energetic synth stabs and a big breakdown. Add to that a touch of acid and you’ve got a follow-up to their Phonica hit of 2023.

‘Hang On’ takes you back into classic Swindle territory, with their signature sampling style and knack for finding those lush vocals. The synth chops and bassline give the track its upbeat energy and the distant filtered pads move in an ever so subtle way, that there’s always something new happening while keeping the attention on that catchy main hook.

On the flip, we see the guys take things a bit deeper with emotive vocals and introverted keys layered over a steady groove on their track ‘The Joy of Melancholy’. Fast-forward to the drop and all that energy comes free with a huge piano break, which propels the track into a blissful ‘hands-in-the-air’ dancefloor moment.

The EP closes with ‘Forever and Ever’, a gospel-inspired Deep house tune full of organ hits and off-kilter sample chops. This 4-track EP gives you jam upon jam upon jam and sees Dam Swindle solidify their position as the go-to artist in the house scene and keeps them at the forefront of electronic music.

Grab this record while you can and share the love,

Heist Recordings. More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Mirage
A2 Coffee
B1 Tapioca
B2 Mirage (Elisa Bee Remix)
B3 Abalone

Release Info:

Label mainstays Fouk just dropped the perfect dancefloor Bomb with ‘Mirage’ paired with a high-octane Elisa Bee remix

We all know Dutch duo Fouk from their soulful, bouncy take on house music. They’re also responsible for some of Heist’s biggest tracks like Kill Frenzy or their Lil Louis inspired 2021 release ‘Blue Steel’. On their new EP, the talented duo shows us a fresh side of their sound: the main-room hands-in-the-air-going-wild side. To top things off, Italian producer Elisa Bee made time in her busy schedule of DJ’ing and releasing for artists like Ben Sims on his Hardgroove imprint and Unknown to the Unknown to deliver a killer remix of the title track.

Fouk’s return to Heist after 3 years is a welcome one and with ‘Mirage’, they might just have given us their biggest house track in their decade spanning career. The track is built around a stuttering synth loop and a seductive female vocal chanting ‘What made you wanna…” The real star here is the bassline, which propels the track into a seriously infectious groove. Add some lush strings and moody changeovers and you’ve got yourself a full-blown dancefloor weapon. Mirage has been a staple in Dam Swindle’s sets for the past months and has been one of their set highlights ever since.

“Coffee” is one for the classic Fouk fans. It’s got lovely Rhodes, a joyous combination of whoo’s, snare-rolls and synth hits grooving on top of an infectious orchestral background loop. “Tapioca” is a hybrid latin-electronic groove that builds on punchy synths, live percussion and drunk keys to balance the energy of the track.

Elisa Bee’s remix of ‘Mirage’ is an intense percussive workout that builds on a breakbeat loop and a rave-bassline. The tempo is turned up a notch or 2 and that stutter synth and vocal of the original make this remix a wild warehouse affair.

Closing track of the EP is ‘Abalone’; A lovely bleep-house affair that still has a bit of that warehouse vibe. It’s got the perfect amount of distortion the drums while keeping things dreamy with some face-melting pads throughout the track.

As always, enjoy the music and play it loud!

Lars & Maarten More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Closer (feat. AVA LAVÁ)
A2 Running from the Noise (feat. Life on Planets)
A3 Midnight Time (feat. AVA LAVÁ & Joey Hotwax)
B1 The Answer
B2 Gratitude

Release Info:

Makèz deliver the perfect follow up to their hit ‘Downstream’ with L.A. artist Life on Planets.

Dutch Duo Makèz had their big break when we released their first record on Heist in 2019, but it’s safe to say that ‘Downstream’ (on No Art records) has taken things to the next level for the talented Amsterdam duo. With support from pretty much the whole of Radio 1 (Pete Tong, Jaguar, Sarah Story, Danny Howard and more), and club DJ’s across the board ranging from ANOTR to Louie Vega, their fall 2023 release has really been a dream collab with vocalist and producer Life on Planets. It’s only fitting that the duo comes home to Heist with their follow up EP: ‘Midnight time’.

This new EP is a perfect blend of the intricate, soulful songs and punchy club tracks we’ve come to love from Makèz, On the A-side, we’ve got the jazz cut ‘Closer’ with AVA LAVÁ, who fans will remember from their Holy Sun EP on Heist. ‘Closer’ is equally laidback, full of textures and rich musical elements and a perfect mood-setter for the EP.

Next is ‘Running from the noise’ with Life on Planets on vocals. This is the follow up to Downstream that simply had to happen. It’s just as breezy and effortless as the duo’s biggest hit to date, but goes even deeper and minimalistic, taking you on a vibe that resembles the sound of that classic 100% Galcher mixtape/album from 2013. There’s definitely something in the air when these artists get together in the studio; The music is warm, fuzzy, and inviting, but most importantly, just about as sexy as can be.

‘Midnight time’ is another collaboration with AVA LAVÁ, and takes the EP into the club realm, while still keeping things jazzy. Lush Rhodes chords and a rolling live bass form the basis, while the young vocalist seems to freestyle her way through the track, much in a way an MC would do to get the crowd going. Everything about this track is infectious and you can just feel this go off in a club.

That club is exactly where we end up on the B-side, with ‘The Answer’ and ‘Gratitude’. Both have their own direction; ‘The Answer’ is a Chicago-inspired jam with acid licks, a powerful male vocal and clean 909 drums, where ‘Gratitude’ goes deeper with its haunting strings, clever vocal chops and loops and synths that somehow resemble static noise from an old radio. With their ‘Midnight Time’ EP, Makèz treat us to a gorgeous journey through their sonic world, a place we’re happy to hang out for a long, long time.

As always, enjoy the music and play it loud!

Lars & Maarten
More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1 Love Can Make It Happen
A2 Going Back to It
B1 Full Cycle
B2 Pockets

Release Info:

House music legend DJ Sneak shows us why he’s a master of the groove on his ‘Back to love’ EP for Heist Recordings.

There’s only a handful of people that can really say they’ve seen House music since its earliest days. Puerto Rica-born, Chicago-bred, and LA-based artist DJ Sneak is definitely one of them. He has been the king of the groove ever since his big break back in ’94 through Cajmere’s label Cajual and was key in the development of that mid-nineties house sound with appearances on labels such as Strictly Rhythm, Henry St Music and 83 West. Sneak has worked with some of the biggest artists in the game including Daft Punk, (delivering lyrics for their track ‘Digital Love’), Armand Van Helden and many more.

After a break in the past few years where Sneak re-evaluated his relationship with the scene and his music, he’s now back doing the thing he loves most: Making killer tracks and slamming it on a record. We’ve always considered each other friends and Sneak has been a true supporter of our music and the label since day 1, so it’s humbling to realize that we’re now in a place where we can let his music shine on Heist. With that, we’re proud to present this future classic from the master himself.

The aptly titled “Back to love” EP starts off with one of Sneak’s most intimate productions to date: “Love can make it happen”. Built around an ever-evolving vocal loop, and dreamy strings this track is deeper than deep with the percussion matching that meditative energy, with the grunt only Sneak can bring.

“Going back to it” is Chicago house music in its core. Moody chords, some vocal chops, a badass bass line, and solid percussion is all you need. With ‘Full Cycle’ on the flip, we see Sneak take back his rightful place as the king of the groove. It’s a track that has us reminiscing the days of ‘Paperclip People’ where the bluntness of a live recorded ‘on/off’ arrangement really adds something special to a track.

The EP ends with “Pockets”, a house jam with classic 90s vocals and energetic snare drums to add that classic New York touch to this already amazing record and shows us that DJ Sneak has a great feel for bringing modern day house music with a vintage feel.

As always, enjoy the music and play it loud!

Maarten & Lars
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Format: Vinyl 12” (Limited 180 gr. Blue Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)

Track list:

A1 Crackazat - Alfa
A2 Andy Hart - Epsilon Girls
A3 Makèz - Different Planets
B1 Kassian - 8th Movement
B2 Nachtbraker - Hamdi

Release Info:

The Dam Swindle curated compilation Heist Classics Vol. 02 delivers even more of the label’s biggest hits in a beautiful limited-edition package.

It’s safe to say that in it’s 10 years of existence, Heist Recordings has given us plenty of amazing music and has cemented itself as one of the key labels in today’s house scene. The first 3 compilations of this year have had an amazing response with radio and club tastemakers (re)discovering some of the best music that has come out on Heist. With support from Paul Woolford, Luke Slater, Antal, James Zabiela, Nightmares on Wax, a 10/10 in Faze Mag and various radio plays on BBC R1 with Pete Tong, Annie Mac and more, it’s safe to say that everyone has been loving these releases. Now, Dam Swindle conclude their 10-year anniversary releases with Classics vol. 2: a limited-edition collection with hits from Crackazat, Andy Hart, Kassian, Makèz and Nachtbraker.

The release kicks off with ‘Alfa’: Crackazat’s biggest hit to date (and that’s saying something, coming from a producer that has delivered jam upon jam in his career). It’s a signature Crackazat song with an off-kilter live key loop, shuffling percussion and pumping low end.
Andy Hart’s ‘Epsilon Girls’ was originally released in 2014 and has helped cement the artist and label’s position in the house music landscape. A vintage Barbara St. Clair loop gives the track a lovely human touch, which is countered by layers upon layers of glimmering electronics.

Different Planets is the track that really kickstarted the career of the talented duo Makèz. Released in 2019, the track has everything we’ve come to love from their recognizable sound: lively drums, catchy hooks and warm & jazzy chords. UK duo Kassian are represented on this package with their track ‘8th Movement’. Their sound has progressed towards techno in recent years which has given them support from artists across the board such as Ben UFO, Special Request and many more. Their Heist classic ‘8th Movement’ - still housey in its core - already has hints of their newfound style in its sound design and rolling energy.

We end the record with what might be Nachtbraker’s biggest track of his career: ‘Hamdi’. You’ll find him currently at work with artists such as Shanti Celeste where he recently released his Capichone EP, but the sound he developed in the early part of his career had Heist written all over it. ‘Hamdi’ is a proper anthem, with African drums, an ecstatic vocal sample and a killer groove.

The vinyl release of Heist Classics Vol. 02 is printed on colored 180grams heavyweight vinyl and is limited to 1000 records with a special design by our Art Director Bas Koopmans (Wellness.)

Enjoy the music and play it loud!

Lars & Maarten More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament

Release Info:

“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.

Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.

‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.

On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.

The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.

Grab this record while you can and dance, dance, dance!

Heist Recordings.
More

Format : Vinyl 12” (180 gr., Limited Full Cover)


Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart

Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix

Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.

With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.

Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.

The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.

‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.

Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!

We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!

Yours Sincerely,
Maarten & Lars More

Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1. I need to know
A2. Do you think about me
A3. Freddie’s groove
B1. Phantom feat. The Potash Twins
B2. Endless life
B3. When we last met

Release Info:
Crackazat & Heist present: “Senses”. A stunning mini album that sees the artist deliver a heartwarming perspective on contemporary electronic
music
On “Senses”, we see the pure talent of Crackazat come to life like never before. We’ve all danced to “Alfa” or his most recent hit on Heist “Demucha” and
have heard his venture into the more poppy side of things with his 2022 album ‘Evergreen’ on Freerange. “Senses” however, is on another level. Crackazat
takes you on a sonic journey exploring his musical personality with live keys, vocals, bass and production all coming from his studio in Uppsala, Sweden. The
jazzy horns that are featured throughout are recorded by Adeev and Ezra Potash, better known as the Potash twins. The duo took a sidestep from their
recordings with John Legend, Robert Glasper and even Diplo to dive into this project with Crackazat and help him deliver arguably his best work to date.
The 6-track album starts off with the low-slung groove of ‘I need to know’. The whole atmosphere is warm, dreamy and seems to be written to lift your spirits,
no matter where you are in life. Plucked strings, arpeggios and long horn notes give this song its energy, which is subtly supported by lo-fi drums and sparse
bass licks.
“Do you think about me”, keeps the energy tight with a lovely drum groove and a sparse bass section. From the first note of the track, you get the feeling like
the energy could change any moment. Halfway through this is exactly what happens, when uplifting keys and a buzzing lead take control of the track. The
string arrangement is subtle enough to never overshadow the other instrumentation, but simply adds a beautiful layer to a track that’s already filled with
emotion. It’s all smiles when the energy of this track is set loose!
If “Do you think about me” is Crackazat in pop mode, “Freddie’s Groove” is Crackazat in full-on jazz mode. The nod to Freddie Hubbard is clear, and
Crackazat cleverly takes ideas from both the jazz legend and his legendary French sampler, Pepe Bradock for this track. The horns are deep and moody, the
groove is jazz-house at its best and Crackazat’s soft vocals have the perfect amount of fragility to fit the groove. The changeover into a stabby synth section
halfway through the track is a subtle reminder from the skilled producer that – even with all these musical elements – he can direct you to the front of the
dancefloor with the twist of a note.
“Phantom” sees Crackazat move into a shuffling Latin-dance vibe. Here, the song reaches its full potential through the horn section, so it’s only fitting that this
is the feature track for the Potash Twins. The Latin rhythms are lush, the key progression is on point and the energy on this track just keeps on going with
layers and layers of horns, powerful vocal chops, and subtle but effective percussion changeovers.
“Endless life” is a track that feels like it’s building up momentum with every repetition. Whether it’s the broken beat groove, the offbeat keys or the sparse
horn hits, chord hits or leads, there’s a certain energy in this track that takes a hold of you and simply doesn’t let go.
The outro “When we last met” is built around vibey drunk keys and a downtempo hip-hop groove. There’s a hint of old school D’angelo in this track and you
can clearly hear the artist feels at ease with the path he’s taking the listener on. It’s a perfect ending to a record that showcases the beautiful world that
Crackazat has crafted through his compositions and one thing is for sure: This is an album we will all keep coming back to for a long time to come.
Yours Sincerely,
Maarten & Lars More

Format: Vinyl 12” (Limited 180 gr. Cristal Clear Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)

Track list:
A1 Dam Swindle – The break up
A2 Scan 7 – The best is yet to come
B1 Fouk – Kill Frenzy
B2 Demuir – Werq. feel. gruv. vogue.
B3 Adryiano – Me and you and her

Release Info:
Label bosses Dam Swindle dive into the label back catalog and compile 2 special edition releases of classics to celebrate 10 years of
Heist Recordings.
Founded in 2013, Heist Recordings has quickly become a go-to house label, giving rise to a vibrant scene of groove aficionados and all things
deep house. Now in the label’s 10th year, Dam Swindle take a moment to reflect on the great tracks that have come out over the years with 2
limited edition compilations of classics.
On this first compilation, the duo starts with the track that helped the label burst onto the scene: Their instant classic ‘The break up’. With its
vintage vocals, Rhodes chops and instantly recognizable bell loop, it’s easy to understand why so many people are still in love with this track. It’s
only fitting that this anniversary release for Heist goes back to where it all started.
The second track on the compilation is from the legendary Detroit outfit Scan 7: Their 2020 track ‘The Best is yet come’ from Heist’s 50th release.
The appearance of Scan 7 on the label turned quite some heads at the time, but in fact, it made total sense. The mutual love for house, key
grooves and that classic Detroit vibe brought Scan 7 and Dam Swindle together and the result was an amazing release full of Midwest electronic
funk.
On the flip, we’ve got Dutch duo Fouk with their first hit on the label ‘Kill Frenzy’, which kickstarted the rise of their signature sound back in 2014.
The release ends with 2 extremely catchy and strong house releases by Demuir and Adryiano. Demuir’s vocal cut ‘Werq. Feel. Gruv. Vogue’. is
one of the highlights in Demuir’s catalog and a showcase of the producer’s knack for sampling and writing a house groove. Adryiano’s piano
house track ‘Me and you and her’ is a perfect ending to this first compilation, showing us that great house music can be as simple as repeating
something over and over and over, until that groove is all you hear.
The vinyl release of Heist Classics vol. 01 is printed on clear 180 grams heavyweight vinyl and is limited to 1000 records with a special design by
our Art Director Bas Koopmans (Wellness.)
Yours Sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 – Orchid’s Wish
A2 – Make Me Feel Feat. Marina Trench
B1 – Blu Thang
B2 – Free Feat. Tour-Maubourg
B3 – Purple Corner Fig

Release Info:

Heist welcomes Belgian house maestro UC Beatz to the label with a 5 track EP featuring Marina Trench and Tour-Maubourg.

UC Beatz is a man who likes to do things his own way. You can hear it in his distinctive sound, but it also goes back to when he started producing and putting out records. If he would have asked us for advice back then, we would have definitely tried to talk him out of starting a record label without a good distribution deal. The hours of work to get the records made, printed and stamped is one thing, but going from shop to shop to sell your work, just because you believe in it? That’s just mad.

Thankfully, Belgian producer, DJ -and yes, label owner- UC Beatz didn’t ask our opinion when he started Entrepot Records in 2014 and we’re glad for it. It’s been a total success story for him and an inspiration for independent artists all around. His releases quickly gained momentum, all sold out in weeks and with that, helped him establish his name as stylish deep house producer with his own sound.

Fast forward to 2023, and we find UC Beatz on labels such as Classic Music Company, Razor ‘n Tape and now we’ve his debut on Heist for you. There’s no need for him to go from shop to shop this time, because we’re sure people will jump on this record the minute it hits the shelves.

UC Beatz delivers a stunning 5 track EP with guest appearances from Marina Trench and Tour-Maubourg. The EP sees the artist go from euphoric sample house (Orchid’s Wish) to his classic pad-driven sound on tracks like Purple Corner Fig and Blu Thang. The EP would be good without the collabs, but UC Beatz found a perfect match in style with fellow Heist artist Marina Trench on ‘Make me feel’. His co-production with Tour-Maubourg sees the duo dive deep into a classic Chicago deephouse vibe and deliver the most ethereal track of the EP.

Yours Sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Soundsystem
A2 - High
B1 - Day by Day
B2 - 909 feat. Emil & Boo Williams (OV remix)

Release Info:

Orlando Voorn is back on Heist after his 2022 ‘Heist mastercuts’ EP and comes in with a heavy dose of soulful machine funk. ‘Heist mastercuts part 2’ has the techno & house veteran showing his eclectic style with the vocal cut ‘Soundsystem’, Midwest inspired sample jam ‘High’ and his Boo Williams collaborative drum workout ‘909’.

On the first Heist mastercuts, Orlando dove deep into his archives and presented a collection of old and new tracks, showing us that his music has aged well and reminding us that he’s a producer still on the top of his game. He kept busy in 2022 with releases on our own label Transient Nature, Kompakt, a handful of Bandcamp only tracks, and a self-released album. Somehow, he found the time to work on his follow up ep on Heist and managed to completely blow us away with the music.

The EP kicks off with Soundsystem: a masterclass in simplicity. A steady and minimalistic groove guides you through the track, where silky vocals and woozy chords take you on a trip through Orlando’s sonic universe. Orlando moves into freak mode with a trippy lead and dubbed-out keys to add some playfulness to an already outstanding track.

‘High’ is Orlando’s take on what could easily be an old Andrés track. Here, he samples a female vocal (I get high, I get high, I get high), and cleverly adds his own vocals to add depth and originality to the track. The percussion on high grooves in an effortless way and underlines the feel of this track: It’s fun, cool and incredibly funky. There’s a bit of Dam Swindle sauce on the mix to make sure this track hits the right spot on any dancefloor.

On the flip, there’s ‘Day by day’: A classic Orlando Voorn cut with a live bassline, plenty of chopped samples and a Rhodes loop that could have come straight from a B-roll of a ‘First Choice’ recording session. The b-side ends with a collab with Orlando’s close friend Emil and legendary Chicago producer Boo Williams. The producers take a monologue from Boo Williams about working the 909 and deliver a drum workout -yes with the 909- that keeps on building energy, showing exactly what Boo is talking about.

The digital package also includes an instrumental mix of Soundsytem and an alternative mix to 909, just for good measure. This is the first artist release in our 10 years of Heist anniversary year and this EP perfectly encapsulates the Heist Sound: varied, deep, soulful, and banging.

Yours sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Dam Swindle - You
A2 - Dam Swindle - More love
B1 - Dam Swindle - The wrap around (2022 mix)
B2 - Dam Swindle - 64 Ways feat. Mayer Hawthorne (Nightmares On Wax remix)
B3 - Dam Swindle - The wrap around (DJ Bone’s doc ciroc remix)

Release Info:

We’ve come to the third and final installment of Dam Swindle’s ‘Keep on Swindling’ series and are proud to see them finishing off their 10-year anniversary with a bang. This final ep holds 2 new originals, remixes by Nightmares on Wax and DJ Bone and the long-awaited re-release of their seminal track from 2013: ‘The Wrap Around’.

‘Keep on Swindling part 3’ kicks off with ‘You’; a fast-paced slice of electronic funk that sees the boys dive into heady club territory. With this track, they show a new direction in their sound that combines their vintage sampled-based soulfulness with modern percussive and melodic elements. Whether it’s the moody arpeggio, the techno-ish stabs or the bell-driven percussion in ‘You’; it’s all coming together in a way that is both heartwarming and rush-inducing.

The A side also holds ‘More Love’; a track that takes you back to what has been the center of the Dam Swindle sound in the past 10 years. Conga loops, vocal chops, synth stabs and a simple string to keep the tension; it’s all in there. Add to that a simple funk bass loop and you’ve got yourself a modern-day Swindle classic.

On the flip, you’ll find a special song from the Dam Swindle catalog: ‘The wrap around’. When released on Huxley’s now defunct ‘Saints & Sonnets’ label back in 2013, the release made its way into many record bags and sold out quickly, never to be repressed again. Discogs prices went through the roof, while the title track became one of the biggest tracks for Dam Swindle in their early years. Now, it will be available on vinyl and digital again through Heist. It's had a few touch-ups in arrangement and mixing for the 2022 mix, but the boys worked hard to maintain the rough edges that made the original loved by so many fans.

The B2 is a collaboration with none other than Nightmares on Wax, who delivers a brilliantly creative version of ‘64 ways feat. Mayer Hawthorne’. N.O.W. completely flips the original, opting to use the spoken word intro in a mangled and chopped way on top of a nasty groove and soaring bassline. The main vocal comes in during the second part of the song and adds to the buildup with new Rhodes chords, cowbells, and electronic chops. It was already special when we got together and agreed on the remix, but the result really blew our mind and cemented the position of N.O.W. as a legendary producer even more.

The EP closes off with another special track: DJ Bone’s Doc Ciroc remix of ‘The Wrap Around’. DJ Bone has been living in the Netherlands for a long time already and it was only a matter of time before the legendary Detroit producer and DJ would meet Dam Swindle. It was on one if his ‘Further’ events that we laid the foundation for this collab and it’s an honor to have DJ Bone add his raw soulful techno style to the Swindle’s original track. DJ Bone goes for pacey percussion with a classic Detroit Techno feel. His version is minimalistic and raw, chopping up the vocal and using the original Prophet pad as a base layer of warmth. The track gets even beefier when the bassline comes in: A dirty modded 101 lick with so much electronic funk that makes it impossible not that dance.

On ‘Keep on Swindling part 3’, Dam Swindle showcase a more electronic side of their sound and sees them connect with likeminded artists who have delivered amazing interpretations of some of the most loved DS tracks of the past years. With that, we’ve come to a banging conclusion to 10 years of Dam Swindle. There’s only thing that keeps us up right now: What will their next step be…?

Yours Sincerely,
Heist Recordings. More

2022 Repress

180g VINYL.Release: 24.06.2013 - UPC: 827170508361- Tracklist: A1. The break up B1. The make up
Vital sales points:
- First EP of the label by the label-bosses themselves; Dam Swindle
- Releases on Freerange, Dirt Crew, Saints & Sonnets and more
- Just back from their first US tour in May 2013
- Pressing on 180 grs black vinyl
Info: It's not often that silly, boyish dreams come true. But, if you take a closer look at our past 12 months, dreams seem to come true every other day. We've had a great year with releases on such great labels and had the opportunity to play our music all over the world and we've enjoyed every minute of this musical rollercoaster. And today, we've got another dream that's turning into reality: We're starting our own label. This is Heist Recordings, and you're looking at our very first release. We're extremely proud to share this two track EP of our own music with you and we hope you'll like it as much as we do. The break up is a track that checks all the boxes of the signature DS sound. An infectious set of airy chords, a bumpy bass-line and a lush female vocal give the track that feeling that bridges everything we love about the house from back in the days with the things that get everyone excited today. The make up is a deeper track, but still a genuine house tune, with some repetitive almost hypnotic vocals and stabs and of course, a pumping groove. You'll lose track of everything halfway through the break, but as soon as the beat kicks in, you know its business time. This is just the first step. Enjoy it, and be sure to keep an eye out for more of Heist in the near future.
Sincerely yours, Dam Swindle

More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Byron the Aquarius - I love yo
A2 - Byron the Aquarius - Get up
B1 - Byron the Aquarius - Love
B2 - Byron the Aquarius - Success
B3 - Byron the Aquarius - I love yo (Kush Jones remix)

Release Info:

Heist Recordings has been pushing the envelope for house music since day one and we’re always on the lookout for artists that represent our vision on electronic music. Our next guest on the label fits that profile and more. He is the embodiment of modern-day electronic funk and a true wizard on the keys: Atlanta raised cool guy Byron the Aquarius.

Byron has a solid history on the label: He remixed Parker Madicine back in 2017 and did a mad solo on the 2019 released Dam Swindle track ‘The life behind things’. We’ve done some shows together and stayed in touch while Byron was working together with Jeff Mills on his 2020 jazz crossover record ‘Ambrosia’ on Axis. Now, after a solid string of releases on labels like Shall not Fade and Purveyor Underground, Byron is making his solo appearance on Heist. His ‘Akira’ EP goes from dark basement grooves to dreamy broken beats and features a remix by New York dance music wizard Kush Jones.

The Akira EP kicks off with ‘I love yo’. In this track, Byron decides to leave his keys at home and goes in deep with a moody club workout. ‘I love yo’ is a track that juxtaposes dreamy samples with rough percussion and vocal chops with a clear nod to the work of Mr. G. The melody is mellow, but don’t be deceived; clever drum programming and plenty of sub take this track into the club vibe just the way Byron likes it: warm, hazy and sexy AF.

Byron is not known for delivering straightforward house tunes, but when he does deliver them, he does it in style. Enter ‘Get up’; the A2 of the EP. There’s everything we love about house music: smart vocal chops, driving percussion, classic house keys and a booming sub to get you bumping to this beat.

The B-side sees Byron up the tempo and take a deep dive into bass territory with ‘Love’. In this track, there’s lush pads running over a percussive broken beat and chopped R ’n B vocals to add some serious sex appeal. It’s deceptively simple and clean but ever so catchy, which clearly shows Byron’s prowess as an electronic music producer.

Going back to classic house mode, we’ve got ‘Success’: A spoken word house track that fits right in with the classics. Byron sets the mood with some bumpy key-and synth work while brainstorming about originality and blackness throughout the track. Even though the message underneath might be a serious one, Byron succeeds in delivering this in a fun, uplifting way that never gets pretentious or divisive.

The EP finishes with a remix by New Yorker Kush Jones. This is an artist who understands how to build a groove. He could take you anywhere from house to juke, footwork and techno, which is exactly why he’s been getting so much love for his music recently. Kush is an artist who sees no boundaries in his music and still manages to create his own sonic universe. His remix of ‘I love yo’ takes a dreamy approach with soft chords running over an electronic groove with a pure and improvised feel. All elements fit together perfectly and it’s the clever ad-hoc programming and arrangement that suck you into his unbounded world from the first beat.

As always, enjoy the music and play it loud.

Yours sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Dam Swindle - Good woman
A2 - Gaoulé Mizik - A ka titine (Dam Swindle remix)
B1 - Dam Swindle - High Life feat. Lorenz Rhode (Ash Lauryn remix)
B2 - Dam Swindle - Yes, no, maybe feat. Tom Misch & Lorenz Rhode (Arp Frique remix)
B3 - Dam Swindle - Call of the wild feat. Jungle by night

Release Info:

After the chart-topping Keep on Swindling part 1, that included summer anthem ‘All I want’ and the live jazz rework of ‘The break up’ by Emma-Jean Thackray, Dam Swindle are now back with part 2 of their 10-year anniversary series. If you thought the first edition had the goods, you’re in for a treat with this one. Keep on Swindling part 2 includes a new afro-tinged DS original, alongside a never-released remix of an obscure Guadeloupean record and remixes by rising star of the Detroit music scene Ash Lauryn and Rush Hour favorite Arp Frique. To top things off, the boys release their afro-brass dancefloor burner ‘Call of the Wild’ feat. Jungle by Night for the first time on a single.

The EP kicks off with a new original production by DS: ‘Good woman.’ This track has Dam Swindle on their best dancefloor behavior: Powerful live drums with an electronic edge and a big smudge of soul through smart sampling. The track has the feel of a soulful drum workout, taking its warmth from the lovely organ hits played by the talented Tim Jules and lush vocals. It also has plenty of low end with its offbeat sub and heavy kick, which give this track all the beef it needs to make any dancefloor -big or small- move in ecstasy.

The next track is somewhat of a special project. Tipped in 2019 by close friend Vincent ‘Venz’ Reinders who now runs one of Amsterdam’s finest venues Radioradio, Lars and Maarten started working on a rework of the song ‘ A ka titine’ by Guadeloupean band ‘Gaoulé Mizik’. The original release was only distributed from private press in small amounts, and therefore did not reach that many people. Versions of this record are rare on Discogs and unfortunately change hands for large sums of money, which keeps the music in obscurity.

The Dam Swindle rework was first put out as a free download, but was taken offline quite soon after, when we started our path to locate the original rightsholders and get their approval. Fast forward 3 years and we’re here with an official remix of this amazing piece of music where the guys add an electronic twist to the original to bring that classic Gwo Ka music towards today’s clubs.

On the flip, we’ve got the amazing Ash Lauryn remixing the title track of Dam Swindle’s 2018 album: ‘High life’ co-written by Lorenz Rhode. Ash Lauryn has been moving from strength to strength and is proudly representing the city of Detroit and all its musical heritage with her DJ sets, productions, and the content she makes. We recently got the opportunity to meet in person and this woman is about as real as it gets. Her aura simply vibrates when she plays, and she oozes class behind the decks. This remix – co-produced with Stefan Ringer- takes a deep and grooving approach to the original, with new heady percussion to add that original Detroit flavor.

The next track is a remix by of our favorite and colorful Dutch artists: Arp Frique. Arp Frique is known for his multicultural take on music, combining Caribbean and Cabo Verdean styles with classic disco and funk. He decided to write a whole new song around the vocals of the Swindle, Rhode & Tom Misch hit ‘Yes, no, maybe.’ He takes a loose-limbed, tropical disco direction where the live, analog recording lays a perfect foundation for this breezy track. The vinyl release contains the vocal mix, while we also have the instrumental available for download.

The Ep closes with a Dam Swindle original for the 2018 album High Life that really needs no introduction: ‘Call of the wild feat. Jungle by Night.’ It’s a track that seems to keep the dancers happy wherever we play it and hasn’t lost any of its appeal in the past four years. Originally only released in album format, this track now makes its way on a single 12” to round off an exciting new release by the Swindles. Enjoy the music, play it loud and remember…

Keep on Swindling!

Yours sincerely,
Maarten & Lars
More

Format: (180 gr., Limited Full Cover)

Track list:

A Demucha
B1 Sarge
B2 We know

Release Info:

What do you do when you’ve just released an amazing album and your last EP on Heist was one of the label’s best selling records in recent years? This is the ‘question’ Crackazat had to answer when writing his new EP for us. His solution? Just deliver something even more amazing. Easy.

When Crackazat released his ‘Alfa’ EP early 2021, we knew it was going to be a great record. It had everything we’ve come to expect and love from him; a great balance between creative musicality and downright beef for the club. Fast forward a year and a half and here we are, super happy to release his new ‘Demucha EP’.

Title track ‘Demucha’ starts with the jazzy energy of a double bass, flanked by brushed percussion and some vocal chops. You feel the speed of the track working through every part of the song, which becomes even more evident when the main key comes in. A typical Crackazat-esque finger-twirling loop brings the track to its top speed, where horn stabs add to the excitement. This is peak-time jazzy house executed to perfection.

‘Sarge’ takes a more mellow approach, where we see Crackazat navigate the idea of timelessness with dreamy keys, strings and a dubby bass. A mid track crackly arpeggio and faraway voices add to the contemplative vibe of the track to great effect.

The EP closer ‘We know’ stays away from Crackazat’s renowned skippy beats and instead, make way for a driving staccato stomp. Rough key stabs along with the talented multi-instrumentalist’s own faraway vocals make for a mesmerizing track that takes you on a lovely sonic journey that will work as well on the dancefloor as in any other space.

The Demucha EP is another great example of Crackazat’s talent to write an earworm of a melody and produce a sonically rich record in a manner that feels both effortless and compelling throughout it’s full length.

Yours sincerely,
Maarten & Lars More

Track list:
A1. The Last Time
A2. Come Back
B1. The Last Time (K-LONE 2-Step Mix)
B2. Come Back (Chloe´ Robinson & DJ ADHD Remix)

Dutch duo Dam Swindle appear on Aus Music's 200 series and two new house originals come with remixes from K-Lone and Chloe Robinson & DJ ADHD
Dam Swindle have been helping to define the underground house sound for a decade, not least with their Heist label. The pair deal in timeless, fad-free sounds that are rich with dance floor dynamics and hint at a love of everything from disco to tech and plenty in between. They are notorious crate diggers who have played the world's most cultured clubs, their recent track Allright (Just A Tribute) on Phonica’s 20 year celebration has received widespread love by DJ’s this summer on the festival circuit and now they offer up two more of their studio gems for their 3rd full release on Aus.
This EP is the second in a series of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass- driven post-dubstep fusions.
This EP kicks off with 'The Last Time', a blissed-out deep house sound with impassioned vocal cries tugging at the heartstrings. Mellifluous synth daubs percolate through the mix to a captivating, feel- good effect. Next is 'Come Back,' an infectious house bubbler with gloopy synths and something of a garage shuffle in the kicks. It's fresh and packed with neon colour that brims with soul.
New school house and garage tastemaker and core Aus Music family member K-LONE steps up with a remix hot on the heels of his two-part EP series on the label. His version of 'The Last Time' is typically deft as soft focus chords swirl around prickly garage house beats. The distant vocal, the cavernous bass and the wistful feel all make it another classic.
Last but not least, Chloe´ Robinson & DJ ADHD are frequent collaborators on labels like Fabric Originals as well as Chloe´’s Pretty Weird imprint where they serve up potent, bass-heavy sounds. Their version of 'Come Back' is expertly stripped back. It teases and pleases with a blend of filthy low- end oscillations, slinky drums and tooting chord hooks that are effortlessly fun and effective.
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Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
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GENRE/S: techno, electro, breaks, idm, bass

TRACKLIST:
A1/01 - Candor
A2/02 - Crease
B1/ 03- Rusky Shan
B2/ 04 - SHD
B3/ 05 - Endless


SHORT INFO:
In what feels almost like an annual autumn tradition now, we’re mighty excited to announce the next release on our label, “Candor“ by Hett.

Working with friends has an especially rewarding quality which is why we’re particularly happy for Hett to join the AWK label family. Having known about his excellent production skills for a while, we were quite eager to unearth this hidden gem. It took a moment to put together but everyone’s patience paid off and we can proudly present you this beautiful 5 track record.

The Wearside raised and Berlin based artist provides the perfect formula for a club ready yet emotively aware package, making it hard to believe that this is only his debut EP. A work of music that embodies the refreshing candor of a forward thinking attitude whilst also giving a respectful nod to the past.

AWK 006, “Candor“ by Hett will be out on October 24th 2024. We hope you enjoy it as much as we do!

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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?

Release Info:

DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings. More

Tracklist
01 Let's Start Our Own Thing
02 JMAR
03 NOK
04 Same Format

Shortinfo:
Dar Embarks, the hardware-based collaboration of Chicagoans Dan Jugle and Ken Zawacki, share four precious recordings of bouncing, highly-acidic machine funk and industrial ambiance. This is a posthumous release for Dan Jugle, who departed in 2018.

Dan was a multi-instrumentalist and a pillar of Chicago's techno scene who left an indelible mark on it with his distinctive sound. His infatuation with electronic music began in the mid-90s when he found his way to Midwest raves as soon as he was old enough to drive to them. He began working with analog gear to create his own expression of the music he heard there. Jugle, Zawacki, and Mike Broers started experimenting with a thrifted Roland TR-707, figuring out the controls through trial and error. They performed together as Ghost Arcade in the early 2000s.

Years later, Jugle and Zawacki reunited creatively, forming Dar Embarks and building the foundation for their project. Jugle gained a reputation for crafting washed-out, saturated club tracks as Juzer, a project formed with Beau Wanzer. Dar Embarks' debut EP Fleer (released on CLEAR USA) and Juzer's Horseplay (on Anthony Parasole's label The Corner) were both released in 2014, both elevated by Dan Jugle's live-action knob-twisting and button-pushing composition inspired by sci-fi and comic books. Despite his early passing, Jugle's legacy lives on through his work and his passion for Midwest techno that his friends and fans still remember and carry.

Lovingly wrapped up and presented to Acid Camp by Ken, these heaters are finally set free to move asses and minds.

Artwork by Jeremiah Chiu
Layout by Danielle Davis
Mastered by Tim Xavier at Manmade Mastering
Distributed by wordandsound

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12"

TRACKLIST:

A1 Flowers
A2 Dream Factory

B1 Trust
B2 Ali e Nino
B3 Diana


SHORT INFO:
"The true narrative shall forever shroud itself in mystery to the outside world.
It is whispered that man never truly set foot on the moon, but merely touched it.
Just as the tale of this record unfolds, two souls from distant realms brushed ever so close, yet destiny denied them a lasting encounter, not even a fleeting union of Nino's and Ali's wings.
Perhaps, it was fated that the circle of a past life, woven with trust, blooming with flowers, and exchanged glances, must close in the cosmic pursuit of Venus, chasing the Crescent Moon, serenading love to its own Sun."






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No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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Tracklist:
A1. 1984 Re-Edited (4:56)
A2. 1984 Retrospective Dub (4:26)
A3. 1984 GJ Bonus Beats (4:07)
B1. 2024 Retrospective Dub (5:05)
B2. 2024 Introspective Dub (5:28)

Greg Wilson returns to Running Back with another special project.
Forty years on from the release of the groundbreaking ‘Street Sounds UK Electro’ LP, ‘Real Time’ (two versions of which opened the separate sides of the album), finally gets a 12” release. Despite its prominence on ‘UK Electro’, it was the only inclusion not to be issued on 12” back in 1984.
Zer-o, like Syncbeat and Forevereaction, were the same trio – Manchester musicians, Martin Jackson and Andy Connell, and DJ Greg Wilson, making his first foray into record production. They also teamed up with rappers, Kermit and Fiddz, for the Broken Glass
track, ‘Style Of The Street’, one of the early UK hip hop releases. Fictional production and songwriting credits were added by Street Sounds to suggest a thriving British electro scene, the music having blown-up in New York during ‘82/’83, with the ‘Street Sounds Electro’
series, launched in October ’83, documenting these developments and unlocking a significant youth market who’d religiously collect these compilations.
Featured here is a Greg Wilson edit of ‘Real Time’, the ‘retrospective dub’ (the ‘UK Electro opener, which was in fact the original demo version of the track), and a Gerd Janson bonus beats edit. Flip it over and you’ll find a pair of 2024 reworks – the retrospective
dub, and the more downtempo introspective dub – courtesy of Greg and Ché Wilson, whose recent collaborations have included remixes for Gabriels and Confidence Man.
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House, French House, Nu Disco, Edits

Vinyl Only!

Ever had goosebumps in your brain? If yes, you might want to see a doctor. Or you just been exposed to the chubby chops of Touché #1 - a spiralling collection of three french touched edits that know no other home than the dancefloor. Cooler than the other side of the pillow. Get your hands on these now and thank us later!

A1 Party Contract
A2 Deeper Love
B1 Star Voyager More

Tracklist
(A)
1. COSMIC CHAMELEON
2. THOUGHTS UNLIMITED
3. SUNRISE 5000
(B)
1. ON+ON
2. FANTASTIC FANTASTIC ANGEL
3. ALWAYS RETURNING

Blurb:

Introducing ‘SONGS ABOUT THE SUN’ by ELWD. The London-based producer, commonly known for his signature sample style blended with live instrumentation, presents six new beats. Inspired by how the sun has always been a constant throughout his life and the nostalgia of a time when life seemed carefree, he unveils a new powerful and vitamin D-infused sound. ‘COSMIC CHAMELEON’ is a house gem that blends Balearic vibes with jazzy instrumentation, making it the perfect song to accompany a sunny, carefree day.








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Genre: Techno


Tracklist 12":
A1 Ecilo – Georgia Dream
A2 Ecilo – Atomic Distant
B1 Ecilo – Millions Of Eyes
B2 Ecilo – Time Lapse




Short Info:


Four dubby, raw and fastpaced techno cuts from Ecilo

Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Territory: Germany, Austria, Switzerland only

Format: LP, obi-strip
Genre: Post-Rock, Alternative

Tracklist

A1 The Flesh of Lost Summers
A2 A Happy Death
A3 The Light in the End

B1 Partings
B2 A Collapse of Horses
B3 The Mountains are a Dream that calls to me


Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue.

The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmurs that suggest a ’60s or ’70s Fire Music master at their most poignant. Provocative found-sound experiments threading arcane religious recordings through dystopian soundscapes. Ear-shattering free-noise tumult. Where and when did this music come from? Who are these voices?

As it turns out, Forgetting You Is Like Breathing Water springs from an engrossing human story, though it isn’t necessarily the one you’d expect. This work of stunning maturity is in fact an entrance by two little-known explorers in their early 20s, who grew up together in Virginia, in the shadow of the Blue Ridge Mountains. It documents one of those perfect, sparkling moments in post-adolescence when big decisions and responsibilities are right around the corner, but for a spell, two young artists are able to create among the comforts and nostalgia of their shared past.

It also represents a reunion of sorts, as Evans and Trump connected as toddlers, became inseparable as boys, then pursued independent lives and creative paths as young adults. “Theo is my oldest friend,” Evans says, “and I feel like that’s what this band is — us meeting right in the middle of our interests.”

Now, having conjured this magic, they’ve detached once again: Evans, whose other works include the indie/avant-jazz unit Angelica X, is currently based in New York City. Trump recently moved to England, where he’d participated in his family’s theatre company, to go to school and further his solo ambient project. “This album didn’t start out as something super ambitious,” Evans explains. “It was more just an excuse to spend time together again and make music.”

***

In conversation, Evans and Trump are a delight, especially for cynics who might think that Gen-Z is only capable of doomscrolling. They come across as kindly young intellectuals who grew up using the internet as it was intended, for exposure to ideas and art across genres and generations. Trump points to indie-folk and the oracular post-rock of late Talk Talk, Bark Psychosis and Gastr del Sol. Pressed for his guitar heroes, he cites Bill Orcutt, Mary Halvorson and Marc Ribot, and mentions his devotion to alt-country. Heyday electro-industrial stuff like Skinny Puppy and Nine Inch Nails also meant a lot to him.

Evans is equally intrepid, though his background has a greater jazz focus. Ambrose Akinmusire, among today’s most thoughtfully commanding trumpeters, is a favorite. As for the soulful murmur he offers throughout Forgetting You, Pharoah Sanders’ wistful and lyrical contributions to Floating Points’ work is a touchstone.

The two grew up down the street from each other in the northern Piedmont town of Batesville, Virginia. Their families were friends, holidays were celebrated together and they became the most loyal of pals. As children they had a pretend band.

Then life unfolded, they attended different schools and their paths diverged. Evans discovered John Coltrane and became a jazz obsessive, as Trump found punk and hardcore and later began making ambient music. As a dedicated jazz trumpeter, Evans studied formally and widely; Trump was an autodidact, teaching himself guitar and absorbing synthesis and production techniques. The late teens and very early 20s brought moves away from home and back to home, as well as plenty of listening and learning. The Covid pandemic meant an opportunity to reconnect on long walks. Through it all, together and apart, they remained reverent of each other.

By early 2023, they found themselves living again among the Blue Ridge Mountains. In the evening, after giving trumpet lessons in Charlottesville, Evans would make the eerily beautiful trek “over the mountain” to Trump’s home in Staunton, Virginia. They’d talk and eat and begin to improvise, deep into the night. Evans played trumpet and sometimes drums. (Given the wee-hours recording schedule, the neighbors didn’t appreciate the latter.) Trump plugged a rickety, junk-store Telecaster-style guitar into a cheap solid-state amp and explored open tunings; he also layered on lap steel, electric bass, synths and electronics.

They locked in and relished each other’s gifts. In Trump, those include patience and intentionality and sonic decision-making; for Evans, a distinctive trumpet sound that both musicians think of as a singer’s voice. “Will’s playing is so thoughtful and well placed,” Trump says. “My goal from a producer’s mindset is that the trumpet will occupy the space that vocals would take.”

Often, they got lost in the best way. “The thing I look for most when I’m playing is that feeling of disappearing into what you’re doing,” Evans says. “Usually when that happens, the music is good.”



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