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deadbeat - Put On Your Red Shoes And Trance
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deadbeat - Just Jackin Around Man
We are very proud to welcome back one of our greatest artists and good friends Scott Monteith aka Deadbeat. Scott original comes from Canada but now lives in Berlin for some years. Scott is mostly known for his own BLKRTZ label, but have been releasing on many other labels over the years. The track “Put On Your Red Shoes And Trance” is a peak time bomb, dubby, deep, powerfull and melodic track. The B-side, “Just Jackin Around” is Techno bomb full of dubby chords and build-up-madness. 300 limited marbeld vinyls. When the coloured edition is sold out we only have black vinyl left.
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More records from deadbeat
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Deadbeat - THE DOUBLE BONG CLOUD (DENIAL I)
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Deadbeat - STRAIGHT NO CHASER (DENIAL II)
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Deadbeat - TOUGH LOVE (ANGER I)
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Deadbeat - BRICK STICK BLICK BLADE (ANGER II)
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Deadbeat - HUEY LEWIS VOTERS DUB (NEGOTIATION)
6
Deadbeat - THINGS FALL APART (DEPRESSION)
7
Deadbeat - WITH GRAND TREPIDITION (ACCEPTANCE I)
8
Deadbeat - MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Territory: World except France and Belgium
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
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GENRE/S: Electronic / Techno / Dub
TRACKLISTS: 2 x LP
1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30
SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
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Deadbeat - No Title
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Deadbeat - No Title
3
Deadbeat - No Title
4
Deadbeat - No Title
5
Deadbeat - No Title
6
Deadbeat - No Title
7
Deadbeat - No Title
8
Deadbeat - No Title
Territory: World except France and Belgium
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: CD
GENRE/S:
Electronic / Techno / Dub
TRACKLISTS:
CD
1.
THE DOUBLE BONG CLOUD (DENIAL I)
Deadbeat
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
Deadbeat
07:31
3.
TOUGH LOVE (ANGER I)
Deadbeat
07:22
4.
BRICK STICK BLICK BLADE (ANGER II)
Deadbeat
07:35
5.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
Deadbeat
07:29
6.
THINGS FALL APART (DEPRESSION)
Deadbeat
08:00
7.
WITH GRAND TREPIDITION (ACCEPTANCE I)
Deadbeat
07:24
8.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Deadbeat
07:30
4. SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
5. VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
GENRE/S: Electronic / Techno / Dub
TRACKLISTS: CD
GENRE/S:
Electronic / Techno / Dub
TRACKLISTS:
CD
1.
THE DOUBLE BONG CLOUD (DENIAL I)
Deadbeat
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
Deadbeat
07:31
3.
TOUGH LOVE (ANGER I)
Deadbeat
07:22
4.
BRICK STICK BLICK BLADE (ANGER II)
Deadbeat
07:35
5.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
Deadbeat
07:29
6.
THINGS FALL APART (DEPRESSION)
Deadbeat
08:00
7.
WITH GRAND TREPIDITION (ACCEPTANCE I)
Deadbeat
07:24
8.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Deadbeat
07:30
4. SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.
5. VITAL SALES POINTS:
In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.
More
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Deadbeat - Ark Welders Dub
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Deadbeat - This Bitter Dub
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DeadBeat - Things Fall Apart
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DeadBeat - Adieu Chez Cherie
After releasing Undefined, Kazufumi Kodama and Babe Roots, the 4th release from a Japanese experimental dub label newdubhall welcomes the ever-evolving pioneer of minimal dub and dub techno Deadbeat, a solo project of Scott Monteith hailing from Canada. Side A 'Things Fall Apart' will feature a beatless dub ambient which shares a perspective of free jazz and 'Adieu Chez Cherie,’ an absolute knockdown four on the floor dub techno on the flip side. Though simple, both sides are layered with complexity, let yourself experience the profundity of newdubhall with this masterpiece.
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deadbeat - Boom Jack
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deadbeat - Keep On Dancing (Shaun Reeves Remix)
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deadbeat - Keep on Dancing
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deadbeat - VQ Infinity Dub
This June will see the release of Deadbeat's "Jacks and Slow Dances" EP on Visionquest Records. The EP kicks off with massive bass, big toms and cascading synths and effects that build with the "Boom Jack" vocal, until diving into a driving kick. The patient tension continues and the repeated synths rise and fall as the rhythm of the vocal becomes more frequent and more manic, sure to excite the dance floor. For the A2 Shaun Reeves' remix of "Keep On Dancing" drops a 4/4 kick on the track and adds a classic Berlin low slung bass line that bumps along with some added sub bass, while delayed keys drift across the top. It's perfect for summer sessions at Club Der Visionaire, which is a frequent haunt for both artists. The B side kicks off with the original mix of "Keep On Dancing", and sounds as though the listener is dropped into some remote jungle in the middle of the night. Monteith's beautiful and casual vocal arrives drenched in reverb while the minimal percussion accompanies his thoughts along the way. The song continues through the night as an arpeggiated bass synth leads the listener toward the 4/4 kick and the delightfully swung hi-hats that follow. The EP is rounded out by "VQ Infinity Dub, an uptempo jam that starts with his mature building of percussion and cascading synths and vocals that drive and pulsate the track forward. Foregoing the typical use of the big clap/snare, Montieth instead relies on the kick and shakers to keep the track moving and it just goes to show how effective his unique and unconventional his style can truly be.
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deadbeat - Waking Dub
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deadbeat - A New Sense of Purpose
3
deadbeat - Midnight in the Garden
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deadbeat - A Thousand Shining Stars
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deadbeat - Revelations in Dust
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deadbeat - A Last Swim
Expertly made dub techno for the dance floor.
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The album began with the simple idea of asking friends from across the globe for messages of hope. No musical input was provided before hand, and each participant was free to interpret the request as they saw fit. Though some of the names involved will be familiar to electronic music listeners (Gudrun Gut, Thomas Fehlmann, Mike Shannon), the common thread linking all of them is their friendship with Monteith and the many hours he has spent enjoying their company over the years. As so often happens when good conversation is shared among good friends, the results are as surprising as they are inspiring, spanning original prose, dialectic word games, and timeless quotations in six languages. Each song on the album was then composed around the content received, and named after the people who did the speaking. Ranging from the overtly political to the tenderly inspirational and many points in between, Wax Poetic For This Our Great Resolve provides verbal expressions of hope as diverse and rich as the experiences of the people who so generously delivered them.
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deadbeat - Babylon Correction Dub
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deadbeat - Interferenze Dub
Next up on Craig Richard’s Tuppence imprint following Convextion’s superb ‘New Road’ 7”, comes the two slices of heavy dub pressure: ‘Babylon Correction Dub’ from esteemed Canadian producer Deadbeat. Please note these are limited 7” only releases. Watch out for other forthcoming releases on Tuppence from Howie B and Shaun Ryder.
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deadbeat - Ain't no More Flowers
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deadbeat - I Get Low
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deadbeat - Rage Against the Light
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deadbeat - Tired People Get Up
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deadbeat - Stekker Forever!
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deadbeat - Keep on Pushing
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deadbeat - Got to Carry On
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deadbeat - Lights for Lele
Scott Monteith's 10th Deadbeat album, Walls & Dimensions,is now available through his own BLKRTZ label. Comprising 8 tracks and featuring vocal contributions from a diverse range of Berlin based artists, as well as for the first time Deadbeat himself, this 10th outing sees Monteith elegantly showcasing his wide ranging musical interests with a striking new sense of gravity and cutting lyricism not seen in his previous works.
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deadbeat - Walls & Dimensions II A
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deadbeat - Walls & Dimensions II B
Deadbeat presents the second vinyl only release leading up to his forth coming album, Walls and Dimensions. While the first installment featured a lucious extended ambient drone piece over 2 sides, part 2 features extended dubs of 2 of the albums dance floor cuts filled to the brim with the space age dub effects, mournful melodies and rumbling bass lines Deadbeat fans have come to expect. Another exciting indication of things to come with the soon to be released 10th Deadbeat album.
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deadbeat - Walls & Dimensions I A
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deadbeat - Walls & Dimensions I B
First in a 3 part series of vinyl only releases leading up to the 10th Deadbeat album in late 2015 – First ambient Deadbeat material running time of 40 minutes – Comes on clear vinyl with clear PVC sleeve
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deadbeat - Berghain Drum Jack (2015 Edit)
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deadbeat - Mecca Drum Jack (2015 Edit)
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deadbeat - Acid Dub Jack
Hot on the heels of killer releases by label heads Ryan Crosson and Shaun Reeves, the latest Visionquest release sees the label turn its head to Deadbeat aka Scott Monteith. The Berlin based Montrealeler has been putting his own spin on house and techno for some time now, putting his stamp on esteemed labels such as Cynosure, Echocord and Wagon Repair. The Jacks EP continues his fine tradition of putting out discerning fare, as he conjures up a new EP package that remixes his classic track, Mecca Drum Track (originally released on Wagon Repair), from 2008. Striking in its many intricate and delicate production wares, it’s a polished effort from the outset. The Jacks EP gets going with the suitably titled ‘’Berghain Drum Jack’’, a suitably raucous and out-there slice of tribal tech that pays homage to the Berlin club and is notable for its banking percussive elements and its propensity for surprises. Starting off on an unrelenting tip, it gets even more off-kilter the longer it stretches out, as the drums become even more pronounced and the baseline finally enters the fray. Dark but dexterous, it’s a thrilling track that’s sure to more even the most ardent and discerning of dancefloors. Middle track ‘’Mecca Drum Jack’’ sees the producer opt for a similarlly-inclined vibe, as the drums play a similarly pertinent role. A fitting tool with which to light up your set, it’s more dextrous in nature than what’s arrived before but another altogether engrossing effort. Rounding off the weighty three-tracker is ‘’Acid Dub Jack’’, which sees Deadbeat really go off on a frankly mental course that’s littered with atmosphere from the get-go. Once again, Visionquest and Deadbeat have reminded us why they’re both so cherished in the techno world.
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More records from Echocord colour
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Luke Hess / Harrison - Benthos
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Luke Hess / Harrison - Hadal
3
Luke Hess / Harrison - Nekton
4
Luke Hess / Harrison - Upwelling
Copenhagen’s Echocord Colour returns this mid November with Brendom Moeller’s ‘Magic City’ EP, featuring four originals from the New York based artist.
Brendon Moeller has long been a purveyor of authentic dub-infused Techno since stepping onto the scene via his 2006 ‘Sweetspot / Humpback’ EP via Echocord and has since gone on to release on reputable imprints such as Third Ear, Kimochi Sound, Delsin’s Ann Aimee, Mule Musiq and of course his very own Steadfast.
Here though Moeller makes a welcome return to where it all began with some fresh material for Echocord’s Colour sub- label. ‘Caravan’ takes the lead on the release and in typical Brendon Moeller fashion we’re treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. Magic City’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘Magic City In Dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. Lastly, ‘Departure’ closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition. More
Brendon Moeller has long been a purveyor of authentic dub-infused Techno since stepping onto the scene via his 2006 ‘Sweetspot / Humpback’ EP via Echocord and has since gone on to release on reputable imprints such as Third Ear, Kimochi Sound, Delsin’s Ann Aimee, Mule Musiq and of course his very own Steadfast.
Here though Moeller makes a welcome return to where it all began with some fresh material for Echocord’s Colour sub- label. ‘Caravan’ takes the lead on the release and in typical Brendon Moeller fashion we’re treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. Magic City’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘Magic City In Dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. Lastly, ‘Departure’ closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition. More
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Luke Hess / Harrison - Benthos
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Luke Hess / Harrison - Hadal
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Luke Hess / Harrison - Nekton
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Luke Hess / Harrison - Upwelling
Echocord’s Colour series returns late April with the ‘Epibenthos Mbira’ EP by Hess & Harrison. Detroit’s Luke Hess has long been a respected name in underground Techno, releasing on the likes of FXHE, Deeplabs, Minimood and of course Echocord, here we see him joining forces with fellow Detroit native Joshua Harrison under their new Hess & Harrison alias for a fresh four-track EP on Echocord Colour. ‘Benthos’ leads, merging snaking dub chords and swirling white noise amidst robust drums and acid-tinged stab sequences. ‘Hadal’ follows next, embracing a more dynamic feel to contrast the groove-driven opener, this time round the duo lay focus on expansive reverberations, elongated delays, hypnotic strings and subtly nuanced textures throughout. ‘Nekton’ kicks on the flip-side, delving even deeper via driving low-end tones, murky atmospherics and shuffled percussion before ‘Upwelling’ rounds out the EP, bringing things back to a more loop driven feel as bubbling echoes, gritty bass stabs and sharp chords ebb and flow around crisp drums.
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albert van abbe - Klangbilder 1
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albert van abbe - Klangbilder 2
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albert van abbe - Klangbilder 3
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albert van abbe - Klangbilder 4
Echocord’s Colour sub-label returns early June with a four- track EP from Eindhoven’s Albert Van Abbe in the shape of ‘Klangbilder’. Dutch Techno artist Albert Van Abbe has nearly two decades of experience under his belt in various forms of musical and visual expression, releasing on his own Vanabbe imprint, Figure Jams, Semantica and No Comment, as well as playing live and DJing at hot spots across the globe such as Berghain, Tresor, DGTL and Awakenings festival. ‘Klangbilder 1’ leads with a robust rhythmic drive, employing bumpy toms, shuffled hats and lumpy kicks at its core as vacillating synths, tension building drones and menacing pizzicato strings develop throughout. ‘Klangbilder 2’ takes things deeper next, retaining the dusty drums sound of the previous cut whilst stirring in airy ethereal pads and choppy, resonant stab sequences. ‘Klangbilder 3’ kicks off the B-Side with modulating synth whirrs, emotive organ tones and a muted drum tones throughout before ‘Klangbilder 4’ closes the package, taking things beatless and cinematic via emotive synth leads, droning subs and expansive echoes.
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brendon möller - Caravan
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brendon möller - Magic City
3
brendon möller - Magic City In Dub
4
brendon möller - Daparture
Copenhagen’s Echocord Colour returns this mid November with Brendom Moeller’s ‘Magic City’ EP, featuring four originals from the New York based artist.
Brendon Moeller has long been a purveyor of authentic dub-infused Techno since stepping onto the scene via his 2006 ‘Sweetspot / Humpback’ EP via Echocord and has since gone on to release on reputable imprints such as Third Ear, Kimochi Sound, Delsin’s Ann Aimee, Mule Musiq and of course his very own Steadfast.
Here though Moeller makes a welcome return to where it all began with some fresh material for Echocord’s Colour sub- label. ‘Caravan’ takes the lead on the release and in typical Brendon Moeller fashion we’re treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. Magic City’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘Magic City In Dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. Lastly, ‘Departure’ closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition. More
Brendon Moeller has long been a purveyor of authentic dub-infused Techno since stepping onto the scene via his 2006 ‘Sweetspot / Humpback’ EP via Echocord and has since gone on to release on reputable imprints such as Third Ear, Kimochi Sound, Delsin’s Ann Aimee, Mule Musiq and of course his very own Steadfast.
Here though Moeller makes a welcome return to where it all began with some fresh material for Echocord’s Colour sub- label. ‘Caravan’ takes the lead on the release and in typical Brendon Moeller fashion we’re treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. Magic City’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘Magic City In Dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. Lastly, ‘Departure’ closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition. More
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seph - Teleport
2
seph - Delta
3
seph - Motion
Echocord’s Colour sub-label continues this November with Seph’s ‘Teleport’ EP, featuring three originals from the Argentinian producer. Buenos Aires born producer Sebastian Gelante aka Seph has been kicking up a storm in the Techno world since the turn of the millennium releasing material on labels such as Dumb Unit, Harry Klein, Items & Things, his own Aula Magna imprint and now he joins the Echocord roster on sub-label Echocord Colour following recent releases from Luke Hess and Stephen Brown. Across the ‘Teleport’ EP Seph delivers his signature smooth, dubbed out and intricate style and?the title-track takes the lead with billowing pads, bumpy off- kilter rhythms and choppy stab sequences galore before ‘Delta’ strips back the vibe to raw drums and murky synth textures while ethereal pads ebb and flow through the composition. ‘Motion’ rounds out the package on the flip side, taking a straighter approach rhythmically this time round to allow the snaking dub stabs, rumbling low-end tones and evolving hats to take the lead throughout.
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luke hess - Emerald
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luke hess - Lumen
3
luke hess - Myriads
Our favorite Detroit producer and friend Luke Hess is back on Echocord Colour with a 3-track bomb. All tracks are super powerfull dubby spaced out Techno with the typical Luke Hess feeling, deep and melodic. Luke Hess is a DJ & Producer from Detroit. He has celebrated EPs out on Omar S' FXHE, Carl Craig's Planet- e, Echocord, Echocord Colour, Finale Sessions, Kontra- Musik, & Modelisme. His label DeepLabs is the center for his own deeply personal projects.
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resoe - Ecto
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resoe - Mocto
3
resoe - Morphing
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mike dehnert - Star Base
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mike dehnert - Md 100
3
mike dehnert - Somewhere
The new bomb on Echocord Colour comes from Mike Dehnert. Mike already released several eps on Echocord Colour, and we are happy and proud to have him back. This ep contains 3 powerfull Techno-Tracks with dubby elements, typical stripped down Mike Dehnert sound, perfect for the peak time dancefloor. Mike Dehnert is mostly known from his own Imprint, the raw techno label Fachwerk which he has been running since 2007. He is also releasing on other respected labels like Delsin, Clone Basement Series and Deeply Rooted House.
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roberto clementi - FiftyHF
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roberto clementi - Mobilhome
Here comes the third EP by our new artist on Echocord Colour, the super talented Roberto Clementi from Italy. Roberto is one of the most inventive and creative electronic music artists currently making his name known in the underground scene at the moment. Roberto is mostly known for his releases on Soma, eps + album. He has also been releasing on Brendon Moeller's label Steadfast Records, and labels like Baum and Kontra- Musik. Both tracks are super powerfull Techno tracks, full of deepness, heavy staps and dubby elements, perfect for the dancefloor.
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luke hess - Pillars of Creation
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luke hess - Gravitational Effects
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luke hess - Crate Diggin On Planet Omnom
Adventures in Deep Space is a reflection of the wonder and complexity of recognizing that we as humans are creatures with a limited capacity stranded on a planet somewhere in the universe searching for meaning and purpose while also recognizing that what we do every moment can shape the outcome of our future on earth and might ultimately become small and meaningful stitching's that could shape the fabric of our future in space. Pillars of creation represents the beauty of the stars on a clear night and the inspiring feeling that staring at the galaxy gives: how grand the universe is, how amazing it is that we have the ability to love, think, and reason, how small our problems really are in the grand scheme of reality, the idea that there may be a purpose much greater than ourselves, and that somehow we could be a part of this grand purpose. Gravitational Effects is about the parallel between the physical properties of science and creation and how we are also all physically and mentally attracted to certain people. The music speaks to the deep connection that is possible between humans and how we should all respect each other to form a more loving, peaceful, strong, and lasting community. Crate Digging on Planet Omnom is about a dream and a hope... Traveling through the universe in a nice space cruiser with your niks - stopping by planet Omnom (aka Gary's place) for some dope new records, a hike in the alien mountains, a dip in some hot springs, and then topping the trip off with some space dancing around a neon green campfire.
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brendon moeller - A Confederacy Of Dunces
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brendon moeller - Stealth Mode
3
brendon moeller - This Train Is Bound For Glory
The new bomb on Echocord Colour comes from Brendon Moeller. Brendon already did releases on Echocord and Echocord Colour before, also on his monikers Echologist and Beat Pharmacy. Words from the artist: Much in line with the label aesthetic, I set out with these trax to explore the dubbier hypnotic side of techno music. My goal was to present 3 trax that could be played at different times of the evening because tthere's nothing like giving a DJ who has to carry a bag of vinyl around the world a record where each track can be played in one night! of course, the question rremains, are you a DJ that wants to play 3 trax like this? if yes, buy this now.
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We welcome back one of our favorite artists, Brendon Moeller. This time as Beat Pharmacy. Brenson has been releasing several records for us before, on Echocord and Echocord Colour. On all these tracks, one thing becomes apparent, with a few simple elements and a dub approach to mixing, one can create space, movement and groove without the need to change keys. magic maybe. Thank you dub manipulators of the past and present for the music and lessons. Brendon has been releasing music in many years on many labels, also running his own famous Steadfast label.
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Echocord Colour025 is produced by a good friend and a new artist on Echocord Colour, Lasse Buhl from Copenhagen. After some years in the techno scene as one half of the group Northern Structures, who releases on Adama X' label Sonic Groove, Lasse Buhl releases his debut EP "R38" on Echocord Colour, inspired by roughness and simplicity. The remix comes from no other than Milton Bradley from Berlin. The "R38" track ia a driving, stomping, dry killer Techno track, while "Em.A Ai" is a more experimantal breaky track, with dubby elements. The remix is a pure 4/4 Techno track, a typical Milton Bradley peaktime production.
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We are very proud to welcome back one of our greatest artists and good friend Luke Hess from Detroit. The Ancient Greek word for Passion is "Paskho", which means to suffer. When we have passion for something in life we are willing to suffer for it. However, suffering can produce many positive things in our character, because as we suffer through this life we grow stronger. This EP was created with a passion for not only the analog machines that created it, but also for the people on the dance-floor who will hear the music. This EP was created out of a loving passion for others. Out of an artist's toil and suffering it is possible to create special moments in other people's lives. The Paskho track comes in 2 versions. Both powerfull for the dancefloor peaktime.
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The new bomb on Echocord Colour comes from Nick Höppner and Scott Monteith aka Deadbeat.
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"Buzz Factory" is a super deep powerfull monster that comes in two additional versions. (Pole/Brendon Möller)
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