2023 repress

UPC: 827170489462 Release : 18.03.2013
Tracklist: A. La Duquesa // ISRC: DEMM11300036 B. Burn with me // ISRC: DEMM11300049
"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twat-herd - everyone just wants to get laid straight away.
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2023 repress

Tracklist:

A: Blume Der Nacht
B: Rue Burnout


DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.
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UPC: 827170138728 Release date : March 24th 2014
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.

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2023 repress

Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein

Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

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12”

TRACK LIST
A1 - DJ Koze – Wespennest (feat. Sophia Kennedy) 8:03
B1 - DJ Koze – Candidasa 10:21

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
A1 - Vocals and lyrics by Sophia Kennedy


Release Info:
DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit "Pick Up".

"Candidasa" and "Wespennest" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of "Candidasa" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.

On "Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music.

With "Candidasa" and "Wespennest" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album "Hit Parade", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.
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2023 repress

Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck

DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.

Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.

The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.

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2023 repress

12”

TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12

PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.

Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
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Tracklist A. XTC - B. Knee On Belly

Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.

"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.

"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
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2024 repress


UPC/EAN: 827170589568 Tracklist:
A1. Cybekks A2. Anton B1. Volta Cobby B2. Anton II
Info:
Robag Wruhme is well-known for flights of the fantastic; his many productions, remixes and DJ sets act as conversations between melancholic, melodic tenderness, the urgent thrill of dancefloor-ready moments, and the neutralising power of pared-down minimalism. 2015 marks the return of Robag Wruhme to the Pampa Records fold, following the whirlwind of acclaim for his 2011 album Thora Vukk. The intervening years now prove to have been worth the wait: Cybekks EP finds Robag on stunning form yet again. Title track "Cybekks" leads off with a weighty tread, thundering downwards with heavy drums and robotic feel, but as always with Robag, there is more than initially meets the ear. His signature blend of shifting textures begins to emerge: cloud-like chords of suspenseful pads appear and disappear on the horizon, shuffling high hats appeal directly to the dancing instinct, while gleaming constellations of high-frequency sounds are dotted over the arrangement's second half. "Anton" returns Robag to melancholic brilliance, with a lilting piano loop and subtle digital trickery that blurs the edges of each note. It is a short reprise with deep emotional impact, and its poignancy remains long after the final fade out. "Volta Cobby" reinvigorates the classic collision of tech, house and stipped-back body music; exploring a multitude of moods via saw-edged melodies, fast-forward voices, and snatches of cymbals, all expertly combined for a late night trip into what makes a dancefloor tick. "Anton2" is the the yin to the yang of its predecessor, drawing on electronica with a pastoral feel to finish the EP on an uplifting note, evoking the dreamy, hazy sunrise of a brand new day. This is another thing of brief yet undeniable beauty, with a revealing glimpse towards the end of Robag's songwriting prowess.

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2023 repress

UPC: 827170489462 Release : 18.03.2013
Tracklist: A. La Duquesa // ISRC: DEMM11300036 B. Burn with me // ISRC: DEMM11300049
"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twat-herd - everyone just wants to get laid straight away.
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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.



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2023 Repress

Tracklist:
A Blaue Moschee
B1 Petardo
B2 Empire

Pampa is a new label from old pals DJ Koze and Marcus Fink, dedicated to releasing club music that's seriously danceable without recourse to the tried and tested ingredients. A home for house and techno tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The first release is by Die Vogel, a collaborative project between Jakobus Siebels and Mense Reents. Jakobus is an innovative multi-instrumentalist who has previously recorded distinctive albums for Tomlab, Chicks On Speed Records, Karaoke Kalk; the no less talented Reents is a member of the groups Egoexpress, Die Goldenen Zitronen and Stella, and operates the Art Blakey Studios in Hamburg where this EP was recorded. Listening to A-side 'Blaue Moschee' you immediately know this going to be a strange and wonderful trip: oompa-style brass looped and layered over a stripped-back kickdrum, this tunes messes with all received notions of what house/techno music is! With a musicality and wicked sense of humour that naturally appealed to Koze and Fink, Siebels and Reents have created a timeless dancefloor banger using the most unlikely of elements. The result definitely isn't "jazzy techno" - the brass, far from being an afterthought, it's the very substance of the thing; it provides the melody, the bass, and the rhythm. Brass is the driving force behind the whole EP. B1, 'Petardo', is likewise driven by growling trombones and tubas, this time offset by cooing woodwind and set to a rolling, almost tribal drum tattoo. The horn chords are reminiscent of moody 60s British jazz, while the woodwind lends a South American fire and flair to proceedings. The track is full of subtle edits, but Siebels and Reents don't overwhelm the mix with synthesized sounds, instead letting the acoustic instruments speak for themselves. Closer 'Empire' again finds exquisitely arranged brass parts interlocking into a tough, single-minded groove, underscored with a skippy, broken 4/4 pulse and handclaps. Often when a new label claims to be taking risks and trying something new, the truth is rather less remarkable. Not in this case: Siebels and Reent have created a terrifically original, inimitable trio of tracks that combine the pop and the avant-garde, the cerebral and the physical, to absolutely stunning effect. It might be unusual and it might be clever, but it's still dance music pure and simple. magic!




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2023 repress

Tracklist:

A: Blume Der Nacht
B: Rue Burnout


DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.
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2023 repress

Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min

Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.


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2023 Repress

Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24

Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.




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2023 repress

Tracklist:
A. Seeing Aliens (Extended Breakthrough Version)
B. Nein König Nein

Info:
DJ Koze exists both above and beyond club culture as we know it - his albums and remixes flying free from genre and trend - and symbiotically woven into its heart. Yes, he always abstracts and weirds out the principles of house, techno, hip hop, pop, psychedelia, exotica and so forth, but he does that because he understands them. And when it comes to club-demolishing tracks, he understands those principles as well as just about anybody on earth.
Thus he could create an enduring club tune like 2015's "XTC" that is strange, contemplative, even disturbing, bore little relation to anything around at the time, yet still got bodies moving and sweating better than way more obvious techno bangers. And thus the Knock Knock album, which melts a million genres and none into one another, can comfortably include "Seeing Aliens".
"Seeing Aliens" unquestionably is a banger, its bass riff snaking around your body like a python, its high-drama strings, pianos and outbursts of noise designed for maximum crowd pressure release. But, again, it sounds like nothing else, and its dynamics and twists unfold over eight and a half minutes in ways that will mess with your head every time no matter how many times you hear it.
The exclusive b-side track, "Nein König Nein" ("No King No"!), meanwhile, is slightly gentler on the face of it: it's less about sonic pressure, more about hip-shaking syncopation. But it too tells strange fairytales in its peculiar and brain-tweaking accumulation of detail, and though you'll hear archetypal sounds from the heart of house and disco in it, every last one of them becomes new and otherworldly.

More

2023 Repress


Tracklist:
A. Jelly Legs 6:59
B1 El Point 7:41
B2 Chicama 7:46


Release Info:
A crackling fire is burning under the bridge.
BANG! the brow hits against the steel drum, Hey!
I only bowed down! BOING! The elbow jabs into the door of an abandoned ragtop, To lash the laces! CRACK! the knee strikes the rusty trash can, Of my brand new black sneakers!

RASP! YAWP! SCREEECH! The gang rabbles on the dancefloor. Metallic sounds blaze out of the speakers. A rustle, a chatter, a rattle, a flapper. Cops troop in gazing in wonder while converting into liquid coppers. A warm kicking bass sets in. A voice from down below. Though, right next to your ear. The floor is demanding a sacrifice.
Jog your head, swing your hip. Wave your hands, and shake a leg: Tighten up, and then let go, for this Dance aboulic!

Producer and DJ Dave DK with his new »Chicama« EP on Pampa. Three kicking, bumping tracks for all day and all of the night. Euphoric percussive floorkillers with a hint towards an alluring gloominess.




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UPC: 827170138728 Release date : March 24th 2014
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.

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2023 repress

Tracklist:
A. 1979 B. Nokturn (Grand Finale)
Shortinfo:
Pampa's favourite Barnhus boy returns to the label fold, and his previous episode is no easy act to follow: 2010 was the year, Holy Love was the name, and "Purple Drank" the undeniable track of the year; it captured the dancefloor zeitgeist with its sultry tempo, and created an classic with its instantly recognizable vocal. While he last left us falling down the rabbit hole, Axel Boman's newest concern is upward, forward, accelerated motion. "1979" cool-toned and pensive take on classic downtempo deep house. It holds on to the necessary bare banes of percussion, but surrounds it with light touches and a soothing pastoral feel. Time is taken and moments have room to breathe, in this meditative exploration of gently shifting moods. "Nokturn (Grand Finale)" is carnivalesque in the grandest sense, with endless movement via its dominant percussion pattern. Its looping background is perpetually primed for take off, building in intensity as the Latin rhythms preoccupy the shoulders and hips. A double bass phrase minimalist bass loop takes care of the low end groove, and together with glimpses of vintage disco sounds, creates another surefire hit.

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12”

TRACK LIST
A1 - DJ Koze – Wespennest (feat. Sophia Kennedy) 8:03
B1 - DJ Koze – Candidasa 10:21

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
A1 - Vocals and lyrics by Sophia Kennedy


Release Info:
DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit "Pick Up".

"Candidasa" and "Wespennest" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of "Candidasa" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.

On "Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music.

With "Candidasa" and "Wespennest" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album "Hit Parade", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.
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2023 repress

Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck

DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.

Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.

The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.

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2023 repress

12”

TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12

PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.

Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
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2022 repress

UPC: 827170548664 12" release date : June 23rd, 2014
Tracklist: A. China Tree (feat. Piper Davis) B. Southern Sun (feat. Piper Davis)
Info
Hamburg's Martin Stimming has defined a unique shade of deepness through years of association with Diynamic Music; melodic and meditative, quietly compelling and possessing a delicate strength. Stimming now enters the Pampa Records fold with two tracks of dancefloor material that magnify the opposing sides of his studio psyche.
"China Tree" is a spiky affair that sacrifices melodic sweetness for primal bass and drums, with a raw edge and exaggerated percussion that intensifies into sharp angles. Whispers become ominous and arrive with a sense of foreboding, driving the track's inky sounds to the final dissolve of machine meltdown and mournful strings at its end.
"Southern Sun" is its opposing force, building on whispered phrases and melodic shadows that appear and disappear between each beat. Micro sounds are layered and woven into a rich, undulating fabric that shifts and gleams like a kaleidoscope. As sun-drenched and dreamy as it is, the track's unwavering tempo, eventual female vocal, and closing piano solo define its clear melodic purpose.


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2022 repress

UPC A Barcode: 827170485860 Rel Date 11.02.2013
Tracklist A: Allowance B1 You could do your memories B2 Wobble
After his separation from Playhouse in 2007 and the rather longish break that followed it, it looks as if Isolée has finally found their new homebase with Pampa Records. Evidence of this may be found in such unprejudiced tracks as "Taktell", a single extracted from the album "Well-Spent Youth" . As is tyical for Isolée, it defies any clear-cut genre classification and creates its very own harmonic setting, merging associations of pop, house and distant landscapes into a unique sound voyage. Now his second EP on Pampa is being released, and "Allowance" doesn't leave an inch of a doubt where the road is headed. Without making any concessions to the needs of a DJ, from bar one the theme is being introduced in all its inherent necessity and then continually established until a seemingly worn-out, mainstream, pop autotune voice settles upon the cosy bass bed just like a cherry on the cake. We haven't known Isolée anywhere near as free and poppy in a very long time. A more mix-friendly version of the track will be available for digital download. "You Could Do Your Memories" lures the listener away into a daydream, as if he suddenly found himself in an unknown place at a new-wave party that cannot possibly have happened the way it did. "Wobble", on the other hand, leaves only few questions unanswered, the party definitely looks familiar, and just when we reach that point where the funk motif resulting from the fusion of bassline and chords is threatening to wear us down, we are being released.
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2022 repress

UPC: 827170527461 Release date : December 16th 2013
Tracklist: A. When Radio was boss B. Maybachswagger
The Artist Concurrently Known As Jackmate has been already been indoctrinated into our cult since he signed onto he Pampa bookings roster awhile back. As SoulPhiction he is also co-founder of Philpot, the Stuttgart-based label, home to the majority of his releases over the past 10+ years. Anyway, we get the privilege of stamping the Turkey logo on SoulPhiction's first proper release of 2013, following his remixes for Murat Tepeli and Detroit Swindle. "When Radio Was Boss" is a tribute to those magical electromagnetic waves that ruled yesteryear. With that prototypical Pampa percussion-rattling and clanking its way into the room-and a warm, round bassline bounce combined with some symphonic froth in the atmosphere, this track definitely demands airplay. On the dancefloor, at least! (And right in the middle of the track, catch the pleasantly jarring shout-out from WBAU, the call sign of the defunct New York radio station that counted members of Public Enemy and hosts of Yo! MTV Raps amongst its staff.) On the flip, the bpm gets cranked down just a bit for "Maybachswagger"-If the A-side is a tribute to radio, the B has roller-skating on its mind. Starting out spooky with a sampled voice cooing over a slightly detuned bassline, the surprise comes in the final third, when a kawaii disco vibe drops in, seducing you onto the rink for a few laid-back laps.
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2022 repress

UPC: 827170506664 Release : June 24th, 2013
Tracklist:
A1. GSCHEIDS PLANET A2. HAECKLS KOSMOS B. FREIHERR iN dER WALL
After a few nice but largely unnoticed 12"s for lower-profile labels, Dürerstuben is ready to make a serious maneuver, and Pampa is pleased to provide them with the proper platform. The Sheets of Rane EP is the Berliner duo's most sophisticated statement yet, imbuing cold programmed sounds with a glowing human touch and a penchant for melody.
A1 "Gscheids Planet" unfolds with a deceptive intro, click-clackety downtempo stomps and crunchy snares beneath a tender vocoder coo, just when some muted guitar plucks crescendo into a burst of robo-synths. Although three minutes have passed, only now does the song reveal its true nature, a summery tune with rich synths that billow in the wind.
Then, as its title indicates, "Haeckles Kosmos" further explores Dürerstuben's fascination with the unlimits of outer space. This star system in particular has a very tropical flair, punctuated with bouncy parallel fifths straight out of the Italo Orient. In between movements, the duo makes some brief non sequiturs into piano balladry, the kind that force a smile (and a record deal) out of DJ Koze.
Finally, venturing even further into jacking territory, "Freiherr in der Wall" hinges upon syncopated, sometimes faltering beatbox rhythms, a swaggering bassline and fluttering arpeggiation. Coupled with hand-played chords, this is a prime example of how Dürerstuben can tame the beast machine and let irregularities be strengths. If you can get down with Metro Area, Zapp, Tensnake, and yes, even Survivor, then pick this one up.
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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx

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Tracklist 12":

A1) So Damn Electrik
A2) Elektrik Deep
B1) Ass Is Gonna Work
B2) West Side Radio


DJ SNEAK on Toy Tonics! Yes. It's happening. Another US legend joins the German house label. After Kai Alcé (EP on Toy Tonics in September 2023) and Joe Claussell who did an amazing remix for the label some time ago, now it's DJ Sneak. It makes sense as Toy Tonics stands for that funky mix of three main inflences: original amercian soul based house music, the italo disco heritage and the more London or Paris 1990ies wildstyle house sound. DJ Sneak reached out to the label last year giving his props and showing love for many of Toy Tonics releases and the guys immediately invited him to join the label with an EP as its also his sound that is getting so popular again with the younger dance generation. So here it is: 6 tracks (4 on the vinyl) that remind the classic, bumpin DJ Sneak sound. Full of energy and emotion. Perfect for the dance floors of today and great to introduce the maestro to the kids who love house now but never heard about the grandmasters.












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NON RETOURNABLE!

Special remarks:
limited 3x12" vinyl in hand screen-printed cover


Genre: Dub House, Deep House, House, Dub Techno

Tracklist 3x12":

A - Presence
B - Absence

C - Energy Flow
D - Insideout

E - Coronal Mass Ejections
F - Polar Night

Short Info:

Mojuba mothership is back from the hiatus with an epic musical triptych by no other than Grad_U, Lithuania's expert in all things dub! Presenting six atmospherical mesmerising dub house excursions over three 12"s with a whopping playtime of over one hour ready to serve you for various purposes on and offside the dance floor taking you on a transcendental journey musically speaking. Enjoy.


Vital Sales Points:

(add some important short facts as below)

- limited edition
- collectable hand screen-printed cover

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Territories: World excl. UK + North America

FORMAT: 12" 180g vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45


Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.

But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.

Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.

This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More

Tracklist 12":

A1 Gome - Elevator Man
A2 Gome & David Bay – Television
B1 Gome - Elevator Man (Mike Dunn BlackBall Remix)
B2 Gome - Elevator Man (Telephones Remix)

New record by Gome with fat remixes by Mike Dunn and Telephones.




















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UPC: 827170138728 Release date : March 24th 2014
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.

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2023 repress

Tracklist:
A. 1979 B. Nokturn (Grand Finale)
Shortinfo:
Pampa's favourite Barnhus boy returns to the label fold, and his previous episode is no easy act to follow: 2010 was the year, Holy Love was the name, and "Purple Drank" the undeniable track of the year; it captured the dancefloor zeitgeist with its sultry tempo, and created an classic with its instantly recognizable vocal. While he last left us falling down the rabbit hole, Axel Boman's newest concern is upward, forward, accelerated motion. "1979" cool-toned and pensive take on classic downtempo deep house. It holds on to the necessary bare banes of percussion, but surrounds it with light touches and a soothing pastoral feel. Time is taken and moments have room to breathe, in this meditative exploration of gently shifting moods. "Nokturn (Grand Finale)" is carnivalesque in the grandest sense, with endless movement via its dominant percussion pattern. Its looping background is perpetually primed for take off, building in intensity as the Latin rhythms preoccupy the shoulders and hips. A double bass phrase minimalist bass loop takes care of the low end groove, and together with glimpses of vintage disco sounds, creates another surefire hit.

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LP, 180G Black Vinyl, Sticker, 50th Anniversary RE-Edition, f irst-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching
Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket, A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970)

2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics

3. TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24


Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics

Engineered by: Conny Plank
Artwork: Bernhard Bendig

Recorded in March 1971, Star Studio Hamburg





4. INFO:

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.


"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."



Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.



www.manuelgoettsching.com
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Repress WG standard sleeve

Tracklist

A) WhoMadeWho – Montserrat (Artbat Edit)
B) WhoMadeWho – Closer feat. WhoMadeWho

Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles.

Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.

Flipping sides WhoMadeWho features on Artbat’s ‘Closer’ where we witness the two outfits concoct a dramatic, emotional ride into celestial spaces where sweltering vocals balance delicately on massive bursts of low end and dreamy progressions creating an incredibly tense yet captivating outcome. Indulge in these two timeless cuts until we bring you more soon from the stellar WhoMadeWho Watergate 26. Enjoy!
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Tracklist

A1-Mega Chords
A2-Our Signal
B1-Telephone
B2-Paris Metro

There lies a certain guarantee of quality within every new Krystal Klear – especially on Running Back. After the still heavily rotating Piano Banana release, it is time for the versatile and valuable Connect EP. The four tracks here hit the mark between the confusion or disorientation of any dance music DJ and producer during lockdown, and the genre’s intrinsic ethos of better days , utopia and a certain relentless drive. Traces of such energies henpeck the Irish producer’s work and can also be found here.

Mega Chords kick off the round dance. Imagine the French Touch retouched, updated, refined and designed to empty the serotonin storage. Our Signal puts the lid back on the happiness box, paints a picture of pain and romance and is equally informed by Larry Heard mood boards as it is by Paninaro poetry. Flip it over for a stream lined and well-crafted tour de DJ. If there ever was something like a fair-spoken banger Telephone is the one. A racing motorbike on standby. Last, but not least, Paris Metro is a power house with a creative arrangement and an inventive spin that exceeds the limits of a normal DJ tool. Modern dance music with classic tropes and lots of strobes.
Krystal Klear gets that balance right. Mega Chords indeed.


Short: Four tracker by the lovable Krystal Klear on the ever-reliable Running Back imprint. Ranging from inventive DJ tools (Paris Metro) to bangers in a nightgown (Telephone) and from the French Touch retouched of Mega Chords to the hopeful heartsickness of Our Signal, it’s as versatile as it’s valuable and pretty much connects the sweet dots between Piano Banana, Cyclia One/Two und Divison Ave. Modern dance music with classic tropes and lots of strobes.
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