Reissued for the first time Maximum Joy fourth 12?, led by their amazing Timmy Thomas rendition and originally released on Garage Records in 1983. Includes an unreleased and restored version of the title track plus three extra live tracks recorded in Germany in 1982.

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Reissued for the first time this ultra-rare reggae album originally released in 1974. Considered by many to be the first reggae “lovers” album ever, signed by the producer and Singer Clement Bushay and the reggae singer Carl Bert. As guests The Cimarons, Jackie Parris, Junior English, Dego Sensation. Engineers: Steve Wadey, Clem Bushay and Lee Perry … Four unreleased tracks from the original version are included here!

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Fully remastered and licensed, ltd to 500 copies. The soulful reggae singer "Best Of"! Originally released on Empire (Channel One's sub label). Hits from late 70's to 1984, recorded at Channel One studio with Sly & Robbie, Earl Chinna Smith, Dean Fraser, Deadly Headly and many more...

Delroy George Wilson (5 October 1948 – 6 March 1995) was a Jamaican ska, rocksteady and reggae singer. Wilson is often regarded as Jamaica's first child star, having first found success as a teenager. His youngest son, Karl "Konan" Wilson, has found success as part of British duo Krept and Konan. His voice matured as he left his teens, around the time of ska's transition to rocksteady and this period in the late 1960s produced many hits including one of the first rocksteady records, "Dancing Mood", "Jerk in Time" (with the Wailers), "Feel Good All Over", "I'm Not a King", "True Believer in Love", "Rain From the Skies", "Conquer Me" and "Riding for a Fall". "Won't You Come Home", a duet with Ken Boothe on a rhythm originally cut by The Conquerors for Sonia Pottinger has become one of the most-versioned Jamaican tracks ever. After leaving Studio One he recorded for other labels, with varying degrees of success, and set up his own short-lived W&C label. He enjoyed success with Bunny Lee in the late 1960s and early 1970s with tracks such as "This Old Heart of Mine", "Footsteps of Another Man", and "Better Must Come". His double A-side "It Hurts"/"Put Yourself in My Place" was a skinhead favourite and narrowly missed UK chart success. He recorded a version of "Run Run", a song he had originally recorded for Dodd, for maverick producer Keith Hudson. Wilson toured the UK and recorded for Trojan Records in 1970.

Side 1

1 Sharing The Night Together
2 When You Are In Love With A Beautiful Woman
3 Do That To Me One More Time
4 What's Going On
5 Play Something Pretty

Side 2

1 Love To See You Smile
2 (There's) No Getting Over Me
3 Honey
4 Peculiar

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Fully licensed and ltd to 1000 copies ! Reissued on vinyl for the first time the Maximum Joy's "White & Green Place extra-terrestrial mix" 12” single - with 3 bonus tracks – originally released in 1982 on Y Records. " We’re excited for this new vinyl reissue of White & Green Place extra-terrestrial 12” single with additional tracks specially compiled for your dancing feet! Maximum Joy tunes to make you move! With new artwork and previously unpublished pictures of the band by David Corio

Tracklist:

Side A

White & Green Place (extra-terrestrial mix) 5:33
Stretch (7” version) 3:54
Do It Today (Touchdown version) 4:43

Side B

Building Bridges/Building Dub (12” version) 6:15
Searching For A Feeling 4:28

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A fine selection of unpublished tracks from the pioneering British roots dub duo.

Fully licensed and ltd to 1000 copies ! "Ancient A&O is a selection of unreleased tracks and dubs we like from our old DAT tapes all created during our early years between 1989 and 1993. It includes Here For A Reason, a rare unreleased track featuring Nishka. We're very pleased the great Lantern Rec are releasing the vinyl and we hope you like it, many thanks... A&O"

Tracklist:

Side A

Here For A Reason
One Woman Dub
California V Powell
Jubilation Dub
Pure And Clean Dub

Side B

Bind Us Together Dub
Dub flute Dub
One Culture Dub
The Signs Dub
Shebas Journey Dub


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Fully remastered and licensed, ltd to 500 copies. Welcome to the realm of creator and mentor Michael Wadada, the man behind the exotic manoeuvres of Suns of Arqa, one of the most sought after world beat fusion project of the early eighties. His main goal was to increase the vibrations of classical Indian raga with the rhythms of Niyabinghi drumming, epitomized in England by contemporary dub producers. Released in 1980 on Manchester’s own Rock Steady Records, Revenge Of The Mozabites is an essential masterpiece paving the way for future over the border contamination. Deeply informed by cosmic mysticism the album still reverberates with the hidden sounds of earth & soul.

Tracklist:

Light Side

Acid Tablas 3:45
World Peace, A Dream? 2:12
Scully's Reel 1:31
Bali Citra 3:37
Scullys Jig 1:51
Piece Of The World 1:08
Acid Tabla Dub 3:05

Dark Side

Ananta Snake Dance 7:22
Return Of The Mozabites 3:35
Sanaiscara Saturn 6:32
Paintings Of A Cave 1:25

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Fully remastered and licensed, ltd to 500 copies.

Just a single album and a bunch of singles, rising star Linda Di Franco debuted in 1985 and left the scene all of a sudden in 1986. Her first album was a combined effort produced by Don Was (Blue Note’s Renaissance Music Man and previously leader of post disco combo Was Not Was), a gentle selection of soul-pop ballads and lushy synth arrangements. With leading single ‘My Boss’ the album shows an ethereal continuum with an excellent rendition of Burt Bacharach ‘The Look Of Love’. Recorded in London, Detroit and New York the Rise Of The Heart is definitely a keystone in the rising club culture revolution verging on the more existentialist pop aesthetic. RIYL: Sade, Lizzy Mercier Descloux, Carmel, Antena.

Tracklist:

TV Scene 3:46
The Look Of Love 4:06
Yankee 3:06
Stay 4:29
Dance It Up 3:48
My Boss 3:34
Bless My Soul 3:54
Fran 3:17
Blame It On Rio 3:08
The Rise Of The Heart 4:00

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Fully remastered and licensed, ltd to 500 copies. ‘What if Lee Perry and Lex Baxter have been caught in a firetrap altogether ?’ A weird experiment in dub & reggae coined in 1973, the sole album of this interstellar venture was a case in point. Jamaican rhythms (provided by the almighty Trojan records crew) with legendary prog/psych keyboardist KEN ELLIOT (former member of influential british bands such as Second Hand and Seventh Wave) creating groovy instrumental on top ! 10 tracks including the JOE MEEK classic Telstar and a spacey rendition of THE SKATALITIES Guns Of Navarone (aptly named Guns Of The Martian Giants) for an album that might sounds like a caribbean easy listening session on dope ! A truly gem on its own, incredible strange music for the suburbs !


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Fully remastered and licensed, ltd to 500 copies. Cult re-issue from this short-lived Bristol project. Their debut 4-tracks EP was self-released on Restriction Records in 1984 giving birth to a collective experience fueled by several members: Andrew Clarke (AMJ Almighty Groove, AMJ Dub Collective) Clive Smith, Rob Smith (co- founder of the influential trip hop band Smith & Mighty), plus members of Zion Band. Produced by Mad Professor at London Ariwa Studios and featuring extraordinaire trombone player Vin Gordon aka Don Drummond Jr. (The Skatalites, The Upsetters) this quintessential mini-album merged the original Jamaican reggae-dub feel with a more contemporary approach, focusing on the experience of established British bands like Aswad and Black Uhuru.

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Fully remastered and licensed, ltd to 500 copies. The city of Bristol has undoubtedly a rich reggae heritage. The criminally neglected Talisman finally benefits of a long overdue release, collecting their first efforts plus a series of extra tracks. You’ll get their first two singles released on Recreational Records - Run Come Girl/Wicked Dem and Dole Age/Free Speech, both released in 1981 – plus a selection of five long lost contribution.

Originally formed in 1977 as Revelation Rockers, a name they soon changed, Talisman were considered the top reggae act in town alongside local contemporaries Black Roots. The band – popular for their intense live shows – opened for such glorious and diverse acts as Burning Spear, The Clash and The Rolling Stones ! This proper release on vinyl allows a new generation of fans to catch with their original style. Talisman certainly shows a different side of the UK reggae flourishing scene – think about Aswad, Steel Pulse and Misty In Roots – putting Bristol back on the map !

Tracklist:

Side A

1 Dole Age
2 Free Speech
3 Run Come Girl
4 Wicked Dem
5 Stride ON

Side B

6 Calamity
7 Ah Wah U She
8 Nothing Change

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Fully remastered and licensed, ltd to 500 copies 180 gr vinyl. Officially the latest album released by the british super group, Lows & Highs is the triumphant epilogue to these fascinating adventure in rhythm. Featuring vocals from Crucial Tony and Lizard Logan this is probably the most straight ahead reggae album in their whole discography. Producer Adrian Sherwood is in charge behind the desk while Style Scott, Eskimo Fox and Donald Campbell bring all their potential efforts on the drums. Deadly Headley and Dave’ Flash’ Wright are the top horn section here. The album features the bonus track Read And learn from 1982 single ‘Love I Can Feel’. A must have for any english dub worshipper.

Tracklist:

1 Independent Man Pts. 1
2 Independent Man Pts. 2
3 Rebel Party
4 A Reasoning
5 No Peace
6 Love I Can Feel

Side B

1 Rubber Skirt Pts. 1/2/3
2 Creation Rebel
3 Creative Involvements
4 Read And Learn (bonus track from Love I Can Feel 7”)

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One of the most sought-after italo-disco release, the combined effort of Giovanotti Mondani Meccanici and Alexander Robotnick saw the light of the day in 1986 on Fuzz Dance, Materiali Sonori sub-label ran by the wizard Giampiero Bigazzi. Florence born producer and musician Maurizio Dami, created a mysterious character, a so-called “modular structure born out of a soviet calculator and promptly runaway”. His classic “Problemes D’amour” was featured on the influential Strut compilation Disco Not Disco 2. GMM was an even more enigmatic character, one of the most unclassifiable audiovisual experiences to emerge from Italy in the 1980s. Maurizio Dami itself was responsible for the group’s music output, while the unit was founded in 1984 by Antonio Glessi and Andrea Zingoni as an art collective whose production represents the quintessential expression of postmodern transmedia hybridity.

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As the Compass Points to Nassau, Track Authority has you covered...

4 more special instrumentals clean cut to heavy black vinyl...

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Turbotito and Ragz's electrifying Naya Beat label has curated a cultured list of remixers to add their spin to the work
of legendary Indian vocalist Asha Puthli. This essential remix album features Yuksek, Maurice Fulton, Psychemagik,
Kraak & Smaak, Jitwam, and Turbotito & Ragz.
Naya Beat, which translates from Hindi as 'new beat', is focused on uncovering foundational electronic sounds from
the subcontinent and South Asian diaspora through reissues, remixes and compilations. It found quick success with its
first release, 'Naya Beat Volume 1: South Asian Dance and Electronic Music 1983 - 1992', followed by a rare 1985
Hindi New Wave album by Pinky Ann Rihal and more recently a ground-breaking compilation ‘Awaaz’ uncovering
Bollywood electro and leftfield 80s original soundtrack recordings.
Hot off their highly sought after EP of Dimitri From Paris’ seminal remixes of Asha Puthli’s iconic track ‘Space Talk’,
the label now offers up the first of two full-length releases based around her music. For this LP, Naya Beat tracked
down the long mythologised original stems and recordings of Puthli's most seminal albums, including ‘The Devil is
Loose’, and working closely with Asha, they have tasked a series of producers inspired by her work to remix her music.
Yuksek opens up with a pumping disco remix of 'I Am Song (Sing Me)' awash with uplifting synths and big claps next
to the original vocals, which soar to the heavens. The seminal 'Space Talk' is remixed by Maurice Fulton into super
steamy and late-night territory. The live drums and jumbled percussion are lit up with soulful chords as Puthli's carefully
delivered vocals seduce up top. 'Lies' (Kraak & Smaak Remix) rides on fat-bottomed drums and bass that unfold with
a dub swagger beneath a nebulous eco-system of cosmic synths and dramatic vocals. Label heads Turbotito & Ragz
flip 'One Night Affair' into a leggy disco celebration with sweeping synths and bright effects, and Psychemagik's 'Right
Down Here' is a pulsating mix of dark, snaking bass and drums with deep space ambience and raw hits making for a
turbulent and tense atmosphere. Lastly, Jitwam closes out with a smooth disco sound laced with dynamic drums and
cruising chords next to another sensuous top line from Asha Puthli.

A1. I Am Song (Sing Me) (Yuksek Remix)
A2. Space Talk (Maurice Fulton Remix)
A3. Lies (Kraak & Smaak Remix)
B1. One Night Affair (Turbotito & Ragz Remix)
B2. Right Down Here (Psychemagik Remix)
B3. I'm Gonna Dance (Jitwam Remix)

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The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.

But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.

Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound.

Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenki Ni Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious.

Released on 1st September, Tokyo Riddim 1976-1985 is a part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Originally released in 1982 this pure electro-jam was a surgical trait d’union between the italo-disco phenomenon and the American boogie. The frantic vocal version is paired with the instrumental on the b-side. Scientific Saturday night fever with vocoder and the likes !

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Michael Gray returns with a pulsating journey fuelled by irresistible beats, captivatingly catchy looped synths, and mesmerisingly sliced-up vocals that seamlessly blend with the main vocal. As the bass line drops, an ethereal soundscape of dreamy pads envelops you, transporting you to a realm where smooth modern dance floor grooves converge with a nostalgic nod to the glorious 80s. With his expert craftsmanship, Michael Gray weaves together a tapestry of sonic delight that will leave you spellbound. Get ready to surrender to the infectious rhythms and timeless charm of his immaculate musical creation!

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The disco maestro we know as Al Kent returns to GAMM with a follow up to his amazing 'Stranger Danger' 12"...

Just like its precursor, this is a highly personal release to Al Kent, as he not only created the musical reworks but also the full artwork from top to bottom.
The release comes with Al's beautiful design in a full-colour sleeve, inners etc...it's a truly eye-catching 12" to have in your collection :)

As for the music, Al delivers as always with three solid productions that range from Philly-style disco (Welcome To The Dub), Jazz-Funk (Dubanova) and a truly amazing end piece entitled 'Happiness & Peace' that is both psychedelic and beautiful at the same time...our fave cut if you ask us (check check).

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Repress!

Following the huge succes of “Serious”, remixed by Michael Gray, we now dive into the enchanting world of “Joy & Pain,” a timeless masterpiece penned by the legendary Frankie Beverly of Maze-fame. The brilliant Donna Allen and expertly remixed by the maestro himself, Dr Packer. With his trademark nu disco groove, Dr Packer unleashes an irresistible sonic force, propelling you into a realm where Donna effortlessly takes the reins with her divine R&B prowess. Together, they embark on an awe-inspiring journey, catapulting you into the very heart of dance floor ecstasy. Dr Packer unveils a package of unparalleled excellence, breathing new life into this classic gem and ensuring its enduring legacy. Get ready to surrender to the irresistible allure of pure dance floor heaven!

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DJ Monchan returns with a killer two track EP.

The sound experience is similar to his previous releases and continues to explore the void between old-school 80's house and 70's disco.

'Love Me' has that 80's house backbone but loops and filters the disco samples into a real journey...proper Loft biz if you ask us.
'U&Me' is a serious boogie stepper that is as bumpy as it gets and together with the smooth vocals this will sound ace at any disco jam :)

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For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London’s dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music.
Lawrence’s most recent publication, Life & Death On The New York Dancefloor, 1980 – 1983, published in late 2016, shines a light on 'one of the most dynamic and creative periods in the history of New York City'. Falling between the more regularly celebrated sounds of disco, house and techno, the period produced a uniquely hybrid series of sounds that never acquired a settled name. This led them to be largely ignored by historians and even DJs, yet the power of the period’s music and the scenes it birthed, Lawrence argues, remains undeniable. Met with a rapturous response, Life and Death On The New York Dance Floor saw Lawrence on the road for most of the next year as he spread the word about the characters, the records, the clubs and the bands that shaped the post-Disco, post-Punk, and burgeoning Hip Hop landscapes of New York City during the early 1980s—a period when freedom still ruled.
This, the first of a 2-part sonic tribute to the 1980 – 1983 era as well as a musical companion piece to Life & Death On The New York Dance Floor sees recognised musicians (David Byrne of Talking Heads) nestle up alongside the belatedly recognised (Arthur Russell’s Dinosaur L and Loose Joints, and Suicide's Alan Vega) and the downright obscure (Gray, 2 Teens Kill 4 and Tuxedomoon). An indication of what’s to follow, Dinosaur L’s original album version of “Go Bang” has been dramatically overshadowed by the definitive François Kevorkian remix yet received regular play by David Mancuso and remains an enthralling experimental Arthur Russell jam.
Lovingly curated across 2 slabs of vinyl, the album introduces listeners to a stunning array of sounds, styles, vibes and feelings that encapsulate this most fertile and forward-thinking era, when music, fashion, sound system innovations, leaps in music technology, a DIY attitude and a freedom from corporate politics combined with extraordinary expressivity. All music contained within this album has been hand-picked and programmed by Tim Lawrence. It represents a selective yet rich introduction to one of the most extraordinary periods in New York City’s epic musical history.
This is the first release on Reappearing Records, a label led by Tim Lawrence and distributed worldwide by Above Board distribution. Licensing courtesy of Tracksuit Music. Mastering by Optimum Mastering, Bristol UK. Artwork & design courtesy of Atelier Superplus. 2018.
TRACK LISTING
A1 Dinosaur L - Go Bang! (LP Version)
A2 Tuxedomoon - Desire
B1 Gray - Drum Mode
B2 Alan Vega - Saturn Drive
C1 David Byrne - Big Business (Dance Mix)
C2 New York 88 - Jam Hot (Rhumba Rock)
D1 Rammellzee vs K-Rob - Beat Bop (Original 12in Single)
D2 3 Teens Kill 4 - Hold Up

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