1
Julian Klaas - A1.Island Theory
2
Julian Klaas - A2. These Were The Times
3
Julian Klaas - A3. April 5th
4
Julian Klaas - A4. In The Forest
5
Julian Klaas - A5. Insecure
6
Julian Klaas - A6. When Everything Dissolves
7
Julian Klaas - B1. When Trees Cry
8
Julian Klaas - B2. Always Humming
9
Julian Klaas - B3. Monte Clerigo
10
Julian Klaas - B4. When We Imitate Our Friends
11
Julian Klaas - B5. Curfews
12
Julian Klaas - B6. Last
LP - digital
Special remarks:
180g
Tracklist:
A1) Island Theory 02:04 min
A2) These Were The Times 03:01 min
A3) April 5th 03:53 min
A4) In The Forest 03:01 min
A5) Insecure 03:32 min
A6) When Everything Dissolves 03:44 min
B1) When Trees Cry 03:35 min
B2) Always Humming 03:12 min
B3) Monte Clerigo 04:44 min
B4) When We Imitate Our Friends 03:39 min
B5) Curfews 03:33 min
B6) Last 02:56 min
Info:
On his debut LP 'Impromptu', Julian Klaas presents a stunning work of sonic ambivalence inspired by the beauty and potential of the Wurlitzer piano. "I didn't attempt to pursue grand feelings like ultimate happiness or deep sadness, I'm much more fascinated in the in-between: the moments you might not otherwise write down, and that you might have forgotten if you hadn't recorded them." With 'Impromptu' Klaas has found a way to honour these moments, revealing the depth and richness that underpins the present.
More
Special remarks:
180g
Tracklist:
A1) Island Theory 02:04 min
A2) These Were The Times 03:01 min
A3) April 5th 03:53 min
A4) In The Forest 03:01 min
A5) Insecure 03:32 min
A6) When Everything Dissolves 03:44 min
B1) When Trees Cry 03:35 min
B2) Always Humming 03:12 min
B3) Monte Clerigo 04:44 min
B4) When We Imitate Our Friends 03:39 min
B5) Curfews 03:33 min
B6) Last 02:56 min
Info:
On his debut LP 'Impromptu', Julian Klaas presents a stunning work of sonic ambivalence inspired by the beauty and potential of the Wurlitzer piano. "I didn't attempt to pursue grand feelings like ultimate happiness or deep sadness, I'm much more fascinated in the in-between: the moments you might not otherwise write down, and that you might have forgotten if you hadn't recorded them." With 'Impromptu' Klaas has found a way to honour these moments, revealing the depth and richness that underpins the present.
More
More records from Squama Recordings
1
Jonathan Bockelmann - Aoneko No Torso (02:15 min)
2
Jonathan Bockelmann - Dream (01:15 min)
3
Jonathan Bockelmann - Bibo No Aozora (03:19 min)
4
Jonathan Bockelmann - Blu (02:59 min)
5
Jonathan Bockelmann - A Flower Is Not a Flower (03:12 min)
6
Jonathan Bockelmann - 20220302 (02:42 min)
7
Jonathan Bockelmann - Opus (05:21 min)
8
Jonathan Bockelmann - Dancing in the Sky (01:04 min)
9
Jonathan Bockelmann - Suite for Krug in 2008: Movement I. (06:30 min)
10
Jonathan Bockelmann - Suite for Krug in 2008: Movement II. (07:10 min)
11
Jonathan Bockelmann - Suite for Krug in 2008: Movement III. (05:14 min)
LP
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
More
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
More
1
TRAINING with Ruth Goller - threadfin (05:07 min)
2
TRAINING with Ruth Goller - finback (04:17 min)
3
TRAINING with Ruth Goller - backlog (04:36 min)
4
TRAINING with Ruth Goller - logline (06:09 min)
5
TRAINING with Ruth Goller - lineage (04:04 min)
6
TRAINING with Ruth Goller - agelong (03:49 min)
7
TRAINING with Ruth Goller - longingly (08:04 min)
LP
Special remarks: 180g
Tracklist:
A1) threadfin 05:07 min
A2) finback 04:17 min
A3) backlog 04:36 min
A4) logline 06:09 min
B1) lineage 04:04 min
B2) agelong 03:49 min
B3) longingly 08:04 min
Info:
Berlin-based duo TRAINING team up with bassist Ruth Goller for their new album ‘threads to knot’. Frenetic free-jazz is sitting next to post-rock riffs and looming microtonal atmospheres.
The record was written in a truly collaborative effort, adapting the concept of ‘cadavre exquis’, the popular drawing game: One person would start writing a few notes before passing it on to the next, revealing only the very last note, with which the composition continues.
TRAINING is comprised of drummer Max Andrzejewski and sax player Johannes Schleiermacher, whose last album ‘Three Seconds’ saw them collaborate with Deerhoof guitarist John Dieterich.
Ruth Goller, who has been hailed by the Guardian for her 'thunderous bass-guitar hooks' has made waves this year with the release of her second album 'Skyllumina'. She’s also known as a live performer with Kit Downes, Alabaster de Plume, Melt Yourself Down among others.
More
Special remarks: 180g
Tracklist:
A1) threadfin 05:07 min
A2) finback 04:17 min
A3) backlog 04:36 min
A4) logline 06:09 min
B1) lineage 04:04 min
B2) agelong 03:49 min
B3) longingly 08:04 min
Info:
Berlin-based duo TRAINING team up with bassist Ruth Goller for their new album ‘threads to knot’. Frenetic free-jazz is sitting next to post-rock riffs and looming microtonal atmospheres.
The record was written in a truly collaborative effort, adapting the concept of ‘cadavre exquis’, the popular drawing game: One person would start writing a few notes before passing it on to the next, revealing only the very last note, with which the composition continues.
TRAINING is comprised of drummer Max Andrzejewski and sax player Johannes Schleiermacher, whose last album ‘Three Seconds’ saw them collaborate with Deerhoof guitarist John Dieterich.
Ruth Goller, who has been hailed by the Guardian for her 'thunderous bass-guitar hooks' has made waves this year with the release of her second album 'Skyllumina'. She’s also known as a live performer with Kit Downes, Alabaster de Plume, Melt Yourself Down among others.
More
1
Fazer - Foam (05:44 min)
2
Fazer - Apex (05:30 min)
3
Fazer - Honda (03:34 min)
4
Fazer - Rectifie (04:59 min)
5
Fazer - Spirit Runs (03:27 min)
6
Fazer - 1999 (04:43 min)
7
Fazer - Chrome (04:06 min)
8
Fazer - 22bhp down (04:47 min)
LP
Special remarks: 180g
Tracklist:
A1) Foam 05:44 min
A2) Apex 05:30 min
A3) Honda 03:34 min
A4) Rectifier 04:59 min
B1) Spirit Runs 03:27 min
B2) 1999 04:43 min
B3) Chrome 04:06 min
B4) 22bhp down 04:47 min
Info:
Munich-based quintet Fazer return to Squama with their fourth studio album, ‘Yamaha’, a record that melds indie jazz and psychedelic rock with humour and depth.
The band recorded the album in their own studio for the first time, taking time time to experiment with sound and overdubs, while retaining the vigour of a live performance.
Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer’s music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.
More
Special remarks: 180g
Tracklist:
A1) Foam 05:44 min
A2) Apex 05:30 min
A3) Honda 03:34 min
A4) Rectifier 04:59 min
B1) Spirit Runs 03:27 min
B2) 1999 04:43 min
B3) Chrome 04:06 min
B4) 22bhp down 04:47 min
Info:
Munich-based quintet Fazer return to Squama with their fourth studio album, ‘Yamaha’, a record that melds indie jazz and psychedelic rock with humour and depth.
The band recorded the album in their own studio for the first time, taking time time to experiment with sound and overdubs, while retaining the vigour of a live performance.
Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer’s music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.
More
1
Poeji - Akin (02:51 min)
2
Poeji - Cathedral (05:45 min)
3
Poeji - Whoo (04:45 min)
4
Poeji - Anirugui (04:33 min)
5
Poeji - Buuwein Duu (02:11 min)
6
Poeji - Ybbs (04:16 min)
7
Poeji - Tunneling (03:32 min)
8
Poeji - Ipê (05:36 min)
Special remarks: 180g
Tracklist:
A1) Akin (02:51 min)
A2) Cathedral (05:45 min)
A3) Whoo (04:45 min)
A4) Anirugui (04:33 min)
B1) Buuwein Duu (02:11 min)
B2) Ybbs (04:16 min)
B3) Tunneling (03:32 min)
B4) Ipê (05:36 min)
Info:
Squama regulars Enji and Popp join forces on ‘Nant’, the debut LP by their newly minted duo ‘Poeji’, exploring the confines of Post-Dub and Downtempo.
2022’s 3-track EP ‘031921 5.24 5.53’, released as a limited run of dubplates, was the first testament to their open approach to writing, which takes only very basic ideas and relies on non-verbal communication to define form and pace.
Enji’s vocals are less centre-stage than on her solo endeavors, piercing through reverb plates and guitar pedals while Simon inked his signature set of wooden and metal percussions with chains of tape echoes and analog delay.
Listening to ‘Nant’ as a snapshot of Poeji’s artistry at a certain time and place can instill a sense of gratitude within the listener that something so fleeting can be captured.
More
Tracklist:
A1) Akin (02:51 min)
A2) Cathedral (05:45 min)
A3) Whoo (04:45 min)
A4) Anirugui (04:33 min)
B1) Buuwein Duu (02:11 min)
B2) Ybbs (04:16 min)
B3) Tunneling (03:32 min)
B4) Ipê (05:36 min)
Info:
Squama regulars Enji and Popp join forces on ‘Nant’, the debut LP by their newly minted duo ‘Poeji’, exploring the confines of Post-Dub and Downtempo.
2022’s 3-track EP ‘031921 5.24 5.53’, released as a limited run of dubplates, was the first testament to their open approach to writing, which takes only very basic ideas and relies on non-verbal communication to define form and pace.
Enji’s vocals are less centre-stage than on her solo endeavors, piercing through reverb plates and guitar pedals while Simon inked his signature set of wooden and metal percussions with chains of tape echoes and analog delay.
Listening to ‘Nant’ as a snapshot of Poeji’s artistry at a certain time and place can instill a sense of gratitude within the listener that something so fleeting can be captured.
More
1
Damian Dalla Torre - A1)Ago
2
Damian Dalla Torre - A2) Solo
3
Damian Dalla Torre - A3) Santi
4
Damian Dalla Torre - A4) Battery
5
Damian Dalla Torre - B1) I Can Feel My Dreams
6
Damian Dalla Torre - B2) Soup
7
Damian Dalla Torre - B3) Acryl
8
Damian Dalla Torre - B4) Domenica
9
Damian Dalla Torre - B5) Memo
LP
Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
More
Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
More
1
Sophia Jani, Teresa Allgaier - Prelude (02:42 min)
2
Sophia Jani, Teresa Allgaier - I. Scordatura (05:57 min)
3
Sophia Jani, Teresa Allgaier - II. Arpeggio (08:05 min)
4
Sophia Jani, Teresa Allgaier - III. Triads (06:12 min)
5
Sophia Jani, Teresa Allgaier - IV. Capriccio (03:56 min)
6
Sophia Jani, Teresa Allgaier - V. Grandezza (06:33 min)
7
Sophia Jani, Teresa Allgaier - VI. Ricochet (07:52 min)
CD
Tracklist:
A1) Prelude 02:42 min
A2) I. Scordatura 05:57 min
A3) II. Arpeggio 08:05 min
A4) III. Triads 06:12 min
B1) IV. Capriccio 03:56 min
B2) V. Grandezza 06:33 min
B3) VI. Ricochet 07:52 min
Info:
Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.
Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes) More
Tracklist:
A1) Prelude 02:42 min
A2) I. Scordatura 05:57 min
A3) II. Arpeggio 08:05 min
A4) III. Triads 06:12 min
B1) IV. Capriccio 03:56 min
B2) V. Grandezza 06:33 min
B3) VI. Ricochet 07:52 min
Info:
Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.
Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes) More
1
Sophia Jani, Teresa Allgaier - Prelude (02:42 min)
2
Sophia Jani, Teresa Allgaier - I. Scordatura (05:57 min)
3
Sophia Jani, Teresa Allgaier - II. Arpeggio (08:05 min)
4
Sophia Jani, Teresa Allgaier - III. Triads (06:12 min)
5
Sophia Jani, Teresa Allgaier - IV. Capriccio (03:56 min)
6
Sophia Jani, Teresa Allgaier - V. Grandezza (06:33 min)
7
Sophia Jani, Teresa Allgaier - VI. Ricochet (07:52 min)
LP
Special remarks: 180g
Tracklist:
A1) Prelude 02:42 min
A2) I. Scordatura 05:57 min
A3) II. Arpeggio 08:05 min
A4) III. Triads 06:12 min
B1) IV. Capriccio 03:56 min
B2) V. Grandezza 06:33 min
B3) VI. Ricochet 07:52 min
Info:
Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.
Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes)
More
Special remarks: 180g
Tracklist:
A1) Prelude 02:42 min
A2) I. Scordatura 05:57 min
A3) II. Arpeggio 08:05 min
A4) III. Triads 06:12 min
B1) IV. Capriccio 03:56 min
B2) V. Grandezza 06:33 min
B3) VI. Ricochet 07:52 min
Info:
Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.
Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes)
More
1
Raymond Pettibon, Oliver Augst - Side A: Nature Boy (2:38)
2
Raymond Pettibon, Oliver Augst - Side B: I live in my World (6:24)
7", LTD
Tracklist:
Side A: Nature Boy (2:38)
Side B: I live in my World (6:24)
Text:
EN:
“I’m not anti-hippie. I’m anti-unrealistic utopianism. Hell, I’m basically an anarchist.”
The realm of the hippies extends from “Nature Boy”, Eden Ahbez’s international hit song from 1948, to Charles Manson’s “Trial Testimony” from 1970. NATURE BOY by Raymond Pettibon & Oliver Augst is a romantic-anarchistic search for the sources of punk. A must-have for all Pettibon fans.
DE:
„Ich bin nicht gegen Hippies. Ich bin gegen unrealistischen Utopismus. Zum Teufel, ich bin im Grunde ein Anarchist.“
Zwischen „Nature Boy“, Eden Ahbez weltbekannter Ballade von 1948, und Charles Mansons „Trial Testimony“ von 1970 spannt sich das Reich der Hippies. NATURE BOY von Raymond Pettibon & Oliver Augst ist eine romantisch-anarchistische Suche nach den Quellen von Punk. Ein Muss für alle Pettibon-Fans.
Raymond Pettibon, Oliver Augst
Recorded in New York City 2022
Words: Eden Ahbez
Music, Production, Instruments: Oliver Augst
Vocals: Raymond Pettibon
Instrumental editing and mixing: Marcel Daemgen
Executive producer: Robert Eikmeyer
Design: Daily Dialogue
Produced by Squama Recordings
Briade Commerz More
Tracklist:
Side A: Nature Boy (2:38)
Side B: I live in my World (6:24)
Text:
EN:
“I’m not anti-hippie. I’m anti-unrealistic utopianism. Hell, I’m basically an anarchist.”
The realm of the hippies extends from “Nature Boy”, Eden Ahbez’s international hit song from 1948, to Charles Manson’s “Trial Testimony” from 1970. NATURE BOY by Raymond Pettibon & Oliver Augst is a romantic-anarchistic search for the sources of punk. A must-have for all Pettibon fans.
DE:
„Ich bin nicht gegen Hippies. Ich bin gegen unrealistischen Utopismus. Zum Teufel, ich bin im Grunde ein Anarchist.“
Zwischen „Nature Boy“, Eden Ahbez weltbekannter Ballade von 1948, und Charles Mansons „Trial Testimony“ von 1970 spannt sich das Reich der Hippies. NATURE BOY von Raymond Pettibon & Oliver Augst ist eine romantisch-anarchistische Suche nach den Quellen von Punk. Ein Muss für alle Pettibon-Fans.
Raymond Pettibon, Oliver Augst
Recorded in New York City 2022
Words: Eden Ahbez
Music, Production, Instruments: Oliver Augst
Vocals: Raymond Pettibon
Instrumental editing and mixing: Marcel Daemgen
Executive producer: Robert Eikmeyer
Design: Daily Dialogue
Produced by Squama Recordings
Briade Commerz More
Special remarks: 180g, Clear Red Vinyl, Limited
Tracklist:
A1) Zuud 04:33 min
A2) Taivshral 03:07 min
A3) Duulnaa 03:02 min
A4) Temeen Deerees Naran Oirhon 03:42 min
A5) Vogl 04:20 min
B1) Ulaan 03:30 min
B2) Libelle 02:38 min
B3) Picture / Three Shadows 05:21 min
B4) Encanto 01:33 min
B5) Uzegdel 04:25 min
Info:
After the success of 2021’s Ursgal, Mongolian jazz singer Enji returns with her third album Ulaan. The line-up has grown in size with drummer Mariá Portugal and clarinettist Joana Queiroz from Brazil joining the band to create an invigorating blend of grounded Folk and brooding Jazz.
More
Tracklist:
A1) Zuud 04:33 min
A2) Taivshral 03:07 min
A3) Duulnaa 03:02 min
A4) Temeen Deerees Naran Oirhon 03:42 min
A5) Vogl 04:20 min
B1) Ulaan 03:30 min
B2) Libelle 02:38 min
B3) Picture / Three Shadows 05:21 min
B4) Encanto 01:33 min
B5) Uzegdel 04:25 min
Info:
After the success of 2021’s Ursgal, Mongolian jazz singer Enji returns with her third album Ulaan. The line-up has grown in size with drummer Mariá Portugal and clarinettist Joana Queiroz from Brazil joining the band to create an invigorating blend of grounded Folk and brooding Jazz.
More
1
Polygonia, Popp - A1. Ronpchi 02:14 min
2
Polygonia, Popp - A2. Honsu 05:48 min
3
Polygonia, Popp - A3. Lian 02:05 min
4
Polygonia, Popp - A4. Benbut 08:18 min
5
Polygonia, Popp - A5. Onyx 04:11 min
6
Polygonia, Popp - B1. Skid 02:27 min
7
Polygonia, Popp - B2. Imber 04:50 min
8
Polygonia, Popp - B3. Nakuku 05:29 min
9
Polygonia, Popp - B4. Ysop 05:40 min
10
Polygonia, Popp - B5. Eyb 01:59 min
LP
Special remarks:
180g
Tracklist:
A1) Ronpchi 02:14 min
A2) Honsu 05:48 min
A3) Lian 02:05 min
A4) Benbut 08:18 min
A5) Onyx 04:11 min
B1) Skid 02:27 min
B2) Imber 04:50 min
B3) Nakuku 05:29 min
B4) Ysop 05:40 min
B5) Eyb 01:59 min
Info:
Roots run deep on "Candid', the first LP by Munich-based producer Polygonia and drummer Simon Popp. The record is a perfect blend of their distinct voices, with Popp's drumset and his signature percussion sounds buzzing around Polygonia's bold and blooming productions.
Comprised of live material recorded at Munich's ZIRKA in late 2022 and over several studio sessions in-between touring duties, 'Candid' is a meadow of herbal Electronic, mystic at times, but joyful nonetheless.
More
Special remarks:
180g
Tracklist:
A1) Ronpchi 02:14 min
A2) Honsu 05:48 min
A3) Lian 02:05 min
A4) Benbut 08:18 min
A5) Onyx 04:11 min
B1) Skid 02:27 min
B2) Imber 04:50 min
B3) Nakuku 05:29 min
B4) Ysop 05:40 min
B5) Eyb 01:59 min
Info:
Roots run deep on "Candid', the first LP by Munich-based producer Polygonia and drummer Simon Popp. The record is a perfect blend of their distinct voices, with Popp's drumset and his signature percussion sounds buzzing around Polygonia's bold and blooming productions.
Comprised of live material recorded at Munich's ZIRKA in late 2022 and over several studio sessions in-between touring duties, 'Candid' is a meadow of herbal Electronic, mystic at times, but joyful nonetheless.
More
1
Enji - Zuud (04:33 min)
2
Enji - Taivshral (03:07 min)
3
Enji - Duulnaa (03:02 min)
4
Enji - Temeen Deerees Naran Oirhon (03:42 min)
5
Enji - Vogl (04:20 min)
6
Enji - Ulaan (03:30 min)
7
Enji - Libelle (02:38 min)
8
Enji - Picture / Three Shadows (05:21 min)
9
Enji - Encanto (01:33 min)
10
Enji - Uzegdel (04:25 min)
CD
Tracklist:
01) Zuud 04:33 min
02) Taivshral 03:07 min
03) Duulnaa 03:02 min
04) Temeen Deerees Naran Oirhon 03:42 min
05) Vogl 04:20 min
06) Ulaan 03:30 min
07) Libelle 02:38 min
08) Picture / Three Shadows 05:21 min
09) Encanto 01:33 min
10) Uzegdel 04:25 min
Info:
After the success of 2021’s Ursgal, Mongolian jazz singer Enji returns with her third album Ulaan. The line-up has grown in size with drummer Mariá Portugal and clarinettist Joana Queiroz from Brazil joining the band to create an invigorating blend of grounded Folk and brooding Jazz.
More
Tracklist:
01) Zuud 04:33 min
02) Taivshral 03:07 min
03) Duulnaa 03:02 min
04) Temeen Deerees Naran Oirhon 03:42 min
05) Vogl 04:20 min
06) Ulaan 03:30 min
07) Libelle 02:38 min
08) Picture / Three Shadows 05:21 min
09) Encanto 01:33 min
10) Uzegdel 04:25 min
Info:
After the success of 2021’s Ursgal, Mongolian jazz singer Enji returns with her third album Ulaan. The line-up has grown in size with drummer Mariá Portugal and clarinettist Joana Queiroz from Brazil joining the band to create an invigorating blend of grounded Folk and brooding Jazz.
More
1
Enji - Zuud (04:33 min)
2
Enji - Taivshral (03:07 min)
3
Enji - Duulnaa (03:02 min)
4
Enji - Temeen Deerees Naran Oirhon (03:42 min)
5
Enji - Vogl (04:20 min)
6
Enji - Ulaan (03:30 min)
7
Enji - Libelle (02:38 min)
8
Enji - Picture / Three Shadows (05:21 min)
9
Enji - Encanto (01:33 min)
10
Enji - Uzegdel (04:25 min)
Special remarks: 180g
Tracklist:
A1) Zuud 04:33 min
A2) Taivshral 03:07 min
A3) Duulnaa 03:02 min
A4) Temeen Deerees Naran Oirhon 03:42 min
A5) Vogl 04:20 min
B1) Ulaan 03:30 min
B2) Libelle 02:38 min
B3) Picture / Three Shadows 05:21 min
B4) Encanto 01:33 min
B5) Uzegdel 04:25 min
Info:
After the success of 2021’s Ursgal, Mongolian jazz singer Enji returns with her third album Ulaan. The line-up has grown in size with drummer Mariá Portugal and clarinettist Joana Queiroz from Brazil joining the band to create an invigorating blend of grounded Folk and brooding Jazz.
More
Tracklist:
A1) Zuud 04:33 min
A2) Taivshral 03:07 min
A3) Duulnaa 03:02 min
A4) Temeen Deerees Naran Oirhon 03:42 min
A5) Vogl 04:20 min
B1) Ulaan 03:30 min
B2) Libelle 02:38 min
B3) Picture / Three Shadows 05:21 min
B4) Encanto 01:33 min
B5) Uzegdel 04:25 min
Info:
After the success of 2021’s Ursgal, Mongolian jazz singer Enji returns with her third album Ulaan. The line-up has grown in size with drummer Mariá Portugal and clarinettist Joana Queiroz from Brazil joining the band to create an invigorating blend of grounded Folk and brooding Jazz.
More
1
Paul Brändle - A1) Homecoming
2
Paul Brändle - A2) Moonlight in Vermont
3
Paul Brändle - A3) A Flower Is a Lovesome Thing
4
Paul Brändle - A4) Fab
5
Paul Brändle - B1) Awake
6
Paul Brändle - B2) As If There Were Simple Times
7
Paul Brändle - B3) 'Round Midnight
LP
Special remarks:
180g
Tracklist:
A1) Homecoming 05:52 min
A2) Moonlight in Vermont 05:24 min
A3) A Flower Is a Lovesome Thing 05:51 min
A4) Fab 04:02 min
B1) Awake 05:21 min
B2) As If There Were Simple Times 06:29 min
B3) 'Round Midnight 07:31 min
Info:
"Paul, Rick and River" is a programmatic title for the new album from Munich-based Paul Brändle Trio, a Modern Jazz group led by the eponymous 31-year old guitar player and band leader. Playing together for years and across continents, this recording manifests the trio's current state of matter, focusing on a no-gimmicks approach and a classic, melodic style of musical world-building.
More
Special remarks:
180g
Tracklist:
A1) Homecoming 05:52 min
A2) Moonlight in Vermont 05:24 min
A3) A Flower Is a Lovesome Thing 05:51 min
A4) Fab 04:02 min
B1) Awake 05:21 min
B2) As If There Were Simple Times 06:29 min
B3) 'Round Midnight 07:31 min
Info:
"Paul, Rick and River" is a programmatic title for the new album from Munich-based Paul Brändle Trio, a Modern Jazz group led by the eponymous 31-year old guitar player and band leader. Playing together for years and across continents, this recording manifests the trio's current state of matter, focusing on a no-gimmicks approach and a classic, melodic style of musical world-building.
More
1
Raymond Pettibon, Oliver Augst - Side A: TO-DAY (3:06)
2
Raymond Pettibon, Oliver Augst - Side B: Raymond Pettibon on Trains (3:24)
7", LTD
Tracklist:
Side A: TO-DAY (3:06)
Side B: Raymond Pettibon on Trains (3:24)
SQUAMA
EN:
“Almost all the trains I do are steam engines from the 1900s.”
Like the lyricism of surfing and the grace of baseball, the romance of trains is an integral part in Raymond Pettibon's imagination. TO-DAY is a wild roller coaster ride on the “A” Train with Pettibon’s favorite writers John Ruskin and Charles Manson. Pettibon at its best with terrific sound collage by Oliver Augst.
Raymond Pettibon, Oliver Augst
Side A: TO-DAY (3:06)
Side B: Raymond Pettibon on Trains (3:24
DE:
„Nahezu alle Züge im meinen Arbeiten sind Dampflokomotiven aus dem 19. Jahrhundert.“
Wie die Lyrik des Surfens und die Anmut des Baseballs ist auch die Romantik der Züge ein fester Bestandteil von Raymond Pettibons Fantasie. TO-DAY ist eine wilde Achterbahnfahrt im “A” Train mit Pettibons Lieblingsschriftstellern John Ruskin und Charles Manson. Pettibon in Höchstform mit grandioser Soundcollage von Oliver Augst.
A-Seite: TO-DAY (3:06)
B-Seite: Raymond Pettibon on Trains (3:24)
Raymond Pettibon, Oliver Augst
Recorded in New York City 2022
Words:
John Ruskin, Charles Manson, Raymond Pettibon
Music, Production, Instruments:
Oliver Augst
Vocals:
Raymond Pettibon
Additional guitar:
Alexandre B.
Executive producer:
Robert Eikmeyer
Design:
Daily Dialogue
Produced by
Squama Recordings More
Tracklist:
Side A: TO-DAY (3:06)
Side B: Raymond Pettibon on Trains (3:24)
SQUAMA
EN:
“Almost all the trains I do are steam engines from the 1900s.”
Like the lyricism of surfing and the grace of baseball, the romance of trains is an integral part in Raymond Pettibon's imagination. TO-DAY is a wild roller coaster ride on the “A” Train with Pettibon’s favorite writers John Ruskin and Charles Manson. Pettibon at its best with terrific sound collage by Oliver Augst.
Raymond Pettibon, Oliver Augst
Side A: TO-DAY (3:06)
Side B: Raymond Pettibon on Trains (3:24
DE:
„Nahezu alle Züge im meinen Arbeiten sind Dampflokomotiven aus dem 19. Jahrhundert.“
Wie die Lyrik des Surfens und die Anmut des Baseballs ist auch die Romantik der Züge ein fester Bestandteil von Raymond Pettibons Fantasie. TO-DAY ist eine wilde Achterbahnfahrt im “A” Train mit Pettibons Lieblingsschriftstellern John Ruskin und Charles Manson. Pettibon in Höchstform mit grandioser Soundcollage von Oliver Augst.
A-Seite: TO-DAY (3:06)
B-Seite: Raymond Pettibon on Trains (3:24)
Raymond Pettibon, Oliver Augst
Recorded in New York City 2022
Words:
John Ruskin, Charles Manson, Raymond Pettibon
Music, Production, Instruments:
Oliver Augst
Vocals:
Raymond Pettibon
Additional guitar:
Alexandre B.
Executive producer:
Robert Eikmeyer
Design:
Daily Dialogue
Produced by
Squama Recordings More
1
Zylva - A1. I Will Carry You in My Heart 00:46 min
2
Zylva - A2. Eyelash 02:59 min
3
Zylva - A3. Save You 03:15 mi
4
Zylva - A4. Falling Flat in Dead Silence 01:30 min
5
Zylva - A5. Butterflies 01:54 min
6
Zylva - A6. Dolphins & Roses 01:36 min
7
Zylva - A7. DreamSs 02:28 min
8
Zylva - B1. Midsummernight 03:23 min
9
Zylva - B2. Echoes from a Theatre 03:13 min
10
Zylva - B3. Stay With You 01:47 min
11
Zylva - B4. Berlin 02:48 min
12
Zylva - B5. Falling Apart 03:46 min
LP
Special remarks:
180g
Tracklist:
A1) I Will Carry You in My Heart 00:46 min
A2) Eyelash 02:59 min
A3) Save You 03:15 min
A4) Falling Flat in Dead Silence 01:30 min
A5) Butterflies 01:54 min
A6) Dolphins & Roses 01:36 min
A7) DreamSs 02:28 min
B1) Midsummernight 03:23 min
B2) Echoes from a Theatre 03:13 min
B3) Stay With You 01:47 min
B4) Berlin 02:48 min
B5) Falling Apart 03:46 min
Info:
For Zylva, creating is a form of healing. In 2020, the producer, illustrator, and poet found herself struggling with her mental wellbeing: a fresh arrival in locked-down Berlin, and newly heartbroken in a city known for its harsh winters and fleeting connections, Zylva imagined a place for hope, creating her debut album "Poems from the Dark".
Drifting somewhere between avant pop, lo-fi and celestial R&B, "Poems from the Dark" sets out on an emotional journey that unfolds over the course of twelve deeply personal tracks.
More
Special remarks:
180g
Tracklist:
A1) I Will Carry You in My Heart 00:46 min
A2) Eyelash 02:59 min
A3) Save You 03:15 min
A4) Falling Flat in Dead Silence 01:30 min
A5) Butterflies 01:54 min
A6) Dolphins & Roses 01:36 min
A7) DreamSs 02:28 min
B1) Midsummernight 03:23 min
B2) Echoes from a Theatre 03:13 min
B3) Stay With You 01:47 min
B4) Berlin 02:48 min
B5) Falling Apart 03:46 min
Info:
For Zylva, creating is a form of healing. In 2020, the producer, illustrator, and poet found herself struggling with her mental wellbeing: a fresh arrival in locked-down Berlin, and newly heartbroken in a city known for its harsh winters and fleeting connections, Zylva imagined a place for hope, creating her debut album "Poems from the Dark".
Drifting somewhere between avant pop, lo-fi and celestial R&B, "Poems from the Dark" sets out on an emotional journey that unfolds over the course of twelve deeply personal tracks.
More
1
Jonathan Bockelmann - Whitepoint (04:33 min)
2
Jonathan Bockelmann - Impulse (04:30 min)
3
Jonathan Bockelmann - Circulate (04:32 min)
4
Jonathan Bockelmann - Lihan (04:34 min)
5
Jonathan Bockelmann - Childish Mind (03:10 min)
6
Jonathan Bockelmann - Fuji at Night (04:43 min)
7
Jonathan Bockelmann - Floating (04:51 min)
8
Jonathan Bockelmann - Mavi (01:52 min)
LP
Special remarks:
180g
Tracklist:
A1) Whitepoint 04:33 min
A2) Impulse 04:30 min
A3) Circulate 04:32 min
A4) Lihan 04:34 min
B1) Childish Mind 03:10 min
B2) Fuji at Night 04:43 min
B3) Floating 04:51 min
B4) Mavi 01:52 min
Info:
On his debut album, Childish Mind, guitarist Jonathan Bockelmann presents a series of light, serene acoustic guitar vignettes. The Munich-born musician has studied classical guitar for about two decades, perfecting his technique and gaining mastery of the instrument. Childish Mind sees him explore a new compositional path by crafting delicately interwoven melodies for the acoustic guitar. From the gentle webs and patterns Jonathan creates, there’s a sense of meditativeness throughout the album—his music radiates out, filling moments with a sense of ease and calmness.
More
Special remarks:
180g
Tracklist:
A1) Whitepoint 04:33 min
A2) Impulse 04:30 min
A3) Circulate 04:32 min
A4) Lihan 04:34 min
B1) Childish Mind 03:10 min
B2) Fuji at Night 04:43 min
B3) Floating 04:51 min
B4) Mavi 01:52 min
Info:
On his debut album, Childish Mind, guitarist Jonathan Bockelmann presents a series of light, serene acoustic guitar vignettes. The Munich-born musician has studied classical guitar for about two decades, perfecting his technique and gaining mastery of the instrument. Childish Mind sees him explore a new compositional path by crafting delicately interwoven melodies for the acoustic guitar. From the gentle webs and patterns Jonathan creates, there’s a sense of meditativeness throughout the album—his music radiates out, filling moments with a sense of ease and calmness.
More
1
Jonathan Bockelmann - Whitepoint (04:33 min)
2
Jonathan Bockelmann - Impulse (04:30 min)
3
Jonathan Bockelmann - Circulate (04:32 min)
4
Jonathan Bockelmann - Lihan (04:34 min)
5
Jonathan Bockelmann - Childish Mind (03:10 min)
6
Jonathan Bockelmann - Fuji at Night (04:43 min)
7
Jonathan Bockelmann - Floating (04:51 min)
8
Jonathan Bockelmann - Mavi (01:52 min)
Tracklist:
01) Whitepoint 04:33 min
02) Impulse 04:30 min
03) Circulate 04:32 min
04) Lihan 04:34 min
05) Childish Mind 03:10 min
06) Fuji at Night 04:43 min
07) Floating 04:51 min
08) Mavi 01:52 min
Info:
On his debut album, Childish Mind, guitarist Jonathan Bockelmann presents a series of light, serene acoustic guitar vignettes. The Munich-born musician has studied classical guitar for about two decades, perfecting his technique and gaining mastery of the instrument. Childish Mind sees him explore a new compositional path by crafting delicately interwoven melodies for the acoustic guitar. From the gentle webs and patterns Jonathan creates, there’s a sense of meditativeness throughout the album—his music radiates out, filling moments with a sense of ease and calmness.
More
01) Whitepoint 04:33 min
02) Impulse 04:30 min
03) Circulate 04:32 min
04) Lihan 04:34 min
05) Childish Mind 03:10 min
06) Fuji at Night 04:43 min
07) Floating 04:51 min
08) Mavi 01:52 min
Info:
On his debut album, Childish Mind, guitarist Jonathan Bockelmann presents a series of light, serene acoustic guitar vignettes. The Munich-born musician has studied classical guitar for about two decades, perfecting his technique and gaining mastery of the instrument. Childish Mind sees him explore a new compositional path by crafting delicately interwoven melodies for the acoustic guitar. From the gentle webs and patterns Jonathan creates, there’s a sense of meditativeness throughout the album—his music radiates out, filling moments with a sense of ease and calmness.
More
1
Masako Ohta, Matthias Lindermayr - No Title
2
Masako Ohta, Matthias Lindermayr - No Title
3
Masako Ohta, Matthias Lindermayr - No Title
4
Masako Ohta, Matthias Lindermayr - No Title
5
Masako Ohta, Matthias Lindermayr - No Title
6
Masako Ohta, Matthias Lindermayr - No Title
7
Masako Ohta, Matthias Lindermayr - No Title
8
Masako Ohta, Matthias Lindermayr - No Title
9
Masako Ohta, Matthias Lindermayr - No Title
CD
Tracklist:
A1) Trudelutt 05:03 min
A2) Oli's Balloon 02:22 min
A3) All Good Things Are Four 05:04 min
A4) Tolv 03:13 min
A5) Sora 03:45 min
A6) Kogia 05:39 min
B1) Ayet 08:49 min
B2) Penguin 04:29 min
B3) La 04:23 min
Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr's music flows in gentle waves, moving with ease between every theme they imagine. Their music is largely improvised, embracing chance and following sound down winding paths. Their debut collaborative album, MMMMH, highlights this loose process through its relaxed pace, surprising turns, and drifting style. The album presents small vignettes that each encapsulate their free-flowing motion and tranquil melodies, drawing from simple ideas to create a fully bloomed, radiant sound.
More
Tracklist:
A1) Trudelutt 05:03 min
A2) Oli's Balloon 02:22 min
A3) All Good Things Are Four 05:04 min
A4) Tolv 03:13 min
A5) Sora 03:45 min
A6) Kogia 05:39 min
B1) Ayet 08:49 min
B2) Penguin 04:29 min
B3) La 04:23 min
Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr's music flows in gentle waves, moving with ease between every theme they imagine. Their music is largely improvised, embracing chance and following sound down winding paths. Their debut collaborative album, MMMMH, highlights this loose process through its relaxed pace, surprising turns, and drifting style. The album presents small vignettes that each encapsulate their free-flowing motion and tranquil melodies, drawing from simple ideas to create a fully bloomed, radiant sound.
More
Customers who bought this also bought this
Label:Other People
Cat-No:OP078
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:Other People
Cat-No:OP078
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
1
Nicolás Jaar - A1 Cangilón
2
Nicolás Jaar - A2 Piedras
3
Nicolás Jaar - A3 Aqui
4
Nicolás Jaar - A4 Agua pa fantasmas
5
Nicolás Jaar - B1 Rio de las tumbas
6
Nicolás Jaar - B2 Viento
7
Nicolás Jaar - B3 Mi viejita
8
Nicolás Jaar - B4 No Hope
9
Nicolás Jaar - C1 Radio Chomio (con Eli Wewentxu)
10
Nicolás Jaar - C2 Rio radio correspondencia anfibia
11
Nicolás Jaar - C3 3eee
12
Nicolás Jaar - C4 F Collect
13
Nicolás Jaar - C5 Even heaven is uneven
14
Nicolás Jaar - C6 El azar
15
Nicolás Jaar - D1 I, you
16
Nicolás Jaar - D2 Heterodina
17
Nicolás Jaar - D3 Sin Conexión
18
Nicolás Jaar - D4 SSS1
19
Nicolás Jaar - D5 SSS2
20
Nicolás Jaar - D6 SSS3
LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
1
Plastikman - A1 Konception
2
Plastikman - A2 Plastique
3
Plastikman - B1 Kriket
4
Plastikman - B2 FUK
5
Plastikman - B3 Outbak
6
Plastikman - C1 Ethnik
7
Plastikman - C2 Plasmatik
8
Plastikman - C3 Goo
9
Plastikman - D1 Marbles
10
Plastikman - D2 Lasttrak
Territory: WW-UK/EIRE & USA,Canada
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
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Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
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1
Sloopey G. - This Is The Day
2
Sloopey G. - Love In Heaven
3
Sloopey G. - Victime
4
Sloopey G. - Cathedral Dance
Another sad example of how unfair the music business can be. According to some sources, in June 1990, just a few weeks before Enigma's hugely successful track "Sadeness (Part I)" was released, Hartmut Gawehn (one half of Sloopey G.) brought a demo tape of „Domine“ to Virgin Records in Munich. The demo was quite well received, generating a great deal of interest on behalf of Virgin's A&R department. Interestingly enough, Michael Cretu of Enigma happened to have a music publishing company in the same building, just one floor above Virgin. Shortly thereafter, Enigma's "Sadeness (Part I)" was released, bearing a shamelessly striking resemblance. This "coincidence" led the production team at FURORE Studio in Düsseldorf into a long and complicated legal battle over their intellectual property, which dragged on for years — but with little success for the pioneers of this sound.
Here you can listen to the original tracks of the DOMINE production, along with a previously unreleased track from the same era. Downtempo breakbeat/house rhythms combined with religious samples and vocals — a sound that was very much ahead of its time. Get closer to God and to the truth behind the sound that helped sell so much perfume during the 90s. Must have for any true early house aficionado. More
Here you can listen to the original tracks of the DOMINE production, along with a previously unreleased track from the same era. Downtempo breakbeat/house rhythms combined with religious samples and vocals — a sound that was very much ahead of its time. Get closer to God and to the truth behind the sound that helped sell so much perfume during the 90s. Must have for any true early house aficionado. More
1
Heart Sphere - No Title
2
Heart Sphere - No Title
3
Heart Sphere - No Title
REPRESS
Tornado Wallace and Jamie Tiller present Heart Sphere, on their new imprint Basic Spirit. The first release "E.R. (Emergency Relief)", is a mid-tempo, cosmic trance manifestation with three revisions; Guitar Mix, Piano MIx, and the vinyl only Children Mix. For disciples of Big Room Balearic ™?, new-normal-beat, classic-trance, and George Clooney. More
Tornado Wallace and Jamie Tiller present Heart Sphere, on their new imprint Basic Spirit. The first release "E.R. (Emergency Relief)", is a mid-tempo, cosmic trance manifestation with three revisions; Guitar Mix, Piano MIx, and the vinyl only Children Mix. For disciples of Big Room Balearic ™?, new-normal-beat, classic-trance, and George Clooney. More
1
Miami Vice - Winning Streak (Extended)
2
Miami Vice - Winning Streak
3
Miami Vice - Roadrunners
Originally released on one of Bruton's extensive library albums but later used as the theme song to a UK drama series dealing with the intrigues of a family motor business and the world of rally driving from the 80s, "The Winning Streak" is another production by the now late library music maestro Alan Hawkshaw. A downtempo track with remarkably trippy use of percussion elements via electronics and drum machines with entertaining accents and "exotic" vocals. Another wonderful example of library music tickling the fancy of diggers and collectors with a dancefloor inclinations thanks to its highly distinct sound -- everybody loves a winner. 1 to 1 official re-issue, remastered.
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Label:Sugar Brain Records
Cat-No:SB001
Release-Date:06.12.2024
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:Sugar Brain Records
Cat-No:SB001
Release-Date:06.12.2024
Genre:Jazz / Nu Jazz
Configuration:LP Excl
1
Knowsum - A1. The Phase
2
Knowsum - A2. Saturday Night
3
Knowsum - A3 Honey & Blood
4
Knowsum - A4 Cosmic Breeze
5
Knowsum - A5 Magic
6
Knowsum - A6 C'est La Vie (ft. Melissa Weikart & Magic Manfred)
7
Knowsum - B1 Take it Easy
8
Knowsum - B2 Sugar Girl
9
Knowsum - B3 Your Touch is My Religion (ft. Noamle)
10
Knowsum - B4 Love Will Follow (ft. Zara2stra & Grégoire Pignède)
11
Knowsum - B5 Her Name is Melody
12
Knowsum - B6 Catching the Sun
LP
- Knowsum's first Album on new label Sugar Brain
– second LP that's not instrumental (after Lush Space Daze)
– no use of Sampling, all self-written and -produced
2. GENRE/S:
- Indie, Jazz-Funk, Bossa-Nova, Nu-Disco
3. TRACKLISTS:
A1 The Phase
A2 Saturday Night
A3 Honey & Blood
A4 Cosmic Breeze
A5 Magic
A6 C'est La Vie (ft. Melissa Weikart & Magic Manfred)
B1 Take it Easy
B2 Sugar Girl
B3 Your Touch is My Religion (ft. Noamle)
B4 Love Will Follow (ft. Zara2stra & Grégoire Pignède)
B5 Her Name is Melody
B6 Catching the Sun
4. SHORT INFO:
Cosmic Breeze takes listeners on a neverending love trip through the cosmos, channeling the warmth of 70s funk
grooves, the lush textures of modern Indie-Rock, and Knowsum's signature experimental flair. With it's infectious
rhythms, raw synths, and psychedelic melodies, the album creates a soundscape that feels both nostalgic and futuristic.
More
- Knowsum's first Album on new label Sugar Brain
– second LP that's not instrumental (after Lush Space Daze)
– no use of Sampling, all self-written and -produced
2. GENRE/S:
- Indie, Jazz-Funk, Bossa-Nova, Nu-Disco
3. TRACKLISTS:
A1 The Phase
A2 Saturday Night
A3 Honey & Blood
A4 Cosmic Breeze
A5 Magic
A6 C'est La Vie (ft. Melissa Weikart & Magic Manfred)
B1 Take it Easy
B2 Sugar Girl
B3 Your Touch is My Religion (ft. Noamle)
B4 Love Will Follow (ft. Zara2stra & Grégoire Pignède)
B5 Her Name is Melody
B6 Catching the Sun
4. SHORT INFO:
Cosmic Breeze takes listeners on a neverending love trip through the cosmos, channeling the warmth of 70s funk
grooves, the lush textures of modern Indie-Rock, and Knowsum's signature experimental flair. With it's infectious
rhythms, raw synths, and psychedelic melodies, the album creates a soundscape that feels both nostalgic and futuristic.
More
1
Dub Squad - Blown Fruit
2
Akio / Okihide - Phoenix At Desert
3
Palomatic - Flutter
4
Virgo - Prelude
5
Ambient 7 - Escape
6
Web - The Cycle Of Seasons
7
Yukihiro Fukutomi - 5 Blind Boys
8
Katsuya Hironaka - Pause
9
Riow Arai - 1969
10
Modern Living - Snow Bird
11
Missing Project - Poisson Davril Galaxy Dub
12
Drawing Future Life - 1969
The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.
The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.
'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.
'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.
Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita, More
The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.
'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.
'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.
Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita, More
1
Fazer - Foam (05:44 min)
2
Fazer - Apex (05:30 min)
3
Fazer - Honda (03:34 min)
4
Fazer - Rectifie (04:59 min)
5
Fazer - Spirit Runs (03:27 min)
6
Fazer - 1999 (04:43 min)
7
Fazer - Chrome (04:06 min)
8
Fazer - 22bhp down (04:47 min)
LP
Special remarks: 180g
Tracklist:
A1) Foam 05:44 min
A2) Apex 05:30 min
A3) Honda 03:34 min
A4) Rectifier 04:59 min
B1) Spirit Runs 03:27 min
B2) 1999 04:43 min
B3) Chrome 04:06 min
B4) 22bhp down 04:47 min
Info:
Munich-based quintet Fazer return to Squama with their fourth studio album, ‘Yamaha’, a record that melds indie jazz and psychedelic rock with humour and depth.
The band recorded the album in their own studio for the first time, taking time time to experiment with sound and overdubs, while retaining the vigour of a live performance.
Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer’s music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.
More
Special remarks: 180g
Tracklist:
A1) Foam 05:44 min
A2) Apex 05:30 min
A3) Honda 03:34 min
A4) Rectifier 04:59 min
B1) Spirit Runs 03:27 min
B2) 1999 04:43 min
B3) Chrome 04:06 min
B4) 22bhp down 04:47 min
Info:
Munich-based quintet Fazer return to Squama with their fourth studio album, ‘Yamaha’, a record that melds indie jazz and psychedelic rock with humour and depth.
The band recorded the album in their own studio for the first time, taking time time to experiment with sound and overdubs, while retaining the vigour of a live performance.
Suspenseful two-voiced themes and tickling solo interplay by Matthias Lindermayr on trumpet and Paul Brändle on guitar is still at the core of Fazer’s music, as well as the meticulous work of their two drummers Simon Popp and Sebastian Wolfgruber, whose grooves are more rooted in the rock vernacular compared to previous records. The restrained playing of bassist and producer Martin Brugger remains a grounding force that rounds out the sound of the group.
More
COLLECTING ORDERS FOR REPRESS/ REISSUE in ORIGINAL ART!
UPC 827170129825 REL DATE : SOON!
1.Unmatched 2.Jump Bugs
3.Karo's B 4.5 In 5.Got To Get Up For Monday 6.Sarah's E With Extra P 7.Michele's H With C 8.Ray & Claire 9.Back When Lynn (The Classic) 10.A Blink Of an Eye
Syclops is trio Sven Kortehisto, Hanna Sarkari and Jukka Kantonen. First to appear on a Bubble Tease 12" in 2001, followed by two singles for Tirk and finally with the debut album "I've Got My Eye On You" on DFA in 2008. "A Blink Of An Eye" is the long awaited successor with 10 tracks of future funk. Ranging from the nastiness of "Jump Bugs" to the fragile beauty "Ray & Claire" it's classic Syclops all the way. Available on CD, and double LP via Running Back and as download on BubbleTease Communications via iTunes and Juno Download. Produced by Maurice Fulton.
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UPC 827170129825 REL DATE : SOON!
1.Unmatched 2.Jump Bugs
3.Karo's B 4.5 In 5.Got To Get Up For Monday 6.Sarah's E With Extra P 7.Michele's H With C 8.Ray & Claire 9.Back When Lynn (The Classic) 10.A Blink Of an Eye
Syclops is trio Sven Kortehisto, Hanna Sarkari and Jukka Kantonen. First to appear on a Bubble Tease 12" in 2001, followed by two singles for Tirk and finally with the debut album "I've Got My Eye On You" on DFA in 2008. "A Blink Of An Eye" is the long awaited successor with 10 tracks of future funk. Ranging from the nastiness of "Jump Bugs" to the fragile beauty "Ray & Claire" it's classic Syclops all the way. Available on CD, and double LP via Running Back and as download on BubbleTease Communications via iTunes and Juno Download. Produced by Maurice Fulton.
More