Picture a world without Garys. Picture a world without a Garage. Not a pleasant thought? That’s where Gary’s Garage comes in.
He’s got the Gary. He’s got the Garage (but not the UK Garage, though).Since 1950, there’s been a sharp decline in babies being named Gary. Garys are becoming a rare breed. That’s why Gary’s Garage was born – to release a garage record so pure and joyous, it’ll inspire parents everywhere to name their newborn “Gary,” bringing the name back to its rightful place.
Inspired by a faxed in reaction sheet to Azuli Records in 1999, Gary has graced us with 4 fresh tracks of Gazza Garage to form the Not Enough Garys EP. First up, I’ve Taken (Too Many Garys) — a chunky, bass-driven anthem that hits like a Greggs sausage roll on a summer’s day. Evoking memories of the 0171-dialling code, it’s pure stodge.
Next, Gary’s Ballad finds Gary in a reflective mood, lamenting the loss of the UK high street institution, Woolworths. Side 2 cranks up the GAZ with Gary’s Garage (Is A Good Garage), bringing back memories of some questionable nights in Streatham in the early 2000s.We close out with Nigel Garage, where Gaz digs out his Emu SP1200 and ramps up the BPM for maximum impact. Just kidding — Gary can’t afford an SP1200.

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Tracklist
A1 Eingang
A2 Veddel Braav
A3 Perluv

B1 Wuzzelbud FF
B2 Tisma

C1 Provol Eto
C2 Maiowu

D1 Wabb Bodun
D2 Ausgang

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.
A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.
Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.
No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.
The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey




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12" EP

Part one of a series of RE- EDITIONS on the IMPORTANT Superstition Label!


GENRE/S:
Techno, Trance, Tech-Trance

TRACKLISTS:
A1. T-Dancer
A2. Marmion's Island Part 1
B1. Schöneberg
B2. The Secret Plant.

SHORT INFO:
"Berlin E.P." by Marmion was released 28 years ago on 15th of April 1993. Unavailable for more than 20 years the legendary Berlin EP from Marmion is back as original repress, re-mastered and re-cut. The fourth release on Superstition Records and especially the included "Schöneberg" was suddenly heavily championed in the Benelux and UK, e.g. by Tony De Vit (RIP) @ legendary London's Turnmills @ Trade events and soon became a legendary status as one of the biggest House or Tech-House hymns of its time, celebrated in the best clubs by the most renowned DJs worldwide. But this E.P. has much more to offer, Marcos Lopez and Mijk can Dijk managed to capture the very open minded spirit vibes and energy of the early 90s of Berlin in four different and special tracks. "T-Dancer"for example is Berlin's Hi-Nrg answer to the East Coast House and was simply the hymn of the Gay-T-Dance scene worldwide.
About Marmion:
Mijk van Dijk and Marcos Lopez met each other in 1986 when both did their academics at FU Berlin. Marcos Lopez was yet working as a DJ at several Berlin clubs and was also the moderator at the Eastern-Germany based cult-radio station "DT 64" with the legendary programme "Nightflight". Mijk van Dijk worked as a music journalist for magazines like "Frontpage", "CUT", "HYPE!", "Network Press". In 1990 he released his first record on the Berlin based Low Spirit label (LoopZone, Hate/Les enfants du paradies). For the Berlin Bash-records he produced in 1991 solo and together with DJ Tanith different 12"s, before he found a constant base at the also Berlin based MFS label with projects like Microglobe, LoopZone and Mindgear and on Superstition Records with his MIJK?VAN?DIJK?projects.




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World excl. US

Tracklist:
A1. Moodymann - No
A2. Eluize - Prowl
A3. Move D - The Garden
B1. Axel Boman - Lucky Luke
B2. AWAY Soundsystem - Shifting Scenes
C1. Lady Starlight - Ghzelian
C2. Inland - Minerals
D1. Mark Broom - Ain't No Thang
D2. Discrete Circuit - Tenterhooks
D3. Attila & Blivv - Unveiling

Release Info:
BERLIN PARTY AWAY WILL CELEBRATE A DECADE OF EVENTS WITH LABEL COMPILATION "AWAY 10 YEARS" AND THREE WEEKEND PARTIES
"AWAY 10 Years" features 10 tracks from a family-and-friends lineup of influential powerhouses like Moodymann, Move D, Axel Boman, Lady Starlight, Mark Broom, Inland, and well-known talents Discrete Circuit, Eluize, AWAY Soundsystem, and Attila & Blivv
Founded by DJ and producer Discrete Circuit in 2012, AWAY was born in Berlin out of a purist desire to establish a party for timeless house and techno music. In the early days, AWAY moved from multiple in- and outdoor venues to showcases across Europe to ultimately finding a stable home base at the About Blank club in 2015. Quickly they earned a reputation as a must-attend event series without losing its underground credibility. The AWAY crew did not shy away from booking many veterans and legends of the genre, some of whom are now on the compilation "AWAY 10 Years".




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House, Techno

GENRE/S:
House, Techno

TRACKLISTS:
A1. Donnie
A2. Running
B1. G-Train
B2. Run Towards The Sun

SHORT INFO:
Driving house/techno interpretations.

VITAL SALES POINTS:
Third EP from NAP


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore