Label:NAP
Cat-No:NAP003
Release-Date:17.11.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144575
in stock
Last in:13.11.2023
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in stock
Last in:13.11.2023
Label:NAP
Cat-No:NAP003
Release-Date:17.11.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144575
1
NAP92 - A1. Donnie
2
NAP92 - A2. Running
3
NAP92 - B1. G-Train
4
NAP92 - B2. Run Towards The Sun
House, Techno
GENRE/S:
House, Techno
TRACKLISTS:
A1. Donnie
A2. Running
B1. G-Train
B2. Run Towards The Sun
SHORT INFO:
Driving house/techno interpretations.
VITAL SALES POINTS:
Third EP from NAP
More
GENRE/S:
House, Techno
TRACKLISTS:
A1. Donnie
A2. Running
B1. G-Train
B2. Run Towards The Sun
SHORT INFO:
Driving house/techno interpretations.
VITAL SALES POINTS:
Third EP from NAP
More
More records from NAP92
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pre-sale
Last in:07.11.2024
Label:NAP
Cat-No:NAP004
Release-Date:29.11.2024
Genre:House
Configuration:12" Excl
Barcode:4251804184007
1
NAP92 - Must Protect
2
NAP92 - Blue Superman
3
NAP92 - -
4
NAP92 - Laurent
5
NAP92 - Body, Body
House, Techno
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
More
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
More
Label:NAP
Cat-No:NAP002
Release-Date:12.05.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804142120
backorder
Last in:14.04.2023
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Last in:14.04.2023
Label:NAP
Cat-No:NAP002
Release-Date:12.05.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804142120
1
NAP92 - Horse Nation
2
NAP92 - On & On
3
NAP92 - All I Want
4
NAP92 - HKI Groove
House, Techno
TRACKLIST:
A1. Horse Nation
A2. On & On
B1. All I Want
B2. HKI Groove
SHORT INFO:
Sub-heavy, UK inspired House EP
More
TRACKLIST:
A1. Horse Nation
A2. On & On
B1. All I Want
B2. HKI Groove
SHORT INFO:
Sub-heavy, UK inspired House EP
More
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Last in:20.07.2022
Label:NAP
Cat-No:NAP001
Release-Date:02.09.2022
Genre:House
Configuration:12" Excl
Barcode:4251804138789
1
NAP92 - CSMA
2
NAP92 - Rushing
3
NAP92 - This Is What I Saw
4
NAP92 - Supper Club
GENRE/S: House
TRACKLIST:
A1 - CSMA
A2 - Rushing
B1 - This Is What I Saw
B2 - Supper Club
SHORT INFO:
Punchy, UK inspired House EP
More
TRACKLIST:
A1 - CSMA
A2 - Rushing
B1 - This Is What I Saw
B2 - Supper Club
SHORT INFO:
Punchy, UK inspired House EP
More
More records from NAP
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pre-sale
Last in:07.11.2024
Label:NAP
Cat-No:NAP004
Release-Date:29.11.2024
Genre:House
Configuration:12" Excl
Barcode:4251804184007
1
NAP92 - Must Protect
2
NAP92 - Blue Superman
3
NAP92 - -
4
NAP92 - Laurent
5
NAP92 - Body, Body
House, Techno
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
More
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
More
Label:NAP
Cat-No:NAP002
Release-Date:12.05.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804142120
backorder
Last in:14.04.2023
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backorder
Last in:14.04.2023
Label:NAP
Cat-No:NAP002
Release-Date:12.05.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804142120
1
NAP92 - Horse Nation
2
NAP92 - On & On
3
NAP92 - All I Want
4
NAP92 - HKI Groove
House, Techno
TRACKLIST:
A1. Horse Nation
A2. On & On
B1. All I Want
B2. HKI Groove
SHORT INFO:
Sub-heavy, UK inspired House EP
More
TRACKLIST:
A1. Horse Nation
A2. On & On
B1. All I Want
B2. HKI Groove
SHORT INFO:
Sub-heavy, UK inspired House EP
More
+ Show full info- Close
backorder
Last in:20.07.2022
Label:NAP
Cat-No:NAP001
Release-Date:02.09.2022
Genre:House
Configuration:12" Excl
Barcode:4251804138789
1
NAP92 - CSMA
2
NAP92 - Rushing
3
NAP92 - This Is What I Saw
4
NAP92 - Supper Club
GENRE/S: House
TRACKLIST:
A1 - CSMA
A2 - Rushing
B1 - This Is What I Saw
B2 - Supper Club
SHORT INFO:
Punchy, UK inspired House EP
More
TRACKLIST:
A1 - CSMA
A2 - Rushing
B1 - This Is What I Saw
B2 - Supper Club
SHORT INFO:
Punchy, UK inspired House EP
More
Customers who bought this also bought this
Label:Zissou Records
Cat-No:zissou010
Release-Date:08.11.2024
Genre:House
Configuration:12" Excl
Barcode:4251804183604
in stock
Last in:11.10.2024
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in stock
Last in:11.10.2024
Label:Zissou Records
Cat-No:zissou010
Release-Date:08.11.2024
Genre:House
Configuration:12" Excl
Barcode:4251804183604
1
david bay & gome - 1999
2
david bay - strangers
3
david bay - <3 beat
4
david bay - dancing on the edge
5
david bay & gome - 1999 (Lauer Remix)
6
david bay - strangers (Marie Lung Dub)
7
david bay - <3 beat (Digitalism Remix)
8
david bay - dancing on the edge (Dylan C. Greene Remix)
GENRE/S: indie-disco, disco-house, house, nu-disco
TRACKLIST:
A1 1999 - david bay & gome
A2 strangers - david bay
A3 <3 beat - david bay
A4 dancing on the edge - david bay
B1 1999 (Lauer Remix)
B2 strangers (Marie Lung Dub)
B3 <3 beat (Digitalism Remix)
B4 dancing on the edge (Dylan C. Greene Remix)
SHORT INFO:
Comic relief serves as a refreshing element that lightens up a tense or tragic situation. It creates a moment of contrast and distraction from the seriousness of the scene. This pattern can also be found in literature and film, in humorous characters like Chandler from the sitcom Friends. Especially in difficult times like these, we all occasionally long for comic relief. With his new EP, David Bay tries to create exactly such a moment of escape.
The songs on the EP unite an organic yet modern approach to indie, disco, and house music. David combines the two worlds he is rooted in: growing up in an indie band and, at the same time, running a disco-house label. After two edit EPs and a collection of singles with classic instrumentation and songwriting, this release brings everything together – music that sounds distinctly indie, but with a pulsating house beat.
Next to the four originals on the A-side, each track was remixed and is to be heard on the B-side of this vinyl: 80ies-influenced and well-known producer Lauer contributed his version of disco-gem „1999“, up and coming Dj- and producer Marie Lung flipped the indie-disco track „strangers“ into a deep and housy groover - Electro-legends Digitalism turned the dance-floor-ballad „<3 beat“ into a French-House belter and Dylan C. Greene hailing all the way from San Francisco remixed „dancing on the edge“. Out now on vinyl, only on Zissou Records.
More
TRACKLIST:
A1 1999 - david bay & gome
A2 strangers - david bay
A3 <3 beat - david bay
A4 dancing on the edge - david bay
B1 1999 (Lauer Remix)
B2 strangers (Marie Lung Dub)
B3 <3 beat (Digitalism Remix)
B4 dancing on the edge (Dylan C. Greene Remix)
SHORT INFO:
Comic relief serves as a refreshing element that lightens up a tense or tragic situation. It creates a moment of contrast and distraction from the seriousness of the scene. This pattern can also be found in literature and film, in humorous characters like Chandler from the sitcom Friends. Especially in difficult times like these, we all occasionally long for comic relief. With his new EP, David Bay tries to create exactly such a moment of escape.
The songs on the EP unite an organic yet modern approach to indie, disco, and house music. David combines the two worlds he is rooted in: growing up in an indie band and, at the same time, running a disco-house label. After two edit EPs and a collection of singles with classic instrumentation and songwriting, this release brings everything together – music that sounds distinctly indie, but with a pulsating house beat.
Next to the four originals on the A-side, each track was remixed and is to be heard on the B-side of this vinyl: 80ies-influenced and well-known producer Lauer contributed his version of disco-gem „1999“, up and coming Dj- and producer Marie Lung flipped the indie-disco track „strangers“ into a deep and housy groover - Electro-legends Digitalism turned the dance-floor-ballad „<3 beat“ into a French-House belter and Dylan C. Greene hailing all the way from San Francisco remixed „dancing on the edge“. Out now on vinyl, only on Zissou Records.
More
Label:Running Back
Cat-No:rb129
Release-Date:19.07.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144926
in stock
Last in:04.11.2024
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in stock
Last in:04.11.2024
Label:Running Back
Cat-No:rb129
Release-Date:19.07.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144926
1
Solomun - Can't Stop
2
Solomun - Follow The Disco Ball
3
Solomun - Can't Stop (Dub)
Tracklist
A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)
Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More
A. Can't Stop
B1. Follow The Disco Ball
B2. Can't Stop (Dub)
Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More
Label:Running Back
Cat-No:rb134
Release-Date:18.10.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182348
in stock
Last in:27.08.2024
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in stock
Last in:27.08.2024
Label:Running Back
Cat-No:rb134
Release-Date:18.10.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182348
1
Morphena & Narciss - Per Aspera Ad Astra
2
Morphena & Narciss - Paradise
3
Morphena & Narciss - Mi Amor
4
Morphena & Narciss - Fleeing Into You
5
Morphena & Narciss - Per Aspera Ad Astra (The Club Mix For Gerd But Not By Gerd)
6
Morphena & Narciss - Cocoon Cracking
Tracklist:
A1. Per Aspera Ad Astra
A2. Paradise
A3. Mi Amor
B1. Fleeing Into You
B2. Per Aspera Ad Astra (The Club Mix For Gerd But Not By Gerd)
B3. Cocoon Cracking
If you prefer things sweet and concise, here is all you need to know about Morphena and Narciss and their Lingua Erotica release on Running Back: a project of passion made while living across the globe thousands of miles apart from each other while falling in love, sensuality, tenderness, longing, authenticity.
Making waves on the festival and club circuit and meticulous productions like Forbidden Fruit or the Immer Remix for Running Back, Narciss found the perfect partnership with Morphena and their multitalented artistry between DJing, music making and vocal work.
Informed and inspired by a mutual enthusiasm for Italo blueprints, new romantic mannerisms, synth pop poetry and an uncanny knack for subtle and yearning dance floor euphoria (see Paradise and the club version of Per Aspera Ad Astra for further proof). it works like a mix tape or love letter to the listener or any of their adored ones. While the obvious club cuts Mi Amor and Fleeing Into You are sandwiched between the ambience of Per Aspera Ad Astra and Cocoon Cracking, one cannot help to be mesmerized by the coherence and monolithic magnetism of Lingua Erotica.
Captivating, catchy and confident. Here’s to many more.
More
A1. Per Aspera Ad Astra
A2. Paradise
A3. Mi Amor
B1. Fleeing Into You
B2. Per Aspera Ad Astra (The Club Mix For Gerd But Not By Gerd)
B3. Cocoon Cracking
If you prefer things sweet and concise, here is all you need to know about Morphena and Narciss and their Lingua Erotica release on Running Back: a project of passion made while living across the globe thousands of miles apart from each other while falling in love, sensuality, tenderness, longing, authenticity.
Making waves on the festival and club circuit and meticulous productions like Forbidden Fruit or the Immer Remix for Running Back, Narciss found the perfect partnership with Morphena and their multitalented artistry between DJing, music making and vocal work.
Informed and inspired by a mutual enthusiasm for Italo blueprints, new romantic mannerisms, synth pop poetry and an uncanny knack for subtle and yearning dance floor euphoria (see Paradise and the club version of Per Aspera Ad Astra for further proof). it works like a mix tape or love letter to the listener or any of their adored ones. While the obvious club cuts Mi Amor and Fleeing Into You are sandwiched between the ambience of Per Aspera Ad Astra and Cocoon Cracking, one cannot help to be mesmerized by the coherence and monolithic magnetism of Lingua Erotica.
Captivating, catchy and confident. Here’s to many more.
More
LP Excl
in stock
Label:London Records
Cat-No:lms5521219
Release-Date:15.03.2019
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:5060555212193
in stock
Last in:27.03.2019
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in stock
Last in:27.03.2019
Label:London Records
Cat-No:lms5521219
Release-Date:15.03.2019
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:5060555212193
Rights: World excluding France, UK & Eire
Special Remarks: 1 colored green LP in single sleeve with 3mm spine. Printed inner-sleeve. Collector’s edition CD album included.
Vinyl (Limited Colored Edition) tracklist:
A1. True Confessions / A2. Ready or Not / A3. A Trick of the Night / A4. Dance with a Stranger / A5. In a Perfect World
B1. Venus / B2. Do Not Disturb / B3. Cut Above the Rest / B4. Promised Land / B5. More Than Physical
B6. Hooked on Love
CD (Collector’s Edition) tracklist:
1. True Confessions / 2. Ready or Not / 3. A Trick of the Night / 4. Dance with a Stranger / 5. In a Perfect World / 6. Venus / 7. Do Not Disturb / 8. A Cut Above the Rest / 9. Promised Land / 10. More Than Physical / 11. Hooked On Love / 12. Ghost / 13. White Train / 14. Scarlett / 15. Riskin' a Romance / 16. Venus [Extended Version] / 17. A Trick of the Night [The Number One Mix]
Short info:
Bananarama’s third album “True Confessions” features the smash hit ‘Venus’ which hit the top spot in the US on Billboard Hot 100. The track was a huge dance floor hit across Europe, South American and Asia.
The album includes the singles: ‘A Trick Of The Night’, ‘Venus’, ‘Do Not Disturb’, ‘More Than Physical’.
Bananarama are often cited as the UK’s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which soundtracked the lives of fans around the world. The news of Bananarama’s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK & USA Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop’s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.
More
Special Remarks: 1 colored green LP in single sleeve with 3mm spine. Printed inner-sleeve. Collector’s edition CD album included.
Vinyl (Limited Colored Edition) tracklist:
A1. True Confessions / A2. Ready or Not / A3. A Trick of the Night / A4. Dance with a Stranger / A5. In a Perfect World
B1. Venus / B2. Do Not Disturb / B3. Cut Above the Rest / B4. Promised Land / B5. More Than Physical
B6. Hooked on Love
CD (Collector’s Edition) tracklist:
1. True Confessions / 2. Ready or Not / 3. A Trick of the Night / 4. Dance with a Stranger / 5. In a Perfect World / 6. Venus / 7. Do Not Disturb / 8. A Cut Above the Rest / 9. Promised Land / 10. More Than Physical / 11. Hooked On Love / 12. Ghost / 13. White Train / 14. Scarlett / 15. Riskin' a Romance / 16. Venus [Extended Version] / 17. A Trick of the Night [The Number One Mix]
Short info:
Bananarama’s third album “True Confessions” features the smash hit ‘Venus’ which hit the top spot in the US on Billboard Hot 100. The track was a huge dance floor hit across Europe, South American and Asia.
The album includes the singles: ‘A Trick Of The Night’, ‘Venus’, ‘Do Not Disturb’, ‘More Than Physical’.
Bananarama are often cited as the UK’s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which soundtracked the lives of fans around the world. The news of Bananarama’s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK & USA Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop’s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.
More
12" Excl
in stock
Label:Tresor Records
Cat-No:tresor371
Release-Date:25.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804182775
in stock
Last in:20.09.2024
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in stock
Last in:20.09.2024
Label:Tresor Records
Cat-No:tresor371
Release-Date:25.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804182775
1
Exos - Dark Light 05:09
2
Exos - Fire Chant 04:30
3
Exos - Grátt Silfur 04:41
4
Exos - Green Light 05:11
5
Exos - Ráðabrugg 05:31
6
Exos - Ruff Cut (Digi Bonus) 05:41
7
Exos - Only One Way (Digi Bonus) 05:02
8
Exos - Everyday (Digi Bonus) 04:59
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
More
12" Excl
in stock
Label:Be With Records
Cat-No:bewith021twelve
Release-Date:25.08.2023
Configuration:12" Excl
Barcode:4251804140126
in stock
Last in:18.07.2023
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in stock
Last in:18.07.2023
Label:Be With Records
Cat-No:bewith021twelve
Release-Date:25.08.2023
Configuration:12" Excl
Barcode:4251804140126
1
Todd Russell & The Dangerous Coats - Playa Larga (08:32)
2
Todd Russell & The Dangerous Coats - 1900 Ocean Ave (04:42)
Territories: Worldwide no restrictions
Format Notes: 2023 first-time 12" single release of lost tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 Playa Larga 08:32
B1 1900 Ocean Ave 04:42
Release Notes:
Long Beach legend Scotty Coats links the West Coast eclecticism of Stones Throw to the NYC cool of DFA and Rong to the Balearic gods of DJ Harvey et al. He personally introduced Be With to Ned Doheny 10 years ago and he was immortalised on Smith & Mudd's last LP. And he's the main man behind the mysteriously titled duo Todd Russell & The Dangerous Coats, alongside Erick "Todd" Coomes (Lettuce founder/bassist).
In very real danger of being lost forever, we unearthed two of their private recordings and present them as a double A-Side 12", adorned with S-T-U-N-N-I-N-G artwork, courtesy of Arizona artist Frank Gonzales.
"Playa Larga" is a melodic, mellow masterpiece and is quintessentially Balearic. It's stretched out, low slung, guitar-soaked drum-machine soul music. It's multi-layered and contains multitudes: it builds and builds and builds and mesmerises as it does so. On the flip, "1900 Ocean Avenue" is a super slo-mo, sunbaked drug-chug which is already blowing minds thanks to early leaks of this cosmic, psychedelic detonation.
On first listen back, Erick said to Scotty: “So wait, nothing really happens, I mean nothing bad happens but nothing really happens”. Apparently these tracks were a bit foreign for Erick, musically, because of the lack of structure in the songs.
One morning, years later, Erick called Scotty and excitedly declared: “dude, I get it now!”. He was listening to random music with a lady friend while watching the sunrise in his 1900 Ocean Ave apartment and "Playa Larga" came on randomly. He'd forgotten all about it and said he had to get up and see what song it was because "it was the perfect soundtrack for a psychedelic sunrise over the ocean."
And that's exactly how we came across it, circa 2018, randomly popping up on a playlist while we were busy doing other things. It stopped us in our tracks but, when trying to find any info on iTunes, we were out of luck. It was only years later that we worked out Scotty had sent it to us. Ever since, we've been working on getting this out to you all. It's finally time.
We've only 500 pressed for the world, with many of them spoken for by those lucky enough to be already ITK, so these are gonna fly: be warned!
Scotty is a world class raconteur so we'll hand over to him to explain how these songs came about and why they mean so much to him in the context of his wider raison d'être:
"These were made 13 years ago when I was a new dad and left my job at Ubiquity Records to provide security for my newborn son, Nolan Liam Chai Coats. I became miserable working a job outside of music for the first time in my life and I was laid off 4 months into it. I was left wondering how the fuck am I going to provide for my family?
I lived in Long Beach and Erick lived a few blocks away. I would walk to his house when Jen finally got Nolan to sleep so I could escape my panic, drink some beers (is it beerlearic?) and make some music. He lived overlooking the ocean with the Queen Mary on the horizon, so I guess mellow Long Beach nights unintentionally inspired the music. These songs were the first two songs we ever made and they embody the desperation and hope I really needed at that time. 12 years later, when Rob at Be With expressed an interest in releasing it, we had Erick's brother Tyler Tycoon Coomes play drums on it at Jazzcats Studio in LBC, with Jonny Bell.
Shortly after I was laid off, I discovered The Stepkids. I was blown away by "Shadows On Behalf" and sent it on to Gilles Peterson. He played it on Worldwide the next day. The Stepkids pulled me back into music and made me realize I wasn't prepared to do anything but be involved with music. After I heard their unreleased album, I knew there was something there so I sent it to my good friend Jamie Strong who was at Stones Throw at the time. Jamie passed it along to Peanut Butter Wolf and the band asked me to be their manager. I didn't think I was the right guy for the job but wanted to see them do well so I told them I would help shop their album. Jamie suggested I take his place at Stones Throw, just as he did when he left Ubiquity Records. I always joke that Jamie can call me Scotty Coat Tails because I had been riding his for years.
Wolf told him that "Scotty is a nice guy but has horrible taste in music", which was ironic because he was literally trying to sign the band that I brought him. The Stepkids signed with Stones Throw and found a real manager. 6 or so months later Jamie sent me a note saying "Stones Throw is hiring and you should apply lol". I told him I was going to send my resume and the subject of the email was to read I HAVE GREAT FUCKING TASTE IN MUSIC. I did just that and got a call the next day from their new GM asking me to come in for an interview. When I walked in I was in Wolf's office where I had been 6 months before, signing The Stepkids
deal. Wolf and Jason McGuire were asking me some questions and wanted to introduce me to Jeff Jank. Jank walked in and said "Isn't this the guy that Jamie wanted to bring on 6 months ago?" They confirmed and he threw his hands up and walked out saying "I've seen enough". I got the job. I worked there for 2 or 3 years until I left to join forces with Jamie Strong at his label and stayed there for almost 7 years."
Scotty wanted to use a painting by his good friend, Frank Gonzales, for the front cover image. Frank was incredibly generous in letting us use this one, and Scotty was completely honoured. We think you'll agree, it's pretty striking. Simon Francis carefully mastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this double A-side 12" sounds appropriately outstanding. The immaculate Record Industry pressing will ensure these previously unheard, recently discovered recordings finally get a chance to shine.
More
Format Notes: 2023 first-time 12" single release of lost tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 Playa Larga 08:32
B1 1900 Ocean Ave 04:42
Release Notes:
Long Beach legend Scotty Coats links the West Coast eclecticism of Stones Throw to the NYC cool of DFA and Rong to the Balearic gods of DJ Harvey et al. He personally introduced Be With to Ned Doheny 10 years ago and he was immortalised on Smith & Mudd's last LP. And he's the main man behind the mysteriously titled duo Todd Russell & The Dangerous Coats, alongside Erick "Todd" Coomes (Lettuce founder/bassist).
In very real danger of being lost forever, we unearthed two of their private recordings and present them as a double A-Side 12", adorned with S-T-U-N-N-I-N-G artwork, courtesy of Arizona artist Frank Gonzales.
"Playa Larga" is a melodic, mellow masterpiece and is quintessentially Balearic. It's stretched out, low slung, guitar-soaked drum-machine soul music. It's multi-layered and contains multitudes: it builds and builds and builds and mesmerises as it does so. On the flip, "1900 Ocean Avenue" is a super slo-mo, sunbaked drug-chug which is already blowing minds thanks to early leaks of this cosmic, psychedelic detonation.
On first listen back, Erick said to Scotty: “So wait, nothing really happens, I mean nothing bad happens but nothing really happens”. Apparently these tracks were a bit foreign for Erick, musically, because of the lack of structure in the songs.
One morning, years later, Erick called Scotty and excitedly declared: “dude, I get it now!”. He was listening to random music with a lady friend while watching the sunrise in his 1900 Ocean Ave apartment and "Playa Larga" came on randomly. He'd forgotten all about it and said he had to get up and see what song it was because "it was the perfect soundtrack for a psychedelic sunrise over the ocean."
And that's exactly how we came across it, circa 2018, randomly popping up on a playlist while we were busy doing other things. It stopped us in our tracks but, when trying to find any info on iTunes, we were out of luck. It was only years later that we worked out Scotty had sent it to us. Ever since, we've been working on getting this out to you all. It's finally time.
We've only 500 pressed for the world, with many of them spoken for by those lucky enough to be already ITK, so these are gonna fly: be warned!
Scotty is a world class raconteur so we'll hand over to him to explain how these songs came about and why they mean so much to him in the context of his wider raison d'être:
"These were made 13 years ago when I was a new dad and left my job at Ubiquity Records to provide security for my newborn son, Nolan Liam Chai Coats. I became miserable working a job outside of music for the first time in my life and I was laid off 4 months into it. I was left wondering how the fuck am I going to provide for my family?
I lived in Long Beach and Erick lived a few blocks away. I would walk to his house when Jen finally got Nolan to sleep so I could escape my panic, drink some beers (is it beerlearic?) and make some music. He lived overlooking the ocean with the Queen Mary on the horizon, so I guess mellow Long Beach nights unintentionally inspired the music. These songs were the first two songs we ever made and they embody the desperation and hope I really needed at that time. 12 years later, when Rob at Be With expressed an interest in releasing it, we had Erick's brother Tyler Tycoon Coomes play drums on it at Jazzcats Studio in LBC, with Jonny Bell.
Shortly after I was laid off, I discovered The Stepkids. I was blown away by "Shadows On Behalf" and sent it on to Gilles Peterson. He played it on Worldwide the next day. The Stepkids pulled me back into music and made me realize I wasn't prepared to do anything but be involved with music. After I heard their unreleased album, I knew there was something there so I sent it to my good friend Jamie Strong who was at Stones Throw at the time. Jamie passed it along to Peanut Butter Wolf and the band asked me to be their manager. I didn't think I was the right guy for the job but wanted to see them do well so I told them I would help shop their album. Jamie suggested I take his place at Stones Throw, just as he did when he left Ubiquity Records. I always joke that Jamie can call me Scotty Coat Tails because I had been riding his for years.
Wolf told him that "Scotty is a nice guy but has horrible taste in music", which was ironic because he was literally trying to sign the band that I brought him. The Stepkids signed with Stones Throw and found a real manager. 6 or so months later Jamie sent me a note saying "Stones Throw is hiring and you should apply lol". I told him I was going to send my resume and the subject of the email was to read I HAVE GREAT FUCKING TASTE IN MUSIC. I did just that and got a call the next day from their new GM asking me to come in for an interview. When I walked in I was in Wolf's office where I had been 6 months before, signing The Stepkids
deal. Wolf and Jason McGuire were asking me some questions and wanted to introduce me to Jeff Jank. Jank walked in and said "Isn't this the guy that Jamie wanted to bring on 6 months ago?" They confirmed and he threw his hands up and walked out saying "I've seen enough". I got the job. I worked there for 2 or 3 years until I left to join forces with Jamie Strong at his label and stayed there for almost 7 years."
Scotty wanted to use a painting by his good friend, Frank Gonzales, for the front cover image. Frank was incredibly generous in letting us use this one, and Scotty was completely honoured. We think you'll agree, it's pretty striking. Simon Francis carefully mastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this double A-side 12" sounds appropriately outstanding. The immaculate Record Industry pressing will ensure these previously unheard, recently discovered recordings finally get a chance to shine.
More
Label:Public Possession
Cat-No:PP107
Release-Date:18.10.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804183178
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Last in:14.10.2024
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Last in:14.10.2024
Label:Public Possession
Cat-No:PP107
Release-Date:18.10.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804183178
1
RIP Swirl - Perfectly Blue (feat. Winter)
2
RIP Swirl - Bizarre (feat. Maria Somerville)
3
RIP Swirl - Space Blues
4
RIP Swirl - Found You Out (feat. Alias Error)
5
RIP Swirl - Drowsy
6
RIP Swirl - Call Me (feat. Tanukichan)
7
RIP Swirl - Sundown
8
RIP Swirl - Late Night Special
9
RIP Swirl - Nothing To Do
10
RIP Swirl - Negative Fantasy (feat. untitled (halo))
11
RIP Swirl - Takeaway
Tracklist:
A1) Perfectly Blue (feat. Winter)
A2) Bizarre (feat. Maria Somerville)
A3) Space Blues
A4) Found You Out (feat. Alias Error)
A5) Drowsy
B1) Call Me (feat. Tanukichan)
B2) Sundown
B3) Late Night Special
B4) Nothing To Do
B5) Negative Fantasy (feat. untitled (halo))
B6) Takeaway
Short info:
What does it mean to be perfectly blue? Perhaps it means swimming contently in the waters of deep, complex emotions, or simply learning to spin low moments into casual days. For Luka Seifert, who makes music as RIP Swirl, the idea of being fine with not being happy all the time was the catalyst for his second album, Perfectly Blue. The two words captured something: learning to embrace being blue, while using music as a way of processing emotions. More
A1) Perfectly Blue (feat. Winter)
A2) Bizarre (feat. Maria Somerville)
A3) Space Blues
A4) Found You Out (feat. Alias Error)
A5) Drowsy
B1) Call Me (feat. Tanukichan)
B2) Sundown
B3) Late Night Special
B4) Nothing To Do
B5) Negative Fantasy (feat. untitled (halo))
B6) Takeaway
Short info:
What does it mean to be perfectly blue? Perhaps it means swimming contently in the waters of deep, complex emotions, or simply learning to spin low moments into casual days. For Luka Seifert, who makes music as RIP Swirl, the idea of being fine with not being happy all the time was the catalyst for his second album, Perfectly Blue. The two words captured something: learning to embrace being blue, while using music as a way of processing emotions. More
2x10" Excl
in stock
Label:Too Slow To Disco
Cat-No:TSTDEdits015
Release-Date:02.06.2023
Configuration:2x10" Excl
Barcode:
in stock
Last in:25.05.2023
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in stock
Last in:25.05.2023
Label:Too Slow To Disco
Cat-No:TSTDEdits015
Release-Date:02.06.2023
Configuration:2x10" Excl
Barcode:
1
Dave Mathmos - ENCORE UNE HISTOIRE D'AMOUR
2
Dave Mathmos - OH BOY! YOU TURN ME ON
3
Dave Mathmos - LATE AT NIGHT
4
Dave Mathmos - BETCHA!
5
Dave Mathmos - MY BABY DON'T CARE
6
Dave Mathmos - WONDERFUL FEELING
7
Dave Mathmos - WHISPERS
Super smooth and funky, soulful 7 track EP, limited double 10 Inch.
We celebrate our 15th TSTD EDITS volume with a BANG! Australian Dave Mathmos, the master of smooth, soulful Disco Edits returns with a new E.P.. The producer delivers a limited 7!!! track E.P., full of new, unreleased sophisticated club-diamonds. From Slow Jams to Soul-Dancefloor gold! Everything that will warm your heart and soul. It is a return, as Dave Mathmos also was the artist of the first real TSTD EDITS EP, the now legendary and completely sold out "Your Love (Contemporary Soul Mix By Dave Mathmos)". The E.P. sold out in a minute as a vinyl and up until today it is the most successful digital release we ever did, with several million plays on the spotifyyoutubeapples.... Well done, Dave!
TRACKLIST:
01 ENCORE UNE HISTOIRE D'AMOUR
02 OH BOY! YOU TURN ME ON
03 LATE AT NIGHT
04 I BETCHA!
05 MY BABY DON'T CARE
06 WONDERFUL FEELING
07 WHISPERS More
We celebrate our 15th TSTD EDITS volume with a BANG! Australian Dave Mathmos, the master of smooth, soulful Disco Edits returns with a new E.P.. The producer delivers a limited 7!!! track E.P., full of new, unreleased sophisticated club-diamonds. From Slow Jams to Soul-Dancefloor gold! Everything that will warm your heart and soul. It is a return, as Dave Mathmos also was the artist of the first real TSTD EDITS EP, the now legendary and completely sold out "Your Love (Contemporary Soul Mix By Dave Mathmos)". The E.P. sold out in a minute as a vinyl and up until today it is the most successful digital release we ever did, with several million plays on the spotifyyoutubeapples.... Well done, Dave!
TRACKLIST:
01 ENCORE UNE HISTOIRE D'AMOUR
02 OH BOY! YOU TURN ME ON
03 LATE AT NIGHT
04 I BETCHA!
05 MY BABY DON'T CARE
06 WONDERFUL FEELING
07 WHISPERS More
Label:DUB Disco
Cat-No:DUDI06
Release-Date:05.05.2023
Configuration:12" Excl
Barcode:
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Last in:02.05.2023
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Last in:02.05.2023
Label:DUB Disco
Cat-No:DUDI06
Release-Date:05.05.2023
Configuration:12" Excl
Barcode:
1
Georg Wedel - König Dub
2
Aussteiger - Yusuf Dub
3
Polyplay - Durch die Nacht
4
Craftsman - Desperado
After a longer break, Dub Disco is back with a special package of magical edits. Proven worldwide on dancefloors of several continents, Dub Disco decided to release these timeless gems on vinyl.
A1 Georg Wedel – König Dub
A2 Aussteiger – Yusuf Dub
B1 Polyplay – Durch die Nacht
B2 Craftsman - Desperado More
A1 Georg Wedel – König Dub
A2 Aussteiger – Yusuf Dub
B1 Polyplay – Durch die Nacht
B2 Craftsman - Desperado More
Label:Breakfast On Mars
Cat-No:BOM003
Release-Date:10.11.2023
Genre:Electro
Configuration:12" Excl
Barcode:
in stock
Last in:01.11.2023
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Last in:01.11.2023
Label:Breakfast On Mars
Cat-No:BOM003
Release-Date:10.11.2023
Genre:Electro
Configuration:12" Excl
Barcode:
1
Random Alias - Keep Me High
2
Random Alias - Fast Rate
3
Random Alias - Solo In Space
4
Random Alias - Restless
"Fast Rate" blends echoes of nostalgia with futuristic innovation, crafting a sonic landscape. In the relentless
rush of life's high-speed journey, it invites introspection, courageously urging listeners to delve into the
intricate web of contemporary life.
This EP is inspired by deep reflections on the meaning of life in a fast-paced world filled with thoughts and
emotions. It symbolizes a futuristic journey, mirroring the human struggle to gain an external perspective in
our busy lives. Random Alias prompts users to contemplate their existence, offering a musical experience
that transcends mere dance rhythms.
The 5 tracker showcases a wide array of sounds, from aggressive tones to captivating and atmospheric
elements unveiling a new face of the label that keeps exploring the interconnection between human and
technology.
The A side roars with high bpm and furious rhythms."Keep me high" express the need of escaping ordinary
life, seeking something that keeps us "high" and allows to escape and reset.
Following up "Fast Rate" spans a variety of influences, blending the allure of old-school Detroit electro with
futuristic sounds achieved through bold experimentation and advanced wave modeling. This fusion results
in a diverse and innovative sonic aesthetic, ranging from nostalgic '80s/'90s vibes to experimental
dimensions where tones morph and evolve.
"Solo in Space" and "Restless" on the filp side deliver direct, pulsating sounds and rhythms, embracing an
impactful electro-techno vision. These tracks merge both worlds, combining the energy and drive of electro
with the power and tension typical of techno, resulting in a sonic journey that blurs genre boundaries.
Completing the collection is a digital bonus track, "Galactic Power," which serves as a soulful embodiment of
the EP's essence. With its otherworldly alien-style pitched vocals,The track intricately crafts a cosmic palette
of bright pulses and ethereal FM synthesis.
This release represents a bold and progressive vision of electro, confirming and solidifying the eclectic
direction and the concept of inter genre flexibility. Music can be an ever-evolving form of art, blending
elements that transport listeners to distant cosmic realms.
Time shapes people, people shape technology, technology shapes music, music shapes time.
TRACKLISTS:
A1. Keep Me High
A2. Fast Rate
B1. Solo In Space
B2. Restless
More
rush of life's high-speed journey, it invites introspection, courageously urging listeners to delve into the
intricate web of contemporary life.
This EP is inspired by deep reflections on the meaning of life in a fast-paced world filled with thoughts and
emotions. It symbolizes a futuristic journey, mirroring the human struggle to gain an external perspective in
our busy lives. Random Alias prompts users to contemplate their existence, offering a musical experience
that transcends mere dance rhythms.
The 5 tracker showcases a wide array of sounds, from aggressive tones to captivating and atmospheric
elements unveiling a new face of the label that keeps exploring the interconnection between human and
technology.
The A side roars with high bpm and furious rhythms."Keep me high" express the need of escaping ordinary
life, seeking something that keeps us "high" and allows to escape and reset.
Following up "Fast Rate" spans a variety of influences, blending the allure of old-school Detroit electro with
futuristic sounds achieved through bold experimentation and advanced wave modeling. This fusion results
in a diverse and innovative sonic aesthetic, ranging from nostalgic '80s/'90s vibes to experimental
dimensions where tones morph and evolve.
"Solo in Space" and "Restless" on the filp side deliver direct, pulsating sounds and rhythms, embracing an
impactful electro-techno vision. These tracks merge both worlds, combining the energy and drive of electro
with the power and tension typical of techno, resulting in a sonic journey that blurs genre boundaries.
Completing the collection is a digital bonus track, "Galactic Power," which serves as a soulful embodiment of
the EP's essence. With its otherworldly alien-style pitched vocals,The track intricately crafts a cosmic palette
of bright pulses and ethereal FM synthesis.
This release represents a bold and progressive vision of electro, confirming and solidifying the eclectic
direction and the concept of inter genre flexibility. Music can be an ever-evolving form of art, blending
elements that transport listeners to distant cosmic realms.
Time shapes people, people shape technology, technology shapes music, music shapes time.
TRACKLISTS:
A1. Keep Me High
A2. Fast Rate
B1. Solo In Space
B2. Restless
More
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in stock
Last in:19.10.2023
Label:Veyl
Cat-No:VEYL025
Release-Date:11.06.2021
Genre:Electro
Configuration:LP Excl
Barcode:4251804125871
1
Harlem - A1 Bait
2
Harlem - A2 Juice
3
Harlem - A3 Target
4
Harlem - A4 Sthlm Muscle
5
Harlem - B1 Spastic Puppy
6
Harlem - B2 Pocket Candy
7
Harlem - B3 Night Vision
LP (incl. poster & download)
Tracklisting:
A1 Bait
A2 Juice
A3 Target
A4 Sthlm Muscle
B1 Spastic Puppy
B2 Pocket Candy
B3 Night Vision
Info:
VEYL is pleased to welcome Harlem to the label for a new seven track album titled 'Bait'. The
Stockholm-based duo of Martin Thomasson and Johan Skugge bring a vast history of production behind
them, operating since the early aughts and known for their work in dub and minimal techno.
‚Bait' ventures into new territory for the project, delivering infectious strains of body music, new beat,
industrial and beyond coupled with soul-stirring vocals which quickly dig beneath the skin. The release is
about everyday manipulation, soft power and persuasion. We exist in a world in which corporate
management techniques are deployed in our everyday lives, nudging each other for short-term gain,
slowly hallowing out any lasting trust while ultimately all being crushed by a hyper-capitalist system.
From the opening synths of the title track to the ominous ending notes of 'Night Vision', we also uncover
funky grooves and diabolical floor shakers which remind us of something from the past but exist
perfectly in this corrupted new world. As is customary, the striking cover art was photographed by
Tomaso Lisca, and it’s a fitting piece for the record, depicting a tantalizing well-oiled machine, all while
something menacing lurks under the hood. More
Tracklisting:
A1 Bait
A2 Juice
A3 Target
A4 Sthlm Muscle
B1 Spastic Puppy
B2 Pocket Candy
B3 Night Vision
Info:
VEYL is pleased to welcome Harlem to the label for a new seven track album titled 'Bait'. The
Stockholm-based duo of Martin Thomasson and Johan Skugge bring a vast history of production behind
them, operating since the early aughts and known for their work in dub and minimal techno.
‚Bait' ventures into new territory for the project, delivering infectious strains of body music, new beat,
industrial and beyond coupled with soul-stirring vocals which quickly dig beneath the skin. The release is
about everyday manipulation, soft power and persuasion. We exist in a world in which corporate
management techniques are deployed in our everyday lives, nudging each other for short-term gain,
slowly hallowing out any lasting trust while ultimately all being crushed by a hyper-capitalist system.
From the opening synths of the title track to the ominous ending notes of 'Night Vision', we also uncover
funky grooves and diabolical floor shakers which remind us of something from the past but exist
perfectly in this corrupted new world. As is customary, the striking cover art was photographed by
Tomaso Lisca, and it’s a fitting piece for the record, depicting a tantalizing well-oiled machine, all while
something menacing lurks under the hood. More
Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180078
in stock
Last in:04.11.2024
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in stock
Last in:04.11.2024
Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180078
1
Lis Sarroca - Atacote
2
Lis Sarroca - Breaks Reminder
3
Lis Sarroca - Early Years
4
Lis Sarroca - Might Be
Artwork and Typography by Stefan Marx
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville More
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville More