With approximately 10,000 vinyl records sold the world over Robohands is a rising international star with his ambient & cinematic jazz stylings. A prolific producer, Robohands has released five albums since 2018 including his debut LP 'Green' released on Village Live records, incorporating elements of jazz, krautrock and ambient music."Thermae" and "The Atrium" have been streamed over 450k times across DSPs since being released in the fall. Support from BBC 2's Jamie Cullum (Best in Jazz), BBC Radio's Huey Morgan (including Huey's Album and Beat of the week), KCRW's Morning Becomes Eclectic, Soho Radio (UK), Paste Magazine and more

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With approximately 10,000 vinyl records sold the world over Robohands is a rising international star with his ambient & cinematic jazz stylings. A prolific producer, Robohands has released five albums since 2018 including his debut LP 'Green' released on Village Live records, incorporating elements of jazz, krautrock and ambient music."Thermae" and "The Atrium" have been streamed over 450k times across DSPs since being released in the fall. Support from BBC 2's Jamie Cullum (Best in Jazz), BBC Radio's Huey Morgan (including Huey's Album and Beat of the week), KCRW's Morning Becomes Eclectic, Soho Radio (UK), Paste Magazine and more

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BusCrates is a Producer / Synthesist / DJ hailing from the Steel City -Pittsburgh, PA. BusCrates blurs the lines between boogie funk and boom bap hip hop beats .Returning to Bastard Jazz following two well loved albumsBlasting Off(2020) andControl Center(2023). BusCrates counts big names such as Jazzy Jeff, Francois K, Dâm Funk, Rich Medina and Spinna as fans

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Pittsburgh synth wonder and beatmaker BusCrates presses two brand new tracks onto translucent vinyl for this cutting 7". On the A side, Anda channels her inner Gwen Guthrie on "Drift," with an anthem for the uncompromising types who will never hide their bright burning light. Lifted from BusCrates upcoming EP Altitude, "Drift" finds Buscrates and DJ Epik combining their arsenal of vintage synthesizers to produce a sophisticated, yet lowrider-ready boogie jam that recalls Deodato's overlooked work with the aforementioned Guthrie. On the back side, vinyl-exclusive "Serenity" is an instrumental offering that picks up the pace without disturbing the Minimoog meditation session.

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Kool Customer is a collaborative project from B. Bravo and Bay area singer Rojai that brings together the sounds of future funk, 80s boogie, and a little bit of strip club sleaze. B.Bravo is a 2010 graduate of Red Bull Music Academy with releases on Brownswood, Frite Nite and Ernest Endeavors. Support from the likes of Benji B (BBC Radio 1), Gilles Peterson, DaM Funk, Sweater Funk Collective . B. Bravo's shared the stage with artists like Chromeo, Dam-Funk, Flying Lotus and serenaded crowds across the world with his bass heavy outer space boogie and dirty grinding synth grooves at festivals like SXSW, Detroit Electronic Music Festival, and Sonar in Barcelona. Rojai (pronounced "ROW-JUH") is a San Francisco born singer emerging as a leading voice in the modern funk scene with a vocal range from a raspy, percussive island vibe, to silky r&b. As a frontman for Kool Customer and Latin-funk outfit Bayonics, Rojai has proven himself adept at crooning on any groove in his soulful timbre.

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POSY is the recording name of Rudy Klobas, Portland-based producer and multi-instrumentalist with a unique sound that intersects jazz, R&B, and electronic music. A true DIY and analog enthusiast, POSY plays every instrument but the horns onThe Gardenand recorded with vintage gear onto reel to reel tape. Has received extensive Spotify editorial playlist support having been added to Lofi Beats, Soft Office, Office Studio, Fresh Finds Jazz and more. Worldwide Radio support from stations like KEXP + KCRW (US), JazzFM, Soho Radio, + NTS (UK), 2SER (AU) and more

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Seattle's own Manatee Commune (aka Grant Eadie) makes his long-awaited return to Bastard Jazz with his fourth album, 'Simultaneity'. Lush and vibrant production is familiar to his previous works, though Eadie has significantly matured in the activation of space and character. A step away from standard songwriting, and a total disassociation from lyrics at all, has made this record closer to the ambient genre than anything Manatee Commune has released, all the while keeping one solid foot in the realm of dance music. 'Simultaneity', as a whole, is an exploration of the collision between texture and time. Captured recordings reminiscent of wind in wheatgrass, soft rain showers in the open plains, and cascading beach sand wash over the mix, splashing into warm drones and ascending melodies that cleanly syncopate against a steady rhythm. Though decidedly electronic at times, a raw human element is ever-present in the form of a vocal motif: just tiny moments of a loving voice lost in a sea of reverberation. The album is a noticeably positive evolution from previous works. All nine tracks depict a calmness and subtlety in musicianship, relying primarily on tenuous snippets of live instrumentation and synthesis that hypnotically coil and coalesce with one another. 'Love Tone', the opening track, features Eadie's partner, a small voice memo clipped and expanded into an ethereal vocal melody. A crisp felt piano delivers a complex arpeggiation in 'Mosaic', a warm sonic bath scape reminiscent of Olafur Arnalds or Kiasmos. Simple, undemanding bass lines drive tracks 'Path' and 'Faulted', though their simplicity is contrasted with a variety of patterns that combine to create unique auditory shapes, both building and landing in satisfying climactic movement. The album culminates in the final track, 'Touch Theme', where a block of sound in the form of a broad, open synthetic chord warms the ears, eventually twisting and shifting to rhythmic chunks that shove against a familiar house rhythm.

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Vancouver duo Potatohead People (aka the duo of Nick Wisdom & AstroLogical) make their long awaited return to Bastard Jazz with their 4th album, 'Eat Your Heart Out'. Jumping off on the clean & musical production sensibilities that they have become heavily fetishized for over the last decade, the album finds the duo further stepping out from the shadow of the boards and stepping into the spotlight as vocalists, songwriters, players and musicians standing strong in their own respect.

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F.I.D.E.L (Further Individual Delusions) is the avatar project of Paris-based composer/producer/A&R, R.DIlouya (Omar, Sly Johnson, N'Dea Davenport, Gyste`re, Oxmo Puccino etc - Blue Note Records, Universal Jazz, Heavenly Sweetness). UK Funk & Soul and Northern Soul Legend, John Turrell (Smoove & Turrell - BBC Fantasy Funk Band - Jalapen~o Records) and French Hip-Hop, Soul and Jazz major force, Sly Johnson (aka Sly the Mic Buddha - Multi-Platinum selling supergroup Sai¨an Supa Crew - BBE Records). Hailing from North Paris and Northern England, F.I.D.E.L pays tribute with Out Of Sight to the great Post-Disco, Boogie and New Wave pop songs that shaped the world's collective unconscious at the twilight of the Thatcher / Cold War Era. F.I.D.E.L takes this as a jumping off point and channels its sound through the care and the musical craft of the past to a yet more modern soundscape using Prophet Synthesizers, Clavinets and Drum Machines to create a fast, nervous, funky, ironic and intoxicating satire of modern-days in our now post-COVID western societies. While most of the musical heavy lifting is done by Dilouya himself, Turrell lays down socially anchored lyrics, rooted firmly in the gritty, no-nonsense world of a working-class man, tracks such as All About Love , Straight Down to Heaven or (I Don't Give a Sh*t About) Summertime show the depths of this man's repertoire. Sly Johnson lets his soul rip with a gut reaction to 21st century tech-infused populism on Out of Sight and Star 51. This musical connection fused the fun-loving, loud-speaking, trouble-making friends and made them explore with irony and sarcasm the paradoxes of their time to produce what will remain as a unique body of work, testifying to the ambivalence of a generation oscillating between social concern and the desire to party! Recorded over two week-long studio sessions in Paris, Out Of Sight showcases Dilouya's timeless songwriting and bold production style, setting the perfect ground for John Turrell's instant classic vocal performances and Sly Johnson's revered musicianship and versatility. Electrifying performances from German songstress Noraa (Out of Sight , Heartbeat) and SciFi- obsessed DKO Records' front man Larry Houl (Odd Things) complement F.I.D.E.L's take on how and why music shapes our critical sense and appetite for escapism.

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A long Awaited Special Edition Re-Issue of Potatohead People's seminal "Nick & Astro's Guide To The Galaxy, pressed on Black & Red Swirl Vinyl. Comprised of Vancouver producers and multi-instrumentalists Nick Wisdom and Astrological, Canadian duo Potatohead People boast a number of noteworthy accolades thanks to a their signature sound drawing influences from 90's boom-bap, future soul, classic jazz, deep house and boogie/funk. Beginning with a series of EP's, including their landmark "Kosmichemusik" EP, Potatohead People's productions quickly made their way to artists like Illa J who tapped the duo to produce his now critically acclaimed self-titled album, as well as producers like Kaytranada (who co-produced Illa J's "Strippers" with the pair). Supporters such as Soulection, Nightmares on Wax, De La Soul, Pomo, DJ Spinna, Big Boi, and Phife Dawg have also played formidable roles in championing the sound of Potatohead People worldwide. Nick & Astro's Guide To The Galaxy(originally released May 11th 2018 on Bastard Jazz) showcases a leap forward in production chops, musicality, and songwriting for the duo. The first single "Quest For Love" "with its neck snapping drum break, lush rhodes chords, cosmic synths, guitar & horn flourishes and unexpected musical changeups bring in the hip-hop infected musicality the duo has become so loved for, while Nick & Astro collaborate vocally on top. "Morning Sun" featuring Danish vocalist (and Anderson.Paak collaborator) Nanna.B is in part a melancholy piece with knocking drums, an infectious bassline and a soulful, shimmering hook, while "Do My Thing" featuring Canadian singer Kapok and Illa J is a neck-snapping Hip-Hop joint perfect for the dancefloor. "Liftin' Up" featuring San Francisco's K-Maxx ventures into West Coast boogie territories, while the album's closer "Rituals" goes for a deeper more atmospheric electronic vibe.

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*Special Edition Reissue of Potatohead People's critically acclaimed 2020 album "Mellow Fantasy" pressed on beautiful blue & black splatter vinyl*
Potatohead People's much lauded and instantly sold out third LP Mellow Fantasyis back with a very limited edition black & blue swirl vinyl repress. The album showcases the trademark instrumental prowess of the duo and their ease with the loose but hard-hitting drum style brought to the fore by Jay Dee's influential productions, but goes well beyond basic boom bap bread and butter, with singer-centered R&B and uptempo bumps sharing the stage. On this album, Potatohead People have widened the frame of their progressive musical vision and deliver a far-reaching yet approachable set of moods and grooves. On Mellow Fantasy, they had some impressive inspiration. De La Soul immediately connected with "Baby Got Work," a sophisticated slap that went through several iterations before settling into its ultimate form. Appropriately, the song's diligent construction echoes the ethic of the grind in the clear-eyed, precisely dovetailed lyrics fans have come to expect from the Daisy Age don. Befitting Potatohead People's origins as a hip-hop group, cameos from Illa J and Slum Village's T3 on the summertime teaser "What It Feels Like" and Vancouver veteran Moka Only (the sassy, vanity take-down "Ungodly") add to the unimpeachable rap bonafides.

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On "Tambor De Cura", producer Daniel David (The Pendletons) and Bay Area staples Jazz Mafia team up with Rio De Janeiro artist Guinu to cook up a genre defying dancefloor hitter that blends dirty analog Brazilian funk, sci-fi synth sounds and raw horn lines with an unstoppable bass hook. Midway, the song transitions into a Samba break with a beautiful trumpet solo, while seamlessly returning to its infectious house tempo. Guinu's passionate vocals highlight the healing power of the music. On "Devotion", producer/singer and multi-instrumentalist Daniel David (The Pendletons) teams up with Jazz Mafia to bring a rich up-tempo offering. Building off of a hypnotic jazzy house piano and tapestry of congas and live percussion, Daniel soulfully paints a picture of connecting to spirit through one's inner world. Jazz Mafia's driving horns build throughout, propelling the track, with relief by an energetic drum breakdown and conga solo.

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Bastard Jazz is proud to present the debut EP from producer and multi-instrumentalist Simon Mavin. Most well known as the Grammy nominated keyboardist/co-producer and co- writer of the celebrated Australian band Haitus Kaiyote, Simon's had a hand in multiple projects across the spectrum, but has yet to release under his own moniker until now.The EP, which features two original tracks and two remixes from fellow Aussies Harvey Sutherland and Close Counters starts out was recorded in-between projects at the Grove, a small recording sanctuary in Melbourne. In Simon's studio, he had installed a library of keyboards. 30-40 synthesizers, all of which were painstakingly patched in to be simultaneously accessible and ready to record in an instant. A drum kit in the corner was constantly mic'd up, and everything routed through a multitude of analog mixing desks providing different flavours of tone and texture. The Grove had such appeal that it was chosen as the studio to record the Gilles Peterson compilation 'Sunny Side Up' on Brownswood Recordings.Things kick off with "Good Hair Day", a track originally blossoming from an infectious piano loop in which fellow collaborators Nick Lam and Henry Hicks added guitar parts and bass parts. What's resulted is a danceable, infectious feel-good dancefloor jam with an ultra funky synth bassline that harkens back to Herbie Hancock's 1970's repertoire. Harvey Sutherland takes the tempo up and takes the track deeper into outer space with deep synth work, four on the floor drums, and a punchy bassline for late night sessions.On the flip, "Only You & Me" is a lower tempo, slow burning joint with a live drum loop played by Nick Martyn, with an alien bassline, squelching keys, otherworldly oscillating vocodor parts and jazzy keyboard solos. Up and coming trio Close Counters take the song into new territory, stripping things down with a classic Broken Beat vibe, a driving bassline and synth stabs from the original, moving things squarely on the dancefloor – definitely atrack for the breakers in the building.

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The only track with vocals on Steel City electro-funk wizard Buscrates' second full-length album is "On My Way," where Soraya Watti's smooth and soulful tones prove to be the perfect addition to the Buscrates machine. This is exactly the kind of cut that used to cause rewind buttons on boomboxes to get their wear back in the day. It's a great indicator of the mostly-instrumental delights which await you on Crates' much-anticipated album release.

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After a huge year of travelling in 2022, playing DJ sets in more than 30 cities across 10 countries, Captain Planet dove back into the studio to create his 5th and most ambitious album to date- Sounds Like Home. Taking a turn toward the more organic, retro sounds of artists who originally inspired him as a young musician, Charlie Wilder (aka Captain Planet) flexed his composer and bandleader muscles- incorporating horn sections, strings and acoustic drums more than the big club focussed electronic sounds he has often come to be known for. "The basic concept was to make a record like the ones I constantly pull off my shelves at home and play on the weekends. The records that turn into living room dance parties with my family, the soundtracks while I'm cooking, the music that fills the backyard for lazy hang outs." An avid vinyl record collector and musicologist since his teens, the Captain has a near encyclopedic knowledge of music from around the world, particularly artists from the 60's and 70's, which is the era that inspired much of the sonic texture on this new album. In classic Captain Planet style, a kaleidoscopic array of genres from around the world find their way into the mix- Brazilian disco, Latin funk, Jamaican dub, Middle Eastern psychedelia, and American soul music. While this diversity may sound more like a mixtape, the Captain's trademark uplifting vibe and impeccable knack for building a great groove, provide the special ingredients that pull it all together and makes the sauce work. The Fader wrote "the Captain is a walking 'recommended vinyl' section from the best record store you've ever been to", because all his deep love and appreciation for classic music comes right through him in his original songs. Throughout this album you'll hear echoes of timeless artists like Cymande, Gilberto Gil, Ray Barretto, Curtis Mayfield, Mulatu Astatke, and Gabor Szabo, all funneled through the Captain's modern musical sensibility, shaped by nearly 2 decades of being a professional world-traveling DJ.

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Denver producer and visual artist John T. Hastings aka RUMTUM returns to Bastard Jazz for his second album on the label, "Arcadian Daze". The album is a contemplative drive down a nostalgic highway, reflecting on a period of his late adolescence growing up in Ohio, spending time at Arcadia Beach on Lake Erie and discovering the likes DJ Shadow, Madlib, Fila Brazilla, early Four Tet, the original Ninja Tune roster and more. Revisiting these coming of age memories, John purchased an older MPC 2000XL and set out to musically capture the excitement of putting his first nascent loops together, inspired by this pivotal era of electronic music that has since birthed movements like such as Lo-Fi/Chillhop, Vaporwave, LA's mid-2000s Beat Scene / Low End Theory, etc. The end result of "Arcadian Daze" is indeed filled with that nostalgic spirit paying homage to those aforementioned sounds, but also presents a forward thinking musical palate that's very much grounded in RUMTUM's sensibilities as a producer and time spent learning to program new & vintage outboard gear. The album moves away from the warm, dreamy sounds of last year's "Isles in Indigo" LP, and touches more into a mystical, pensive vibe with elements of darkness and light.

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Brazilian artist Acid Asian steps up to Charlotte de Witte's KNTXT imprint with his Deep Soul EP, which explores the many different facets of his sound from rap and trap to techno and psytrance.Fábio Seiki is São Paulo-based and started this project in 2020 during the pandemic. Since then he has made an impact with his fresh blend of influences and love of his 303. In 2022 he was the first artist to release on Charlotte de Witte's sub label, RPM, with his Break Into Acid EP and followed it up last year with The Night EP. Opener 'Deep Soul' is hard and fast with a hypnotic vocal and gurgling acid lines that shoot through the mix to electrifying effect. 'Space Colors' has slamming drums that are lit up with bright, shiny trance chords and underpinned by a rugged bassline that is sure to raise the roof. There is a fantastic rhythm to 'Ain't Nobody Like Us' with its fresh drum patterns and funky edge, narcotic trap vocals and trippy synths. 'Humans' shuts down with ghoulish vocal sounds and squelchy synths all stuffed into a driving, unrelenting hard techno groove. This is a wonderfully expressive new EP from Acid Asian.

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“How You Move” is a testament to de Witte’s signature style of pushing boundaries and encapsulating the raw essence of the techno genre. The release boasts a fusion of pulsating acid and a mesmerizing energy that promises to resonate deeply with listeners, mirroring the intense, adrenaline-fueled experiences of her live performances.

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Parallelle & Nicolas Masseyeff return to Crosstown Rebels to deliver the excellent ‘Surrender’, backed by a remix from Axel Boman. Returning to the iconic imprint following the trio’s stand-out ‘Renegade’ EP in 2023, the new collaborative release, set for release on 10th May 2024, welcomes two hypnotic cuts alongside a slick rework from the Studio Barnhus co-founder.

Three talents with a long-standing and innate musical connection stretching back years, Dutch brother duo Parallelle and French DJ/producer Nicolas Masseyef have been connecting and collaborating to shape a series of lauded projects released via renowned imprints such as DGTL, Systematic, and Masseyef’s own Diversions Music. Reuniting for a second outing on Damian Lazarus’ Crosstown
Rebels imprint, following the success of their 2023 debut with the heavily championed ‘Renegade’, the trio return in style with two fresh, original productions backed by an ever-stylish remix from Studio Barnhus co-founder Axel Boman, who returns to deliver his second remix on the label following his debut remixing Dinky in 2016.

The EP’s title track ‘Surrender’ is a rumbling and impactful percussive journey through the darker territories of the night, with skittering synths and echoed vocal interjections adding glimpses of brightness to the otherwise murky sound. Meanwhile, ‘She Says’ keeps the playful vocal elements front and centre, introducing warping melodies and dub-tinged textures. Providing his flip on the latter, Boman’s take on ‘She Says’ is classy and engaging from the off, stripping the track back to expose a raw yet polished interpretation while drawing on hazy pads, eerie tones and sweeping atmospherics for a wonky and trippy excursion.

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