Tracklist:
A1) Finite Jest 01:09 min
A2) Running To Chris 03:04 min
A3) Wild Ride 02:48 min
A4) Sacramento 03:55 min
A5) You Can’t Put Your Arm Around A Memory 03:03 min
B1) Chasing It (Again) 03:44 min
B2) Big City 03:20 min
B3) Body High 01:39 min
B4) Stockholm 06:08 min

Short info:
When he‘s not writing or recording, Baba Stiltz immerses in fearless fiction by the likes of Denis
Johnson and Dodie Bellamy; prose where pedestrian details become transcendent in aggregate and
the inner lives of marginal characters are examined as though they were kings. A similar thesis runs
through „Paid Testimony“, the essential second tape of minimalist guitar music from the FilipinoAmerican-Swedish artist.
In recent years, Stiltz has made like Lee Hazelwood‘s Cowboy In Sweden in reverse, making annual
pilgrimages from Stockholm to California and reconnecting with his roots via a guitar and a Fostex 4-
track. He‘s drawn to the less glamorous corners of the golden state, an observant habitué of unkempt
streets and dive bars stretching from LA to Vacaville. It‘s a long stretch from the jetset techno clubs
where Baba originally plied his musical trade, but it‘s where he finds characters and ideas worth
writing about.
The characters on „Paid Testimony“ are on the edge and on the run. Surrounded by flawed men with
big schemes since childhood, he extrapolates characters who plot bank heists and order milk and
vodka in AM hours, the type of confrontation- prone characters who „say some shit, make everyone
uncomfortable and then just split.“ To focus on the rawness
of this document would discount the humor and sympathy with which he treats his characters, not to
mention the subtly- psychedelic songwriting recalling David Berman, early Smog, the original indie
rock minimalist poets.
On the final song, Stiltz looks back on the city that raised him, „Stockholm,“ referencing „young
professionals carelessly living“ before adding „I can‘t say I‘m not jealous even though I live my life just
like they do.“ There‘s an honesty in the small details revealed on „Paid Testimony“, and a defined
sense of place, be it Stockholm, Sacramento or some dim barroom across from the Bank Of America.
Baba doesn‘t quite fit in anywhere. This outsider quality has often been used as a marketing tool, yet
here, it lends a writerly aspect to the proceedings, an unreality to the everyday.

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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx

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Format: 4x12"LP

Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO



Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More

Limited Hand Numbered 2LP Blue Vinyl with 24 page book
Territory: Sales Only to: Germany, Austria, Switzerland, France


”Twenty years ago, something magical happened. In the space between technology and ideology, two terms that have been
fighting each other to define the days that have come since, an album appeared. A collection of songs that seemed defiantly out
of place. Yet somehow these songs knew themselves. Which, thinking back on it now, better explains why their creator, a young
Swedish musician called José González, felt so familiar to us so quickly.” Zane Lowe on José González’ Veneer.

Today visionary singer-songwriter and guitarist José González has announced the release of a 20th Anniversary Deluxe version of his
uncompromising, candid, game-changing debut album (2003) Veneer. It features newly remastered audio of the seminal album as well as a
bonus disc, comprising 13 intimate recordings from his historic 2003 performance at Gothenburg Concert Hall.
The 20th Anniversary Deluxe Version of Veneer will see release on limited edition double blue vinyl and digitally on October 27th, 2023 via
Peacefrog Records. It features a hand-numbered gatefold and a 24-page booklet filled with archival photos, essays, a song-by-song guide
from José and more.

Veneer made an indelible mark in its understated, expressive brilliance and cemented José González as a meticulous sonic craftsman and
songwriter of singular talent. It’s hard to believe an album recorded with the most basic equipment in a cramped Gothenburg flat could end up
going platinum, not only in Sweden but also the UK, selling well over 1 million copies worldwide. It’s harder still when one acknowledges that,
aside from one brief trumpet solo and the slightest hint of percussion, the record features just one hushed voice and the dexterous picking of an
acoustic guitar’s nylon strings. But 2003’s Veneer was such an album, charting in several countries in the world, and eventually making Top 10
in the UK, thanks in part to its delicate, evocative cover of The Knife’s “Heartbeats”.

Praise for Veneer:
Magical... a supreme talent, reminiscent of the late Arthur Russell The Guardian
Veneer draws you in, it’s easy to believe that the young Swede could begin his own cult The Times
Spine-tingling The Sunday Times
Jose Gonzalez really is a rare find The Times (live review)
Gorgeous, in a word Observer Music Monthly
A fresh and intriguing talent The Independent
Affecting soulful poignancy, a quietly impressive debut The Daily Telegraph
Enormous talent The Sunday Telegraph
An intense talent Time Out
In a world of musical clones, the Argentinian Swede is a thrillingly original new talent The Sun
It's an exquisite, almost solemn privilege to be invited into Gonzalez's world Metro
Extraordinary Uncut
The most intimate music you’ll hear all year Q
Dark, still, yet oddly powerful Mojo
Wonderfully accomplished... a serious talent to watch out for, this year
and beyond Clash
Jawdroppingly special, a rare talent Fact



Tracklisting:
DISC 1: Veneer Remastered:
1. Slow Moves
2. Remain
3. Lovestain
4. Heartbeats
5. Crosses
6. Deadweight On Velveteen
7. All You Deliver
8. Stay In The Shade
9. Hints
10. Save Your Day
11. Broken Arrows

DISC 2: Live In Gothenburg 2003
1. Deadweight On Velveteen
2. Save Your Day
3. Storm
4. Crosses
5. Hints
6. Suggestions
7. Heartbeats
8. Love Will Tear Us Apart
9. All You Deliver
10. Stay In The Shade
11. Remain
12. Hand On Your Heart
13. Cello Song More

Tracklist
A1. Manticora - B1. Celeno - B2. Aello

Shortinfo:
It's a match made in heaven, techno veteran Dino Sabatini meets up and coming talent Luigi Tozzi, who over the last couple of years has delivered stellar EPs for the likes of Hypnus Records, Dynamic Reflection, Mental Modern, and Sabatini's own Outis Music. Anyone familiar with the two will know they share an aptitude for adventurous and evolving techno. This is crystallised in this collaboration, which doesn't take the easy path of creating straightforward club tracks. Instead, the three tracks on this release explore the subtler sides of the two producers. That's not to say this isn't club music - it
is - but they have a lot more to offer than pure functionality. The EP opens with Manticora. This eight-minute experience takes the listener through
winding claustrophobia as ringing feedback pulses across the stereo field and cavernous rhythms dance about, hard to quite grab. These rhythms build to a point to which they solidify and fall into place, a point at which the track gains a feeling of propulsion, alongside shifting and emotive reverberations and resonances. Next up is Celeno, a track that slowly unravels under a backing of shuffling hats and a rolling kick drum. Twinkling synths swirl around before giving way to a rhythmic and compelling melody. Celeno's musical themes continue into the third and final track, Aello, which eases you in with softer drums while a haunting drone builds up. Over this, ghostly arpeggios develop alongside weightier drums that carry the track through until the end, leaving just enough time for the drone to ring out and provide a fitting end to the EP.
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