DJ Support: Jamie Jones, Marco Carola, Joseph Capriati, Enzo Siragusa, Samuel Deep, Chris Stussy

Closing another remarkable year for himself and his label Up The Stuss, Amsterdam-based tastemaker and label boss Chris Stussy returns for one final musical escapade before ushering in the new year - once again showcasing his signature touch for blending deep grooves with subtle flair and undeniable energy.

Expect a journey through rich sounds and deeper realms as Stussy strikes gold once again.

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A1 - Central Frenzy
A2 - Riva de Biasio
B1 - Deviant Shadow
B2 - A Glimmer of Hope

Kerri Chandler’s Kaoz Theory welcomes Amsterdam’s Chris Stussy onto its roster with the ‘A Glimmer Of Hope’ EP.

Amsterdam based producer and DJ Chris Stussy has become one of the most eminent figures in the contemporary house scene of the Netherlands and across the globe over the past five years, racking up releases on the likes of Eastenderz, Moscow, PIV, Contstant Sound and most recently his own Up The Stuss imprint. Here though he delivers his new four-tracker for Kaoz Theory.

Leading the release is ‘Central Frenzy’, laid out across six and a half minutes with skippy percussion, a snaking bass groove, intricate synth sequences and sweeping vocal chants. ‘Riva De Biasio’ follows and tips the focus over to airy atmospherics a jazz-tinged bass groove and squelchy acid licks atop swinging drums.

‘Deviant Shadow’ opens the flip-side and merges an amalgamation of expansive dub chords and bouncy sub bass tones with a robust 4/4 rhythm. Lastly to round things out is title-cut ‘A Glimmer Of Hope’, wrapping up the release on a deeper tip courtesy of ethereal pad swells, metallic synth licks and shuffled drums.


Early DJ Support:

Kerri Chandler, Chris Stussy, Archie Hamilton, Groovesh, Vlad Caia, Andrey P Ush Krav, Thor, Masimillano Pagliara, Dubtil.


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Chris Stussy broke through in double quick time with some head turning house tracks. But what is important is that he has continued to back up that early promise years later with this EP on Moscow. He is now very much a key part of the underground with a sound that is all his own and has taken him to essential labels like Djebali, Rutilance, Eastenderz, Meta and, of course, PIV. He now makes his debut on Archie Hamilton’s Moscow records, and delivers 3 of his finest tracks to date. The EP kicks things off with ‘Wake Ning’, a deep, groovy track with a timeless, summertime feel. The B side boasts another 2 high quality tracks, Nunchi with a slightly tougher and Sonaris tying off the record perfectly in a deeper style. 3 classically infectious tracks from the Dutchman.

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Chris Stussy touches down on Dj Steaw’s House Puff for the very first time to present you the ‘Positive Mind EP’. (A1) ‘Positive Mind’ kicks things off with very refreshing chord sounds, catchy b-lines and church voices that lead you dreaming in the breaks. (A2) ‘Alone In The Dark’ is a dance floor orientated track that keeps you moving all the way through. (B1) On the flip-side ‘You & Me, Together’ has that typical Stussy style with a bumpy bassline combined with deep and dreamy chords, next to some crunchy 909-drums. (B2) Cabinet Case rounds off the package with warm attitude via blissed out synth pads and a delightful MPC swing on crispy hi-hats.


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The 8th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists3 depp groovy vibes delivered by Chris Stussy ! It comes as usual with a remix of the previous artist on the label : Kokaz !



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Having brought us his Ladies Night EP back in March alongside partner in crime Bas Roos; Dutchman Chris Stussy returns to the fold. This time flying solo on his Nightdriver EP. Steering away from the sample-stacked party peakers of his previous outing, Stussy delivers a more subtle and refined four track selection that opens with the shuffle and smooth chords of 'Nightdriver'. The warm bass and glistening keys of 'Crate Diggin'' takes up the beat baton, before 'One Way' ups the ante with its insistent and irresistible groove. Finally Chris caps this impressive outing with the disco infused, smooth flow of 'Lonely'.



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Locklead returns to Up The Stuss with his latest solo outing, ‘Unison’.

Whether flying solo or linking with partner in crime Chris Stussy as one-half of Across Boundaries, in-demand DJ/producer and live act Locklead continues to shape his take on contemporary house music.

Having crafted a reputation as a go-to name for many with his sophisticated yet club-ready sound, his releases on Up The Stuss have showcased his refined ear and dancefloor instincts to their fullest.

Now, the Utrecht-based artist is back as he adds to his debut album ‘Square One’ and the hazy ‘Moon’ with a new solo EP on the label, delivering a four-track selection that encapsulates his signature style — deep, hypnotic, and brimming with energy.

‘Unison’ sees Locklead flex his production prowess across a quartet of distinct yet interconnected cuts, each showcasing a different facet of his ever-evolving sound.

A long-awaited anthem that has been the subject of ID requests for months, the title track brings a vibrant and immersive groove, balancing intricate textures with rolling energy, while ‘Apollo’ is a high-octane affair laced with raw drums and punchy stabs, primed for peak-time impact.

‘Mystic Nights’ ventures into dreamier realms, guided by rich pads and fluid basslines that create a hypnotic flow, before rounding things out with ‘STFUATYXP’, a dose of cosmic funk with shimmering synths and crisp percussion, perfect for moving those late-night and early hour dancefloors.

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Longtime collaborators and close friends Burnski and Kepler bring their unique blend of groove-laden energy and refi ned production to Chris Stussy’s Up The Stuss imprint to get the label’s 2025 schedule moving in style. Showcasing their synergy across the EP, the pair seamlessly balance their shared vision while carving out space for their individual artistry. On the A-side, joint efforts shine with the hypnotic swing of ‘Solstice’ and the bumping, refl ective charm of ‘Contemplate’. The B-side turns the spotlight on solo creations, with Burnski delivering his glistening, late-night trip ‘Give’ and Kepler unveiling the captivating and vibrant ‘Transcend’.

Having made waves on Constant Sound, both artists bring a balance of experience, freshness and respect to the table whenever collaborating, and now, with their ‘Solstice’ EP, they deliver another bold statement to kickstart the year.

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DJ Support: Jamie Jones, Marco Carola, Joseph Capriati, Enzo Siragusa, Samuel Deep, Chris Stussy

Closing another remarkable year for himself and his label Up The Stuss, Amsterdam-based tastemaker and label boss Chris Stussy returns for one final musical escapade before ushering in the new year - once again showcasing his signature touch for blending deep grooves with subtle flair and undeniable energy.

Expect a journey through rich sounds and deeper realms as Stussy strikes gold once again.

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A mastermind in showcasing various shades of house music in their inimitable manner, Danish-born, Amsterdam-based DJ/producer Samuel Andre Madsen, aka S.A.M., stands as a rare talent within the current house landscape. Whether crafting trippy, cosmic and psychedelic late-night excursions, delicate, hazy journeys, or groove-driven, heady cuts, their studio naus and innate musical talent has seen them release via a list of leading labels while heading up their own Delaphine, Dahlia and Oscillat imprints - not to mention their longstanding role as one-third of globally renowned trio Mandar. Returning to Up The Stuss following their stand-out collaborative ‘Get Together’ project with label boss Chris Stussy three years ago, 2024 welcomes a blissful late summer outing with the excellently crafted ‘Check It Out’ EP. From the deep, captivating and hypnotic sonics of the title track to the skippy Tiger Balm’, the bumping grooves of ‘Race To Lose’ and the classy tones of ‘Forever Rhodes’, prepare to be transported across the house realm with yet another faultless EP from one of the best around.

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If debuts are anything to go by, the return Across Boundaries on Up The Stuss is a guaranteed treat. A collaborative project born out of mutual passion and understanding between two close friends, Chris Stussy and Locklead’s joint guise has taken the house landscape by storm, and the pair are only one release into their exciting journey. Merging signature sonics with future-focused ideas, the project takes cues from its name and sees the pair bridge genres and influences to deliver a raw and impactful take on house music - something on show here with their sophomore offering, ‘Synergy’.

Created to showcase a deeper side to their diverse sound palettes and a project for the duo to express themselves differently to their own solo sets and productions, the latest five-track EP contains a kaleidoscope of sounds and textures to soundtrack moments from sunrise to sunset and beyond.

Another essential pick-up to tick off your want list.

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An artist needing little introduction, having crafted a playful yet impactful sound that is entirely his own spanning house to breaks, electro and beyond, Cologne’s Kolter continues to prove exactly why he’s in such high demand as a producer and a DJ. Following his debut on Up The Stuss back in 2021, his releases since have landed via labels such as Solid Grooves, Shall Not Fade, Pilot, Berg Audio and his own Koltrax imprint, and he picks up right where he left off with a long-awaited return to Chris Stussy’s admired imprint with four cuts that have been in heavy rotation for the label boss for months. From the hooky vocal samples to the rumbling groove and vibrant bass guitar licks, title track ‘That Was Fresh’ brings the arrival of one of the German’s most requested anthems to date. Add in the helter-skelter electronics and glitchy sonics of ‘This Is It’, the breaks-driven and resonant ‘Feel’, and the hazy yet driving ‘I’m Fine, Thanks!’, and the four tracks showcase Kolter at his best as he makes a triumphant return.



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Lee Burton makes his debut on Up The Stuss with ‘Sinewaves’, a five-track collection of expansive house cuts representing his impactful sound.

With music released via Dorian Paic’s renowned raum…musik through to John Dimas’ Elephant Moon and Berlin’s Taverna Tracks, Greek DJ/producer Lee Burton has been a firm favourite for those in the know, having been embedded within the underground minimal/house scene for the past decade. A constant when it comes to providing ‘secret gems’, with his records in rotation amongst the record bags of leading names across the globe, Burton’s talent as a DJ has also seen him grace legendary parties and institutions from NYC’s ReSolute to Berlin’s Club der Visionaere. Next up, his latest studio voyage brings an impressive label debut on Chris Stussy’s Up The Stuss, opening the imprint’s 2024 schedule in style.

From the acid-electro fusion of opener Sinewaves’ and the breezy tones of ‘Burning’, through to the up-tempo and intoxicating sci-fi sonics of ‘ITICF’ and the modulated, electro-funk of ‘Love Motion’, each track provides a unique slice of Burton’s vast sound palette, crafting an EP that covers all hours of the night. Sprinkle in the digital bonus ‘Oxytocin Overdose’, contrasting squelchy tones and classic chords with that infectious topline, and it’s another must-have record on the imprint.

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Varhat unveils fresh music for his Up The Stuss debut ‘Breaking Out’, with Canadian favourite Paolo Rocco returning on remix duties.

When it comes to artists who have managed to carve out and command their own unique place within the modern minimal and house scene, French DJ/producer and live artist Varhat is a name you have to include at the top end of your list. The creative behind an endless list of aliases, plus multiple Unknown Artist projects and mysterious labels via Paris’ illustrious Yoyaku, he now readies an impressive outing on Chris Stussy’s Up The Stuss imprint, delivering an eclectic selection of house cuts for all hours and settings.

From the delicate electronics and hazy tones of the opener and title cut ‘Breaking Out’ to the acid-laced, driving rhythms of ‘Nobody’ and the slinking, signature sounds found within ‘Mopho’, the EP is a celebration of all things house music from one of its modern contemporaries. Add in a deep, dubby and cosmic trip from the returning Paolo Rocco on remix duties, and there’s a slice of genius here for everyone to enjoy. Tip!

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Purple Vinyl!

A true modern-day pioneer of house music, Amsterdam-based DJ, producer, and label owner Malin Genie is only getting better as he continues to add to his rich catalogue of releases.

Whether producing darker, more-minimal leaning productions on his Vigenere imprint through to his contributions alongside Lazare Hoche and S.A.M. as 1/3 of Mandar, his wide-reaching sound sees his productions primed in the record bags of the scene’s most renowned names, with his ‘Phaethon EP’ providing a perfect showcase of this talent.

Welcoming a collection of house gems from across the spectrum - from glistening, resonant synth-driven productions to skittering low-end heavy cuts and warping, twisting efforts - this is arguably his most diverse release to date as he marks his return to Up The Stuss in exemplary fashion.

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Known for creating enriching house music, Italian Canadian DJ and producer Paolo Rocco is in fine form once again as he makes his first outing on Chris Stussy’s up the stuss imprint.

Delivering a selection of silky, classy, deep, and spaced-out trips his “To The Stars And Beyond” EP is an exemplary showcase of his vast talent in the studio.

The package comes reinforced with a stand-out remix courtesy of mandar member and Vigenere boss Malin Genie.

If you’re after a cosmic journey loaded with classic nuances, look no further.

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Up The Stuss goes down under as Sydney's Litmus steps for the label's tenth release. A bubbling member of Australia’s house and minimal scene, his productions via No Art, Piv And Dailycid have seen the exciting Aussie emerge onto the global landscape and make some noise.

Continuing in slick fashion, his 'Plus One' EP showcases a wealth of vibrant solo flavours while partnering up with Berlin's Black Loops for a crisp collaborative sprinkling of house delight - all backed by French live act and man of the moment Leo Pol as he delivers a heady, piano-driven remix of the title cut.

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Format: 2 x 12 Inch, One Pink, One Purple, Picture Sleeve!

One of the Netherlands most exciting rising names, Utrecht’s Locklead is emerging into the spotlight in style. Known for serving up heavy-hitting stabs of dancefloor driven material across SlapFunk, Pleasure Zone and Dungeon Meat, he now takes things deeper and brings his surging momentum to countryman Chris Stussy’s Up The Stuss imprint for the label’s first album release.

Stepping out into fresh territories, his eight-track debut LP ‘Square One’ showcases a previously unseen side to the Dutchman, revealing a collection of lush, deep journeys coupled with crisp house and vibrant, spacey cuts along the way.

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An artist at the heart of Berlin’s rich scene, DJ and producer Sota looks set to continue his sharp upwards trajectory as a name to know. Welcoming four intelligent, expansive cuts combining slinking low-end grooves, sci-fi electronics, and sweeping interludes, the Dutchman’s ‘Pelican Club’ EP showcases his take on house music for the early morning hours as he touches down on Up The Stuss for the label’s sixth release.

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12 Inch, White Vinyl, Picture Sleeve
A1 – Holo
A2 - Bec’s Groove
B1 - Jazzed In Time
B2 - Jazzed In Time (Chris Stussy Remix)

One of house music’s most prolific producers, London’s finest East End Dubs delivers the second release on the imprint with three cuts in his trademark style, accompanied by label founder Chris Stussy on remix duties.






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