Tracklisting
A1 Kolter - DX7 Together
A2 Kolter feat. Leo Pol - Please Come To My Show
B1 Kolter - Up in the Sky
B2 Kolter - Up in the Sky (Cinthie remix)

Sales Note
Shall Not Fade regular Kolter returns to the label for his fourth EP, continuing with the luscious warm sounds that house fans from all around the world have become accustomed to. This time Kolter welcomes the incredibely talented Leo Pol on track 'Please Come To My Show' where Leo co-produces and also sings on. The B-SIDE also features a deadly remix from the amazing Cinthie!

Please Come To My Show EP drops November 24th via Shall Not Fade. More

Johannes Kolter is Kolter and is also a producer who went under the name DJOKO. He's been busy this year with plenty of goodness dropping including an album and three EPs. Now comes hit sone, again on his home label Pilot. It is inventive stuff that functions well on the floor as it straddles the worlds of breaks, house and plenty more. 'Got High Again' is lively and dynamic with its squealing leads and dusty breaks, then 'Weirdo' layers up leftfield melodies and blurts of playful synth modulation. 'Prospekt' is a wild fusion of rock riffs and high-speed funky breaks and 'Duck Concert' closes with hardcore drum breaks and soulful synths next to mad scratchinG. More

Johannes Kolter is Kolter, as well as being the artist formerly known as DJOKO, and here he follows up on his very recent Between Fragments album with a cheeky three tracker, once again for the Pilot label. This 12" kicks off with 'Techno Life', which ironically is a breaks/electro hybrid affair with all the hallmarks you could ask for from vocoder vocals to electronic cowbells. 'Can't Stop Rocking' borrows some serious chunks from a very famous electro record made by one of jazz music's legends - that description must surely narrows it down - and adds some tempo and the occasional vocal hook. Then we see proceedings drawn to a close by 'Sorry You Had To Wait So Long', every bit as lively as the other two, spaciously produced and peppered with the subtlest of electro flourishes. All round good work, you have to agree. More

Johannes Kolter is Kolter, an artist formerly known as DJOKO, and now a hotly tipped breaks and garage head who has already got plenty of attention. Here though he makes a grand and widescreen statement with the first release on the all-new Pilot label. It is a stylish and adventurous record with plenty of killer cuts from the downbeat hip hop opener to the deep house delights of 'Journey' via the elastic and energetic future house kicks of 'Roboflow.' Showcasing both a knack for well craft synths and expert drum programming precisions, this record plays out like a mini DJ set with all the twists and turns you need to keep you on your toes and fully engaged. More

Cologne's DJOKO has been exploring breakbeats and electro formations under the Kolter banner over the past couple of years, dropping some serious heat on Talman, Pilot and Body Movement. It's Pilot he returns to for this bang tidy two tracker of taut and crisp breaks which wouldn't sound out of place in a Plump DJs set circa 2005. 'Ying Yang' slips some vocodered spirituality in amongst a punchy beat and warm splashes of analogue synth work. The slightly saucier 'Drop De Tiddies' rides a break and works an old-skool hip hop sample before ripping into some chirpy lead lines, making for a fun and fruity dancefloor delight. More

Four tracks of juicy, cheeky breakbeat action with an underlying hint of skippy two-step synchopation going on, overlaid with elements from the more musical end of house and the most dancefloor-slanted side of P-funk. 'Giftig', with its Bollywood string flourishes, is the most exotic beast among the pack, while 'Cllosing Time' boasts searing 80s disco stabs and some neat tickling of the Hammond very much in jazz funk style. That said, it's all action across all four tunes, so get stuck in. More

A mastermind in showcasing various shades of house music in their inimitable manner, Danish-born, Amsterdam-based DJ/producer Samuel Andre Madsen, aka S.A.M., stands as a rare talent within the current house landscape. Whether crafting trippy, cosmic and psychedelic late-night excursions, delicate, hazy journeys, or groove-driven, heady cuts, their studio naus and innate musical talent has seen them release via a list of leading labels while heading up their own Delaphine, Dahlia and Oscillat imprints - not to mention their longstanding role as one-third of globally renowned trio Mandar. Returning to Up The Stuss following their stand-out collaborative ‘Get Together’ project with label boss Chris Stussy three years ago, 2024 welcomes a blissful late summer outing with the excellently crafted ‘Check It Out’ EP. From the deep, captivating and hypnotic sonics of the title track to the skippy Tiger Balm’, the bumping grooves of ‘Race To Lose’ and the classy tones of ‘Forever Rhodes’, prepare to be transported across the house realm with yet another faultless EP from one of the best around. More

If debuts are anything to go by, the return Across Boundaries on Up The Stuss is a guaranteed treat. A collaborative project born out of mutual passion and understanding between two close friends, Chris Stussy and Locklead’s joint guise has taken the house landscape by storm, and the pair are only one release into their exciting journey. Merging signature sonics with future-focused ideas, the project takes cues from its name and sees the pair bridge genres and influences to deliver a raw and impactful take on house music - something on show here with their sophomore offering, ‘Synergy’.

Created to showcase a deeper side to their diverse sound palettes and a project for the duo to express themselves differently to their own solo sets and productions, the latest five-track EP contains a kaleidoscope of sounds and textures to soundtrack moments from sunrise to sunset and beyond.

Another essential pick-up to tick off your want list. More

Lee Burton makes his debut on Up The Stuss with ‘Sinewaves’, a five-track collection of expansive house cuts representing his impactful sound.

With music released via Dorian Paic’s renowned raum…musik through to John Dimas’ Elephant Moon and Berlin’s Taverna Tracks, Greek DJ/producer Lee Burton has been a firm favourite for those in the know, having been embedded within the underground minimal/house scene for the past decade. A constant when it comes to providing ‘secret gems’, with his records in rotation amongst the record bags of leading names across the globe, Burton’s talent as a DJ has also seen him grace legendary parties and institutions from NYC’s ReSolute to Berlin’s Club der Visionaere. Next up, his latest studio voyage brings an impressive label debut on Chris Stussy’s Up The Stuss, opening the imprint’s 2024 schedule in style.

From the acid-electro fusion of opener Sinewaves’ and the breezy tones of ‘Burning’, through to the up-tempo and intoxicating sci-fi sonics of ‘ITICF’ and the modulated, electro-funk of ‘Love Motion’, each track provides a unique slice of Burton’s vast sound palette, crafting an EP that covers all hours of the night. Sprinkle in the digital bonus ‘Oxytocin Overdose’, contrasting squelchy tones and classic chords with that infectious topline, and it’s another must-have record on the imprint. More

Varhat unveils fresh music for his Up The Stuss debut ‘Breaking Out’, with Canadian favourite Paolo Rocco returning on remix duties.

When it comes to artists who have managed to carve out and command their own unique place within the modern minimal and house scene, French DJ/producer and live artist Varhat is a name you have to include at the top end of your list. The creative behind an endless list of aliases, plus multiple Unknown Artist projects and mysterious labels via Paris’ illustrious Yoyaku, he now readies an impressive outing on Chris Stussy’s Up The Stuss imprint, delivering an eclectic selection of house cuts for all hours and settings.

From the delicate electronics and hazy tones of the opener and title cut ‘Breaking Out’ to the acid-laced, driving rhythms of ‘Nobody’ and the slinking, signature sounds found within ‘Mopho’, the EP is a celebration of all things house music from one of its modern contemporaries. Add in a deep, dubby and cosmic trip from the returning Paolo Rocco on remix duties, and there’s a slice of genius here for everyone to enjoy. Tip! More

Purple Vinyl!

A true modern-day pioneer of house music, Amsterdam-based DJ, producer, and label owner Malin Genie is only getting better as he continues to add to his rich catalogue of releases.

Whether producing darker, more-minimal leaning productions on his Vigenere imprint through to his contributions alongside Lazare Hoche and S.A.M. as 1/3 of Mandar, his wide-reaching sound sees his productions primed in the record bags of the scene’s most renowned names, with his ‘Phaethon EP’ providing a perfect showcase of this talent.

Welcoming a collection of house gems from across the spectrum - from glistening, resonant synth-driven productions to skittering low-end heavy cuts and warping, twisting efforts - this is arguably his most diverse release to date as he marks his return to Up The Stuss in exemplary fashion. More

Known for creating enriching house music, Italian Canadian DJ and producer Paolo Rocco is in fine form once again as he makes his first outing on Chris Stussy’s up the stuss imprint.

Delivering a selection of silky, classy, deep, and spaced-out trips his “To The Stars And Beyond” EP is an exemplary showcase of his vast talent in the studio.

The package comes reinforced with a stand-out remix courtesy of mandar member and Vigenere boss Malin Genie.

If you’re after a cosmic journey loaded with classic nuances, look no further. More

Up The Stuss goes down under as Sydney's Litmus steps for the label's tenth release. A bubbling member of Australia’s house and minimal scene, his productions via No Art, Piv And Dailycid have seen the exciting Aussie emerge onto the global landscape and make some noise.

Continuing in slick fashion, his 'Plus One' EP showcases a wealth of vibrant solo flavours while partnering up with Berlin's Black Loops for a crisp collaborative sprinkling of house delight - all backed by French live act and man of the moment Leo Pol as he delivers a heady, piano-driven remix of the title cut. More

Journeying into deeper, more electro-tinged territories than his previous material, Chris Stussy’s first solo EP on Up The Stuss ‘Mysteries Of The Universe’ showcases his evolution as an artist at the heart of modern house music.

Weaving spacey sonics, sparse textures and swirling, hypnotic melodies, the four originals across the EP deliver fresh, expansive club ammunition from the Amsterdam favourite on his return to home turf. Joining the package, partisan favourite Giammarco Orsini becomes the second remixer on the label, serving up another killer late-night voyage to shape up the package. Don’t sleep on this one. More

Format: 2 x 12 Inch, One Pink, One Purple, Picture Sleeve!

One of the Netherlands most exciting rising names, Utrecht’s Locklead is emerging into the spotlight in style. Known for serving up heavy-hitting stabs of dancefloor driven material across SlapFunk, Pleasure Zone and Dungeon Meat, he now takes things deeper and brings his surging momentum to countryman Chris Stussy’s Up The Stuss imprint for the label’s first album release.

Stepping out into fresh territories, his eight-track debut LP ‘Square One’ showcases a previously unseen side to the Dutchman, revealing a collection of lush, deep journeys coupled with crisp house and vibrant, spacey cuts along the way. More

An artist at the heart of Berlin’s rich scene, DJ and producer Sota looks set to continue his sharp upwards trajectory as a name to know. Welcoming four intelligent, expansive cuts combining slinking low-end grooves, sci-fi electronics, and sweeping interludes, the Dutchman’s ‘Pelican Club’ EP showcases his take on house music for the early morning hours as he touches down on Up The Stuss for the label’s sixth release. More

12 Inch, White Vinyl, Picture Sleeve
A1 – Holo
A2 - Bec’s Groove
B1 - Jazzed In Time
B2 - Jazzed In Time (Chris Stussy Remix)

One of house music’s most prolific producers, London’s finest East End Dubs delivers the second release on the imprint with three cuts in his trademark style, accompanied by label founder Chris Stussy on remix duties.




More

Tracklisting
A1 Unknown Artist - Back The Funk
A2 Unknown Artist - Beginners
B1 Unknown Artist - Block Rockin'
B2 Unknown Artist - The Funk More

For their second release of 2023, T4T LUV NRG present the “Temptation E.P.” by breakout L.A. based producer and DJ Introspekt. Between sets at West Coast renegades, Introspekt has caught the attention of DJs the world over with her heavy and beautifully crafted UKG productions on Gimme A Break and Shall Not Fade, including a forthcoming release on Interplanetary Criminal’s compilation for Locked On. T4T LUV NRG label heads Octo Octa and Eris Drew were introduced to Introspekt through Bored Lord and eagerly signed the Temptation e.p. on a first listen, already having been fans of her music. Their imaginations were immediately captured by this U.S. artist’s fresh take on UKG, which borrows certain motifs from Ballroom culture and classic house sounds. All of the tracks on “Temptation” utterly rip in a playful way but they also have a genuine emotion and narrative that Introspekt weaves through all the swingin’ beats and bass. We can’t wait to hear these juicy tunes work the bins over the coming months! More

Tracklisting:
A1 Frankel & Harper - Counter Strike
A2 Frankel & Harper - Armshouse
B1 Frankel & Harper - Return
B2 Frankel & Harper - Return (Al Wootton remix)

Release Note:
Frankel & Harper deliver the appropriately named "Return EP" on their council work imprint. following on from the "Crouching Tiger EP", CWR005 sticks to the signature Council Work sound, bringing together a fusion of UK Garage, Drum 'n Bass, Breakbeat, Dub and many other flavours. The 3 original tracks feature in the shape of Counter Strike, Armshouse and Return, with the release rounded off with an infectious, stripped back remix of the title track from Trule head honcho Al Wootton. From all out dance floor destroyers, to deeper and more cinematic textures, this collection of beats should easily find a home in many record bags. More

Our beloved Legofunk Records is back with a new fresh and vibrant wax perfect for your summer. This time with Matalo! and his 4 tracks Ep. Really hot stuff! More

Repress!

Blue curaçao, gin, triple sec, ice and a lemon zest. A cocktail with out-of-the-ordinary gradations is a prerogative of the Grand Hotel. Suggestive, Exclusive and luxurious.
If your dream is to spend a perfect weekend that offers you more than just sun and relaxation the most suitable solution for you is this fantastic establishment located just a few kilometres from the Tyrrhenian Sea.
Its splendid swimming pool is positioned on a terrace that offers an incredible and beautiful coastal panorama, a permanent agora from June to September where love flourishes and dies. The lapping of the placid waters is hypnotic, a sparkling sound that mingles with the ticking of the empty cups of Angelo Azzurro while easy listening music is played in the background.
I Coccodrilli are the main band, they entertain the audience with a mix of positivity in their funky notes during those times when the jukebox’s on pause and it stops marking the passing of the hours. Sabato Italiano is their latest hit and it’s now available on 7”.
Bikinis, the dancing and the kisses. The endless season of youth.

Tracklist:

A Sabato Italiano (Vocale)
B Sabato Italiano (Strumentale) More

Second Pressing, Fanzine is now printed on the innersleeve.

With two critically acclaimed albums and a swathe of award-winning production turns under their belt, Ana Frango Elétrico present their most confident and accomplished work to date: Me Chama De Gato Que Eu Sou Sua / Call Me They That I’m Yours. Gesturing to a tradition of Brazilian boogie music, but bouncing with modern pop ebullience, the album sees the Rio artist evolve from a captivating upstart into a surefooted scene leader in full stride.

At just 25, the prolific artist and producer has already garnered worldwide admirers. Ana’s sophomore Little Electric Chicken Heart was nominated at the 2020 Latin Grammys. Since then, standalone singles have received the WME ‘Best Music Producer’ Award, recognising Ana’s deep passion for music production – a passion which has led to collaborations with nascent Brazilian stars Dora Morelenbaum, Illy and Sophia Chablau. Most recently, Ana was hailed for their co-production of Bala Desejo’s 2022 Latin Grammy-winning album Sim Sim Sim.

The new album finds Ana at their most assured and full voiced. Album opener “Electric Fish”, with funky bass and shimmering backing vocals, sets a buoyant tone. “Boy of Stranger Things” is its bombastic counterpart. It’s the grooviest Ana has ever sounded. And the most brazen. Lyrically, where Ana was once oblique on personal matters, they are now forthright – lucidly exploring their gender identity, citing accessible cultural references, and often singing in English.

“I started this album in 2021 with the intention of showing, in means of sound, understandings and feelings about queer love, subjectively exposing myself,” the non-binary artist states – before qualifying that though “feeling was its driving force, the album is really about musical production."

“There’s so many references to different decades,” Ana explains. “Seventies drums with eighties processing … Going back, getting beyond … Testing the limits of organic sounds”. Characteristically playful, on Me Chama, Ana takes vivid and rewarding detours through funk-inflected R&B (“Dela”) and art pop (“Dr. Sabe Tudo”). “Nuvem Vermelha” is a cinematic chanson with lush strings that recalls Arthur Verocai. Then, “Coisa Maluca” loafs with the indie insouciance of Canadian slacker Mac Demarco. Later, “Let's Go Before Again”, is a full-on drum machine workout evocative of Stereolab.

“Even if people don't find my own references here, they'll find theirs,” observes Ana. “Maybe that’s this record’s biggest goal.” More

One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Recordings. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.

With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat.

DJ Support:
Peggy Gou, Prospa, Special Request, Annie Mac, DJ Seinfeld, Kolsch More

Deadly Habitz debut release on Lost City Archives, delivering the goods with four stomping cuts of Garage & Speedy G. No nonsense, straight talking beats. More

EP with 90s and 00s UKG, Tech House and Speed Garage influences and samples. Support includes plays on BBC Radio 1 by Moxie, 1xtra by Conducta and NTS by Bradley Zero. More

- 2022 Repress - pink marbled vinyl / label sleeve

Shall Not Fade's garage and breaks sublabel, Time is Now, has been a great success in its first year, and now starts 2021 with the first in a series of hand-stamped white label releases. London via Madrid up-and-comer Tower Block Dreams makes his debut for the label with five killer cuts, backed with a weighty remix from Manchester-based garage maestro and Time Is Now regular Interplanetary Criminal.

The A-side is all reliable garage bangers; the opener, "Wicked Ya No" is a rude wobbler for the early hours, with rave piano stabs and a dirty drop. Track two "Keep Coming" loses none of the pace, chopping up playful R'n'B diva vocals to a hard bassline; and the A-side ends with a sidewinding beast of a track in "Soundboy". Think retro synths paired with timestretched ragga vocals - it's unashamedly filthy.

Onto the B-side with gun fingers out for "Truss We", which plays again with ravey stabs and staccato female vocals for an instant dancefloor banger. Tower Block Dreams' last offering on the record is much darker; a forward stepper that cruises along at half-time, creating an ominous atmosphere on which to lead into Interplanetary Criminal's remix of "Wicked Ya Know". This one reimagines the record opener in the producer's trademark high-octane style, smattering hyper breakbeats across the track and turning up the wobble to end the record with a stinker More

Groovy D debuts on Hot Haus Recs after turning heads on Time Is Now, Shall Not Fade & Hardline Sounds - here we are treated to 2 UK-Garage infused House burners and a couple of weighty 2 Step cuts. More