Reflex Blue becomes the first artist to return to TSOL for a second EP, and he’s done it in under a year’s time. An extraterrestrial dancefloor ringer kicks things off, followed by a pair of stripped house traxxx. The icing on the cake is a potential b-boy anthem on the final digi-only cut. Nuggets galore! More

An ode to nineties trance and the more introspective side of lower-mid tempo music. Drawing inspiration from the external environments that encompass Australia and the vast rural landscapes, Reflex Blue’s double LP is a reflection of migration, introspection and deeper meditative states.

Spanning across nine tracks the LP explores our deeper connection to the outside world. More

It's the one you've all been waiting for! Reflex Blue joins Craigie Knowes for his monstrous debut EP 'Gotham'. It's an A-grade fusion of club-ready trax on an EP overflowing with frequencies primed to help you freq. Strap yourself in! More

Leaving the digital-only realm and materialising as a physical release, space•lab 006 sees Reflex Blue’s sought-after Digital Dreams EP finally out on vinyl. Remastered and complete with a previously unreleased bonus track, as well as a sizzling remix from space•lab favourite, Lisene. More

Breakfree Records are honoured to welcome Naarm's new wunderkind, Reflex Blue for their second record of punchy progressive / tech house. More

R.A.N.D. Muzik Recordings welcomes Australian new comer, Reflex Blue to the label with a solo four tracker of cosmic progressive house. More

Reflex Blue becomes the first artist to return to TSOL for a second EP, and he’s done it in under a year’s time. An extraterrestrial dancefloor ringer kicks things off, followed by a pair of stripped house traxxx. The icing on the cake is a potential b-boy anthem on the final digi-only cut. Nuggets galore! More

Pavel Milyakov, AKA Buttechno, coming through with the kind of impeccably-produced, trance-inducing deftness we've come to expect.

A kindred spirit of the Oyster Cult, this is a union long overdue. While he’s often found working in horizontal zones, inhabiting the intersection between ambient and downtempo, these are dancefloor dynamics for pure contemplation. Gone is the amorphous abstraction of releases like ‘PSY X’ and the kind output reserved for release under his birth name, instead opting for a lean, hypnotic kind of minimalism.

‘OYSTER57’ picks up where the ‘Inorganic Demons’ LP and aptly-titled ‘Minimal Cuts’ series left off. Saying that, the first three tracks navigate territory gloomier than the aforementioned; uneasy at times but deeply engrossing, smudged and frayed into heads-down interzones of tunnelling throb and icy melodic flourish. Girder-strength pressure primed for metaphysical experience.

Then, like a vestige of the finest turn-of-the-century progressive trance, ’bleeps’ ends proceedings on a slight departure. A showcase of restraint from the Berlin-based maestro and a fitting way to close. More

Omni AM presents the long-awaited reissue of “Can We Get / Keep Doing That.” This timeless record sent dance music in a new direction. Euphoria Record’s vaults are open and finally, for the first time since 1997, this seminal tech-house classic is available to everyone for the very first time in over 25 years. This 1997 indie record was Euphoria Records second release – and their first international record. Whether you agree with it or not, many people consider this one of the pioneering records of American Tech-House. Both sides and several mysterious alternate versions have graced the decks of DJs like Evil Eddie Richards, Terry Francis, Derrick Carter, Tyler Stadius, and Magda. The list goes on.?? More

Gene awakens to the lazy morning sunlight. It's the same world as yesterday, but something's different. This will be no ordinary day. When you live life on the velvet edge of tomorrow, nothing controls you, and you control nothing but yourself. More

A NEW FOUR TRACKER BY RISK MANAGEMENT PRODUCTIONS CREW MEMBER, TOM CARRUTHERS! YOU KNOW HIS MASSIVE RECORDS THAT MADE NOISE FOR L.I.E.S. AND NOW HE IS BACK WITH A FOUR TRACK SLAMMING OLD SCHOOL CHICAGO STYLE FLOOR BURNER. TOTAL MIX SHOW HOUR MATERIAL!

NOTE FROM THE LABEL:

RISK MANAGEMENT PRODUCTIONS IS HERE!
THE FIRST OFFICIALLY SANCTIONED SUB-LABEL OF L.I.E.S. RECORDS,RISK MANAGEMENT IS A FULL SCALE PRODUCTION TEAM AND LABEL DEDICATED TO PRESERVING THE INTEGRITY OF DANCE MUSIC AND COLLECTIVELY ELIMINATING ALL THE WACK MUSIC THAT HAS BEEN POLLUTING YOUR AIRWAVES AS OF RECENT TIMES. TIRED OF ALL THAT NOISE OUT THERE? LET THE RISK MANAGEMENT PRODUCTION CREW LEAD YOU IN THE RIGHT DIRECTION. WE LOOK BACK TO THE DAYS WHEN NAMES REALLY MEANT SOMETHING AND PRODUCERS AND DJS HAD REAL RESUMES TO PROVE IT, NOT SOME RANDON NO NAME TALKING BS ON THE WEB. WE LOOK TO WHEN THERE WAS A TRUE DEDICATION AND RESPECT FOR THE CRAFT. THINK OF MUSTO AND BONES, HOW AND LITTLE, THE BURRELL BROTHERS, DEF MIX PRODUCTIONS, MAW, YOU GET THE IDEA, REAL PRODUCTION TEAMS WHO MADE A MARK, DJS WHO REALLY DJ'ED AND MADE THE CULTURE WHAT IT WAS. RISK MANAGEMENT IS A SMALL HAND PICKED CREW OF LIKE MINDED PRODUCERS AND DJS DEDICATED TO THE WAYS OF OLD, BRINGING FRESH MUSIC TO YOU FOR THE CLUB. NO POSING, JUST MUSIC!

MORE INFO TO COME! More

Repress!

One record which has lately come to prominence is the brilliant "After Hours" by Charlie Mitchell aka Vic Marcel on an absolutely gorgeous slice of mellow Rare-Groove which recalls the Leon Ware vibe perfectly. Produced and arranged by seasoned veterans Tony Silvester and Bert DeCoteaux this incredibly hypnotic song was also written by top writers J.R. Bailey and Ken Williams. "After Hours" has grown in popularity particularly over the last few years with original copies now reaching the £200-£250 valuation.

The flip-side is another slice of beautiful mid-tempo soul from the same production stable. Only one copy currently available the last time we checked, such has been the demand over the last two years especially. Quite why this record has been underground for so long is open to debate. Vic Marcel was under contract to RCA at the time hence the Charlie Mitchell pseudonym. Janus were also suffering distribution problems at the time which explains why the original is so rare. We're proud to finally make this available again on the original Janus imprint. Another double-sided beauty. More

Repress!

Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.

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2024 OFFICIAL REISSUE More