12"
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Last in:11.09.2024
Label:Spun Out
Cat-No:SPUN002
Release-Date:15.04.2022
Genre:Techno
Configuration:12"
Barcode:
1
Paranoid London - - Spinning Out
2
Fantastic Twins - - Kali's Tounge Was A Weapon
3
Manfredas - - Hfuhruhurr
4
Naum Gabo - - Cold Sold
The second record is introduced by Paranoid London, with a Spun Out dedicated acid techno banger appropriately titled Spinning Out and Fantastic Twins’ EBM track Kali’s Tongue Was A Weapon. On the B-side is Lithuanian chug legend Manfredas’ Hfuhruhurr, and Naum Gabo, who closes the compilation with the chaotic analogue-synth frenzy, Cold Sold. The name Naum Gabo may evoke the pioneer of Russian constructivism, who rose to fame thanks to his crazy kinetic sculptures. However, here it manifests as one half of Spun Out’s Optimo duo Jonnie Wilkes (JG Wikes) and James Savage. The duo’s impeccable manipulation of electronic hardware couldn’t give a better homage to him
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12"
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Last in:31.05.2022
Label:Spun Out
Cat-No:SPUN001
Release-Date:15.04.2022
Genre:Techno
Configuration:12"
Barcode:
1
The Asphodells - - We Are The Axis (Hardway Bros Scrutton St Via Crucifix Lane Remix)
2
Autarkic - - Sleepover
3
Ruf Dug - - Manctalo Banger
4
Mehmet Aslan - - Shizowaves
Spun Out Agency is honoured to present ‘More of that Frightful Oompty Boompty Music’, a compilation dedicated to the Guv’nor himself Mr Andrew Weatherall who should need no introduction on these pages. Released on vinyl in two beautiful parts, the first drops on April 15th with the second following two weeks after.Kicking off the A-side of the first record is Hardway Bros’ (aka Sean Johnston) previously unreleased remix of We Are The Axis by The Asphodells, the duo consisting of the Andrew Weatherall and former Battant member and Spun Out talent Timothy J. Fairplay. An energetic techno stomper with percussive rhythms, this exclusive remix offers the ideal tantalising dose to tease any dancefloor. The vocals and synth layers give it a punk rock approach, referencing the multi-genre essence of Weatherall’s taste in music.Tel-Aviv-based Autarkic’s Sleepover closes the A-side with a chuggy lullaby, one that is certainly unsuitable for putting a baby to bed, given its intricate acid lines of total hypnosis. Following on the B-side is Manctalo Banger, a house bop by the Manchester-via-Ibiza computer game nerd and vinyl digger Ruf Dug, and Shizowaves, Turkish-born Basel-based Mehmet Aslan’s soulful touch to the compilation, bringing Middle-Eastern percussive melodies and catchy basslines.
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Vinyl Album Excl
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Last in:16.12.2022
Label:cocoon
Cat-No:corlp041
Release-Date:20.10.2017
Genre:Techno
Configuration:Vinyl Album Excl
Barcode:4260038317112
1
Extrawelt - Superposition
2
Extrawelt - Gott ist Schrott
3
Extrawelt - Oddification
4
Extrawelt - Gentle Venom
5
Extrawelt - Das große Flimmern
6
Extrawelt - Silly Idol
7
Extrawelt - Punch the Dragon
8
Extrawelt - Fear of an extra Planet
9
Extrawelt - The friendly Coroner
10
Extrawelt - 2084
Includes: HQ Gatefold, 3x12 140g Vinyl, black innersleeve, download code
Tracklisting:
CD / LP
A1.Superposition B1. Gott Ist Schrott B2. Oddification C1. Gentle Venom C2. Das Große Flimmern D1.Silly Idol D2.Punch The Dragon E1.Fear Of An Extra Planet F1.The Friendly Coroner F2.Extrawelt - 2084
Info:
EXTRAWELT are back! Although in fairness, they were never gone. On the contrary, since their first release on James Holden's Border Community Label dropped in 2005, Arne Schaffhausen and Wayan Raabe have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", their two seminal albums on Cocoon Recordings. The duo are one of the most booked live acts worldwide, commanding a huge fan base. Their performances are the stuff of legend, making them the absolute highlight at every club and festival they play. So it's with great pride and respect, that we can announce the release of Extrawelt's third album for Cocoon Recordings. "Fear Of An Extra Planet" completes the Cocoon trilogy and the excitement growing among their fans represents a new high in the history of EXTRAWELT!
Musically, of course, there's enormous pressure on EXTRAWELT to deliver, but this is dismissed with a playful disregard and they are clearly focused on the job in hand. The album title "Fear Of An Extra Planet" sounds cinematic, like some art-house science fiction film, without giving too much away. However, from the first seconds of the opening track "Superposition", the album title makes 100% sense and sets the scene for the rest of the trip. We are immersed in wide open spaces and invited to explore dark and dusky worlds that transport us back to their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream like quality that made James Holden's label so influential.
Second up, "Gott ist Schrott" takes a much more minimalist approach with its retro 80s drum programming, monster bass lurking in the breaks and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples that gives us a taste of what's in store. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like 'in pursuit' feeling.
With "Das Grosse Flimmern" we cautiously approach the album's high point. It's still in keeping with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade us with an energy and impetus that always radiates from their music. Next in line is "Silly Idol" and here Arne Schaffhausen and Wayan Raabe opt again for a more minimal tack, focusing even more intensely on the dance floor to reveal a pulsing, twisted heart to the album.
"Punch The Dragon" is the hidden gem of the collection, utilising and melting together the most bombastic and playful elements. This one is totally off the hook, a sensory overload in an acoustic widescreen format! Then we have the title track "Fear Of An Extra Planet" which perfectly sums up the album concept. It opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analogue drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album.
As we near our destination, "The Friendly Coroner" really does honour its name. The morbid charm of the title is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. In our mind's eye we see a cheerful medical doctor removing his bloody gloves, hanging his smock in the closet and vibing out in his neon drenched workspace. And there we sit, glued to our cinema seat, submerged in the different textures EXTRAWELT have conjured up on "Fear Of An Extra Planet". Over the course of the last title, the strings usher in the final acknowledgments as the credits roll. The dramatic end of "2084" leaves us transfixed in front of a black screen in a large, dark room safe in the knowledge that we've just witnessed a science fiction epic.
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Tracklisting:
CD / LP
A1.Superposition B1. Gott Ist Schrott B2. Oddification C1. Gentle Venom C2. Das Große Flimmern D1.Silly Idol D2.Punch The Dragon E1.Fear Of An Extra Planet F1.The Friendly Coroner F2.Extrawelt - 2084
Info:
EXTRAWELT are back! Although in fairness, they were never gone. On the contrary, since their first release on James Holden's Border Community Label dropped in 2005, Arne Schaffhausen and Wayan Raabe have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", their two seminal albums on Cocoon Recordings. The duo are one of the most booked live acts worldwide, commanding a huge fan base. Their performances are the stuff of legend, making them the absolute highlight at every club and festival they play. So it's with great pride and respect, that we can announce the release of Extrawelt's third album for Cocoon Recordings. "Fear Of An Extra Planet" completes the Cocoon trilogy and the excitement growing among their fans represents a new high in the history of EXTRAWELT!
Musically, of course, there's enormous pressure on EXTRAWELT to deliver, but this is dismissed with a playful disregard and they are clearly focused on the job in hand. The album title "Fear Of An Extra Planet" sounds cinematic, like some art-house science fiction film, without giving too much away. However, from the first seconds of the opening track "Superposition", the album title makes 100% sense and sets the scene for the rest of the trip. We are immersed in wide open spaces and invited to explore dark and dusky worlds that transport us back to their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream like quality that made James Holden's label so influential.
Second up, "Gott ist Schrott" takes a much more minimalist approach with its retro 80s drum programming, monster bass lurking in the breaks and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples that gives us a taste of what's in store. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like 'in pursuit' feeling.
With "Das Grosse Flimmern" we cautiously approach the album's high point. It's still in keeping with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade us with an energy and impetus that always radiates from their music. Next in line is "Silly Idol" and here Arne Schaffhausen and Wayan Raabe opt again for a more minimal tack, focusing even more intensely on the dance floor to reveal a pulsing, twisted heart to the album.
"Punch The Dragon" is the hidden gem of the collection, utilising and melting together the most bombastic and playful elements. This one is totally off the hook, a sensory overload in an acoustic widescreen format! Then we have the title track "Fear Of An Extra Planet" which perfectly sums up the album concept. It opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analogue drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album.
As we near our destination, "The Friendly Coroner" really does honour its name. The morbid charm of the title is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. In our mind's eye we see a cheerful medical doctor removing his bloody gloves, hanging his smock in the closet and vibing out in his neon drenched workspace. And there we sit, glued to our cinema seat, submerged in the different textures EXTRAWELT have conjured up on "Fear Of An Extra Planet". Over the course of the last title, the strings usher in the final acknowledgments as the credits roll. The dramatic end of "2084" leaves us transfixed in front of a black screen in a large, dark room safe in the knowledge that we've just witnessed a science fiction epic.
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Last in:15.11.2024
Label:R&S
Cat-No:RSPLASTICDREAMS
Release-Date:15.03.2024
Genre:Techno
Configuration:12"
Barcode:197188524456
1
JAYDEE - Plastic Dreams
Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!
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Label:Tugboat Editions
Cat-No:TBE719
Release-Date:12.07.2024
Configuration:7"
Barcode:
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Last in:21.10.2024
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Last in:21.10.2024
Label:Tugboat Editions
Cat-No:TBE719
Release-Date:12.07.2024
Configuration:7"
Barcode:
1
E. Live - Make Me Move
2
E. Live - Here's To You
STAR CREATURE's E. LIVE makes his debut on the sister imprint TUGBOAT EDITIONS with a few flips from the SKYY catalog. The A-side feats CHELSEA "CHESTA" BLAKE on vocals while the "HERE'S TO YOU" remake on the B-side has newcomer JOLIE DAVENPORT.
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Label:Luv Shack Records
Cat-No:LUV046
Release-Date:05.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180917
in stock
Last in:07.08.2024
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in stock
Last in:07.08.2024
Label:Luv Shack Records
Cat-No:LUV046
Release-Date:05.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180917
1
Jakobin - Drawan
2
Jakobin - Skulpt
3
Jakobin - Octagonial Tribe
4
ROTCIV - Frenesy
5
ROTCIV - No More Room In Hell
6
ROTCIV - The Confidence
Special remarks: handstamped vinyl, cover sticker
Tracklist 12":
A1. Jakobin - Drawan
A2. Jakobin - Skulpt
A3. Jakobin – Octagonial Tribe
B1. ROTCIV - Frenesy
B2. ROTCIV – No More Room In Hell
B3. ROTCIV – The Confidence
Short Info:
For release number 045, Luv Shack Records brings together two long time contributors Jakobin and ROTCIV for a split EP thats brimming with references to early 90s electronica.
Jakobin lays the foundation with the bubbly, trance infused „Drawan“, follows up with the spooky, upbeat electro of „Skulpt“, and finishes off with „Octagonial Tribe“, a track that oscillates between laid back melodies and squelchy acid sequences.
On the flip-side, ROTCIV showcases his signature style of industrial new beat madness: „Frenesy“ marries breakbeats with syncopated synthesizer sequences, „No More Room in Hell“ sound like a late 80s Italo Disco instrumental on steroids, while „The Confidence“ opts for broken beats and ethereal FM-flutes. As a digital bonus, ROTCIV gifts us with a heavy hitting, acid infused track by the name of „Living Art“.
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Tracklist 12":
A1. Jakobin - Drawan
A2. Jakobin - Skulpt
A3. Jakobin – Octagonial Tribe
B1. ROTCIV - Frenesy
B2. ROTCIV – No More Room In Hell
B3. ROTCIV – The Confidence
Short Info:
For release number 045, Luv Shack Records brings together two long time contributors Jakobin and ROTCIV for a split EP thats brimming with references to early 90s electronica.
Jakobin lays the foundation with the bubbly, trance infused „Drawan“, follows up with the spooky, upbeat electro of „Skulpt“, and finishes off with „Octagonial Tribe“, a track that oscillates between laid back melodies and squelchy acid sequences.
On the flip-side, ROTCIV showcases his signature style of industrial new beat madness: „Frenesy“ marries breakbeats with syncopated synthesizer sequences, „No More Room in Hell“ sound like a late 80s Italo Disco instrumental on steroids, while „The Confidence“ opts for broken beats and ethereal FM-flutes. As a digital bonus, ROTCIV gifts us with a heavy hitting, acid infused track by the name of „Living Art“.
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2LP Excl
in stock
Label:Because Music
Cat-No:BEC5613166
Release-Date:08.12.2023
Genre:House
Configuration:2LP Excl
Barcode:5056556131663
in stock
Last in:06.11.2023
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in stock
Last in:06.11.2023
Label:Because Music
Cat-No:BEC5613166
Release-Date:08.12.2023
Genre:House
Configuration:2LP Excl
Barcode:5056556131663
Rights : World excluding Fr & UK
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
More
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
More
12" Excl
in stock
Label:Systematic Recordings
Cat-No:syst0135-6
Release-Date:19.05.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141291
in stock
Last in:09.05.2023
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in stock
Last in:09.05.2023
Label:Systematic Recordings
Cat-No:syst0135-6
Release-Date:19.05.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141291
1
Marc Romboy & Timo Maas - Die Zeit (Original)
2
Marc Romboy & Timo Maas - Die Zeit (Synthapella)
Strictly limited splatter vinyl (300 only)
GENRE/S: Techno/Melodic House & Techno
TRACKLISTS:
A1) Marc Romboy & Timo Maas „Die Zeit“ (Original)
B1) Marc Romboy & Timo Maas „Die Zeit“ (Synthapella)
SHORT INFO:
We are delighted to announce that the highly anticipated collaboration between Timo Maas and Marc Romboy,
"Die Zeit," will be released on a limited color splatter vinyl. This 12" release features a powerful combination of
progressive tech beats and a thought-provoking German female vocal sample, making it a must-have for fans of
both artists.
"Die Zeit" is the result of a spontaneous studio session following the duo's back-to-back DJ set at the end of
2022. The track showcases the immense talent of both Maas and Romboy as they explore new creative
territories together.
More
GENRE/S: Techno/Melodic House & Techno
TRACKLISTS:
A1) Marc Romboy & Timo Maas „Die Zeit“ (Original)
B1) Marc Romboy & Timo Maas „Die Zeit“ (Synthapella)
SHORT INFO:
We are delighted to announce that the highly anticipated collaboration between Timo Maas and Marc Romboy,
"Die Zeit," will be released on a limited color splatter vinyl. This 12" release features a powerful combination of
progressive tech beats and a thought-provoking German female vocal sample, making it a must-have for fans of
both artists.
"Die Zeit" is the result of a spontaneous studio session following the duo's back-to-back DJ set at the end of
2022. The track showcases the immense talent of both Maas and Romboy as they explore new creative
territories together.
More
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in stock
Last in:28.05.2024
Label:KNTXT
Cat-No:KNTXT012
Release-Date:01.10.2021
Genre:Techno
Configuration:12"
Barcode:
1
Charlotte de Witte - Asura
2
Charlotte de Witte - Soma
3
Charlotte de Witte - Stigma
Charlotte de Witte continues her fantastic year with brand new EP, Asura, on her KNTXT label. All three of the tracks on this release will be exclusively included in her BBC Radio 1 Essential Mix, which is scheduled to be broadcasted on 18th of September. As well as being back on the road and serving up her high-intensity DJ sets at the world's best clubs and festivals, Charlotte has also been busy in other areas. She has forged a new alliance with Apple Music and is now curating multiple exclusive mix series including a monthly KNTXT Residency Mix and KNTXT Active, which sees the Belgian artist and her label further investigate the connections between high-performance music, sports and BPMs. She has recently remixed the hugely influential trance classic 'The Age Of Love' by Age Of Love' alongside Enrico Sangiuliano and continues to A&R essential new tunes for the label. Says Charlotte of this EP, "with Asura EP I’m trying to give you a little insight into my musical influences by going back to my roots. We’re speaking about a young Charlotte who, about 12 / 13 years ago, got indulged in the world of electronic music by going to her first underground clubs and raves. From electro and techno to acid core and hardcore to psytrance. This EP flirts with the soundscapes of the latter." This EP finds Charlotte delve deep into her own past in electronic music with plenty of psychedelic influences. Opener Asura is a brightly lit techno track with big chords that bring the colour. They are sleek and metallic and sure to get hands in the air, with acid sounds and rumbling bass all adding extra weight and depth to this fantastic opener. 'Soma' is another dramatic and psychedelic track with hard-edged drums pounding away beneath celestial chords. They are mysterious and emotive and bring colour to the darkness. Last of all comes another big, psytrance-tinged and emotional roller coaster in 'Stigma' with its all-consuming techno groove and bass that sounds like it's fired from a machine gun. After an acidic breakdown, the drums roll again and even the biggest festival crowd is sure to be swept away. Charlotte de Witte leads from the front once more with her standout new Asura EP.
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Label:Alleviated
Cat-No:ML9002
Release-Date:01.03.2024
Genre:House
Configuration:12"
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Label:Alleviated
Cat-No:ML9002
Release-Date:01.03.2024
Genre:House
Configuration:12"
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1
Mr. Fingers - Washing Machine
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Mr. Fingers - Can You Feel It
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Mr. Fingers - Beyond The Clouds
Official re-release of Larry Heards ground breaking, genre defining release from 1986. Digitally remastered full versions on his own Alleviated records. Includes the timeless Can You Feel It, Wishing Machine and Beyond The Clouds. Your chance to show some love to Larry Heard and to own a piece of the foundation of House music. After so many years these tracks still have that magic!
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Label:NOTON
Cat-No:N-046-1
Release-Date:10.07.2020
Configuration:CD Excl
Barcode:5056163017985
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Label:NOTON
Cat-No:N-046-1
Release-Date:10.07.2020
Configuration:CD Excl
Barcode:5056163017985
Label:record makers
Cat-No:rec65
Release-Date:20.02.2013
Configuration:12"
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Label:record makers
Cat-No:rec65
Release-Date:20.02.2013
Configuration:12"
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Label:Clone West Coast Series
Cat-No:CWCS020
Release-Date:16.06.2023
Genre:Electro
Configuration:12"
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Label:Clone West Coast Series
Cat-No:CWCS020
Release-Date:16.06.2023
Genre:Electro
Configuration:12"
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PRZ - LFO Brain
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PRZ - Double Data
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PRZ - Synthetic Man
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PRZ - Pulsar
Powerful and alienating electro-techno tracks from PRZ! The Synthetic man gives us a little view of how his LFO Brain works and delivers a fierce follow-up on his 1st release on Clone. Hot tip!
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Label:!K7 Records
Cat-No:k7395lp
Release-Date:18.09.2020
Configuration:2LP
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Label:!K7 Records
Cat-No:k7395lp
Release-Date:18.09.2020
Configuration:2LP
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VINYL TRACKLIST (UNMIXED):
A1. OKLOU - LEVEL 5
A2. Regular Citizen - Sleeping Unique
A3. Oceanic - Yellow Cone (Unison)
B1. DJ Sense - Finest
B2. Little Mike - Dirty Pusherman (Original Filthy Mix)
B3. Anthony Acid - Doe, Doe, Doe
C1. Lady B - Cruising Around Motor City
C2. !!! - Hello? Is This Thing On? (Thomas N’ Eric’s Rub And Tug Throwdown)
C3. The Dirtbombs - Sharevari
D1. Austra - Anywayz (Avalon Emerson 14th Life Version)
D2. Avalon Emerson - Wastelands and Oases
D3. Avalon Emerson - Poodle Power
D4. Avalon Emerson - Long Forgotten Fairytale
Avalon Emerson's contribution to !K7's DJ-Kicks series, out September 18th, 2020, encompasses her maverick sound.
The 70-minute mix traverses a wide range of tempos, styles and eras with the grace of an experienced selector who distinguishes herself based on technical skill, clever methodology and a unique vision. Old-school house records mingle with references to rave and Italo, but the set isn't confined to a specific era or style— besides her own.
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A1. OKLOU - LEVEL 5
A2. Regular Citizen - Sleeping Unique
A3. Oceanic - Yellow Cone (Unison)
B1. DJ Sense - Finest
B2. Little Mike - Dirty Pusherman (Original Filthy Mix)
B3. Anthony Acid - Doe, Doe, Doe
C1. Lady B - Cruising Around Motor City
C2. !!! - Hello? Is This Thing On? (Thomas N’ Eric’s Rub And Tug Throwdown)
C3. The Dirtbombs - Sharevari
D1. Austra - Anywayz (Avalon Emerson 14th Life Version)
D2. Avalon Emerson - Wastelands and Oases
D3. Avalon Emerson - Poodle Power
D4. Avalon Emerson - Long Forgotten Fairytale
Avalon Emerson's contribution to !K7's DJ-Kicks series, out September 18th, 2020, encompasses her maverick sound.
The 70-minute mix traverses a wide range of tempos, styles and eras with the grace of an experienced selector who distinguishes herself based on technical skill, clever methodology and a unique vision. Old-school house records mingle with references to rave and Italo, but the set isn't confined to a specific era or style— besides her own.
More