1
Deadbeat & Sa Pa - Forbidden City
2
Deadbeat & Sa Pa - We All Got The Bends
3
Deadbeat & Sa Pa - Born Of Confusion
4
Deadbeat & Sa Pa - Yume No Serei
5
Deadbeat & Sa Pa - Dawn Time
6
Deadbeat & Sa Pa - High Pressure
7
Deadbeat & Sa Pa - James Bond Island
8
Deadbeat & Sa Pa - Wormwood Theory
9
Deadbeat & Sa Pa - Bubbling Up
10
Deadbeat & Sa Pa - Ode To The Humble Bragg
11
Deadbeat & Sa Pa - The Mountain
Deadbeat and Sa Pa are pleased to present their first collaborative album on the anniversary of BLKRTZ's 50th release, and defer to Albert Camus to describe the "Whys" and "Whats" of it:
" I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy." More
" I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy." More
More records from BLKRTZ
1
Appleblim / Deadbeat / Shackleton - Warsaw
2
Appleblim / Deadbeat / Shackleton - Warsaw (Shackleton Remix)
3
Appleblim / Deadbeat / Shackleton - Bladed Shogun
4
Appleblim / Deadbeat / Shackleton - Bladed Shogun (Deadbeat Remix)
Appleblim. Deadbeat. Shackleton. For anyone with a penchant for dub wise low end sonics and bleeding edge beat science over the last 2 decades seeing any one of these names on their own on a record would make it something well worth having a listen to. Having all 3 together on the same record however very easily launches it into the realm of "buy on sight". Comprised of 4 side long tracks previously only available via the BLKRTZ Bandcamp page, Dub Conference vol 1 sees these 3 masters of bass weight meditations exploring some of the most low slung and psychedelic corners of their respective catalogues. Vinyl only and strictly limited edition, this is a meeting of the minds not to me missed.
More
1
Deadbeat / The Mole - Bodner vs the cardboard box
2
Deadbeat / The Mole - I'd rather be lonely
3
Deadbeat / The Mole - Keep on going on
4
Deadbeat / The Mole - For all that was lost
5
Deadbeat / The Mole - Farfisa hoser hymnal
6
Deadbeat / The Mole - Rollin heavy in the spielplaz
7
Deadbeat / The Mole - Piano for Al and bass from uncle Scott
8
Deadbeat / The Mole - Return to the towers
9
Deadbeat / The Mole - New stone
10
Deadbeat / The Mole - Ciao uncle G
Canadian Berlin based producers Scott Monteith aka Deadbeat and Colin de la Plante aka the Mole are please to announce the release of their debut collaborative album, simply titled Deadbeat meets the Mole. While the two have performed and toured extensively together over the years particularly via their shared association with the Mutek festival and the Cynosure and Wagon Repair labels, this is the first time they've worked in the studio as a duo. Composed over the lock down period in Berlin, the album's ten tracks traverse the full range of their shared bonkers musical interests, taking in low slung house, dub, hip hop, and smoked out sound collages. When asked about the albums motivations they had this to say: “I guess Capital H Hosers is a badge we could both wear pretty honestly. Perpetual tweakers of knobs and pushers of buttons both literal and personal might be another. Stay at home dads. Tellers of untold incredibly bad jokes. Yet miraculously, some 20 years on, still somehow on the same weird page, and counting our lucky stars for all you kind folks who still care to listen. We finally got around to making an album during this little unscheduled vacation from normal life, and we hope you'll have as much fun listening to it as we did making the stuff.”
More
1
Ryan Crosson - Feet VanVleet
2
Ryan Crosson - Feet VanVleet (Deadbeat's Raptor Dub)
The 401 highway which connects Detroit on it’s southern end and Montreal some 900 km to the north east is quite possibly one of the most ugly, boring drives known to man. A seemingly endless stream of nondescript pine wood forests and cookie cutter suburban hell holes fill the gaps between 3 magnetic poles. Detroit, the Motor City of former untold grandeur, and current bastion of cheap rents and boundless American artistic enterprise. Toronto, the city Drake built, alongside the World Champion Raptor basketball team from which this EP takes it’s inspiration. And Montreal, the sin city of the north, the French Canadian Mecca of contact dancing strip bars, where bikers and the Mafia’s 6th family jockey for power and have everyone from the mayor’s office on down in their pockets. No great surprise then that this geographical well spring of nocturnal indulgence and scrappy street hustle has produced some of the greatest music purpose built for late night dance floors, be they housed in gay bars, illegal raves, private lofts, after parties, or forward thinking drug dens. And if any two people were qualified enough to recount the sordid tales one might find in the nooks and crannies of these secret sanctuaries of the wee hours, rest assured Ryan Crosson and Deadbeat have stories for days. For the 20th release on Deadbeat’s BLKRTZ label, these 2 long time friends deliver 2 atom bombs of breaks driven groove filled with dubbed out vocals, massive funk and impossibly heavy bass weight, sure to appeal to fans of their previous work and Djs from across the dance music spectrum. House, Techno, Breaks, Two Step, Dub Step, Hardcore...File under HEAVY weaponry and love for days.
More
1
deadbeat - Waking Dub
2
deadbeat - A New Sense of Purpose
3
deadbeat - Midnight in the Garden
4
deadbeat - A Thousand Shining Stars
5
deadbeat - Revelations in Dust
6
deadbeat - A Last Swim
Expertly made dub techno for the dance floor.
More
The album began with the simple idea of asking friends from across the globe for messages of hope. No musical input was provided before hand, and each participant was free to interpret the request as they saw fit. Though some of the names involved will be familiar to electronic music listeners (Gudrun Gut, Thomas Fehlmann, Mike Shannon), the common thread linking all of them is their friendship with Monteith and the many hours he has spent enjoying their company over the years. As so often happens when good conversation is shared among good friends, the results are as surprising as they are inspiring, spanning original prose, dialectic word games, and timeless quotations in six languages. Each song on the album was then composed around the content received, and named after the people who did the speaking. Ranging from the overtly political to the tenderly inspirational and many points in between, Wax Poetic For This Our Great Resolve provides verbal expressions of hope as diverse and rich as the experiences of the people who so generously delivered them.
More
More
1
units and measurements - Twin Stars Twin Planets
2
units and measurements - Planet Dragon
3
units and measurements - Octopus Brains
4
units and measurements - Rays From The Cosmos
5
units and measurements - Fifth Star From Home
6
units and measurements - Ballad Of The Star Gazers
Units and Measurements is the collaborative project of Christopher Hreno, Mathew Jonson and Colin de la Plante. The project sees these long times friends and veteran producers exploring the limits of hardware based improvisation and deep synthesis and effects programing . Documenting a single epic 24 hour session at Jonson's mothership studio in Berlin, this first release sees the trio exploring some of the headiest ambient and tunneling hypnotic techno to be found in any of their admittedly vast individual back catalogs. This release is without question a portrait of 3 masters of their craft at work, and quite unlike anything else you are likely to hear this year.
More
1
deadbeat - Ain't no More Flowers
2
deadbeat - I Get Low
3
deadbeat - Rage Against the Light
4
deadbeat - Tired People Get Up
5
deadbeat - Stekker Forever!
6
deadbeat - Keep on Pushing
7
deadbeat - Got to Carry On
8
deadbeat - Lights for Lele
Scott Monteith's 10th Deadbeat album, Walls & Dimensions,is now available through his own BLKRTZ label. Comprising 8 tracks and featuring vocal contributions from a diverse range of Berlin based artists, as well as for the first time Deadbeat himself, this 10th outing sees Monteith elegantly showcasing his wide ranging musical interests with a striking new sense of gravity and cutting lyricism not seen in his previous works.
More
1
deadbeat - Walls & Dimensions II A
2
deadbeat - Walls & Dimensions II B
Deadbeat presents the second vinyl only release leading up to his forth coming album, Walls and Dimensions. While the first installment featured a lucious extended ambient drone piece over 2 sides, part 2 features extended dubs of 2 of the albums dance floor cuts filled to the brim with the space age dub effects, mournful melodies and rumbling bass lines Deadbeat fans have come to expect. Another exciting indication of things to come with the soon to be released 10th Deadbeat album.
More
1
deadbeat - Walls & Dimensions I A
2
deadbeat - Walls & Dimensions I B
First in a 3 part series of vinyl only releases leading up to the 10th Deadbeat album in late 2015 – First ambient Deadbeat material running time of 40 minutes – Comes on clear vinyl with clear PVC sleeve
More
Deadbeat. Tikiman. Infinity. Dub. A quadrangle of such obvious statement and perfect musical inference may very well never have been uttered for those of the wholly weeded out persuasion. Indeed, when the great book of Dub music is written the names Scott Monteith and Paul St Hilaire will undoubtedly figure highly in its chapters devoted to recent years. Monteith, the last great prodigal son of the doctrine handed down from the Blue Mount of Lord Scratch and King Tubby, St Hilaire the undisputed voice of a generation, those fanatical warrior monks, followers of the most Holy House of Ernestus and Von Oswald incarnate. Having developed a fast friendship from their very first meeting in Montreal at the premier Micro Mutek event a decade ago, Deadbeat and Tikiman's occasional collaborative performances have since blown the minds of audiences from Berlin to Tokyo and many points in between. No great surprise then that their first album length venture is a Tour de Force of Dub music of the highest order. Nearly a year in the making, the genetic code of Deadbeat's Infinity Dubs series gets shot through with a Dreader than Dread Kingstonian logic, hi hats dropping back from the three to the one, Tikiman at his most militant, poetic, fierce, and flowing. These are the recordings of two lions uncaged, and none who bare witness shall escape their fiery judgement. If music is truly eternal, here be two voices which shall echo in infinity with all the weight, reverence, and dire power unleashed with every tectonic bass hit, and every whimsical turn of phrase. And if these eight burnt offerings are any indication of what happens when these two sit down for a session of smoke and reasoning, here's hoping they choose to do it frequently. Dub without end. Ad Infinitum.
More
Deadbeat. Tikiman. Infinity. Dub. A quadrangle of such obvious statement and perfect musical inference may very well never have been uttered for those of the wholly weeded out persuasion. Indeed, when the great book of Dub music is written the names Scott Monteith and Paul St Hilaire will undoubtedly figure highly in its chapters devoted to recent years. Monteith, the last great prodigal son of the doctrine handed down from the Blue Mount of Lord Scratch and King Tubby, St Hilaire the undisputed voice of a generation, those fanatical warrior monks, followers of the most Holy House of Ernestus and Von Oswald incarnate. Having developed a fast friendship from their very first meeting in Montreal at the premier Micro Mutek event a decade ago, Deadbeat and Tikiman's occasional collaborative performances have since blown the minds of audiences from Berlin to Tokyo and many points in between. No great surprise then that their first album length venture is a Tour de Force of Dub music of the highest order. Nearly a year in the making, the genetic code of Deadbeat's Infinity Dubs series gets shot through with a Dreader than Dread Kingstonian logic, hi hats dropping back from the three to the one, Tikiman at his most militant, poetic, fierce, and flowing. These are the recordings of two lions uncaged, and none who bare witness shall escape their fiery judgement. If music is truly eternal, here be two voices which shall echo in infinity with all the weight, reverence, and dire power unleashed with every tectonic bass hit, and every whimsical turn of phrase. And if these eight burnt offerings are any indication of what happens when these two sit down for a session of smoke and reasoning, here's hoping they choose to do it frequently. Dub without end. Ad Infinitum.
More
Deadbeat's dub credentials are by this point are as solid as they come, and being asked to remix 2 of the genre's heaviest hitters, not once, but twice is just about the greatest complement anyone in said position could ever hope to receive. Originally released on CD as part of the deluxe package for the mind blowing collaborative Orb and Scratch albums via Cooking Vinyl, we here at BLKRTZ are over the moon excited to commit these 2 dub monsters to wax for the first time. Without a doubt, this limited vinyl only 12 inch release is an essential purchase for any and all archivist of all things dub wise.
More
The latest installment in Deadbeat's Infinity Dubs series sees him submerging his rhythms deep into the echo chamber, offering up 2 solid state dubs with basslines so low only the largest systems will even register their presence. Enlightenment through stoic repetition is the order of the day here, and Deadbeat once again proves his unrivaled skills as a master hypnotist on both cuts. Don't sleep
More
Deadbeat continues his Infinity Dubs series with 2 more peak time burners of dubby dancefloor goodness. ID3 features the unmistakable vocals of frequent collaborator Paul St Hilaire aka Tikiman arriving mid way through the side and invoking a perfect summer time message of peace and love for all. ID4 on the flip meanwhile takes things into vintage hardcore territory with a razor sharp lead voice of classic analog stabs and a tougher than tough rhythm of thrashing two step snares and power techno kick drums. Whether prime time at the club or beach side these 2 newest salvos from the BLKRTZ don are sure to kick any summer dance floor worth it's salt into a frenzy.
More
Originally released on Montreal's long defunct Intr_version label in 2001, Primordia was Scott Monteith's first foray into the album format, and some 13 years on serves as a remarkable document of the driving aesthetic touchstones which even at this early stage were bubbling to the surface and have gone on to define the sound of his Deadbeat project in the many years since. Over the course of 7 colossal slabs of crackling digital atmospheres and rumbling drone, a dirge of muted kick drums serve as the only steady anchor in a sea of wildly unhinged and naive sound experimentation, with the whole lovely mess plummeting into a endless cloud of decaying echos, granular processing, and cracked software reverb plugins. With it's production coinciding with the first years of his tenure at the Montreal based music software company Applied Acoustics systems, Primordia is the sound of the young dub Padawan reveling in the endless possibilities of modular software synthesis, and relishing each and every new discovery and mistake along the way. Re-released on CD and for the first on lavish double vinyl with remastering by long time friend and cohort Stefan Betke aka Pole
More
Originally released on Montreal's long defunct Intr_version label in 2001, Primordia was Scott Monteith's first foray into the album format, and some 13 years on serves as a remarkable document of the driving aesthetic touchstones which even at this early stage were bubbling to the surface and have gone on to define the sound of his Deadbeat project in the many years since. Over the course of 7 colossal slabs of crackling digital atmospheres and rumbling drone, a dirge of muted kick drums serve as the only steady anchor in a sea of wildly unhinged and naive sound experimentation, with the whole lovely mess plummeting into a endless cloud of decaying echos, granular processing, and cracked software reverb plugins. With it's production coinciding with the first years of his tenure at the Montreal based music software company Applied Acoustics systems, Primordia is the sound of the young dub Padawan reveling in the endless possibilities of modular software synthesis, and relishing each and every new discovery and mistake along the way.Re-released on CD and for the first on lavish double vinyl with remastering by long time friend and cohort Stefan Betke aka Pole
More
Customers who bought this also bought this
1
Tin Man - Nonneo
2
Tin Man - Mystified Acid (2024 rework)
3
Tin Man - Nonneo – Donato Dozzy remix
4
Tin Man - Love and Sex Acid
Tracklist
A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid
Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.
Mastered and recut by Rashad.
More
A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid
Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.
Mastered and recut by Rashad.
More
1
IVAN IACOBUCCI AND STELLA FIORE - TRIUMPH
2
IVAN IACOBUCCI AND STELLA FIORE - WAITING FOR MY LOVE
3
IVAN IACOBUCCI AND STELLA FIORE - CLOSE THE DOOR
4
IVAN IACOBUCCI AND STELLA FIORE - FEAR AND MADNESS IN THE DESERT
Tracklist:
A1 TRIUMPH
A2 WAITING FOR MY LOVE
B1 CLOSE THE DOOR
B2 FEAR AND MADNESS IN THE DESERT
Brilliant 4 track E.P. by Ivan Iacobucci and Stella Fiore.
More
A1 TRIUMPH
A2 WAITING FOR MY LOVE
B1 CLOSE THE DOOR
B2 FEAR AND MADNESS IN THE DESERT
Brilliant 4 track E.P. by Ivan Iacobucci and Stella Fiore.
More
1
Oliver Bradford - Pacific Objectives
2
Oliver Bradford - Break Machine
3
Oliver Bradford - Silver Spring
4
Oliver Bradford - H3CH3CNONCH3
Oliver Bradford presents Pacific Objectives, his first solo EP under his own name. Bradford has been producing electronic experimental and dance music since the early 90s when he held his first DJ residency at Brückenkopf, Mainz (in 1992-93). To create his deep house grooves Oliver utilizes a hands-on approach, working with tape loops and analogue recording tools. The tracks featured on Pacific Objectives were recorded between 1996 and 2021, after nd_baumecker signed them to be released on his FREUNDINNEN label, the tracks were mixed and mastered with Jörn E. Wuttke, at the final stage Loop-O created the vinyl master and cut in 2023.
Oliver Bradford thanks go to: Jörn E. Wuttke, D Man, Ralf Köster, Loop-O and Andreas & Jenus Baumecker for your great support to make this happen!
A1. Pacific Objectives
A2. Break Machine
B1. Silver Spring
B2. H3CH3CNONCH3
More
Oliver Bradford thanks go to: Jörn E. Wuttke, D Man, Ralf Köster, Loop-O and Andreas & Jenus Baumecker for your great support to make this happen!
A1. Pacific Objectives
A2. Break Machine
B1. Silver Spring
B2. H3CH3CNONCH3
More
1
Claw-Z - Glocken Jr. (9:12)
2
Claw-Z - Tears (Shakuhachi Mix) (8:44)
GENRE/S: Acid, House, Electro, Techno
TRACKLIST:
A. Glocken Jr. (9:12)
B. Tears (Shakuhachi Mix) (8:44)
SHORT INFO:
Spaced-out, Electro- and Techno-leaning Acid journeys by Pocochin’s own, Claw-Z
VITAL SALES POINTS:
- Artist debut
- Hand printed custom disco sleeve
More
TRACKLIST:
A. Glocken Jr. (9:12)
B. Tears (Shakuhachi Mix) (8:44)
SHORT INFO:
Spaced-out, Electro- and Techno-leaning Acid journeys by Pocochin’s own, Claw-Z
VITAL SALES POINTS:
- Artist debut
- Hand printed custom disco sleeve
More
1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
1
ANNÉ - A1. Eucalyptus
2
ANNÉ - A2. Fields Of Flowers
3
ANNÉ - B1. Sunkissed
4
ANNÉ - B2. Radiance
12" - Releases on Ben Sim’s historic imprint Hardgroove, his second label Symbolism, Soma, Mutual Rytm, Life in Patterns, Out of Place records
GENRE/S: Techno
TRACKLIST:
A1. Eucalyptus
A2. Fields Of Flowers
B1. Sunkissed
B2. Radiance
SHORT INFO:
Nastia introduces a fresh addition to her NECHTO imprint as ANN? unveils the first release of 2024. NECH023 serves as an exploration of resilience, inspiration, and the unfolding of light from darkness.
Hailing from Thessaloniki, Greece, ANN? is an artist who invests profound emotion into each endeavour. Inspired by the natural world and the energies that envelop us, the four tracks delve into the intricacies of human emotion and the essence of our being.
'Eucalyptus,' 'Fields Of Flowers,' 'Sunkissed,' and 'Radiance' offer glimpses into ANN?'s wellspring of inspiration.
Her music is a harmonious fusion of Detroit, 90s, and 00s sounds, heightened by vocals and a pulsating beat that resonates with the innermost emotions of the artist.
- Online promo by Out Of Sync PR
- Club presence at Radion, RSO, Berghain, E1, Madrid’s Fabrik, London’s Fold, Brussel’s Fuse, Exhale projects, etc f.i.
More
GENRE/S: Techno
TRACKLIST:
A1. Eucalyptus
A2. Fields Of Flowers
B1. Sunkissed
B2. Radiance
SHORT INFO:
Nastia introduces a fresh addition to her NECHTO imprint as ANN? unveils the first release of 2024. NECH023 serves as an exploration of resilience, inspiration, and the unfolding of light from darkness.
Hailing from Thessaloniki, Greece, ANN? is an artist who invests profound emotion into each endeavour. Inspired by the natural world and the energies that envelop us, the four tracks delve into the intricacies of human emotion and the essence of our being.
'Eucalyptus,' 'Fields Of Flowers,' 'Sunkissed,' and 'Radiance' offer glimpses into ANN?'s wellspring of inspiration.
Her music is a harmonious fusion of Detroit, 90s, and 00s sounds, heightened by vocals and a pulsating beat that resonates with the innermost emotions of the artist.
- Online promo by Out Of Sync PR
- Club presence at Radion, RSO, Berghain, E1, Madrid’s Fabrik, London’s Fold, Brussel’s Fuse, Exhale projects, etc f.i.
More
1
Mute - Ocha (Re-Edit)
2
Mute - Never (Re-Edit)
3
Mute - Direct Cut (Re-Edit)
4
Mute - Bensono (Re-Edit)
Tracklist
A1. Ocha (Re-Edit)*
A2. Never (Re-Edit)*
B1. Direct Cut (Re-Edit)*
B2. Bensono (Re-Edit)*
Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent.
Conceived by the rather elusive Mute, the Direct Cuts are a master class in heartfelt and understated timeless deep house. Influenced in equal parts by the still towering Prescription Underground and the New York singularity that was a young Bobby Konders, Mute managed to create a sound of his own. Marked by live arrangements, bedroom studio aesthetics, a love for dub music and a tempo that was more boogie than techno, it has not lost an inch of its charm. A proposition that probably led Leon Vynehall to pick the hypnotic Never for his Fabric mix. Along with Ocha, Direct Cut and Bensono, Mute proves that iteration does not necessarily mates with deadly dullness.
Short: Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. A master class in heartfelt and understated timeless deep house
More
A1. Ocha (Re-Edit)*
A2. Never (Re-Edit)*
B1. Direct Cut (Re-Edit)*
B2. Bensono (Re-Edit)*
Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent.
Conceived by the rather elusive Mute, the Direct Cuts are a master class in heartfelt and understated timeless deep house. Influenced in equal parts by the still towering Prescription Underground and the New York singularity that was a young Bobby Konders, Mute managed to create a sound of his own. Marked by live arrangements, bedroom studio aesthetics, a love for dub music and a tempo that was more boogie than techno, it has not lost an inch of its charm. A proposition that probably led Leon Vynehall to pick the hypnotic Never for his Fabric mix. Along with Ocha, Direct Cut and Bensono, Mute proves that iteration does not necessarily mates with deadly dullness.
Short: Re-issue of a Running Back classic. Originally released in 2003 as the the second outing of the label, it is still a remarkable release in the catalogue. Now, carefully rescued from the original DAT tapes, re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. A master class in heartfelt and understated timeless deep house
More
1
Brunson - Hoff man’s S.O.S (Scully, Owsley, Sand) 05:38
2
Brunson - Blue Striped Felix 05:31
3
Brunson - 2way 05:01
4
Brunson - Morf 05:44
Territories: World excl. UK + North America
FORMAT 180g 12”, full printed sleeve + Obi Strip
TRACKLIST
A1 Hoff man’s S.O.S (Scully, Owsley, Sand) 05:38
A2 Blue Striped Felix 05:31
B1 2way 05:01
B2 Morf 05:44
RELEASE INFO
Vibrant acid tracks knead muscular electronic dance
structures on Gerald Brunson’s debut EP. A member of
the Model 500 extended family and running Dance
Sacred Records, Brunson presents a restless world
that beckons forth from the underground of the
Midwest, full of bouncing flair and techno passion.
Hoff man's S.O.S. (Scully, Owsley, Sand) is more than a
mere head nod to the alchemists participating in the
League for Spiritual Discovery and The Brotherhood of
Eternal Love. It induces a pristine acid trip that twists
neurons about agitated filtered e ects and e ective
rhythmic structures. Finally, it emerges into wondrous
vistas of ever-expanding horizons. Blue Striped Felix
worms deep into the groove with the same brawn, its
components lean and unceasing.
Over on the flip side, 2way struts a mean dance,
stripping out the previous track’s acid melodies into
something far more focused on repetition with an
electro influence shining through. This electro sound
beams forward even more into a mutant funk on Morf.
The synths move squeakily as if the machine got
jammed into enlightenment. Unexpected beat
changes flick over to a four to the floor briefly, before
out of nowhere chords invite the closing moments in
with an eventual melodic response to the dancing
synths.
Brunson's tracks represent a unique sound. Techno is
as real as the person who experiences it, and these
tracks come from an enigmatic messenger who is
firmly out on a limb. More
FORMAT 180g 12”, full printed sleeve + Obi Strip
TRACKLIST
A1 Hoff man’s S.O.S (Scully, Owsley, Sand) 05:38
A2 Blue Striped Felix 05:31
B1 2way 05:01
B2 Morf 05:44
RELEASE INFO
Vibrant acid tracks knead muscular electronic dance
structures on Gerald Brunson’s debut EP. A member of
the Model 500 extended family and running Dance
Sacred Records, Brunson presents a restless world
that beckons forth from the underground of the
Midwest, full of bouncing flair and techno passion.
Hoff man's S.O.S. (Scully, Owsley, Sand) is more than a
mere head nod to the alchemists participating in the
League for Spiritual Discovery and The Brotherhood of
Eternal Love. It induces a pristine acid trip that twists
neurons about agitated filtered e ects and e ective
rhythmic structures. Finally, it emerges into wondrous
vistas of ever-expanding horizons. Blue Striped Felix
worms deep into the groove with the same brawn, its
components lean and unceasing.
Over on the flip side, 2way struts a mean dance,
stripping out the previous track’s acid melodies into
something far more focused on repetition with an
electro influence shining through. This electro sound
beams forward even more into a mutant funk on Morf.
The synths move squeakily as if the machine got
jammed into enlightenment. Unexpected beat
changes flick over to a four to the floor briefly, before
out of nowhere chords invite the closing moments in
with an eventual melodic response to the dancing
synths.
Brunson's tracks represent a unique sound. Techno is
as real as the person who experiences it, and these
tracks come from an enigmatic messenger who is
firmly out on a limb. More
Special Remarks: LP 180 G Vinyl
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
1
Anthony Naples - Moto Verse
2
Anthony Naples - Orb Two
3
Anthony Naples - Morph
4
Anthony Naples - Silas
5
Anthony Naples - Gem
6
Anthony Naples - Ackee
7
Anthony Naples - Scars
8
Anthony Naples - Strobe (second single)
9
Anthony Naples - Tito
10
Anthony Naples - Unknow
2023 repress
Tracklist:
A1. Moto Verse
A2. Orb Two
A3. Morph
A4. Silas
A5. Gem
B1. Ackee
B2. Scars
B3. Strobe (second single
B4. Tito
B5. Unknow
Release Info:
Anthony Naples fifth full length LP “orbs” is a moody portal of shoegazed and slo-mo songs suspended in thin air. The album doesn’t reassemble the A.N. sound from the ground up, so much as enhance and expand its scope in all directions. Samples and Instruments meld together into new languorous and liquid forms that with or without the beat of drums, shift with the gentle movements of time.
More
Tracklist:
A1. Moto Verse
A2. Orb Two
A3. Morph
A4. Silas
A5. Gem
B1. Ackee
B2. Scars
B3. Strobe (second single
B4. Tito
B5. Unknow
Release Info:
Anthony Naples fifth full length LP “orbs” is a moody portal of shoegazed and slo-mo songs suspended in thin air. The album doesn’t reassemble the A.N. sound from the ground up, so much as enhance and expand its scope in all directions. Samples and Instruments meld together into new languorous and liquid forms that with or without the beat of drums, shift with the gentle movements of time.
More
1
FUMIYA TANAKA - One More Thing
2
FUMIYA TANAKA - Paris Butterfly
3
FUMIYA TANAKA - Berlin Queen
4
FUMIYA TANAKA - Cosmic Tension
5
FUMIYA TANAKA - Human Music
6
FUMIYA TANAKA - Jaman’s Tweets
Format Vinyl 2×12 Album
Tracklist:
A.One More Thing
B.Paris Butterfly
C1.Berlin Queen
C2.Cosmic Tension
D1.Human Music
D2.Jaman’s Tweets
Release Info:
Tool tracks as new album following Tanaka's previous 'Right Moment' (2019 released on Parlon).
The first part of 'One More Thing' also released on Jan 2022 as12”double-pack (SND 15).
More
Tracklist:
A.One More Thing
B.Paris Butterfly
C1.Berlin Queen
C2.Cosmic Tension
D1.Human Music
D2.Jaman’s Tweets
Release Info:
Tool tracks as new album following Tanaka's previous 'Right Moment' (2019 released on Parlon).
The first part of 'One More Thing' also released on Jan 2022 as12”double-pack (SND 15).
More