Life is full of splendid yet fleeting moments – as is this album. Filled with songs of ever- changing bliss, it offers a modern take on Rephlexish-Warpy IDM and Electronica, embedded in that irresistible Electro groove from the land of milk and honey. Put your feet up – it’s time for a break from work.

First time on vinyl! Selected tracks from the 2018 digital release, newly compiled and remastered – plus three completely new tunes from the same era!

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XY0815 wraps up his magnum opus with an additional collection of eight tracks. The second volume of 'Gates Need Inputs' blends crafty, melodic electronica with intricate rhythms.

Synth escapades to curb the dystopia.
Mastered by Alden Tyrell.

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Having built a cult following with his live hardware performances and releases on Orson and Varial, Ninechecker disembarks for a solo EP displaying his versatility. The blistering A Very English Wind opens procedures, followed up by the evocative gliding dub of Antennas. On the Bside, shifting gears again with the Rephlex-informed menace of Curtain Twitcher and closing with the lush, woozy cassette ambiance of Proposal.

White labels, handwritten, numbered and limited to 80. Includes an A4 insert.

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Super limited brokntoys release from FR Fels.
50 copies only

Co-founder of art space and label Ortloff, FR Fels debuts on BT with Planet Fear
The Leipzig based producer presents five tense, melodic electro tracks drenched in reverb.
Mastered by Alden Tyrell.

Numbered edition of 50 copies, white labels with an A4 insert.

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XY0815 wraps up his magnum opus with an additional collection of eight tracks. The second volume of 'Gates Need Inputs' blends crafty, melodic electronica with intricate rhythms.

Synth escapades to curb the dystopia.
Mastered by Alden Tyrell.

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DE - 22113 Hamburg
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BT78 sees the return of Shokh, presenting his first material in two years. Having contributed previously to the Cold Readings VA and with outings on Omnidisc and Kompakt, the producer presents his stone cold take on retrofuturism across five tracks.

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BT67 presents Colombian producer / promoter and DJ Non Punire with a mini-album entitled Espeletia. Member of the defunct Vltra Delta Drive, Espeletia sees the Colombian exile delivering a masterclass in Giallo-infused synthwave and electro.

Throughout 6 tracks, the EP blends suspense and drama for the discerning dancefloors.

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Ladislav Zensor returns for a 3rd EP on the label with Notions of Causality. The Czech producer showcases his trademark atmospheric electronics, soundtracking a world on the verge of collapse. The EP is completed by a remix by d&b producer Overlook.

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3 years after his debut on the label, Jason McCracken AKA illektrolab returns with Temporal Interference. Across 4 tracks, the Arizona-based producer delivers an onslaught of breaks, acid and bass-heavy electro fine-tuned for the dancefloor.

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Across 6 tracks the Noods Radio resident Gareth Psaltis AKA Barking merges dub, ambient and menacing downtempo.

Having released on Deep Seeded and OpenTheNext, the Berlin-based producer returns to the label after his appearance on the A Call Too Close compilation.

Mastered by Alden Tyrell.
Edition of 200 copies.

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Label mainstay Obergman returns for a second emission after his celebrated Quantum Eraser. Over 6 tracks the Swedish producer delivers a set of icey, stirring workouts primed for the dancefloor.

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Telephasycx! bring their chaotic, noise-fuelled sound to BT.

Fusing industrial influences with Doppler electro, Spherical Coordinates sees the Spanish duo coming forward with 4 tracks of undistilled tension.

With previous releases on their own Rator Mute label. Telephasycx! have made a name for themselves with their dissonant, chaotic live shows.

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BT33 drags back Marco Bernardi for his 3rd solo EP on brokntoys. Plat + Form P.F. finds Marco run ragged through time, revisiting his sleeper-project Octogen’s lost 3rd (!) album alongside his latest productions
Cruising the dystopia, the EP moves through unnerving melodies hung against stuttering rhythms. Handstamped and with screenprinted sleeve.

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The 5th entry on the DDQ series continues to rake the kerbside muck of ‘club music’, presenting 2 disparate visions from 2 label heads.
KUMP’s mastermind Gil.barte opens proceedings with the stuttering bodysludge of Guédé and Egareur. Two kleine nightmusiks to drag you out of meatspace, with the Kyuss-ala-PCP throb of Guédé especially sure to find favour on fog-bothering 8 AM+ floors worldwide.
Tempos pick up and lights turn down on the B-side, with Lostsoundbytes (Vastechoses label head), driving disintegrating delays and snares into 3 Belgiqué-nouveau tools, keeping the rhythm & textures bumping throughout.
Artwork by Thibaut de Wolf

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BT25 brings together label regulars Marco Bernardi, Vertical67 and Exhausted Modern alongside debutante Robert Valera. A1 marks the first appearance of Austin-born, NY-based Robert Valera. Inspired by the legendary Wierd Records parties, Valera combines vintage modulars with modern sequencing to create melodious, hard hitting wave.
Marco Bernardi returns with Tokyo Sunrise, an epic journey joining Detroit and jungle in anticipation of his forthcoming Plat + Form PF EP.
On the B-side Vertical67 explores his signature emotionally-charged sound with Out of Sight and fresh off his Ampér EP, Exhausted Modern closes with the ominous The Last Minute on Earth.

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Knopha steps out on Mood Hut Records with 'Kwong'. Ranging in tone from downtempo drum and bass to Herbert-like cut up house tunes, from esoteric pop to digital abstractions.

After years of friendship, we're very proud to release Knopha's beautiful music. We hope you enjoy.

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Andrea’s second album “Due In Color“ was primarily created in 2020 and 2021. During these crazy and decelerated times he explored more hazy and experimental Jazz, which inspired him to use more acoustic sounds in his productions. Dark loud clubs are in a far away distance, while Andrea takes us to wonderful blooming fields.

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When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.

Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.

There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.

Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same.

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"Here is our first album. A gleeful and quaint celebration, expressing our love for making music together."

This album simply named ‘MUSIC’ by ROLROLROL (Jameszoo & Niels Broos) is a puttylike exercise in pop, modern jazz and electronic music. Building on an already extensive and longtime collaboration ranging from their work on Jameszoo’s three albums for ‘Brainfeeder' and Niels Broos’s two EP’s for ‘Alpha Pup’.

‘MUSIC’ was created over the span of some years, working out of multiple places occasionally joined by friends.

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