1
Edward - The Giver
2
Edward - Memory Motions
3
Edward - Tuned
Mystical dreamweaver Edward has previously brought out some of his classiest club-tooled gear for Trelik, with 2018's Rumours EP being a particular highlight in his glittering career in minimal. Breaking a protracted silence for Baby Ford's label, this new three-tracker once more takes us into the unique atmospheric zone Edward occupies with his productions. 'The Giver' has an unnerving, desolate quality but it's also rock-solid in the rhythm department, with subtle threads of warmth to balance out the eeriness. 'Memory Motions' is a spicier cut with a pronounced house jack to propel a tense set of sonic motifs, with a special mention to the wobbly organ-like chord line. 'Tuned' is the most upfront of all the tracks, using some processed piano hooks and a full compliment of nagging, funkified ingredients to make a certified, if left-of-centre, party starter.
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More records from Edward
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
1
Edward - A1 Primal Dream
2
Edward - A2 Blue Glue
3
Edward - B1 Eddie Green
4
Edward - B2 So Slow
12" - Cover Artwork by Stefan Marx
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
1
Edward - Time Stretch
2
Edward - La Grotta
3
Edward - Black Sea
Die Orakel long time collaborator Edward gracefully reappears with a three track emission called Time Stretch. Edward’s appliance of the titular technique is not restricted to various sonic elements at all, as it extends to the tracks’ mental notes and their trajectories beyond the digital realm.
Time Stretch fills the entire side A with vibrant sonic elements, a warm bassline along an eerie pad, all on top of a straight and punchy bass drum. La Grotta’s signature melody, plus chirps and cowbells, inject a slight touch of exotica to the musical meta-data, while time stretch artefacts refer back to a befittingly themed EP. Finally, the undercurrents of Black Sea evolve along a modulated melodic pad, a pulsating bass and beat structure, and a light 90s IDM morse figure on top of frequency sweeps. More
Time Stretch fills the entire side A with vibrant sonic elements, a warm bassline along an eerie pad, all on top of a straight and punchy bass drum. La Grotta’s signature melody, plus chirps and cowbells, inject a slight touch of exotica to the musical meta-data, while time stretch artefacts refer back to a befittingly themed EP. Finally, the undercurrents of Black Sea evolve along a modulated melodic pad, a pulsating bass and beat structure, and a light 90s IDM morse figure on top of frequency sweeps. More
1
edward - Mikko (Ogermania mix)
2
edward - Lottery
3
edward - Groaning Ghosts
Edward makes his first appearance on the legendary Trelik label with three tracks of reduced, refined and utterly psychedelic house music for the witching hour. Gilles Aiken has been prolific since first emerging more than ten years ago, initially releasing his otherworldly jams through White before joining the Giegling contingent. His acclaimed Desert Sky alias has been an outlet for more experimental fare on Assemble Music and PAL SL, but as Edward he offers up a distinctive take on minimal house and techno that matches studio flair with warmth and personality. From the meditative sunrise lilt of "Mikko" to the uneasy machinations of "Sehhr", this record finds Edward at the top of his game crafting utterly workable club tracks for adventurous souls.
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1
edward - shufflehead
2
edward - Dekta
3
edward - Etern
Tracklist:
A: Shufflehead
B1: Dekta
B2: Etern
info:
Info Die Orakel presents three spaced out excursions by Edward. More
A: Shufflehead
B1: Dekta
B2: Etern
info:
Info Die Orakel presents three spaced out excursions by Edward. More
1
edward - 01
2
edward - 02
3
edward - 03
4
edward - 04
5
edward - 05
6
edward - 06
7
edward - 07
8
edward - 08
9
edward - 09
10
edward - 10
Edwards 2nd album "Into a better Future" accompanies you for hours, makes you forget that daily grind. It is serious encouragement of movement, telling you to get away from the thick mess and find your way onto a proper highway. You'll pass machines along the side of the road, engaged in a process of construction while your hands feel clean. And once in a while you'll hear the sound of sunrise and sunset racing each other in a tight rhythm.
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Barcode 827170141322 Release date Monday, 24th February 2014
Tracklist
A1 Edward – Feuerhand
A2 Edward – Midnight Express
B Edward – Symbols Of Balea
Edward prophesizes unborn futures and fates. More
Tracklist
A1 Edward – Feuerhand
A2 Edward – Midnight Express
B Edward – Symbols Of Balea
Edward prophesizes unborn futures and fates. More
Sometimes things in life never occur as planned. So it happend to Edward aka. Gilles Aiken, when the berlinbased artist was looking for a new apartment. Somehow he found himself moving to a very small fairy tale-like village called "Teupitz" in Brandenburg, Germany. It was there were Edward rediccovered his deep love for nature and silence. With long extensive walks along the Teupitzer lake he got to the bottom of his true love for house music. Within the silence he could still hear a distant pulse of basslines ringing. And after release for Giegling, Blooming Soul and WHITE it was time to make the next step. With all the nature surrounding him, he finally felt able to get all the music out. Music which ended up as his debut album, simply called "Teupitz".
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Sometimes things in life never occur as planned. So it happend to Edward aka. Gilles Aiken, when the berlinbased artist was looking for a new apartment. Somehow he found himself moving to a very small fairy tale-like village called "Teupitz" in Brandenburg, Germany. It was there were Edward rediccovered his deep love for nature and silence. With long extensive walks along the Teupitzer lake he got to the bottom of his true love for house music. Within the silence he could still hear a distant pulse of basslines ringing. And after release for Giegling, Blooming Soul and WHITE it was time to make the next step. With all the nature surrounding him, he finally felt able to get all the music out. Music which ended up as his debut album, simply called "Teupitz".
More
Merc Music proudly presents new Artist "Edward", a new light emerging from the Black Country underground. Having passed Mark E a CD full of left field house music Maxa & Naxa finally make their way onto vinyl with Merc. Here lies deep distorted driving 4/4 beats and looped disco monotony, following in the vein of previous Merc releases this pushes the sound even further.
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More records from Trelik
1
Ion Ludwig - A Beladen Date 4 Ever
2
Ion Ludwig - Transport Fighter
Baby Ford's Trelik label is as revered as they come in underground circles. Ion Ludwig is not far behind when it comes to his productions and so the two are a perfect match who reunite once more here. This fresh 12" kicks off with the brain cleansing minimalism of 'A Beladen Date 4 Ever', a silky groove doused in harmonic chords, with swirling pads and rubbery bass all tightly intertwining. 'Transport Fighter' is a more punchy cut with thudding kicks and heftier bass, but still a nebulous eco-system of pads and melodies swirling around up top. Two killer cuts. no doubt.
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1
Soul Capsule - Overcome
2
Soul Capsule - Lady Science (NYC Sunrise)
Repress coming soon!
Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M. More
Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M. More
1
Minimal Man - Make A Move (Part 1)
2
Minimal Man - Make A Move (Part 2)
3
Minimal Man - Stay On
Minimal Man is the legendary studio partnership between Eon (aka Ian Loveday) and Baby Ford. They cooked up some of minimal's most essential tunes some 20-odd years ago and they have become expensive and highly sought after since. This EP is one of them and it features three killer cuts that will move a dancefloor as much today as ever. 'Make A Move' has a pent-up energy and forward drive that sweeps you up and keeps you locked amongst soft hi-hats and vamping chords. Part 2 is a little darker and more mysterious, with the drum loops a little edgier and the mood that bit more mischievous. 'Stay On' closes down with bubbling drum funk and swirling abstract synth world from deep inside some distant nebula in the sky.
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1
Soul Capsule - Law Of Grace
2
Soul Capsule - Meltdown
3
Soul Capsule - Lady Science (Tek Mix)
As Soul Capsule, Baby Ford and Thomas Melchior made some of minimal techno's most accomplished records. It has been many years since they stopped turning out new material - sadly - but their archive tracks are still in hot demand and undeniably relevant. While 1999's 'Lady Science' might be their most famous offering, this EP from 2001 on Aspect Music is no less vital and it will currently cost you well over L250 on second-hand markets. It is Ford's Trelik label who reissues it here in all its glory: the entirety of the a-side is taken up with 'Law Of Grace,' a delightfully deep and breezy minimal dub house roller with pensive chords draped over the frictionless drums. 'Meltdown' has a more experimental feel with brushed metal drums beneath a wordless vocal musing. The cult 'Lady Science' (Tek Mix) is also inched with the whole package being remastered by D&M to make this one utterly essential.
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1
Alex Celler - "Ancient Astronauts"
2
Alex Celler - "Stargate To Cosmos"
3
Alex Celler - "Object In The Sky"
Three distinctly outer space-themed cuts from Greece's Alex Celler, each with a linear minimal/tech skeleton that has other, interloping musical influences draped elegantly and classily across it. 'Ancient Astronuats' has the weird, wired mystical stirrings of early Black Dog about it, complete with melting, bendy electro notations that coax it along and add a psychedelic dimension. 'Stargate To Cosmos' has a playful, Drexciyan feel to it, with crunchy, organic drum beats flirting alongside the more rigid electrics. 'Object In The Sky' is the most minimal of the pack, sleek and stalker-like, but still contains enough action - mainly floating around up there in the ether - to hold and build attention.
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1
Ion Ludwig - No Title
2
Ion Ludwig - 02
3
Ion Ludwig - No Title
4
Ion Ludwig - No Title
5
Ion Ludwig - No Title
Ion Ludwig has amassed an incredible back catalogue over more than a decade exploring the outer reaches of stripped down dancefloor aesthetics. Crucial releases on labels like Ugold Series, Be Chosen, Eklo and many more have all fed into his distinctive identity - a producer who packs a lot of subtle detail and emotionally gripping moods into predominantly minimal productions. In recent years, one of his closest partnerships has been with the iconic Trelik, and now building on the promise of two strong EPs comes a double pack brimming with the invention and flair that has typified Ludwig's unique appeal since the beginning.
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1
edward - Mikko (Ogermania mix)
2
edward - Lottery
3
edward - Groaning Ghosts
Edward makes his first appearance on the legendary Trelik label with three tracks of reduced, refined and utterly psychedelic house music for the witching hour. Gilles Aiken has been prolific since first emerging more than ten years ago, initially releasing his otherworldly jams through White before joining the Giegling contingent. His acclaimed Desert Sky alias has been an outlet for more experimental fare on Assemble Music and PAL SL, but as Edward he offers up a distinctive take on minimal house and techno that matches studio flair with warmth and personality. From the meditative sunrise lilt of "Mikko" to the uneasy machinations of "Sehhr", this record finds Edward at the top of his game crafting utterly workable club tracks for adventurous souls.
More
More
1
les points - Anubis
2
les points - Housepacer
3
les points - Ripstyle
Les Points consist of Audino, Barbir, Louh and Nicola Kazimir. An open space is a place where everyone has access to knowledge at any time. It can be a physical space, but also a virtual one. Let's not restrict electronic music, we see it as a duty to spread knowledge, art or references - however you want to call it - and keep it in a contemporary discourse not bound to formats.
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1
och - Love Unconditional
2
och - More Journeys Into Swing
3
och - Sunday Love
London's Trelik returns to an artist perfectly in tune with the current stance of the British house and techno institution. OCH has been grafting in the European underground for more than ten years shaping out a truly formidable back catalogue. He first appeared on Trelik with Whalesong in 2011, while he's also contributed to Baby Ford's equally revered PAL SL label on more than one occasion. In addition, highly-regarded outposts such as All Inn, Systematic and Bass Culture have all given OCH the stamp of approval, while his own Autoreply label has continued to be a vital facet on the frontline of the scene. This latest three-track EP finds OCH on sublime form, working to a crisp, classic house template with the uncluttered precision one expects from a Trelik release. The title track struts proudly out in front with its hooky DX7 lead, while "More Journeys" builds up to a tougher, psychotropic blend. "Sunday Love" provides a perfect soulful tonic to round the EP off, rich with warm keys and irresistible shuffle. Mastered at D & M.
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Following on from Alex Celler's Haz / Pacificon single, Baby Ford's ever on-point Trelik label turns to Jonno & Tommo, a production duo with a rising profile in and around the London house music scene. This release for Trelik represents a creative high-point in their career thus far, hand picked by Ford to appear on his label following the inclusion of their 2013 track "Close The Door" on the recent Baby Ford - Fabric 85 mix CD. From the crisp, techy drums and head-spinning soul hook of "Love Songs" via the playful drum machine rub of "Bloc via Bow" and on to the smoother introspection of "Running Hammock", this release widens out the Jonno & Tommo sound into intriguing new pastures of house music
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Consistent in his output since 2006, London-based Alex Celler has carved a reputation recording on highly esteemed imprints such as Tuning Spork, Contexterrior, Broquade and All Inn to name a few. Now he turns up the heat for an impressive two-track debut on Trelik. The A-Side "Haz" kicks off with tight, dry drums moving emotively with warm bubbling bass, subtle house stabs and soothing, mysterious vocals. Drops and licks of percussion build and fall over the 9:19 duration with the aid of cleverly scattered piano keys this forward thinking arrangement stands-out perfectly. "Pacificon" on the B-side strips things back to the bare-essentials, a highly playable cut that takes on a more techno-orientated approach featuring persistent bass and metallic vocals creating a deadly effective backdrop of space and tension. Consistent in his output since 2006, London-based Alex Celler has carved a reputation recording on highly esteemed imprints such as Tuning Spork, Contexterrior, Broquade and All Inn to name a few. Now he turns up the heat for an impressive two-track debut on Trelik. The A-Side "Haz" kicks off with tight, dry drums moving emotively with warm bubbling bass, subtle house stabs and soothing, mysterious vocals. Drops and licks of percussion build and fall over the 9:19 duration with the aid of cleverly scattered piano keys this forward thinking arrangement stands-out perfectly. "Pacificon" on the B-side strips things back to the bare-essentials, a highly playable cut that takes on a more techno-orientated approach featuring persistent bass and metallic vocals creating a deadly effective backdrop of space and tension
More
1
baby ford - "Mystery Falls"
2
baby ford - "Spooked"
In classic Baby Ford style the A-side opens with "Mystery Falls" a deep melodic housey workout with shuffling percussion and sublime top line strings. Meanwhile on the B-side, shaker hustlin' "Spooked" conjures up a more stripped down moody grooving chordal affair. Both tracks cut at 45rpm for maximum quality and effect on the floor.
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In classic Baby Ford style the A-side opens with "Mystery Falls" a deep melodic housey workout with shuffling percussion and sublime top line strings. Meanwhile on the B-side, shaker hustlin' "Spooked" conjures up a more stripped down moody grooving chordal affair. Both tracks cut at 45rpm for maximum quality and effect on the floor.
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More
Baby Ford and Zip need little introduction and debut on Trelik as "BFZ" featuring co-conspiritor Thomas Melchior. The trio originally appeared on the 1999 "Perlondon" 12" for Perlon with Ford and Zip re-uniting for the "Glidin' Along The Riverbed" release then 2010's "Clean Hands" on PAL SL. Thomas Melchior recently appearing on [a:rpia:r] and his own Aspect Music kicks off the 12" with a floor friendly up-beat 9 minute "Melchior Productions LTD" edit remix of "Uff". An "Uffapella" closes the A-side featuring abstract sound design and textured vocals. Side-B's "So They Say" creates a feeling of space and unhurried rhythmatics whilst the title track "Uff" combines deep instrumentals, chord and haunting vox with subtle bass and modulating kick. Recorded in London and Berlin. Mastered at D & M.
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Following on from releases for Pomelo and PAL SL, LD Nero makes a welcome return to Trelik, the label that unveiled the project back in 2011. Detroit house flavours lace "Als Ik Kan", as a bleepy synth loudly sounds on the off beat over short stabby chords and shuffling drums. A loose "I'm Burning" almost sounds like LD Nero has each of the tracks elements placed on a separate turntable; making sure to keep them beat matched and aligned, while a summery, Rhode uplifting house track awaits in "The Feel".
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London based house imprint Trelik presents OCH who under this anonym initially stepped up for PAL SL and has since bagged winners on Autoreply, Stuga Musik and soon SECT. With a compulsive passion for the dying art of crate-digging combined with a love for modern synthesis techniques he manages to put together a 12" that could easily be described as psychedelic Chicago. Whalesong is a pulsating floor work-out which references the US greats whilst building an emotive sub-aqua soundscape. Blind is The Wind follows with a sneaky chord driven spoken interlude which creates an air of tension before climaxing into Last Chance Saloon. This is deep yet driving showcasing haunting vocals with lush chords alongside the original principles of house music and plenty of bass. Mastered by Rashad at D & M.
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Originaly released in 1998 as part of TR09 "Sunpeople e.p.", produced by Baby Ford and Thomas Melchior. Sven Väth has been playing it on his radio shows and gigs around the world since it first appeared. Now he has delivered a masterfull remix of this cult classic along with Alter Ego members Roman Flügel and Jörn Elling Wuttke, its a true epic taking it deeper and rocking the tek house party to the max. Melchior & Fords "soul capsule mix" boasting a mother of a phat bumpin groove gone all jackin and sexy yet staying true to her spiritual origins. The "original mix" was remastered, as sweet as candyfloss little anthem that it is.
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Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
1
Lea Lisa - Poem For The Lost Souls (Original Mix)
2
Lea Lisa - Poem For The Lost Souls (Broken Mix)
3
Lea Lisa - Poem For The Lost Souls (Kuniyuki Version)
4
Lea Lisa - Poem For The Lost Souls (Session Victim Version)
Gatefold Cover, Double-12”
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
More
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
More
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
1
Edward - A1 Primal Dream
2
Edward - A2 Blue Glue
3
Edward - B1 Eddie Green
4
Edward - B2 So Slow
12" - Cover Artwork by Stefan Marx
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
1
M.A.N.D.Y. vs Booka Shade feat. Laurie A - A1. O Superman (Original Remaster
2
M.A.N.D.Y. vs Booka Shade feat. Laurie A - A2. O Superman (Man Power Remix)
3
M.A.N.D.Y. vs Booka Shade feat. Laurie A - B1. O Superman (SIS Remix)
4
M.A.N.D.Y. vs Booka Shade feat. Laurie A - B2. O Superman (Robag's Pumper-Nikkel Rmks)
Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.
Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn. More
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)
Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.
Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.
Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn. More
1
Juan Atkins & Moritz von Oswald present - Transport 07:28
2
Juan Atkins & Moritz von Oswald present - Odyssey 07:28
3
Juan Atkins & Moritz von Oswald present - Lightyears 06:08
4
Juan Atkins & Moritz von Oswald present - 2600 06:44
5
Juan Atkins & Moritz von Oswald present - Merkur 04:09
6
Juan Atkins & Moritz von Oswald present - Riod 09:14
7
Juan Atkins & Moritz von Oswald present - Zeolites 10:30
FORMAT 2LP 180g vinyl, printed sleeve, dl card
TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
More
TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
More
1
Juan Atkins & Moritz von Oswald present - Concave 1 07:28
2
Juan Atkins & Moritz von Oswald present - Concave 2 07:28
FORMAT 12“ vinyl, printed sleeve, dl card
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
More
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
More
1
DJ Pierre - acid love
2
DJ Pierre - acid love dub
1
Kaoru Kuroki - The Age Of Innocence
2
Kaoru Kuroki - A Love Note For You
3
Kaoru Kuroki - Birth From Time
4
Kaoru Kuroki - Chinatown Love
Note: limited edition picture disc
A cult 12? EP from 1987 by legendary Japanese erotic actress Kaoru Kuroki, repressed for the first time on sexy picture disc vinyl.
A total of 4 tunes, including “???? (The Age Of Innocence)”; a strange synth-pop track based on an Okinawan folk song, “A Love Note For You”; an erotic poetry reading she wrote herself, “?????? (Birth From Time)”; a killer techno-pop track that could work as a hidden gem for DJs and ???? (Chinatown Love) ???; an erotic serenade dedicated to Chinatown.
Picture disc in the colorful cover.
Licensed by TEICHIKU RECORDS CO.,LTD; original master tapes. More
A cult 12? EP from 1987 by legendary Japanese erotic actress Kaoru Kuroki, repressed for the first time on sexy picture disc vinyl.
A total of 4 tunes, including “???? (The Age Of Innocence)”; a strange synth-pop track based on an Okinawan folk song, “A Love Note For You”; an erotic poetry reading she wrote herself, “?????? (Birth From Time)”; a killer techno-pop track that could work as a hidden gem for DJs and ???? (Chinatown Love) ???; an erotic serenade dedicated to Chinatown.
Picture disc in the colorful cover.
Licensed by TEICHIKU RECORDS CO.,LTD; original master tapes. More
1
edward - Mikko (Ogermania mix)
2
edward - Lottery
3
edward - Groaning Ghosts
Edward makes his first appearance on the legendary Trelik label with three tracks of reduced, refined and utterly psychedelic house music for the witching hour. Gilles Aiken has been prolific since first emerging more than ten years ago, initially releasing his otherworldly jams through White before joining the Giegling contingent. His acclaimed Desert Sky alias has been an outlet for more experimental fare on Assemble Music and PAL SL, but as Edward he offers up a distinctive take on minimal house and techno that matches studio flair with warmth and personality. From the meditative sunrise lilt of "Mikko" to the uneasy machinations of "Sehhr", this record finds Edward at the top of his game crafting utterly workable club tracks for adventurous souls.
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