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Austin Ato - When Love Is Tender (Original Mix)
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Austin Ato - All Night Long
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Austin Ato - When Love Is Tender (Sweet Mix)
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Austin Ato - When Love Is Drums
Since 2017’s ‘Song For Mr Lewis EP’ on Phonica White, Austin Ato has dropped stunningly funky 12”s with ease on many respected house labels including Classic Records and Defected. We were waiting for the right track for his follow-up on Phonica White and when we heard ‘When Love Is Tender’, we knew it was the one - a huge disco house based on an obscure Philadelphia-style jam.
It’s the simplicity of the original mix that sets the tone with pumping and driving Disco drums backed to roof raising saxophone licks and soulful vocal snippets, with those all-important deeply moving Philly string samples that are restrained when necessary and released at all the right moments, especially when the drum drops. ‘All Night Long’ highlights Austin Ato’s sample chopping expertise. The drums roll effortlessly through the track as dusty Soul and Disco samples echo and repeat, conjuring sonic memories of Andrés and Pépé Bradock’s best work. More
It’s the simplicity of the original mix that sets the tone with pumping and driving Disco drums backed to roof raising saxophone licks and soulful vocal snippets, with those all-important deeply moving Philly string samples that are restrained when necessary and released at all the right moments, especially when the drum drops. ‘All Night Long’ highlights Austin Ato’s sample chopping expertise. The drums roll effortlessly through the track as dusty Soul and Disco samples echo and repeat, conjuring sonic memories of Andrés and Pépé Bradock’s best work. More
More records from Austin Ato
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Austin Ato - Bertha
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Austin Ato - Been So Good
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Austin Ato - Love Explosion
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Austin Ato - Cleo
Glasgow's finest Austin Ato is first out of the blocks off this mysterious new series “I Love Your Edits” with a 4 track EP of Disco Edits & Reworks following on from his work on Classic Music Company, Percolate, Phonica White, Defected, Me Me Me, Futureboogie, Delusions Of Grandeur and our very own Pantai People.
Two tracks on the funkier edge, whilst two are full on face-melters, both will tear the floors up. More
Two tracks on the funkier edge, whilst two are full on face-melters, both will tear the floors up. More
Palm trees, Pina Colada’s and crystal-clear seas – Austin Ato comes through with that beachside business for Pantai People, offering up a four track edit EP of summer sun, bottled up, ready and waiting to be popped.
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austin ato - Ella
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austin ato - Putting It In My Way - Vocal
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austin ato - Putting It In My Way - Instrumental
Scottish producer Austin Ato has been making waves the last couple of years having had well received releases on Futureboogie and Phonica White and this year looks to be his best yet! Remixes for Folamour on Classic, Balako on Greco Roman and an EP for Man Power's label Me Me Me will be dropping in the coming weeks, paving the way for his Delusions Of Grandeur debut double A side; Ella / Putting It In My Way.
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austin ato - He Can Ride
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austin ato - Dah Dah Dah
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austin ato - Maelstrom
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austin ato - Ben's Groove
Full disclosure...I changed the entire release schedule to jam this record in this year. When you listen, hopefully can see why. From getting the demos during my breakfast, the record was agreed and in the schedule by the time I’d finished my dinner. Currently if you cut Austin Ato I believe he’ll bleed an amazing record. This record swings between a peak-time hands in the air pink loveheart vibe, hot and heavy classic sample based house, and some real basement orientated machine-made jacking house. Its like a quadruple A Side release, and I personally find it impossible to pick a favourite on here.
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austin ato - Music Will Save The Day (Dub Mix)
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austin ato - Music Will Save The Day (Vocal Mix)
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austin ato - Music Will Save The Day (Auntie Flo's Hidden Garden Remix)
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austin ato - Music Will Save The Day (Christophe Remix)
Austin Ato is the latest project from Colin Bailey, the multi talented producer from Oban in Scotland who has been the man behind the Drums Of Death moniker since 2008, and has also recorded under the Frankie Dreams and Coba aliases. With forthcoming material also due on Phonica White, Ato lands on Futureboogie with the massive feel good vibes of “Music Will Save The Day”, backed with two superb remixes from Auntie Flo and Christophe. Featured here are two original mixes of “Music Will Save The Day”. The “Dub Mix” the is classic house music jam, packed full of energizing musical flourishes, from the Balearic tinges of the sequenced mallet riff, whimsical pads and booming bassline to the searing crowd chant and the joyous piano motif. Ato displays some serious musical chops here, which are further enhanced on the “Vocal Mix” with the addition of a bi-lingual vocal hook that will surely act as a call to arms on any discerning dancefloor. On the “Auntie Flo’s Hidden Garden Remix”, the Huntleys & Palmers mainstay strips things right back for a beatless excursion, letting the percussive elements drive the forward motion whilst the melodies and thick synth pads wash over like crashing waves, a great reinterpretation by Brian d’Souza AKA Auntie Flo. Futureboogie’s very own Christophe provides the second remix; tweaking an acid riff over a heavy, old school drumbeat and teasing in the musical elements, providing a tougher and more jackin’ take on the Original Mix, whilst keeping faithful to the original vibe.
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More records from Phonica White
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Ron Basejam - The Hurt Inside
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Ron Basejam - Don't Bus My Aux
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Ron Basejam - Music People
For the 25th release in our Phonica White series, we are very excited to have three stunning tracks from Disco wizard Ron Basejam! When he’s not producing and performing with the legendary band Crazy P, Ron Basejam aka James Baron can be found putting out all kinds of dance floor power tools on labels such as Razor N Tape, Futureboogie and his own RBJ edits imprint, as well as delivering amazing remixes.
This release kicks off with ‘The Hurt Inside’, evoking late night Los Angeles highway cruises and the driving power of Knight Rider, it breaks down into a glorious euphoria for the breakdown before hitting Mach 10 again with the raw funk bassline and drums kicking back in. Over on the B-Side, proceedings begin with ‘Don’t Bus My Aux’ which finds Ron Basejam digging into a Deep House-in- fused world, drawing you in with Balearic pads before erupting with thunderous bass, vocal chops and chants that are expertly contrasted against soulful Rhodes-esque keys while the percussion grows into frenzy.
Rounding out the release, ‘Music People’ sets a call to the dance floor as its mantra, sitting some- where craftily between House and Techno with ease. The sung vocals flutter in the background with the marching drums and rumbling low end maintaining a cavernous groove. The track builds into an almost Boards of Canada-style warbling synth breakdown before sinking into the pounding percussion for the climax.
Artwork as always is supplied by the talented Pedro Carvalho de Almeida. More
This release kicks off with ‘The Hurt Inside’, evoking late night Los Angeles highway cruises and the driving power of Knight Rider, it breaks down into a glorious euphoria for the breakdown before hitting Mach 10 again with the raw funk bassline and drums kicking back in. Over on the B-Side, proceedings begin with ‘Don’t Bus My Aux’ which finds Ron Basejam digging into a Deep House-in- fused world, drawing you in with Balearic pads before erupting with thunderous bass, vocal chops and chants that are expertly contrasted against soulful Rhodes-esque keys while the percussion grows into frenzy.
Rounding out the release, ‘Music People’ sets a call to the dance floor as its mantra, sitting some- where craftily between House and Techno with ease. The sung vocals flutter in the background with the marching drums and rumbling low end maintaining a cavernous groove. The track builds into an almost Boards of Canada-style warbling synth breakdown before sinking into the pounding percussion for the climax.
Artwork as always is supplied by the talented Pedro Carvalho de Almeida. More
1
Keisuke - At Last
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Keisuke - For Petre
3
Keisuke - Going Nowhere
4
Keisuke - Hatsu
Phonica White is back with a special four track EP from up and coming London-based producer Keisuke titled ‘At Last’.
Hailing from Manchester, Keisuke (aka Christopher Iwatsu) has a long and varied background in music. From an early age he learned and performed orchestral percussion, touring the UK and Europe. Then, while studying in Glasgow he became immersed in the city’s fertile club scene and began to fuse his percussive experience with dancefloor production, slowly honing his craft over the past decade.
For a debut 12”, the record is therefore a refreshingly refined statement of intent. The four tracks range from uplifting rolling rhythms (‘At Last’) to serpentine melodies (‘For Petre’) and bumping introspection (‘Going Nowhere’) to lighthearted complexity (‘Hatsu’). Every piece is carefully considered and executed, primed for the floor and the mind.
Artwork as always is supplied by the talented Pedro Carvalho de Almeida. More
Hailing from Manchester, Keisuke (aka Christopher Iwatsu) has a long and varied background in music. From an early age he learned and performed orchestral percussion, touring the UK and Europe. Then, while studying in Glasgow he became immersed in the city’s fertile club scene and began to fuse his percussive experience with dancefloor production, slowly honing his craft over the past decade.
For a debut 12”, the record is therefore a refreshingly refined statement of intent. The four tracks range from uplifting rolling rhythms (‘At Last’) to serpentine melodies (‘For Petre’) and bumping introspection (‘Going Nowhere’) to lighthearted complexity (‘Hatsu’). Every piece is carefully considered and executed, primed for the floor and the mind.
Artwork as always is supplied by the talented Pedro Carvalho de Almeida. More
1
justin cudmore - "Train Dance"
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justin cudmore - "Club Fetish"
3
justin cudmore - "Expectation Game"
4
justin cudmore - "Realize"
Up next on Phonica White is Brooklyn based artist Justin Cudmore. He is a well-known DJ thanks to his memorable sessions at The Bunker among other New York and many of the best clubs worldwide as well as teaming up with Mike Servito and Gunnar Haslam as Hot Mix DJ collective.
As well as DJing, Justin has always been a fan and creator of dance music, he started being part of Chicago’s underground scene, deepening his appreciation for the classic House and Acid that you can still feel in these new tracks.
This new release follows in the wake of ‘Forget it’, his last celebrated EP released by The Bunker though in our minds his sound has progressed yet again, sounding fuller, faster and rounder. More
As well as DJing, Justin has always been a fan and creator of dance music, he started being part of Chicago’s underground scene, deepening his appreciation for the classic House and Acid that you can still feel in these new tracks.
This new release follows in the wake of ‘Forget it’, his last celebrated EP released by The Bunker though in our minds his sound has progressed yet again, sounding fuller, faster and rounder. More
1
Kassian - No Title
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Kassian - No Title
3
Kassian - No Title
Following a successful run of releases and remixes in 2019, London based production partnership Kassian return to Phonica White for their second release on the imprint. Continuing to focus on quality output, the pair put forward their ‘Shuffling Words EP’ which aims to expand on their evolving style of house music.
Joe Danvers (aka Danvers) and Warren Cummings (aka Warren Xclnce) form a duo that through a mutual respect for each others musical tastes and prior successes, combine their influences into their own direction within electronic music. To date they chart continued support from the likes of Giles Peterson, Jamie XX, Detroit Swindle, Horse Meat Disco, Crazy P, DJ Seinfeld, Artwork, DJ Boring and many more...
The title track ‘Shuffling Words’, is a warm and soulful house joint characterised by a rolling bass and playful synths, delivering all the elements the duo have become known for. Next up is ‘Ex-Culture’ aligning more with Techno than their familiar House/Disco edits, this one is a clear progression in the duo’s production style which builds up to an enormous atmospheric climax and is designed for the dancefloors. Closing the EP is ‘U Make Me’. A rolling lofi house cut featuring an infectious reverberating vocal catching the ear throughout. This EP is set to kick start another strong year for Kassian, where they will aim to build on the successes of 2019.
Artwork as always is supplied by the talented Pedro Carvalho de Almeida. More
Joe Danvers (aka Danvers) and Warren Cummings (aka Warren Xclnce) form a duo that through a mutual respect for each others musical tastes and prior successes, combine their influences into their own direction within electronic music. To date they chart continued support from the likes of Giles Peterson, Jamie XX, Detroit Swindle, Horse Meat Disco, Crazy P, DJ Seinfeld, Artwork, DJ Boring and many more...
The title track ‘Shuffling Words’, is a warm and soulful house joint characterised by a rolling bass and playful synths, delivering all the elements the duo have become known for. Next up is ‘Ex-Culture’ aligning more with Techno than their familiar House/Disco edits, this one is a clear progression in the duo’s production style which builds up to an enormous atmospheric climax and is designed for the dancefloors. Closing the EP is ‘U Make Me’. A rolling lofi house cut featuring an infectious reverberating vocal catching the ear throughout. This EP is set to kick start another strong year for Kassian, where they will aim to build on the successes of 2019.
Artwork as always is supplied by the talented Pedro Carvalho de Almeida. More
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kassian - Faux Polynesia
2
kassian - System
3
kassian - This One's For You
We welcome production partnership Kassian to the fold for the 20th release on Phonica White. Consisting of Joe Danvers (who has released records on Wotnot music and Boogie Cafe recently) and Warren Cummings (aka Warren XcInce), Kassian spawned from their mutual respect and a wide crossover in each others’ musical tastes, using their influences of Jazz, Soul, Broken Beat and Hip Hop to produce House with a more personal and innovative touch.
It’s a fruitful collaboration, with Joe’s background in the Bristol club scene and Warren’s experience at Gilles Peterson’s Worldwide FM resulting in a nuanced yet functional take on the classic House sound, particularly evident on their new ‘Faux Polynesia EP’ on Phonica White.
“Their debut release in October for the well-respected Heist Recordings from Amsterdam was well received and amassed impressive support from admired selectors. They kick off their Phonica release with title track ‘Faux Polynesia’, a warm, rolling atmospheric House cut that has been getting many DJ plays. On the flip is the uptempo bumper ‘System’ with it’s spoken word hook and cheeky organ riff before rounding off the EP with ‘This One’s For You’, a truly special end of night anthem in the making! An excellent house EP with 3 strong tracks.”
Artwork as always is supplied by the talented Pedro Carvalho de Almeida.
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It’s a fruitful collaboration, with Joe’s background in the Bristol club scene and Warren’s experience at Gilles Peterson’s Worldwide FM resulting in a nuanced yet functional take on the classic House sound, particularly evident on their new ‘Faux Polynesia EP’ on Phonica White.
“Their debut release in October for the well-respected Heist Recordings from Amsterdam was well received and amassed impressive support from admired selectors. They kick off their Phonica release with title track ‘Faux Polynesia’, a warm, rolling atmospheric House cut that has been getting many DJ plays. On the flip is the uptempo bumper ‘System’ with it’s spoken word hook and cheeky organ riff before rounding off the EP with ‘This One’s For You’, a truly special end of night anthem in the making! An excellent house EP with 3 strong tracks.”
Artwork as always is supplied by the talented Pedro Carvalho de Almeida.
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STL has been a firm favourite of Phonica Records ever since his first releases surfaced in the early 2000s. Although he is highly revered within the underground scene, he’s always kept a low profile and consistently pursued his own blend of boundary pushing abstract and experimental House & Techno. The majority of his music has been released through his own ‘Something’ imprint but his unique productions have also found a home on Perlon, Smallville and Detroit’s Echospace. The two tracks on ‘The Amplified Bleep Package’ EP marks his first contribution to Phonica’s white label series and we’re extremely happy have him on board. ‘Earworm’ on the A side is a rough and rugged house cut comprised of dusty analogue kicks, warm tape hiss and gritty percussion that locks you into an irresistible groove straight from the start. This is an energetic, club-ready late night stepper. Flipside you’ll find an entirely different vibe to the heavily distorted ‘Earworm’. Clocking in at just under ten minutes, ‘A Cat And Her Solar Life’ is a cosmic journey filled with beautiful synth melodies and harmonics.
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Phonica White returns with two extended cuts from their mainstay artist Iori. Monsoon & Rainfall mark Iori’s 5th contribution to the label and it may be his best yet. Monsoon on the A-side is a deeply hypnotizing piece of dub techno that’s destined to cause dance floor destruction. Steady kicks & toms open the track up before a relentless downpour of intricate percussion and low-end stabs lock you in for the track’s 10 minute duration...definitely one for the long nights in dark rooms. The B-side is a calming contrast to the A side storm. Deep and meditative, Rainfall comprises sparse modulating synth keys coupled with a bouncy rhythm section and airy spaced-out sound effects that create a dreamy atmosphere. This is Iori on top form.
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neversleep - Mouth Shut (Moiré Remix)
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neversleep - Party Girls (Disguise & Moiré Edit)
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neversleep - Mouth Shut (Disguise Special Mix)
A new white label brought to you by a group of friends including Moire´, Disguise, etc. in collaboration with Phonica Records. This marks the debut release from the creative imprint NEVERSLEEP whose previous work includes the art direction and A&R of Moire´’s debut LP ‘Shelter’ - out now on Werkdiscs/Ninja Tune - plus various visual work from Disguise. On the A side - a massive floor remix from Moire´, melding rhythms and percussion with a driving bass and lead. On the flipside, Disguise makes an appearance first with a collaborative ‘PARTY GIRLS’ edit alongside Moire´ and then with his own take of ‘MOUTH SHUT’. This release marks the sound debut of Disguise, whose visual and video work on ‘Shelter’ helped shape the strong aesthetic root of the album. This can be seen again in the video mixtape on NEVERSLEEP’s website - neversleep.co - presented to complement the release online.
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q.v. aka quiet village - A. Social Music
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q.v. aka quiet village - AA. Change
The eleventh Phonica White release comes from Q.V aka Quiet Village duo Matt Edwards and Joel Martin! We’re big fans of both Matt and Joel’s various musical projects over the years so we’re particularly proud to present their latest collaborative release, the split 12” ‘Social Music / Change’. We can honestly say this 12” is quite a coup for Phonica! Joel and Matt are behind a number of important and highly original records, either together as Quiet Village and Maxxi & Zeus or under aliases such as Radioslave, Velvet Season & The Hearts Of Gold, Cabin Fever, REKID, The Machine and more for their individual projects. This marks their first outing as Q.V. The deep, hypnotic ‘Social Music’ slowly unfurls over its 9 plus minutes, ominous atmospherics swirling over drums, dubbed out jazz samples dropping in and out, resulting in a unsettling yet mesmerising track. Flip over for extended percussive masterpiece ‘Change’, another exercise in restraint as the latin-flavoured drums are eventually joined by otherworldly voices and screams, reverb-soaked vibraphone and submerged piano. These are two expertly crafted examples of Matt and Joel’s production capabilities just asking to be played loud, we’re sure you’ll agree!
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lo shea - A1. Lights, Plant, Action
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lo shea - A2. The Wind
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lo shea - AA1. MuVin
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lo shea - AA2. Snake Inn
Long-time Phonica favourite Lo Shea follows on from his excellent contribution to the recent ‘Ten Years Of Phonica’ compilation with the four track ‘Adverse Camber EP’ on Phonica White. The ‘Adverse Camber EP’ sees Lo Shea taking his already unique take on Techno and House in new directions while remaining firmly focused on the dancefloor. The 12” starts ominously with the dark Techno monster ‘Lights, Plants, Action’, all deep growling bass and drums, the only brief glimpse of light cutting through halfway before dropping back into the murk. The relentlessly heavy ‘The Wind’ follows up and is a pounding yet melodic mini-master-piece, perfect material for the darkest of clubs. Flip over and the shuffling percussion and sub-bass of ‘MuVin’ kicks things off with an infectious abstract UK Garage/Techno hybrid sound. Finally, the stripped-back ‘Snake Inn’ is pure bleak British Techno, masterfully produced as only Lo Shea can! Lo Shea aka Liam O’Shea has had a particularly productive few years, completing his ten release ‘Seaghdha’ imprint in impressive style with the ‘A Deich’ 12” & ‘Distance’ CD package. That is on top of his ‘Steel City’ 12” on 100 Years as well as remixes for Mixed In Sheffield and Tamed Musiq. His track ‘Home’ was one of the highlights of Phonica’s 2014 compilation ‘Ten Years Of Phonica’. Limited vinyl pressing. Hand stamped. Special artwork by Pedro Carvalho de Almeida.
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Luv Jam returns to Phonica White with a stunning new 12" and this time Prosumer lends his remix skills with his awesome reinterpretation of title track 'Quip22'. Luv Jam - the prolific Andrew Cole - has had a string of strong releases over the past few years for the likes of Throne Of Blood, We Play House, Tsuba, Blind Jacks Journey, Crow Castle, Rawax, Housewax and of course Phonica White. That 12" for Phonica - the squelchy acid deepness of 'Mature Oak' back with Cottam's remix - proved to be one of the most popular in the Phonica White series so we're delighted to announce his return. This time, the entire A-Side is taken up by Prosumer's captivating remix of 'Quip22', seven minutes of house mastery that builds slowly then bursts into life under a flurry of synth stabs. The originals grace the flip, kicking off with the melancholic 'Quip22'. It's a gradually building swirl of piano, percussive hits and dreamlike synthetic strings. The slow-mo robotic chugger 'Synth68' completes the 12" in fine early 90s digital style with plenty of snare roll. Limited vinyl pressing – hand stamped. Special artwork by Pedro Carvalho de Almeida.
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Phonica Records welcome the latest addition to their ever-growing stable of talent, Pick A Piper! The brainchild of one Brad Weber, usually found behind the drum-kit at Caribou’s live shows, Angus Fraser and Dan Roberts, Pick A Piper Combines dance-music structures, polyrhythmic percussion, atmospheric sound design, loopy melodies and a focus on electronics and production technique to create a sound poised between the organic and the synthetic and Phonica White have been blessed with two killer remixes to release on a limited stamped and numbered 12”. On the A-side one half of Junior Boys and increasingly prolific producer in his own right, Jeremy Greenspan delivers his first ever solo remix! His reworking of “Lucid In Fjords” is one of the most epic tracks we’ve heard in a while – clocking in high on the BPM scale, Jeremy pulls out all the stops with an acid-tinged and dubby remix complete with covert pan flute sample. On the flip Phonica fave Dan Snaith, dons his Caribou alias for an uncharacteristically abstract remix of “Once Were Leaves”. Moody and bass-heavy, it builds around two other-worldly vocal samples; one pitched down, one ethereal, working in tandem to create an atmospheric backdrop for Caribou’s downbeat drum programming. This is Caribou showing off a different side to his productions, one we personally would like to hear more of!
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Occupying the full A-side ?Moon? is an epic of a track. Clocking in at just under 11 minutes, ?Moon? combines all the elements of Iori?s productions that we?ve come to know and love; carefully sculpted (almost tribal) drum patterns, a seriously bottom heavy throbbing bassline, percussive fx throughout, subtle chords and even a pinch of acid. A monstrously heavy track that craves loud soundsystems. Flip over for ?Spread?, which contrasts brilliantly to the happenings of the A-side. Whereas ?Moon? is bolshy and gung ho, ?Spread? showcases subtler more restrained side to Iori?s character. Again we?re treated to intricate drum work, this time though, it?s all about the airy synths, gently pulsating bassline and the groove that captivates you from the off. This eleven minute journey just ain?t long enough? Limited vinyl pressing of 444 copies ? hand stamped and numbered. Special artwork by Pedro Carvalho de Almeida.
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Luv Jam - better known as Andy Cole - made his name through outings on We Play House and Lany Recordings, and 'Mature Oak' finds him in fine form; an epic, atmospheric track poised on a bed of analog synths and warm pads, driven by galloping drum mechanics that gradually give way to its climax, an irresistibly squelchy acid bassline that marks it as one of Cole's most memorable productions to date. On the flipside we get treated to Cottam’s first ever remix. Cottam has made an impeccable name for himself, with his signature colourful series of untitled 12’s and a contribution to the Story imprint. True to his roots, Cottam’s re-rub of “Mature Oak” is a slo-mo, motorik chugger that makes excellent use of the original’s acid line while taking the whole track a step further. It’s a proper heads down affair that begs for a soundsystem loud enough to do it justice. Limited vinyl pressing of 444 copies – hand stamped and numbered. Special artwork by Pedro Carvalho de Almeida.
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Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
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Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
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1
morgan geist - A Morgan Geist - 24K
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morgan geist - B1 Morgan Geist - Sleaze
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morgan geist - B2 Morgan Geist - Lullaby
Environ is proud to announce the reissue of Morgan Geist's cult classic Super. Originally released in summer 2001, the record is an ode to New York City and many of the producer's most vital influences. With live strings from the Kelley Polar Quartet and plenty of disco DNA, it's no mystery that this was made by half of Metro Area (and released just months before their underground classic "Miura"). Remastered and cut by the award-winning Matt Colton of Alchemy Mastering.
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Crowd Control - Apa Ft. ÜJEAN
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Crowd Control - Apa Ft. ÜJEAN (Marc Brauner Remix)
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Crowd Control - Pianorama
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Crowd Control - Pianorama (After Hours Mix)
Fresh from the recent success of “Makes Me Happy” & “Amberjack”, that saw Dan Be and Marc Brauner make their names on the imprint once again, Happiness Therapy continues a standout run of releases this December, with a new and long awaited four-track offering from label-founder Crowd Control.
“I collaborated with the south korean singer & artist ÜJEAN on this EP, with Marc Brauner remixing one of the tracks. I wanted to explore diverse influences, most of which had never been included in my music in the past. It's a versatile piece - and one that I'm very happy with!” - Crowd Control.
Crowd Control has been heading up Happiness Therapy since 2018, flying the flag for France’s underground music scene ever since. An established DJ, producer and event curator, his label has gone from strength to strength, boasting an already solid back-catalogue of productions, with many more to come! More
“I collaborated with the south korean singer & artist ÜJEAN on this EP, with Marc Brauner remixing one of the tracks. I wanted to explore diverse influences, most of which had never been included in my music in the past. It's a versatile piece - and one that I'm very happy with!” - Crowd Control.
Crowd Control has been heading up Happiness Therapy since 2018, flying the flag for France’s underground music scene ever since. An established DJ, producer and event curator, his label has gone from strength to strength, boasting an already solid back-catalogue of productions, with many more to come! More
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Ryo Fukui - It Could Happen To You
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Ryo Fukui - I Want To Talk About You
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Ryo Fukui - Early Summer
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Ryo Fukui - Willow Weep For Me
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Ryo Fukui - Autumn Leaves
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Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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... (Kevin Drumm) - Sie One (Sample)
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... (Kevin Drumm) - Side Two (Sample)
Re-issue of these essential pieces on the great SÄHKÖ recordings.
Slow-form, evolving deep sea murk from Kevin Drumm. HUGE TIP!!!
Track 1: 18:24
Track 2: 18:03
Greenland shark (Somniosus microcephalus)
is a shark species living in Arctic and North Atlantic. It can grow up to 5.5m long and weigh more than 1100 kg. Greenland shark is a longest living vertebrate on earth. The oldest sharks are determinated to be 272-512 years old. Greenland shark females become sexually mature after the age of 130 years.
The depth preferencies of Greenland sharks vary between regions. They prefer cold waters between 0-4 degrC at depths below 300m.
They are recorded as deep as 2992m. In some districts they can be found also near the sea surface.
The flesh of the Greenland shark is toxic due the high concentrations of trimethylamine oxide (TMAO). They have normally poor vision with parasites hanging from their eyes. More
Slow-form, evolving deep sea murk from Kevin Drumm. HUGE TIP!!!
Track 1: 18:24
Track 2: 18:03
Greenland shark (Somniosus microcephalus)
is a shark species living in Arctic and North Atlantic. It can grow up to 5.5m long and weigh more than 1100 kg. Greenland shark is a longest living vertebrate on earth. The oldest sharks are determinated to be 272-512 years old. Greenland shark females become sexually mature after the age of 130 years.
The depth preferencies of Greenland sharks vary between regions. They prefer cold waters between 0-4 degrC at depths below 300m.
They are recorded as deep as 2992m. In some districts they can be found also near the sea surface.
The flesh of the Greenland shark is toxic due the high concentrations of trimethylamine oxide (TMAO). They have normally poor vision with parasites hanging from their eyes. More
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aphex twin - No Title
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aphex twin - No Title
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aphex twin - No Title
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aphex twin - No Title
After a week of teasing, extreme fan and media excitement and anticipation around the world, Aphex Twin is back with his first widely available release since 2016’s Cheetah EP.
The Collapse EP was announced with the premiere of T69 Collapse and an official video by frequent collaborator Weirdcore. The Collapse EP is 5 tracks of hyper-edited electronics cut through with trademark Aphex Twin acid with echoes of footwork and some serious bass rumblings.
Spec: 12” in paper inner in Procédé Heliophore silver foil sleeve. DL card insert (includes bonus track pthex) More
The Collapse EP was announced with the premiere of T69 Collapse and an official video by frequent collaborator Weirdcore. The Collapse EP is 5 tracks of hyper-edited electronics cut through with trademark Aphex Twin acid with echoes of footwork and some serious bass rumblings.
Spec: 12” in paper inner in Procédé Heliophore silver foil sleeve. DL card insert (includes bonus track pthex) More
Gondwana present the UK jazz master Chip Wickham follows last year’s brilliant soulful long-player Cloud 10 with a deftly crafted, reflective EP of beautiful spiritual jazz sounds influenced by the soulful sounds of Yusef Lateef.
Track Listing: A1. Space Walk A2. Love & Life B1. Seven Worlds B2. Slow Down Look Around
https://soundcloud.com/gondwana-records/sets/chip-wickham-love-life/s-cYXwXXZK0ST?si=71ee21c9289f46e6a8f3d5a1997c881b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing More
Track Listing: A1. Space Walk A2. Love & Life B1. Seven Worlds B2. Slow Down Look Around
https://soundcloud.com/gondwana-records/sets/chip-wickham-love-life/s-cYXwXXZK0ST?si=71ee21c9289f46e6a8f3d5a1997c881b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing More
12" in printed inner, in printed outer sleeve with silver foil block to cover. Download card insert.
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Chip Wickham - Cloud 10
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Chip Wickham - Stratospheric
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Chip Wickham - Lower East Side
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Chip Wickham - Winter
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Chip Wickham - Tubby Chaser
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Chip Wickham - Dark Eyes
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Chip Wickham - The Hit
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Chip Wickham - Before I Go
Saxophonist, flautist Chip Wickham takes us to Cloud 10 with his most soulful and lyrical album to date Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporary sounds of Jazzanova, Kyoto Jazz Massive and Robert Glasper. Originally from Brighton, Chip studied in Manchester and became involved in the 00's UK jazz, soul. trip-hop and funk scenes, working with the likes of The Pharcyde, The New Mastersounds and Nightmares On Wax as well as playing with Matthew Halsall's Gondwana Orchestra. And his relationship with Gondwana Records goes right back to the very beginning as he played on Halsall's 2008 debut Sending My Love. Cloud 10 is his debut album for Gondwana Records (following a 12" of Lonnie Liston Smith covers in May) and it is a wonderful, timeless, lyrical, slice of hard-hitting, soulful, spiritual jazz and modal hard-bop with a distinctly UK flavour - driven by Chip's deftly funky flute work and hard-hitting tenor. Underpinned by Chip's restless energy and driven by his desire to connect with the listener on a deeper level.Cloud 10 features pianist Phil Wilkinson, vibes player Ton Risco, bassist Sneaky and drummer Jon Scott (all veterans of previous albums) together with harpist Amanda Whiting and percussionist Jack McCarthy whom Chip met touring in the Gondwana Orchestra, and rising star Irish trumpeter Eoin Grace who also doubles on flugel horn. The album was recorded at the legendary all analogue Estudios Brazil in Madrid, with the band spending a week at Chip's house in the mountains just outside the city, eating and drinking together, listening to music till the small hours and recording all day. It was a magical time and the positivity seeped into the recording.
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