1
Charles Webster - Sweet Butterfly
2
Charles Webster - Ready
3
Charles Webster - Be No-One
4
Charles Webster - The Gift Of Freedom
5
Charles Webster - Fox Soup
6
Charles Webster - Your Life
7
Charles Webster - Forget The Past
8
Charles Webster - I Understand You
9
Charles Webster - I'm Falling
10
Charles Webster - Put Your Hurt Aside
Miso Records are excited to present a very limited edition re-press of Charles Webster's classic 2001 album ' Born on the 24th of July ' . Originally released on Peacefrog Records, this album still retains it's sonic and lyrical relevance after 20 years. Charles released his very successful new artist album Decision Time in 2020 at the height of lockdown, so we figured it was time to make his first 'solo' album available once again, this time on lovely orange vinyl. Born on the 24th of July features vocalists, Terra Deva, Steve Edwards, Sara Jay amongst many other special guests.
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More records from Charles Webster
1
Charles Webster - This Is Real (Dazzle Drums Mix)
2
Charles Webster - Music (Jazuelle's Retro Rhapsody)
3
Charles Webster - The Spell (Mark E Mix)
4
Charles Webster - Music (Luciano Vocal Mix)
Dimensions Recordings present an all-new dancefloor-ready remix package of tracks from Charles Webster's 'Decision Time' LP. The release of Charles Webster's highly-acclaimed 'Decision Time' in late 2020 marked his first album project in almost 20 years. An undeniable master of his craft, Webster delivered a body of work that was well worthy of the wait and saw support from the likes of Mary Anne Hobbs, Gilles Peterson, Joe Muggs and Tom Ravenscroft. With collaborators ranging from Shara Nelson (formerly of Massive Attack), to Ingrid Chavez (Prince muse & Madonna songwriter) and of course the infamous Burial, the British DJ/producer demonstrated that his ability to draw the right partners to exactly the right projects and execute them perfectly, has only improved with time. In this vinyl remix package, Webster once more demonstrates his draw, drafting in an impressive cast of remixers to deliver a varied set of fresh takes on his original works. Tokyo duo Dazzle Drums, South Africa's Jazzuelle, UK stalwart Mark E and the global trotting DJ Luciano present their unique takes on three cuts from Webster's incredible full length release.
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1
Charles Webster - Burning (feat Sio)
2
Charles Webster - This Is Real (feat Shara Nelson)
3
Charles Webster - We Belong Together (feat Thandi Draai)
4
Charles Webster - Love Lives (feat Sio)
5
Charles Webster - I Wonder Why (feat Sipho Hotstix Mabuse)
6
Charles Webster - Music (feat Thandi Draai)
7
Charles Webster - Wait & See (feat Terra Deva)
8
Charles Webster - Secrets Held (feat Emilie Chick)
9
Charles Webster - The Spell (feat Ingrid Chavez)
10
Charles Webster - The Second Spell (feat Ingrid Chavez)
Dimensions Recordings are very proud to present 'Decision Time', the first major solo album from the legendary Charles Webster in two decades.
Operating in house music since the mid '80s, Charles Webster is revered as something like the producer's producer, spoken about in the same breath as Larry Heard or Ron Trent amongst the DJ cognoscenti.
Growing up in the Peak District and falling in love with electronic music through a parent's Kraftwerk record, Charles' apprenticeship was with Juan Atkins and Kevin Saunderson, back when they'd record at Square Dance studio in Nottingham, where Charles worked as a recording engineer. His production work started right at the roots of electronic music in the British Isles, writing tracks for electro/breakdance outfit The Rock City Crew and 1987 UK house cut T-CUT-F. Since then he's released music under 30 different pseudonyms with over 500 remixes.
'Decision Time' is Charles' first major solo record since 2001's 'Born On The 24th July', and features an array of artists from a number of different eras, guises and genres Charles has been involved with over his prolific career.
After moving to San Francisco in the late nineties, he created an album under the alias Presence entitled 'All Systems Gone'. The "pillowy" sound design of this classic is cited as a key influence on the music of Burial. For 'Decision Time', Burial has paid a further tribute here, contributing a rare co-production, 'The Second Spell'. This track featuring the words of Prince muse Ingrid Chavez. who also wrote the spoken word poetry in Madonna's 'Justify My Love'.
Charles was at the forefront of the halcyon years of deep house, working with vocal talents like Robert Owens, Tracey Thorn, Terra Deva (aka Furry Freaks), who features here on 'Wait And See', and Shara Nelson, perhaps best known for her vocals on Massive Attack's 'Blue Lines' album, featuring here on 'This Is Real'.
Charles' influence also spreads to the South African house scene with his Presence single 'Better Day' becoming a huge radio hit there in 1997. Charles later moved to South Africa and immersed himself in the local scene, collaborating with some of the country's most exciting talent, including Sio, Thandi Draai and Sipho – all of whom appear on this project.
With an album of this quality and the 20-year cycles of electronic culture, it feels like this is the perfect moment to celebrate the brilliance of Charles Webster's legacy. From the downtempo soul of 'This Is Real', to the impressionistic words and ethereal two-step on 'The Spell', a new generation of ears are about to discover the influential underground sound of Charles Webster.
"As if Everything But The Girl, Larry Heard and Womack & Womack decided to merge musical ideas in the studio…" Billboard, USA. More
Operating in house music since the mid '80s, Charles Webster is revered as something like the producer's producer, spoken about in the same breath as Larry Heard or Ron Trent amongst the DJ cognoscenti.
Growing up in the Peak District and falling in love with electronic music through a parent's Kraftwerk record, Charles' apprenticeship was with Juan Atkins and Kevin Saunderson, back when they'd record at Square Dance studio in Nottingham, where Charles worked as a recording engineer. His production work started right at the roots of electronic music in the British Isles, writing tracks for electro/breakdance outfit The Rock City Crew and 1987 UK house cut T-CUT-F. Since then he's released music under 30 different pseudonyms with over 500 remixes.
'Decision Time' is Charles' first major solo record since 2001's 'Born On The 24th July', and features an array of artists from a number of different eras, guises and genres Charles has been involved with over his prolific career.
After moving to San Francisco in the late nineties, he created an album under the alias Presence entitled 'All Systems Gone'. The "pillowy" sound design of this classic is cited as a key influence on the music of Burial. For 'Decision Time', Burial has paid a further tribute here, contributing a rare co-production, 'The Second Spell'. This track featuring the words of Prince muse Ingrid Chavez. who also wrote the spoken word poetry in Madonna's 'Justify My Love'.
Charles was at the forefront of the halcyon years of deep house, working with vocal talents like Robert Owens, Tracey Thorn, Terra Deva (aka Furry Freaks), who features here on 'Wait And See', and Shara Nelson, perhaps best known for her vocals on Massive Attack's 'Blue Lines' album, featuring here on 'This Is Real'.
Charles' influence also spreads to the South African house scene with his Presence single 'Better Day' becoming a huge radio hit there in 1997. Charles later moved to South Africa and immersed himself in the local scene, collaborating with some of the country's most exciting talent, including Sio, Thandi Draai and Sipho – all of whom appear on this project.
With an album of this quality and the 20-year cycles of electronic culture, it feels like this is the perfect moment to celebrate the brilliance of Charles Webster's legacy. From the downtempo soul of 'This Is Real', to the impressionistic words and ethereal two-step on 'The Spell', a new generation of ears are about to discover the influential underground sound of Charles Webster.
"As if Everything But The Girl, Larry Heard and Womack & Womack decided to merge musical ideas in the studio…" Billboard, USA. More
Dimensions Recordings are very proud to present 'Decision Time', the first major solo album from the legendary Charles Webster in two decades.
Operating in house music since the mid '80s, Charles Webster is revered as something like the producer's producer, spoken about in the same breath as Larry Heard or Ron Trent amongst the DJ cognoscenti.
Growing up in the Peak District and falling in love with electronic music through a parent's Kraftwerk record, Charles' apprenticeship was with Juan Atkins and Kevin Saunderson, back when they'd record at Square Dance studio in Nottingham, where Charles worked as a recording engineer. His production work started right at the roots of electronic music in the British Isles, writing tracks for electro/breakdance outfit The Rock City Crew and 1987 UK house cut T-CUT-F. Since then he's released music under 30 different pseudonyms with over 500 remixes.
'Decision Time' is Charles' first major solo record since 2001's 'Born On The 24th July', and features an array of artists from a number of different eras, guises and genres Charles has been involved with over his prolific career.
After moving to San Francisco in the late nineties, he created an album under the alias Presence entitled 'All Systems Gone'. The "pillowy" sound design of this classic is cited as a key influence on the music of Burial. For 'Decision Time', Burial has paid a further tribute here, contributing a rare co-production, 'The Second Spell'. This track featuring the words of Prince muse Ingrid Chavez. who also wrote the spoken word poetry in Madonna's 'Justify My Love'.
Charles was at the forefront of the halcyon years of deep house, working with vocal talents like Robert Owens, Tracey Thorn, Terra Deva (aka Furry Freaks), who features here on 'Wait And See', and Shara Nelson, perhaps best known for her vocals on Massive Attack's 'Blue Lines' album, featuring here on 'This Is Real'.
Charles' influence also spreads to the South African house scene with his Presence single 'Better Day' becoming a huge radio hit there in 1997. Charles later moved to South Africa and immersed himself in the local scene, collaborating with some of the country's most exciting talent, including Sio, Thandi Draai and Sipho – all of whom appear on this project.
With an album of this quality and the 20-year cycles of electronic culture, it feels like this is the perfect moment to celebrate the brilliance of Charles Webster's legacy. From the downtempo soul of 'This Is Real', to the impressionistic words and ethereal two-step on 'The Spell', a new generation of ears are about to discover the influential underground sound of Charles Webster.
"As if Everything But The Girl, Larry Heard and Womack & Womack decided to merge musical ideas in the studio…" Billboard, USA. More
Operating in house music since the mid '80s, Charles Webster is revered as something like the producer's producer, spoken about in the same breath as Larry Heard or Ron Trent amongst the DJ cognoscenti.
Growing up in the Peak District and falling in love with electronic music through a parent's Kraftwerk record, Charles' apprenticeship was with Juan Atkins and Kevin Saunderson, back when they'd record at Square Dance studio in Nottingham, where Charles worked as a recording engineer. His production work started right at the roots of electronic music in the British Isles, writing tracks for electro/breakdance outfit The Rock City Crew and 1987 UK house cut T-CUT-F. Since then he's released music under 30 different pseudonyms with over 500 remixes.
'Decision Time' is Charles' first major solo record since 2001's 'Born On The 24th July', and features an array of artists from a number of different eras, guises and genres Charles has been involved with over his prolific career.
After moving to San Francisco in the late nineties, he created an album under the alias Presence entitled 'All Systems Gone'. The "pillowy" sound design of this classic is cited as a key influence on the music of Burial. For 'Decision Time', Burial has paid a further tribute here, contributing a rare co-production, 'The Second Spell'. This track featuring the words of Prince muse Ingrid Chavez. who also wrote the spoken word poetry in Madonna's 'Justify My Love'.
Charles was at the forefront of the halcyon years of deep house, working with vocal talents like Robert Owens, Tracey Thorn, Terra Deva (aka Furry Freaks), who features here on 'Wait And See', and Shara Nelson, perhaps best known for her vocals on Massive Attack's 'Blue Lines' album, featuring here on 'This Is Real'.
Charles' influence also spreads to the South African house scene with his Presence single 'Better Day' becoming a huge radio hit there in 1997. Charles later moved to South Africa and immersed himself in the local scene, collaborating with some of the country's most exciting talent, including Sio, Thandi Draai and Sipho – all of whom appear on this project.
With an album of this quality and the 20-year cycles of electronic culture, it feels like this is the perfect moment to celebrate the brilliance of Charles Webster's legacy. From the downtempo soul of 'This Is Real', to the impressionistic words and ethereal two-step on 'The Spell', a new generation of ears are about to discover the influential underground sound of Charles Webster.
"As if Everything But The Girl, Larry Heard and Womack & Womack decided to merge musical ideas in the studio…" Billboard, USA. More
1
Charles Webster - No Title
2
Charles Webster - No Title
3
Charles Webster - No Title
Dimensions Recordings are very proud to welcome the legendary Charles Webster with the first track from his first major solo album in two decades, 'Decision Time'. This first single 'The Spell' also features a remix from Burial and the vocals of Ingrid Chavez.
Operating in house music since the mid '80s, Charles Webster is revered as something like the producer's producer, spoken about in the same breath as Larry Heard or Ron Trent amongst the DJ cognoscenti, releasing music over the years under 30 different pseudonyms with over 500 remixes.
After moving to San Francisco in the late nineties, he created an album under the alias Presence entitled 'All Systems Gone'. The "pillowy" sound design of this classic is cited as a key influence on the music of Burial. For this track, Burial has paid a further tribute, contributing a rare remix, additionally to a dub mix from Charles. This track also includes the words of Prince muse Ingrid Chavez. who famously wrote the spoken word poetry in Madonna's 'Justify My Love'.
'Decision Time' is Charles' first major solo record since 2001's 'Born On The 24th July', and features an array of artists from a number of different eras, guises and genres that Charles has been involved with over his career, including Shara Nelson, Terra Deva, Sio, Thandi Draai and Sipho.
A new generation of ears are about to discover the influential underground sound of Charles Webster. More
Operating in house music since the mid '80s, Charles Webster is revered as something like the producer's producer, spoken about in the same breath as Larry Heard or Ron Trent amongst the DJ cognoscenti, releasing music over the years under 30 different pseudonyms with over 500 remixes.
After moving to San Francisco in the late nineties, he created an album under the alias Presence entitled 'All Systems Gone'. The "pillowy" sound design of this classic is cited as a key influence on the music of Burial. For this track, Burial has paid a further tribute, contributing a rare remix, additionally to a dub mix from Charles. This track also includes the words of Prince muse Ingrid Chavez. who famously wrote the spoken word poetry in Madonna's 'Justify My Love'.
'Decision Time' is Charles' first major solo record since 2001's 'Born On The 24th July', and features an array of artists from a number of different eras, guises and genres that Charles has been involved with over his career, including Shara Nelson, Terra Deva, Sio, Thandi Draai and Sipho.
A new generation of ears are about to discover the influential underground sound of Charles Webster. More
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Japanese jazz/breakbeat, folkloric mega-rarity as hallowed the likes of DJ Shadow, Cut Chemist, Egon and co. Uniquely combines traditional Japanese instrumentation with Western jazz influences.
Minoru Muraoka plays ‘shakuhachi’ – a traditional bamboo Japanese flute – joined by his band members accompanying him on the ‘koto’ (strings) and ‘tsutsumi’ (drum) amongst others, to create their ‘Shakuhachi Jazz’ sound.
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Minoru Muraoka plays ‘shakuhachi’ – a traditional bamboo Japanese flute – joined by his band members accompanying him on the ‘koto’ (strings) and ‘tsutsumi’ (drum) amongst others, to create their ‘Shakuhachi Jazz’ sound.
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Daisaku Kume - A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
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Daisaku Kume - A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
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Daisaku Kume - A3. Kiyohiro's Theme
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LP: 45rpm Cut, Inside Out Printed Sleeve, Sticker
WORLDWIDE
Genre: Soundtrack, Classical, Smooth Jazz, Modern Western
Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
Info
WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!
Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.
Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on WRWTFWW Records.
Points of interests
- For fans of good movies, good soundtracks, Takeshi Kitano and Erik Satie, furniture music in a modern Western setting, ambient, minimalism, classical, Japanese crime movies of the 90s, Daisaku Kume, Taxi Driver, nice looking record sleeves.
- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.
More
WORLDWIDE
Genre: Soundtrack, Classical, Smooth Jazz, Modern Western
Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
Info
WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!
Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
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- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.
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This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
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Face B :
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This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
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This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
Genre: Ambient
Tracklist 12": Face A :
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Face B :
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3. 6 P.M.
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Short Info:
This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
Edith Progue is the project of Paris-based musician, Bernie Swell. After having formed izdatso as a gathering of musicians and visual artists in 1999, Bernie Swell has slowly but surely moved to a more minimal approach towards digital composing. Timeline consists of a chronological report of the different moods experienced by the composer over a 24-hour period of time spent in an apartment overlooking the dark waters of Canal St. Martin in Paris. The dreamy environment created by the melodic sound of an acoustic piano is only troubled by the intrusion of a few micro-electronic beats and sounds. The music was created as an attempt to reconcile the noisy environment that surrounds day-to-day modern urban life with the inner peace that can eventually be found through meditation. While listening to these pieces, you might leave the TV or radio on, or hear a cell phone's new message alert, a fridge sub-bass might rumble or, more simply, an opened window on a busy street would constructively mix with these hypnosonic soundscapes, revealing the hidden art behind any intruding noise/sound manifestation.
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INFO
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("Vernacular Objects" was released in digital as "Every Dog Has Its Day. Vol.13" (2020). "Just Like A (Vernacular Objects)" is a different mix.)
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INFO
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("Vernacular Objects" was released in digital as "Every Dog Has Its Day. Vol.13" (2020). "Just Like A (Vernacular Objects)" is a different mix.)
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Tracklist:
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A4. Plénitude Azotée
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B2. Dans la Jungle de Varech
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B5. Synthi Outtro
Info:
Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes inthe tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from theshoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previousreleases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms orBalearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his analternate score to Jean Faurez’ 1960 documentary short.More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trillsechoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid.Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests.‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for thedancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwatervolcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glisteningsequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk seesout the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing thealbum opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle DeVarech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expandingour horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with thetidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel atthe soft focus splendour of ‘Synthii Outro’.This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge…(words by Patrick Ryder)
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Tracklist:
A1. Variation Abyssale (Part 1)
A2. Immersion
A3. La Vie à L‘Ombre
A4. Plénitude Azotée
A5. Parade
A6. Interlude
B1. Variation Abyssale (Part 2)
B2. Dans la Jungle de Varech
B3. Hors d_Haleine
B4. Fumeurs Noirs
B5. Synthi Outtro
Info:
Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes inthe tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from theshoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previousreleases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms orBalearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his analternate score to Jean Faurez’ 1960 documentary short.More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trillsechoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid.Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests.‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for thedancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwatervolcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glisteningsequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk seesout the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing thealbum opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle DeVarech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expandingour horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with thetidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel atthe soft focus splendour of ‘Synthii Outro’.This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge…(words by Patrick Ryder)
More
Obscure Kraut record inspired by the black forest, cold lakes and the south-west wind. Recorded in two days in the countryside of Valley by Daniel Meuzard aka Feater and Franco Spenzini.
Downsized production for maximum spiritual release.
Tracklist :
A1 Eins
A2 Drei
A3 Vier
B1 Fu nf
B2 Sechs
B3 Sieben
More
Downsized production for maximum spiritual release.
Tracklist :
A1 Eins
A2 Drei
A3 Vier
B1 Fu nf
B2 Sechs
B3 Sieben
More
1
Cleo Page - Googie Train
2
Cleo Page - Leaving Mississipi
3
Cleo Page - Red Nigger
4
Cleo Page - I Got A Girl
5
Cleo Page - Wine
6
Cleo Page - California Style
7
Cleo Page - Roll Your Belly Slow
8
Cleo Page - Boot Hill
9
Cleo Page - Guitar Lullabye
10
Cleo Page - California Prison Farm
11
Cleo Page - A. Black Man (Too Tough To Die) Part. 1
12
Cleo Page - B. Black Man (Too Tough To Die) Part. 2
EALZ! Records & brand new label A.D.S team up to pay tribute to the mysterious bluesman and producer : Cleo Page.
Born in Louisiana, this L.A.-based musician worked with the great Johnny Otis, hang out on Central Avenue’s clubs and possibly jammed with top West Coast bluesmen like Jessie Allen, Pete “guitar” Lewis, Jimmy Nolen, Lafayette Thomas.
Curley Page for some, Sly Williams for others, difficult to follow his career and in definitive, little is known about him despite his “big deal” recently approved by blues specialists : Cleo Page IS the man who wrote and recorded the original Boot Hill, a blues classic covered many times up until now.
Cleo Page who lived in California since 14 years-old has been crossing Blues, Rhythm & Blues and proto-Rock'n'Roll in a personal way. He will run his own labels in the heart of Watts just after the 1965 riots. Those tragic events deeply influenced his laid-back groovy sounds, powerful guitar playing, organ-driven garage Blues with strong political and social messages. Somewhere between the first electric recordings of Howlin' Wolf and… Black Diamond Heavies!
You're about to discover 12 rare tracks probably recorded between late ‘60s and early ‘70s. This brand new release includes the ultra-rare track "Black Man part. 1 & 2".
Material reissued here for the first time in an arty/artisanal trifold Vinyl LP and a bonus Vinyl 7inch
TRACKLIST LP
A1. Googie Train
A2. Leaving Mississipi
A3. Red Nigger
A4. I Got A Girl
A5. Wine
B1. California Style
B2. Roll Your Belly Slow
B3. Boot Hill
B4. Guitar Lullabye
B5. California Prison Farm
TRACKLIST 7"
A. Black Man (Too Tough To Die) Part. 1
B. Black Man (Too Tough To Die) Part. 2 More
Born in Louisiana, this L.A.-based musician worked with the great Johnny Otis, hang out on Central Avenue’s clubs and possibly jammed with top West Coast bluesmen like Jessie Allen, Pete “guitar” Lewis, Jimmy Nolen, Lafayette Thomas.
Curley Page for some, Sly Williams for others, difficult to follow his career and in definitive, little is known about him despite his “big deal” recently approved by blues specialists : Cleo Page IS the man who wrote and recorded the original Boot Hill, a blues classic covered many times up until now.
Cleo Page who lived in California since 14 years-old has been crossing Blues, Rhythm & Blues and proto-Rock'n'Roll in a personal way. He will run his own labels in the heart of Watts just after the 1965 riots. Those tragic events deeply influenced his laid-back groovy sounds, powerful guitar playing, organ-driven garage Blues with strong political and social messages. Somewhere between the first electric recordings of Howlin' Wolf and… Black Diamond Heavies!
You're about to discover 12 rare tracks probably recorded between late ‘60s and early ‘70s. This brand new release includes the ultra-rare track "Black Man part. 1 & 2".
Material reissued here for the first time in an arty/artisanal trifold Vinyl LP and a bonus Vinyl 7inch
TRACKLIST LP
A1. Googie Train
A2. Leaving Mississipi
A3. Red Nigger
A4. I Got A Girl
A5. Wine
B1. California Style
B2. Roll Your Belly Slow
B3. Boot Hill
B4. Guitar Lullabye
B5. California Prison Farm
TRACKLIST 7"
A. Black Man (Too Tough To Die) Part. 1
B. Black Man (Too Tough To Die) Part. 2 More
1
Joan Bibiloni - Nits De La Sultana
2
The Zenmenn - The Legend Of Haziz
3
Stroer - When You Stopped Sleeping
4
Androo - W.I.O. Micmac Mix
5
Joel Graham - Cool Blue Pool
6
Jonny Nash - Dream It Right
7
Terekke - Just Ducking Around
8
Mei Honeycomb - Squeaky Eye Syndrome
9
Tombolo - Continental Drift
10
Kuniyuki Takahashi - Forest Dust
11
Yu Su J. Wilson - Mitti Attar
12
Gigi Masin - Panama Girl
13
Ocean Moon - The Ecstatic Alarm
14
Michal Turtle - Borrowed Times
15
Ramzi - Baci
16
Suso Saiz - Kailas
17
Dea - Undecenial
2023 marks the tenth year of Music From Memory; a decade of groundbreaking archival releases, cross-generational collaborations and long-standing creative partnerships with our ever-expanding community of artists.
To celebrate this milestone, earlier this year we asked our roster of artists to submit a piece of music for an anniversary compilation. As submissions gradually came in, we were blown away by what we received and slowly began to piece them together into what was to become “10”.
Featuring work from artists who were present during the formation of the label, such as Gigi Masin, Joan Bibiloni and Michal Turtle, as well as artists like The Zenmenn, RAMZi and Dea, who have helped the label expand over subsequent years, “10” serves as a natural bookmark of where we are musically, whilst simultaneously reflecting on the label's rich musical past.
In keeping with the Music From Memory ethos, the music of “10” spans both time and space, with submissions ranging from Vito Ricci's 'Da Hamptons' (1985) to Yu Su & J. Wilson's 'Mitti Atar' (2023). It crosses the globe, with a total of 10 countries represented across 17 tracks. The final result is an immersive musical compilation that flows perfectly from start to finish.
Tragically, during the last few weeks of finalising MFM066, label co-owner Jamie Tiller passed away in a sudden accident. “10” was always intended to be a way to reflect on the journey of Music From Memory. The fact that it is now also one of the last releases that the team all worked on together adds a whole other level of reflection and makes it all the more special.
* incl. insert liner notes by John Gómez) Artwork by Bráulio Amado. Design by David McFarline. More
To celebrate this milestone, earlier this year we asked our roster of artists to submit a piece of music for an anniversary compilation. As submissions gradually came in, we were blown away by what we received and slowly began to piece them together into what was to become “10”.
Featuring work from artists who were present during the formation of the label, such as Gigi Masin, Joan Bibiloni and Michal Turtle, as well as artists like The Zenmenn, RAMZi and Dea, who have helped the label expand over subsequent years, “10” serves as a natural bookmark of where we are musically, whilst simultaneously reflecting on the label's rich musical past.
In keeping with the Music From Memory ethos, the music of “10” spans both time and space, with submissions ranging from Vito Ricci's 'Da Hamptons' (1985) to Yu Su & J. Wilson's 'Mitti Atar' (2023). It crosses the globe, with a total of 10 countries represented across 17 tracks. The final result is an immersive musical compilation that flows perfectly from start to finish.
Tragically, during the last few weeks of finalising MFM066, label co-owner Jamie Tiller passed away in a sudden accident. “10” was always intended to be a way to reflect on the journey of Music From Memory. The fact that it is now also one of the last releases that the team all worked on together adds a whole other level of reflection and makes it all the more special.
* incl. insert liner notes by John Gómez) Artwork by Bráulio Amado. Design by David McFarline. More
1
nthng - Unlimited ()
2
nthng - Infinity
3
nthng - Memories
4
nthng - Mad World
5
nthng - Tryot
6
nthng - Wordless Mass
7
nthng - Stabilize
8
nthng - Untitled
9
nthng - There Is A Place For Me
Written & Produced by nthng
Designed by Maciej Przezak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic More
Designed by Maciej Przezak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic More