Tracklist:

A1 Deeper Fundamentals
A2 Time & Place
B1 Stolen Memories
B2 On Arrival

Short Info:

Part 1 of the Forthcoming Deeper Fundamentals series.


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Detroit’s Delano Smith joins My Baby Records to release two soulful originals including remixes from Guillaume & The Coutu Dumonts and Chuck Flask & Keith Kemp.
Of the original crop of Detroit DJs, Delano Smith is now one of the last remaing. Coming up at a time when the world was just discovering the influence a DJ could have, Smith battled his way to the top in a tough scene full of talent. His story is long and intriguing, running parallel to many of the developments not just in music but society at large that have shaped our modern world. Delano has continued to DJ worldwide for many years whilst delivering quintessential releases on a consistent basis on labels such as Sushitech, Mixmode, Third Ear, and now My Baby Records following artists such as Remote Viewing Party, Rex Sepulveda & Acid Pimp and Mister Josooa & Rickers.
‘No Fear’ kicks things off with slick bass grooves. The rolling muffled vocals and smooth riding riffs blend together, providing this slick deep house cut with truly intoxicating atmospheres. ‘We Go Back’ delivers organic, stripped-back percussion balanced with soul-infused keys and mellifluous notes throughout the track.
Canadian producer Guillaume & The Coutu Dumonts who’s known for releases on Circus Company and Musique Risquée provide a minimal remix of ‘No Fear’ laying focus on aquatic modulations, robust drums and reverberating low frequencies until the Motor City duo Chuck Flask and Keith Kemp round things off with a smooth remix of ‘We Go Back’ offering hypnotic rhythms fused with funk driven synths and shimmering jazz elements.

A1. Delano Smith - No Fear (Original Mix)
A2. Delano Smith - We Go Back (Original Mix)
B1. Delano Smith - No Fear (Guillaume & The Coutu Dumonts Remix)
B2. Delano Smith - We Go Back (Chuck Flask & Keith Kemp Remix)
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Tracklist 12: A. They´re Coming / B. Safe Place


Info:
Delano Smith returns to his Mixmode imprint with a two-tracker this June, coming in the shape of ‘They’re Here / Safe Place’.


Detroit’s Delano Smith has long been one of the most respected figures in raw, understated house and techno both of his home turf of Detroit and further afield across the globe, racking up releases for revered imprints such as Sushitech, Third Ear, Kolour Recordings’ Undertones and of course his own Mixmode Recordings where he returns to here for the labels thirteenth installment.


Leading on the package is ‘They’re Coming’, which embraces Delano’s signature groove-driven feel via slick, snaking stab sequences, rumbling sub bass tones and an infectious organic drum groove to keep things smoothly flowing throughout.


‘Safe Place’ follows on the flip-side, edging things into deeper territories via ethereal pad swells, a heavily swung percussive shuffle and bumpy bass hits whilst resonant bell chime like synth tones ebb and flow throughout the hypnotic groove.


Delano Smith’s ‘They’re Here / Safe Place’ is out on Mixmode Recordings 4th June 2018.


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UPC 827170480063 Rel date 10.12.2012
A1 Mariana's Song B1 Celebration B2 Dream Come True
Delano Smith follows his debut full length for Sushitech by gliding along the Berlin/Detroit axis back to his roots. The label boss's return to his own Mixmode sees him explore earthy house rather than the streamlined beaters that made Odyssey such a smash. In short, Precipice (MM11) is three hypnotic tracks of organic Motor City textures and rhythms. Mariana's Song builds with the strong fluid motion omnipresent in all Smith's productions. Mechanical drums drive a rugged analogue bass line, while flowing pads are layered to create a bright soundscape. The track is one to captivate the floor, building effortlessly to lock it into step. Set over a tight locomotive groove, Delano's talent for twisting up vocal samples creates a smokey, atmosphere on Celebration. Toughening the drums and easing in the bottom end, choice drum fills heighten the impact of the beautifully swung drums. The dusty beats on Dream Come True bounce with a wide eyed rawness. At once fragile and assertive, the soft chords are reclined above a gently insistent bass line to give the floor or the home stereo a comfortable ride. Able to focus the output of his own label on the kind of tracks that first saw him emerge, Delano has built a bridge to introduce new ears to the sound of his city. Fans of Delano's earlier work are in for a treat here but new followers will be sucked into hypnotic and considered world of his productions.
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Tracklist
A1 Magic Interference, A2 Hearts At Whole , B1 All States Of Dawn, B2 Camera Obscura , C1 Beyond, C2 Sonic Winds, D1 Benevolent Receiver, D2 Afterglow

It’s been seven years since Smallpeople’s debut album, ‘Salty Days’. In the time since, much has changed in our world of dance music, and, so we hear, even beyond. Yet our men in Hamburg have remained dedicated to their unapologetically reassuring vision of house music as-a-whole. As well as expanding their Smallville Records shop in Hamburg’s St. Pauli, they’ve continued to act on their direct-line to the beating heart of house music at some of the world’s finest clubs, including their monthly residency at Hamburg’s legendary Golden Pudel, inviting guests such as Lakuti, Session Victim and Pantha Du Prince into the warmest dance in the grimiest club. Of course, all these manoeuvres sit alongside their work running Smallville Records, home to the likes of Moomin, STL and Christopher Rau, and it’s sub-label, Fuck Reality.
Given Julius Steinhoff and Dionne’s stewardship in filtering the creme-de-la-creme of house music from the underground and into clubs across Europe and further afield, it would be particularly cliched on this occasion to stress that their second record is “eagerly awaited.” In their own way, they have already given us enough great records. But with ‘Afterglow’, we get another, and more importantly, one carved directly from the hearts and record collections of two individuals whose understanding of dance music appears to be some sort of blissful second-nature.
This sort of earned assuredness is immediately established on opening track ‘Magic Interference’, a rolling, deep and somewhat jazzy house number with tumbling keys and sky-walkin’ chords. This steady, blissful vibe sets the tone for the first half of the record, as the pair patiently unfold their touchstones; equal parts Chicago (‘Hearts at Whole’), Detroit (‘All States of Dawn’) and Hamburg, famed for it's transatlantic routes via groundbreaking clubs such as Front, it's a crystalline distillation of a sound that’s earnest, but never nostalgic.
Intuitive selectors as they are, Smallpeople pick the ideal moment to up the pace for the home-run, defined here by the spiky, disco bassline of ‘Beyond’, an unexpected ingredient that Steinhoff and Dionne nevertheless manage to diffuse into spacedust. It’s a brilliant wrong footing before the wide-eyed, warm-hearted anthem-in-waiting, ‘Sonic Winds’, a wonderfully cheeky glimpse of Smallpeople as peak time heroes, before the acid-flecked shuffle of Benevolent Reciever reveals their spiritual soundboy side.
In conclusion, title track ‘Afterglow’ surmises the generous spirit at the heart of Smallpeople’s operation; a sensitive and irresistible ode to record stores, parties, community and discovery. So, worth that seven year wait? Who cares about time, when your music’s this timeless?

All Tracks are written, produced and mixed by Julius Steinhoff & Just von Ahlefeld
Mastering & vinyl cut by Helmut Erler, Dubplates & Mastering
Artwork by Stefan Marx
Distributed by Wordandsound
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unique and limited as allways - 2 tracks raw dubby and full on pepe bradock infused house of the highest calibre and in an almost unusal summerish mode. perfect for playing (and forever staying)! vinyl only! More