Label:International Feel
Cat-No:ifeel075lp
Release-Date:14.01.2022
Configuration:LP Excl
Barcode:4251804126588
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Cat-No:ifeel075lp
Release-Date:14.01.2022
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Barcode:4251804126588
1
Hypernatural - Longboat
2
Hypernatural - Stormfront
3
Hypernatural - Changing Tides
4
Hypernatural - Spirit Walk
5
Hypernatural - Unknown Caller
6
Hypernatural - New Dawn
7
Hypernatural - Valley
Tracklist:
Longboat
Stormfront
Changing Tides
Spirit Walk
Unknown Caller
New Dawn
Valley
Info:
Hypernatural, comprises of Dan Whitford, better known as one of the pillars of Melbourne heavyweights Cut Copy, Mirko Vogel, the engineer extraordinaire who has recorded for Modular and Room40, and Mike Gamwell, also known as Knightlife, who’s racked up several releases on Cut Copy’s own Cutters Records. You could say their roots are in Melbourne, Australia, but it seems unfair to pinpoint the trio to any specific location.
That’s because their sound lies somewhere deep in misty forests, or half-remembered dreams and subconscious wells of ancestral emotion. The transformative power of these 7 tracks was no accident however. The music was pieced together during two trips - one to the remote Swedish coast and another to the Scottish highlands. The three producers used a set of guidelines that allowed each of them to compose and arrange tracks separately yet collectively, like a connected Oblique Strategy. They took inspiration from the stark beauty of their natural surroundings, which had a huge effect on the music they were making.
The resulting tracks inhabit a world of their own, full of shimmering arpeggios and drifting pads, taut drums and sound effects. The opening track Longboat cruises into view with white noise washes and galley master rhythms, conjuring Old Norse battleships and a sense of sailing the open sea, destination unknown. The single Stormfront is a depth-charged deep house burner, bristling with atmospheric energy and rolling like thunder. With its cascading synth arpeggios and weighty drops, it swells like moody clouds on the horizon and releases tension like the first rain of a summer storm.
Hypernatural particularly succeeds in its world-building, and there’s a cohesion to the tracks despite their many differences in tempo and style. Spirit Walk joins marimbas with modular pulses, as well as slide guitar and snappy shakers, to bring out some Ry Cooder swagger. Unknown Caller taps into the phone line at the speed of 5G, sending breakbeats down the wire on a cold calling mission to recruit ravers for the next after hours. But there are also tracks nodding to blissed-out comedowns and daydreams. Both Changing Tides and New Dawn slow down time to an introspective moment, a catch of the breath, the witness to a beautiful moment. Album closer Valley harks back to classic rave-era ambient, an avalanche of optimism down a majestic mountainside.
Hypernatural evokes panoramic vistas and serene countryside, and you could certainly imagine it soundtracking a hike along coastal hills, or a field at a festival. But it also resides beyond the pastoral, finding a home in airport departure lounges and autobahn service stations, until it eventually settles down inside us - even without the headphones on.
Stormfront
Hypernatural’s single Stormfront is a depth-charged house-tempo burner, bristling with atmospheric energy and rolling like thunder. With its cascading synth arpeggios, raindance incantation and weighty drops, it swells like moody clouds on the horizon, and releases tension like the first rain of a summer storm.
Credits:
All songs written, produced and mixed by Hypernatural.
Recorded near Simrishamn, Sweden and Loch Monar, Scotland.
Mastered by Ben Feggans at Studios301 Sydney.
Vinyl Cut at Schallplatten Schneid Technik.
Artwork By Dan Whitford. © 2022 International Feel.
Manufactured By RAND Muzik.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Longboat
Stormfront
Changing Tides
Spirit Walk
Unknown Caller
New Dawn
Valley
Info:
Hypernatural, comprises of Dan Whitford, better known as one of the pillars of Melbourne heavyweights Cut Copy, Mirko Vogel, the engineer extraordinaire who has recorded for Modular and Room40, and Mike Gamwell, also known as Knightlife, who’s racked up several releases on Cut Copy’s own Cutters Records. You could say their roots are in Melbourne, Australia, but it seems unfair to pinpoint the trio to any specific location.
That’s because their sound lies somewhere deep in misty forests, or half-remembered dreams and subconscious wells of ancestral emotion. The transformative power of these 7 tracks was no accident however. The music was pieced together during two trips - one to the remote Swedish coast and another to the Scottish highlands. The three producers used a set of guidelines that allowed each of them to compose and arrange tracks separately yet collectively, like a connected Oblique Strategy. They took inspiration from the stark beauty of their natural surroundings, which had a huge effect on the music they were making.
The resulting tracks inhabit a world of their own, full of shimmering arpeggios and drifting pads, taut drums and sound effects. The opening track Longboat cruises into view with white noise washes and galley master rhythms, conjuring Old Norse battleships and a sense of sailing the open sea, destination unknown. The single Stormfront is a depth-charged deep house burner, bristling with atmospheric energy and rolling like thunder. With its cascading synth arpeggios and weighty drops, it swells like moody clouds on the horizon and releases tension like the first rain of a summer storm.
Hypernatural particularly succeeds in its world-building, and there’s a cohesion to the tracks despite their many differences in tempo and style. Spirit Walk joins marimbas with modular pulses, as well as slide guitar and snappy shakers, to bring out some Ry Cooder swagger. Unknown Caller taps into the phone line at the speed of 5G, sending breakbeats down the wire on a cold calling mission to recruit ravers for the next after hours. But there are also tracks nodding to blissed-out comedowns and daydreams. Both Changing Tides and New Dawn slow down time to an introspective moment, a catch of the breath, the witness to a beautiful moment. Album closer Valley harks back to classic rave-era ambient, an avalanche of optimism down a majestic mountainside.
Hypernatural evokes panoramic vistas and serene countryside, and you could certainly imagine it soundtracking a hike along coastal hills, or a field at a festival. But it also resides beyond the pastoral, finding a home in airport departure lounges and autobahn service stations, until it eventually settles down inside us - even without the headphones on.
Stormfront
Hypernatural’s single Stormfront is a depth-charged house-tempo burner, bristling with atmospheric energy and rolling like thunder. With its cascading synth arpeggios, raindance incantation and weighty drops, it swells like moody clouds on the horizon, and releases tension like the first rain of a summer storm.
Credits:
All songs written, produced and mixed by Hypernatural.
Recorded near Simrishamn, Sweden and Loch Monar, Scotland.
Mastered by Ben Feggans at Studios301 Sydney.
Vinyl Cut at Schallplatten Schneid Technik.
Artwork By Dan Whitford. © 2022 International Feel.
Manufactured By RAND Muzik.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from International Feel
Label:International Feel
Cat-No:IFEEL089
Release-Date:04.04.2025
Configuration:12" Excl
Barcode:4251804184748
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Cat-No:IFEEL089
Release-Date:04.04.2025
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Barcode:4251804184748
1
Lexx - Into The Stream
2
Lexx - Ode To Mode
3
Lexx - Abun-dance
Tracklist:
A1. Into The Stream
B1. Ode To Mode
B2. Abun-dance
Inexplicably, yet true, Lexx has never appeared in any way, shape, or form on International Feel recordings – until now. And it’s been worth the wait. Into the Stream is one of the finest endeavors of the Zurich record hound, DJ, musical mastermind, and Balearic baron to date. Bespoke for International Feel, it feels like a comforting blanket for hard times. Inspired by early 90s electronica and serene landscapes, the title track embodies those magical moments just before sunset on warm summer days — a light breeze carrying the sweet scent of earth as you cycle past a peaceful herd of white, black, and brown sheep moving in unison.
Revisiting stages of faith and devotion of one of the favorite bands of nearly every 1980s teenager, and using their formal vocabulary after a deep dive into their rich discography, Lexx delivers a respectful nod and a heartfelt bow, one that is not only a question of lust, but simply irresistible.
Last, but not least, Abun-dance is a celebration of life and love. It manages to tap into the stream and discover the true abundance of the (Balearic) bliss that surrounds us. A match made in heaven.
Lexx, we salute you. credits
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Into The Stream
B1. Ode To Mode
B2. Abun-dance
Inexplicably, yet true, Lexx has never appeared in any way, shape, or form on International Feel recordings – until now. And it’s been worth the wait. Into the Stream is one of the finest endeavors of the Zurich record hound, DJ, musical mastermind, and Balearic baron to date. Bespoke for International Feel, it feels like a comforting blanket for hard times. Inspired by early 90s electronica and serene landscapes, the title track embodies those magical moments just before sunset on warm summer days — a light breeze carrying the sweet scent of earth as you cycle past a peaceful herd of white, black, and brown sheep moving in unison.
Revisiting stages of faith and devotion of one of the favorite bands of nearly every 1980s teenager, and using their formal vocabulary after a deep dive into their rich discography, Lexx delivers a respectful nod and a heartfelt bow, one that is not only a question of lust, but simply irresistible.
Last, but not least, Abun-dance is a celebration of life and love. It manages to tap into the stream and discover the true abundance of the (Balearic) bliss that surrounds us. A match made in heaven.
Lexx, we salute you. credits
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Label:International Feel
Cat-No:IFEEL088
Release-Date:28.02.2025
Configuration:12" Excl
Barcode:4251804184731
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1
Charlie Charlie - Hill St - Bella Boo Edit
2
Charlie Charlie - Save Us feat. Mapei - Mondag Remix
3
Charlie Charlie - Lorena - Gerd Janson Ambient Edit
4
Hypernatural - Stormfront - Gerd Janson Remix
5
Hypernatural - Spirit Walk - Knightlife Remix
Tracklist
A1. Charlie Charlie - Hill St - Bella Boo Edit
A2. Charlie Charlie - Save Us feat. Mapei - Mondag Remix
A3. Charlie Charlie - Lorena - Gerd Janson Ambient Edit
B1. Hypernatural - Stormfront - Gerd Janson Remix
B2. Hypernatural - Spirit Walk - Knightlife Remix
If there’s one thing we know at International Feel, it’s that good things take time. But sometimes, just sometimes, they take a little longer than expected. Enter IFEEL088, a split remix 12” that stitches together two albums, two projects, and a collection of kindred spirits who understand the delicate art of sonic transformation.
Charlie Charlie (the Swedish duo of Chords and Bella Boo) have been long-time admirers of Mondag, ever since their ears first met the melancholic splendor of Sad Soup. When it came time to create Save Us, they had one request: a sax solo from Kristian (of Mondag fame). A beautiful idea, but as the fates (and studio schedules) would have it, the horns never made it onto the album.
Fast forward, and what began as a missed opportunity has now come full circle. Mondag, still taken with Save Us, took matters into their own hands and offered up a remix – a shimmering, unexpected rework of a track that already carried so much weight. Charlie Charlie obliged. And, because there’s no such thing as too much of a good thing, Bella Boo herself offers a tight and nimble edit, while Gerd Janson drapes the track in an ambient mist for those more horizontally inclined.
Hypernatural exists in some liminal space between waking life and dreamstate, it makes sense that its remixes should play with perspective. The trio—Dan Whitford (Cut Copy), Mirko Vogel, and Mike Gamwell (a.k.a. Knightlife)—crafted their album between the Swedish coast and the Scottish highlands, capturing the sublime and the surreal in equal measure. Now, it’s time to hand things over to new guides.
Mike Gamwell himself steps up, delivering a fresh take that bends and stretches time, while Gerd Janson follows, offering another piece for the puzzle—one that slots seamlessly into the hazy, transportive nature of the Hypernatural sound.
One record, two projects, three perspectives, and infinite interpretations. IFEEL088 is a reminder that sometimes the best things in life are worth the wait.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Charlie Charlie - Hill St - Bella Boo Edit
A2. Charlie Charlie - Save Us feat. Mapei - Mondag Remix
A3. Charlie Charlie - Lorena - Gerd Janson Ambient Edit
B1. Hypernatural - Stormfront - Gerd Janson Remix
B2. Hypernatural - Spirit Walk - Knightlife Remix
If there’s one thing we know at International Feel, it’s that good things take time. But sometimes, just sometimes, they take a little longer than expected. Enter IFEEL088, a split remix 12” that stitches together two albums, two projects, and a collection of kindred spirits who understand the delicate art of sonic transformation.
Charlie Charlie (the Swedish duo of Chords and Bella Boo) have been long-time admirers of Mondag, ever since their ears first met the melancholic splendor of Sad Soup. When it came time to create Save Us, they had one request: a sax solo from Kristian (of Mondag fame). A beautiful idea, but as the fates (and studio schedules) would have it, the horns never made it onto the album.
Fast forward, and what began as a missed opportunity has now come full circle. Mondag, still taken with Save Us, took matters into their own hands and offered up a remix – a shimmering, unexpected rework of a track that already carried so much weight. Charlie Charlie obliged. And, because there’s no such thing as too much of a good thing, Bella Boo herself offers a tight and nimble edit, while Gerd Janson drapes the track in an ambient mist for those more horizontally inclined.
Hypernatural exists in some liminal space between waking life and dreamstate, it makes sense that its remixes should play with perspective. The trio—Dan Whitford (Cut Copy), Mirko Vogel, and Mike Gamwell (a.k.a. Knightlife)—crafted their album between the Swedish coast and the Scottish highlands, capturing the sublime and the surreal in equal measure. Now, it’s time to hand things over to new guides.
Mike Gamwell himself steps up, delivering a fresh take that bends and stretches time, while Gerd Janson follows, offering another piece for the puzzle—one that slots seamlessly into the hazy, transportive nature of the Hypernatural sound.
One record, two projects, three perspectives, and infinite interpretations. IFEEL088 is a reminder that sometimes the best things in life are worth the wait.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL087
Release-Date:20.09.2024
Configuration:LP Excl
Barcode:4251804182027
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Last in:18.09.2024
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Cat-No:IFEEL087
Release-Date:20.09.2024
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1
Mr. Beatnick - île Flottante
2
Mr. Beatnick - Central Park
3
Mr. Beatnick - Crystal Snowflakes
4
Mr. Beatnick - Katamaran
5
Mr. Beatnick - Low Tide
6
Mr. Beatnick - Cedar Sunset
7
Mr. Beatnick - Ocean Spray
8
Mr. Beatnick - Dance Of The Dolphin
Tracklist
A1. île Flottante
A2. Central Park
A3. Crystal Snowflakes
A4. Katamaran
B1. Low Tide
B2. Cedar Sunset
B3. Ocean Spray
B4. Dance Of The Dolphin
Île Flottante is Mr. Beatnick´s 5th album, following 2023’s Joy In Variation (including the notorious cover of Love on a Real Train) and his well-received off-beat collaboration with London-based avant-garde agitator Richard Greenan – Coasty – this is his first contribution to the International Feel trademark. Probably best known for some big deep house revivalist tunes circa 2013 on the now dormant Don’t Be Afraid record label, Beatnick now converts that aural quality and dimensionality into the Balearic system.
Île Flottante takes its name from the tastiest French pudding of Mr. Beatnick’s childhood holidays. The name, also a jeux de mots - floating island - hinting at the album’s inspirations and sense of identity, as a danceable soundtrack to a fictional island. Explored with high intensity and over a yearlong process, the sounds of the well-worn, but never failing Balearic universes were a mind expanding influence. Think of genre staples like Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
„I spent a year listening to a lot of synthesized island music, and marveling at the many twinkling wonders of the Balearic musical universe. Struck by a sense of belonging that had often eluded me on my musical journey thus far, as the weirdo at the back of the club who had orbited many scenes for 20 years, but never felt like I fitted in, I found music that made me feel like I had come home. The songs that came out of this process are presented in the order that they were written - an open book of ocean hymns, honest and spoken from the heart.“
Île Flottante tries its very hardest to avoid being any one thing in particular. At one point, it is a gentle beach walk accompanied by polyrhythmic drum plod and flourishes of Guzheng. At another, the infamous James Yancey septuplet swing is repurposed against a marimba melody that wouldn’t be out of place in one of Link’s forest adventures.
Elsewhere, there are the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality, facets which are often attributed to Mr. Beatnick’s holistic b-boy approach. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze.
Short:
Île Flottante is Mr. Beatnick´s 5th album and first contribution the Balearic system of International Feel. Full of ocean hymns and forest adventures, it includes marimba melodies, the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze. For fans of: Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. île Flottante
A2. Central Park
A3. Crystal Snowflakes
A4. Katamaran
B1. Low Tide
B2. Cedar Sunset
B3. Ocean Spray
B4. Dance Of The Dolphin
Île Flottante is Mr. Beatnick´s 5th album, following 2023’s Joy In Variation (including the notorious cover of Love on a Real Train) and his well-received off-beat collaboration with London-based avant-garde agitator Richard Greenan – Coasty – this is his first contribution to the International Feel trademark. Probably best known for some big deep house revivalist tunes circa 2013 on the now dormant Don’t Be Afraid record label, Beatnick now converts that aural quality and dimensionality into the Balearic system.
Île Flottante takes its name from the tastiest French pudding of Mr. Beatnick’s childhood holidays. The name, also a jeux de mots - floating island - hinting at the album’s inspirations and sense of identity, as a danceable soundtrack to a fictional island. Explored with high intensity and over a yearlong process, the sounds of the well-worn, but never failing Balearic universes were a mind expanding influence. Think of genre staples like Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
„I spent a year listening to a lot of synthesized island music, and marveling at the many twinkling wonders of the Balearic musical universe. Struck by a sense of belonging that had often eluded me on my musical journey thus far, as the weirdo at the back of the club who had orbited many scenes for 20 years, but never felt like I fitted in, I found music that made me feel like I had come home. The songs that came out of this process are presented in the order that they were written - an open book of ocean hymns, honest and spoken from the heart.“
Île Flottante tries its very hardest to avoid being any one thing in particular. At one point, it is a gentle beach walk accompanied by polyrhythmic drum plod and flourishes of Guzheng. At another, the infamous James Yancey septuplet swing is repurposed against a marimba melody that wouldn’t be out of place in one of Link’s forest adventures.
Elsewhere, there are the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality, facets which are often attributed to Mr. Beatnick’s holistic b-boy approach. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze.
Short:
Île Flottante is Mr. Beatnick´s 5th album and first contribution the Balearic system of International Feel. Full of ocean hymns and forest adventures, it includes marimba melodies, the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze. For fans of: Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL086
Release-Date:26.07.2024
Configuration:12" Excl
Barcode:4251804181778
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Cat-No:IFEEL086
Release-Date:26.07.2024
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Barcode:4251804181778
1
Calabra - Mazzara Return
2
Calabra - Half Baked
3
Calabra - Hustle
4
Calabra - Respiro feat. Penelope Rossano
5
Calabra - Respiro (Instrumental)
Tracklist:
A1. Mazzara Return
A2. Half Baked
B1. Hustle
B2. Respiro feat. Penelope Rossano
B3. Respiro (Instrumental)
Calabra are London based duo DJ Toni Rossano and musician Neil Simons.
Having hung out as teenagers in the Midlands the friends went on to pursue different musical paths in the capital. Neil has engineered, mixed and produced a wide variety of artists whilst Toni, a DJ/Producer, was part of the pirate soul explosion as Blackbeard in the noughties and currently dabbles under the Gospel guise as The Showfa. Now many moons later...
The idea for Calabra was born during fuzzy after-party hours on the pebbles of a brisk Brighton beach and is the musical yearning for adventures on warmer Balearic shores. Sunshine inspired beats and melodic guitars lead a cast of analogue synths, percussion, fender bass, oboe and voices all lovingly coloured by 70’s art rock, New Age, folk and inspired Ghanaian High Life.
Picked up by Gerd Janson the Calabra EP features four debut tracks. The leading ‘Mazzara Return ’has a midtempo Balearic-like feel with lead guitar, house-up styled beats and electronica inspired atmospherics. Followed by the sci-fi synth driven ‘Half Baked ’with melodic spanish guitar riffs and sequenced synthesizers for that old skool analogue sounding thrill! ‘Hustle ’launches with a rolling live played bass and synth line on top of the guitar chill-out like licks fused with congas, bongos and cowbell rhythm courtesy of Yam Who? percussionist Des Morgan. ‘Respiro ’the EP’s grand finale introduces vocalist and songwriter Penelope Rossano and is a folk/jazz style ballad showcasing not
only a poetic gentle beauty in the song but also her own oboe composition to make a perfect book ending with the bonus of an instrumental added for measure for this debut EP on International Feel.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Mazzara Return
A2. Half Baked
B1. Hustle
B2. Respiro feat. Penelope Rossano
B3. Respiro (Instrumental)
Calabra are London based duo DJ Toni Rossano and musician Neil Simons.
Having hung out as teenagers in the Midlands the friends went on to pursue different musical paths in the capital. Neil has engineered, mixed and produced a wide variety of artists whilst Toni, a DJ/Producer, was part of the pirate soul explosion as Blackbeard in the noughties and currently dabbles under the Gospel guise as The Showfa. Now many moons later...
The idea for Calabra was born during fuzzy after-party hours on the pebbles of a brisk Brighton beach and is the musical yearning for adventures on warmer Balearic shores. Sunshine inspired beats and melodic guitars lead a cast of analogue synths, percussion, fender bass, oboe and voices all lovingly coloured by 70’s art rock, New Age, folk and inspired Ghanaian High Life.
Picked up by Gerd Janson the Calabra EP features four debut tracks. The leading ‘Mazzara Return ’has a midtempo Balearic-like feel with lead guitar, house-up styled beats and electronica inspired atmospherics. Followed by the sci-fi synth driven ‘Half Baked ’with melodic spanish guitar riffs and sequenced synthesizers for that old skool analogue sounding thrill! ‘Hustle ’launches with a rolling live played bass and synth line on top of the guitar chill-out like licks fused with congas, bongos and cowbell rhythm courtesy of Yam Who? percussionist Des Morgan. ‘Respiro ’the EP’s grand finale introduces vocalist and songwriter Penelope Rossano and is a folk/jazz style ballad showcasing not
only a poetic gentle beauty in the song but also her own oboe composition to make a perfect book ending with the bonus of an instrumental added for measure for this debut EP on International Feel.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:International Feel
Cat-No:IFEEL085
Release-Date:10.05.2024
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1
Edwin Schimscheimer - Bon Nuit Michelle
2
Dancing Fantasy - Mystery Voice
3
Peak Of Normal - Hava
4
Christian Ch. Kneisel - Jungle Connection
5
Beau Michael - Move Away (Extended)
6
Summer Vee - Judas
7
Patrick Jahn & Erobique - Moonlight Shuffle
8
Ikee Largo - After The Storm
Tracklist:
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL084
Release-Date:14.07.2023
Configuration:12" Excl
Barcode:4251804142311
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Last in:29.06.2023
Label:International Feel
Cat-No:IFEEL084
Release-Date:14.07.2023
Configuration:12" Excl
Barcode:4251804142311
1
Ruf Dug - A1. Casita Más Alta
2
Ruf Dug - B1. Cala Vedella
3
Ruf Dug - B2. Las Cicadas
4
Ruf Dug - B3. Niu Blau
Tracklist
A1. Casita Más Alta
B1. Cala Vedella
B2. Las Cicadas
B3. Niu Blau
Ruffy's back with a new four track EP Casita Más Alta and it's a love letter to Ibiza -
as he takes us on an alternative tour of his favourite parts of the pine-covered
island.
The title track opens slowly, spaced out with motifs and pads washing in like an
incoming tide, before charging headlong to the beach with a thumping kick and
distorted keyboard solo. In contrast, we get a more sundown feel with Cala Vedella,
soaking up the forest breeze and sounding like The Art of Noise but fed through a
modulator and left to float in the iciest pitcher of 7Up.
Meanwhile, the rolling congas and percussive synths of Las Cicadas take us deep
into tribal territory, Lost Woods style. The EP closes out with Niu Blau, built on
beautifully optimistic choir pads and steel pan sounds, and the evening could just
go on forever, especially if you've taken any of those power ups. It might be an
homage to Ibiza and the Balearics, but seen through the Ruf Dug prism, there's
always something new to discover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Casita Más Alta
B1. Cala Vedella
B2. Las Cicadas
B3. Niu Blau
Ruffy's back with a new four track EP Casita Más Alta and it's a love letter to Ibiza -
as he takes us on an alternative tour of his favourite parts of the pine-covered
island.
The title track opens slowly, spaced out with motifs and pads washing in like an
incoming tide, before charging headlong to the beach with a thumping kick and
distorted keyboard solo. In contrast, we get a more sundown feel with Cala Vedella,
soaking up the forest breeze and sounding like The Art of Noise but fed through a
modulator and left to float in the iciest pitcher of 7Up.
Meanwhile, the rolling congas and percussive synths of Las Cicadas take us deep
into tribal territory, Lost Woods style. The EP closes out with Niu Blau, built on
beautifully optimistic choir pads and steel pan sounds, and the evening could just
go on forever, especially if you've taken any of those power ups. It might be an
homage to Ibiza and the Balearics, but seen through the Ruf Dug prism, there's
always something new to discover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL083
Release-Date:16.06.2023
Configuration:12" Excl
Barcode:4251804141482
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Cat-No:IFEEL083
Release-Date:16.06.2023
Configuration:12" Excl
Barcode:4251804141482
1
Other Mother - About Time
2
Other Mother - Zwang!
3
Other Mother - Anyway, Music
4
Other Mother - Lost In The Forest
5
Other Mother - Where’s The Fifty?
Tracklist
A1. About Time
A2. Zwang!
B1. Anyway, Music
B2. Lost In The Forest
B3. Where’s The Fifty?
Release Info:
Marco Vella and Anth Wendt step up to International Feel with a five-track EP of Balearic-tinged bliss for their first collaborative release as Other Mother.
There’s definitely something in the air round the Adelaide Hills. Longtime friends Marco (aka Body Corp) and Anth (aka Oisima) finally got together in Anth’s studio after the pandemic and the result is Numero Uno an EP of laidback synth guitar and drum machine workouts mixing 303 riffs and sunsets for a supremely low-slung vibe.
After cruising around the Hills in the day the pair worked on tracks by night and their carefree days soaking up the sun shines through. Opening track About Time sets a steady pace with its lush delayed guitars slow-rising acid melody and hefty sub perfect for Sunday pub garden appreciation. A side closer Zwang! drops the tempo but brings the percussion into focus for another masterclass in tension and release with interwoven 303s and dub feedback.
Side B keeps the beach-side atmos flowing with guitar licks working around sumptuous synth chords for Anyway Music - a song that’s the ultimate soundtrack understated parts fitting together seamlessly in service to the feeling and belying the technique required. Lost In The Forest makes use of expansive ambient pads synth riffs and shakers to evoke a sense of wonder sunlight coming through the trees.
The EP concludes with Where’s The Fifty a dreamy piece of drum synth phrases and 303 interplay that perfectly characterizes Marco and Anth’s collaboration - two musicians and producers playing to serve the song. They write elements that combine for a harmonious whole greater than the sum of its parts. This is the underlying feel of Other Mother and Numero Uno - we’re all in this together - and by working collaboratively a brighter future might just be around the corner.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. About Time
A2. Zwang!
B1. Anyway, Music
B2. Lost In The Forest
B3. Where’s The Fifty?
Release Info:
Marco Vella and Anth Wendt step up to International Feel with a five-track EP of Balearic-tinged bliss for their first collaborative release as Other Mother.
There’s definitely something in the air round the Adelaide Hills. Longtime friends Marco (aka Body Corp) and Anth (aka Oisima) finally got together in Anth’s studio after the pandemic and the result is Numero Uno an EP of laidback synth guitar and drum machine workouts mixing 303 riffs and sunsets for a supremely low-slung vibe.
After cruising around the Hills in the day the pair worked on tracks by night and their carefree days soaking up the sun shines through. Opening track About Time sets a steady pace with its lush delayed guitars slow-rising acid melody and hefty sub perfect for Sunday pub garden appreciation. A side closer Zwang! drops the tempo but brings the percussion into focus for another masterclass in tension and release with interwoven 303s and dub feedback.
Side B keeps the beach-side atmos flowing with guitar licks working around sumptuous synth chords for Anyway Music - a song that’s the ultimate soundtrack understated parts fitting together seamlessly in service to the feeling and belying the technique required. Lost In The Forest makes use of expansive ambient pads synth riffs and shakers to evoke a sense of wonder sunlight coming through the trees.
The EP concludes with Where’s The Fifty a dreamy piece of drum synth phrases and 303 interplay that perfectly characterizes Marco and Anth’s collaboration - two musicians and producers playing to serve the song. They write elements that combine for a harmonious whole greater than the sum of its parts. This is the underlying feel of Other Mother and Numero Uno - we’re all in this together - and by working collaboratively a brighter future might just be around the corner.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL082
Release-Date:12.05.2023
Configuration:LP Excl
Barcode:4251804141475
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Label:International Feel
Cat-No:IFEEL082
Release-Date:12.05.2023
Configuration:LP Excl
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1
Ilija Rudman - Pulsar Diaries
2
Ilija Rudman - Delphic Expanse
3
Ilija Rudman - Blackburn Tales
4
Ilija Rudman - Fourth Amendment
5
Ilija Rudman - Farewell Theme
6
Ilija Rudman - Ursa Major
Tracklist:
A1. Pulsar Diaries
A2. Delphic Expanse
A3. Blackburn Tales
B1. Fourth Amendment
B2. Farewell Theme
B2. Ursa Major
Release Info:
The Croatian production powerhouse and disco boogie impresario steps up to International Feel, and takes a left turn into deep space with a new six track LP Pulsar Diaries.
Ilija’s discography stretches back to 2003, and over those 20 years he’s packed it full with albums, versions, remixes and singles. His releases are often perfectly-penned love letters to ‘80s boogie, electro and disco, and like postcards from an old flame, they’ve landed in an array of record label catalogs, from Bear Funk, Rong, and Electric Minds, to Is It Balearic? as well as his own Red Music and Imogen Recordings. He’s long-been an active voice on the underground club scene, and if you’ve been out dancing in Zagreb, Berlin or even Tisno beach, chances are you’ve gotten down to one of his beautifully blended sets of cosmic-tinged electro funk and disco dubs.
On Pulsar Diaries, Ilija delivers a panoramic collection of spaced-out synths and drum machine grooves, dedicated to the planet and our place in the universe. The A side opens up with the blissful, weightless pads of the title track, before it breaks out into filtered stabs over a minimal b-boy bounce. Delphic Expanse ebbs and flows like a lunar eclipse, sounding like a futuristic version of Key-Matic’s Breaking In Space, all uprock rhythms and syrupy synth horns as it spins off beyond the asteroid belt. Side A closes out with Blackburn Tales, a suspenseful and spacious electro rhythm packed with strings and 303 squelch, which you might call anti-gravity acid, if you were so inclined.
Side B picks up the tempo with Fourth Amendment, perfect for the space station discotheque with its sweeping bass filters and ice-cold synth melodies hovering in orbit. Farewell Theme takes an introspective moment, slowing the pace to a cosmic 90 bpm and inviting a certain cinematic feel to proceedings. This feeling applies not just to the vivid landscapes we travel through, but also wider thoughts about humankind: as we pause for a breath and look around, we find ourselves in Ilija’s space, considering human motivations, like the pursuit of happiness, or the eternal struggle with the self.
Every journey begins with a goodbye, and so the last track of the album feels like the arrival at a new destination: Ursa Major is ablaze with cascading drum fills, bubble-wrapped bass riffs and bright synth chords that sparkle like city lights underneath a re-orbiting satellite.
With Pulsar Diaries, Ilija Rudman has created a rare artifact: an album that straddles several worlds at once. Part soundtrack to space travel, part meditation on the human condition, part deep-burning dancefloor dynamo - whether in the club surrounded by friends or at home by yourself, this is a record that expands the mind and lets the imagination soar.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Pulsar Diaries
A2. Delphic Expanse
A3. Blackburn Tales
B1. Fourth Amendment
B2. Farewell Theme
B2. Ursa Major
Release Info:
The Croatian production powerhouse and disco boogie impresario steps up to International Feel, and takes a left turn into deep space with a new six track LP Pulsar Diaries.
Ilija’s discography stretches back to 2003, and over those 20 years he’s packed it full with albums, versions, remixes and singles. His releases are often perfectly-penned love letters to ‘80s boogie, electro and disco, and like postcards from an old flame, they’ve landed in an array of record label catalogs, from Bear Funk, Rong, and Electric Minds, to Is It Balearic? as well as his own Red Music and Imogen Recordings. He’s long-been an active voice on the underground club scene, and if you’ve been out dancing in Zagreb, Berlin or even Tisno beach, chances are you’ve gotten down to one of his beautifully blended sets of cosmic-tinged electro funk and disco dubs.
On Pulsar Diaries, Ilija delivers a panoramic collection of spaced-out synths and drum machine grooves, dedicated to the planet and our place in the universe. The A side opens up with the blissful, weightless pads of the title track, before it breaks out into filtered stabs over a minimal b-boy bounce. Delphic Expanse ebbs and flows like a lunar eclipse, sounding like a futuristic version of Key-Matic’s Breaking In Space, all uprock rhythms and syrupy synth horns as it spins off beyond the asteroid belt. Side A closes out with Blackburn Tales, a suspenseful and spacious electro rhythm packed with strings and 303 squelch, which you might call anti-gravity acid, if you were so inclined.
Side B picks up the tempo with Fourth Amendment, perfect for the space station discotheque with its sweeping bass filters and ice-cold synth melodies hovering in orbit. Farewell Theme takes an introspective moment, slowing the pace to a cosmic 90 bpm and inviting a certain cinematic feel to proceedings. This feeling applies not just to the vivid landscapes we travel through, but also wider thoughts about humankind: as we pause for a breath and look around, we find ourselves in Ilija’s space, considering human motivations, like the pursuit of happiness, or the eternal struggle with the self.
Every journey begins with a goodbye, and so the last track of the album feels like the arrival at a new destination: Ursa Major is ablaze with cascading drum fills, bubble-wrapped bass riffs and bright synth chords that sparkle like city lights underneath a re-orbiting satellite.
With Pulsar Diaries, Ilija Rudman has created a rare artifact: an album that straddles several worlds at once. Part soundtrack to space travel, part meditation on the human condition, part deep-burning dancefloor dynamo - whether in the club surrounded by friends or at home by yourself, this is a record that expands the mind and lets the imagination soar.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL081
Release-Date:07.04.2023
Configuration:12" Excl
Barcode:4251804141017
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Label:International Feel
Cat-No:IFEEL081
Release-Date:07.04.2023
Configuration:12" Excl
Barcode:4251804141017
1
Fila Brazillia - Subtle Body
2
Fila Brazillia - Nightfall (Instrumental)
3
Fila Brazillia - The Light Of Jesus
4
Fila Brazillia - Room ’96 (Recorded live at Room Nightclub, Hull)
Tracklist
A1. Subtle Body
A2. Nightfall (Instrumental)
B1. The Light Of Jesus
B2. Room ’96 (Recorded live at Room Nightclub, Hull)
Release Info:
Hot on the heels of last year’s Mermaids reissue retrospective, Hull’s deep listening house forerunners return: this time revisiting a pair of originals as well as previously unreleased versions.
It’s testament to the depth of feeling that Steve Cobby and David McSherry can conjure, that these tracks sound as potent and impactful as they did when they first came out - and not just for the dance. Throughout their 30+ years, the Yorkshire duo have produced ten albums amid many more collaborations, and transformed the remix into an artform, putting their fingerprints on everyone from Busta Rhymes to The Orb to Radiohead.
This EP collection finds them at the full scope of their powers: from disembodied mood music, to tripped-out dubby beats and raw house sessions for the club. The title track Subtle Body sounds like it drifted in through the window in the middle of a snowy night. Its layered chimes, looped delay feedback and floaty chords (played on a Wurlitzer Electronic Piano that Steve bought from Bill Nelson), mark it out as an enduring piece of ambient music, and a favorite for film-makers, able to soundtrack both haunted memories and afterparty comedowns with finesse. It precedes an unreleased instrumental version of Nightfall from Fila Brazillia’s 2002 album Jump Leads (named Mixmag’s chill album of the year), and as an instrumental, the chunky electro bass and mix of ephemeral tones and bird-like chirrups are brought clearly into focus. The attention to detail is what makes Fila Brazillia’s sound palette so rich, and Nightfall a certified smokers’ anthem.
On the B side, the tempo and temperature rises, and we’re treated to The Light Of Jesus, a favorite from Fila Brazillia’s 1994 debut LP Old Codes: New Chaos. Atop a bumping house groove, the song weaves together smooth organ pads and electrified guitar licks with syrupy bass and gospel-tinged exaltations from Charles Bukowski. The EP rounds out with Room ‘96, a live house jam from Hull’s Room nightclub, and a veritable time capsule back to the halcyon ‘90s rave days, when the lights were still on, everyone was home, and anything seemed possible.
The songs here on Subtle Body might be a window into a time long past, but they remain in the present: and as long as bodies seek pleasure, and dancers want to keep going til sunrise, Fila Brazillia will endure, and soundtrack those moments for us all to get lost in.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Subtle Body
A2. Nightfall (Instrumental)
B1. The Light Of Jesus
B2. Room ’96 (Recorded live at Room Nightclub, Hull)
Release Info:
Hot on the heels of last year’s Mermaids reissue retrospective, Hull’s deep listening house forerunners return: this time revisiting a pair of originals as well as previously unreleased versions.
It’s testament to the depth of feeling that Steve Cobby and David McSherry can conjure, that these tracks sound as potent and impactful as they did when they first came out - and not just for the dance. Throughout their 30+ years, the Yorkshire duo have produced ten albums amid many more collaborations, and transformed the remix into an artform, putting their fingerprints on everyone from Busta Rhymes to The Orb to Radiohead.
This EP collection finds them at the full scope of their powers: from disembodied mood music, to tripped-out dubby beats and raw house sessions for the club. The title track Subtle Body sounds like it drifted in through the window in the middle of a snowy night. Its layered chimes, looped delay feedback and floaty chords (played on a Wurlitzer Electronic Piano that Steve bought from Bill Nelson), mark it out as an enduring piece of ambient music, and a favorite for film-makers, able to soundtrack both haunted memories and afterparty comedowns with finesse. It precedes an unreleased instrumental version of Nightfall from Fila Brazillia’s 2002 album Jump Leads (named Mixmag’s chill album of the year), and as an instrumental, the chunky electro bass and mix of ephemeral tones and bird-like chirrups are brought clearly into focus. The attention to detail is what makes Fila Brazillia’s sound palette so rich, and Nightfall a certified smokers’ anthem.
On the B side, the tempo and temperature rises, and we’re treated to The Light Of Jesus, a favorite from Fila Brazillia’s 1994 debut LP Old Codes: New Chaos. Atop a bumping house groove, the song weaves together smooth organ pads and electrified guitar licks with syrupy bass and gospel-tinged exaltations from Charles Bukowski. The EP rounds out with Room ‘96, a live house jam from Hull’s Room nightclub, and a veritable time capsule back to the halcyon ‘90s rave days, when the lights were still on, everyone was home, and anything seemed possible.
The songs here on Subtle Body might be a window into a time long past, but they remain in the present: and as long as bodies seek pleasure, and dancers want to keep going til sunrise, Fila Brazillia will endure, and soundtrack those moments for us all to get lost in.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL080
Release-Date:25.11.2022
Configuration:12" Excl
Barcode:4251804139144
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Last in:14.11.2022
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Last in:14.11.2022
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Release-Date:25.11.2022
Configuration:12" Excl
Barcode:4251804139144
Tracklist:
A1. Coding
A2. Positive People
B1. Expensive Zeit
B2. Decline All Cookies
Info:
Running Back regular Feater aka Daniel Meuzard puts his newly-transplanted studio through its paces for the first time since relocating from Vienna, swapping out the bustle of the city for the fresh mountain breeze of the West Alps. The Positive People EP proves that a change is as good as a rest, as the wide open nature not only had some rejuvenating effects on the creative process - it also gave Feater some room in his head to ponder questions about nature, nurture, and whether our inner morality is externally programmed.
The taut jazz funk of opening track Coding springs into action like the montage music of a lost ‘70s TV show, while the title track Positive People plays on the ambiguity of its title, with cascading synth notes, tastefully dubby 303 stabs, and an afro-cuban drum figure that forms the foundation for a spaced-out dancefloor workout. It's a combo of tracks that should appeal to chat room moderators and serotonin programmers alike.
Expensive Zeit kicks off sounding like grime maverick XTC had been brought up on Murder Capital electro rather than East London garage - before it morphs into a bumpin electrofunk and percussion session, with its sights set firmly on an aquatic worm hole. The EP rounds out with Decline All Cookies, which breaks out of a flanged-out half-time drum 'n' effects intro to reveal a lush chord progression, flipping a soul jazz piano mood into a trippy slice of modern instrumental funk.
Can man be the master of his own destiny? It seems with this change of location and musical direction, Feater might just have figured out the answer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Coding
A2. Positive People
B1. Expensive Zeit
B2. Decline All Cookies
Info:
Running Back regular Feater aka Daniel Meuzard puts his newly-transplanted studio through its paces for the first time since relocating from Vienna, swapping out the bustle of the city for the fresh mountain breeze of the West Alps. The Positive People EP proves that a change is as good as a rest, as the wide open nature not only had some rejuvenating effects on the creative process - it also gave Feater some room in his head to ponder questions about nature, nurture, and whether our inner morality is externally programmed.
The taut jazz funk of opening track Coding springs into action like the montage music of a lost ‘70s TV show, while the title track Positive People plays on the ambiguity of its title, with cascading synth notes, tastefully dubby 303 stabs, and an afro-cuban drum figure that forms the foundation for a spaced-out dancefloor workout. It's a combo of tracks that should appeal to chat room moderators and serotonin programmers alike.
Expensive Zeit kicks off sounding like grime maverick XTC had been brought up on Murder Capital electro rather than East London garage - before it morphs into a bumpin electrofunk and percussion session, with its sights set firmly on an aquatic worm hole. The EP rounds out with Decline All Cookies, which breaks out of a flanged-out half-time drum 'n' effects intro to reveal a lush chord progression, flipping a soul jazz piano mood into a trippy slice of modern instrumental funk.
Can man be the master of his own destiny? It seems with this change of location and musical direction, Feater might just have figured out the answer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL079
Release-Date:22.07.2022
Configuration:12" Excl
Barcode:4251804137492
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Last in:28.11.2023
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Cat-No:IFEEL079
Release-Date:22.07.2022
Configuration:12" Excl
Barcode:4251804137492
1
Ruf Dug x Private Joy - Don’t Give In (Street Soul Vocal Version)
2
Ruf Dug x Private Joy - Don’t Give In (Street Soul Instrumental Version)
3
Ruf Dug x Private Joy - Don’t Give In (Reggae Vocal Version)
4
Ruf Dug x Private Joy - Don’t Give In (Reggae Instrumental Version)
Tracklist
A1. Don’t Give In (Street Soul Vocal Version)
A2. Don’t Give In (Street Soul Instrumental Version)
B1. Don’t Give In (Reggae Vocal Version)
B2. Don’t Give In (Reggae Instrumental Version)
Release Info:
Manchester’s balearic synth provocateur Ruf Dug teams up with Private Joy for a sizzling slice of laidback street soul - if the streets were lined with palm trees, that is. Ruffy admits to not having any recollection of making the beat, which adds to the sundrenched, day-dream quality. Modulated pads evaporate in the heat haze, while a synth saxophone riff dances on the breeze, all setting the scene for a tropically-tinged marimba and a piano solo that respectfully nods to Vladimir Cosma’s Sentimental Walk. When Gerd enquired about a possible vocal, Ruffy reached out to Private Joy, who sings like the fate of the track was entwined with her own, and it elevates the track to a whole other soulful level. In true ‘90s tradition, Ruffy delivers an alternate reggae mix for the flip, putting an off-beat bump to the track, while the instrumental versions shine a light on Ruffy’s pitch-perfect production, and provide plenty of ammunition for acapellas of all sorts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Don’t Give In (Street Soul Vocal Version)
A2. Don’t Give In (Street Soul Instrumental Version)
B1. Don’t Give In (Reggae Vocal Version)
B2. Don’t Give In (Reggae Instrumental Version)
Release Info:
Manchester’s balearic synth provocateur Ruf Dug teams up with Private Joy for a sizzling slice of laidback street soul - if the streets were lined with palm trees, that is. Ruffy admits to not having any recollection of making the beat, which adds to the sundrenched, day-dream quality. Modulated pads evaporate in the heat haze, while a synth saxophone riff dances on the breeze, all setting the scene for a tropically-tinged marimba and a piano solo that respectfully nods to Vladimir Cosma’s Sentimental Walk. When Gerd enquired about a possible vocal, Ruffy reached out to Private Joy, who sings like the fate of the track was entwined with her own, and it elevates the track to a whole other soulful level. In true ‘90s tradition, Ruffy delivers an alternate reggae mix for the flip, putting an off-beat bump to the track, while the instrumental versions shine a light on Ruffy’s pitch-perfect production, and provide plenty of ammunition for acapellas of all sorts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:ifeel078
Release-Date:01.07.2022
Configuration:LP Excl
Barcode:4251804136822
in stock
Last in:20.06.2022
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in stock
Last in:20.06.2022
Label:International Feel
Cat-No:ifeel078
Release-Date:01.07.2022
Configuration:LP Excl
Barcode:4251804136822
LP
Tracklist:
A1 Capitolo 1 Consacrazione
A2 Cities
A3 Drum Talk
A4 Congiuzioni
B1 Capitolo 2 Coscienza
B2 Time Spirals
B3 Giallo assoluto
B4 Ritorno al domani
B5 Capitolo 3 Terra
Release Info:
Rome’s own disco wizard L.U.C.A. aka Francesco De Bellis is back for his second LP Terra, hot on the heels of his Venus 12” EP earlier this year. In this far-reaching album, the Edizioni Mondo founder explores the deteriorating relationship between Man and Nature, and the dire consequences. The album is split into two themes - part one is Consacrazione (Consecration) and side two is Coscienza (Conscience) - as L.U.C.A. charts a trip through mankind’s psychic universe, and imagines worlds beyond our physical dimension.
The opening composition Cities is an uptempo number that slowly comes into focus, as dreamy drum machines emerge from the urban bustle, before settling into a soulful groove as keyboard, upright bass and guitar figures dance across bright percussion. As it builds up a head of steam, the piece gives way to an ambient, tribal breakdown, which is also echoed in the following song, Drum Talk. This second tune sets up in a fourth world dreamscape of drums, synths, and abstracted echo effects, and is peppered with word fragments from the bush of ghosts. By the time we’ve reached the third track, Congiunzione sounds like travelling at singularity speed, beaming in from a future where human consciousness and gaia can finally dance on a cosmic plain.
Part two of Terra details how revelation of the spirit can guide the mind, as Time Spirals rises out of a drum motif with a nod to classic ragas, as a disembodied voice asks questions on the nature of corporeality. The sound design is just as front and centre as the sitar and fretless bass, and the song gives way to a richly-layered soup that sounds like the vast space between atoms. It’s this shift from composition to ambience that is the dynamic core of Terra, giving L.U.C.A. plenty of space to showcase his next-level audio and arranging skills. Midway through part two, Giallo Assoluto begins with reverb tails and choral voices before expanding in brightness and texture until the audio field is practically levitating your hi-fi speakers, vibrating them with drones, twinkling keys and shards of digital noise. The closing composition Ritorno al Domani is a perfect balance of optimism and mystery. Tension and release collapse in on themselves as waves of ambient pads crescendo and then break over stretched-out sonic turbulence, before reversed synths bring the listener to a closing door, and the end of the journey.
It’s a mind-expanding musical exploration of other worlds and parallel universes which are surely all around us, and in many ways serve to remind us of the marvel that is our own planet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
A1 Capitolo 1 Consacrazione
A2 Cities
A3 Drum Talk
A4 Congiuzioni
B1 Capitolo 2 Coscienza
B2 Time Spirals
B3 Giallo assoluto
B4 Ritorno al domani
B5 Capitolo 3 Terra
Release Info:
Rome’s own disco wizard L.U.C.A. aka Francesco De Bellis is back for his second LP Terra, hot on the heels of his Venus 12” EP earlier this year. In this far-reaching album, the Edizioni Mondo founder explores the deteriorating relationship between Man and Nature, and the dire consequences. The album is split into two themes - part one is Consacrazione (Consecration) and side two is Coscienza (Conscience) - as L.U.C.A. charts a trip through mankind’s psychic universe, and imagines worlds beyond our physical dimension.
The opening composition Cities is an uptempo number that slowly comes into focus, as dreamy drum machines emerge from the urban bustle, before settling into a soulful groove as keyboard, upright bass and guitar figures dance across bright percussion. As it builds up a head of steam, the piece gives way to an ambient, tribal breakdown, which is also echoed in the following song, Drum Talk. This second tune sets up in a fourth world dreamscape of drums, synths, and abstracted echo effects, and is peppered with word fragments from the bush of ghosts. By the time we’ve reached the third track, Congiunzione sounds like travelling at singularity speed, beaming in from a future where human consciousness and gaia can finally dance on a cosmic plain.
Part two of Terra details how revelation of the spirit can guide the mind, as Time Spirals rises out of a drum motif with a nod to classic ragas, as a disembodied voice asks questions on the nature of corporeality. The sound design is just as front and centre as the sitar and fretless bass, and the song gives way to a richly-layered soup that sounds like the vast space between atoms. It’s this shift from composition to ambience that is the dynamic core of Terra, giving L.U.C.A. plenty of space to showcase his next-level audio and arranging skills. Midway through part two, Giallo Assoluto begins with reverb tails and choral voices before expanding in brightness and texture until the audio field is practically levitating your hi-fi speakers, vibrating them with drones, twinkling keys and shards of digital noise. The closing composition Ritorno al Domani is a perfect balance of optimism and mystery. Tension and release collapse in on themselves as waves of ambient pads crescendo and then break over stretched-out sonic turbulence, before reversed synths bring the listener to a closing door, and the end of the journey.
It’s a mind-expanding musical exploration of other worlds and parallel universes which are surely all around us, and in many ways serve to remind us of the marvel that is our own planet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL077-7
Release-Date:06.05.2022
Configuration:7" Excl
Barcode:4251804129367
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Last in:28.11.2023
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Last in:28.11.2023
Label:International Feel
Cat-No:IFEEL077-7
Release-Date:06.05.2022
Configuration:7" Excl
Barcode:4251804129367
1
Ruf Dug - Manctalo Beach - Original
2
Ruf Dug - Manctalo Beach - Version
Format: 7”
Tracklist
A1. Manctalo Beach - Original
B1. Manctalo Beach - Version
Info:
Manchester producer, DJ and dancefloor spirit guide Ruf Dug gets fruity on his Korg DW8000, for this homage to Manctalo pioneers Red Laser Disco who have revitalised the Italo sound over the last decade. Given that Ruffy lives on the same street as Red Laser head honcho “Il Bosco” it’s unsurprising that his latest release is heavily influenced by his noisy neighbour’s antics.
Manctalo Beach has gone through several versions over the years to arrive, like a chilled Bianco, at the crisp beauty you hear today. Packed with chunky bass arpeggios, pixelated pitch-bent melodies and freeze-frame drum fills, the A-side conjures images of coastline sunsets and waterski waves. Meanwhile on the flip, the bonus beats proceed in a more dubbed disco direction, with acres more space, cascading delays and tripped-out breakdowns. One for your speedboat!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
A1. Manctalo Beach - Original
B1. Manctalo Beach - Version
Info:
Manchester producer, DJ and dancefloor spirit guide Ruf Dug gets fruity on his Korg DW8000, for this homage to Manctalo pioneers Red Laser Disco who have revitalised the Italo sound over the last decade. Given that Ruffy lives on the same street as Red Laser head honcho “Il Bosco” it’s unsurprising that his latest release is heavily influenced by his noisy neighbour’s antics.
Manctalo Beach has gone through several versions over the years to arrive, like a chilled Bianco, at the crisp beauty you hear today. Packed with chunky bass arpeggios, pixelated pitch-bent melodies and freeze-frame drum fills, the A-side conjures images of coastline sunsets and waterski waves. Meanwhile on the flip, the bonus beats proceed in a more dubbed disco direction, with acres more space, cascading delays and tripped-out breakdowns. One for your speedboat!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL074.2
Release-Date:01.04.2022
Configuration:12" Excl
Barcode:4251804126571
in stock
Last in:16.03.2022
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in stock
Last in:16.03.2022
Label:International Feel
Cat-No:IFEEL074.2
Release-Date:01.04.2022
Configuration:12" Excl
Barcode:4251804126571
1
Feel Fly - Nebula
2
Feel Fly - Optical Bells
3
Feel Fly - Luce Eterna ai Sognatori
4
Feel Fly - Templum Dub
Tracklist
A1. Nebula
A2. Optical Bells
B1. Luce Eterna ai Sognatori
B2. Templum Dub
Info:
With the two-part EP Mediterranean Dreams, Perugia producer and composer Feel Fly revisits his musical roots and pays tribute to the sounds and ‘sun-kissed nostalgia’ that informed his style.
Mediterranean Dreams Part 1 collected four tracks, and added that Feel Fly touch of emotive chord progressions and layered production onto cosmic disco grooves to powerful dancefloor effect. Now with Mediterranean Dream Part 2, Feel Fly switches the tempo both up and down, to fully demonstrate his affinity for club moments of all shapes and sizes.
Nebula flies out the gate with full intent, recalling classic Detroit techno while pushing the vibe even more wide-screen - it’s driving, melodic dance music that delivers on the fine details as much as it does on the life-affirming, big picture sentiment.
Optical Bells opens in meditative style, not unlike a new dawn in a Tibetan monastery, before each element of the track slowly reveals itself and assumes its place. It’s an arrangement technique that Feel Fly employs masterfully, and gives the impression of a camera lens moving into focus, or a storyteller setting the scene. The revolving chord changes pull you in and while whisking you away, you’re compelled to engage with the moment - like being asked to dance by a mysterious stranger.
The B side kicks off with Luce Eterna Ai Sognatori, still keeping the tempo high while cherry-picking disco house drum patterns and piano synths with a slight Italo flavor to create an irresistible slice of dancefloor dessert. This is a soundtrack for Sognatori, in whose dreams anything is possible.
The EP finishes up with a superb cut of echoey balearic dub in the form of Templum Dub. Putting the drums through its mixing desk paces, Feel Fly reanimates the drum kit with delays, phasers and flangers, and wraps it up in hazy drifting pads that could accompany any moment of contemplation - from that morning espresso to a midnight phone call.
Mediterranean Dreams Part 2 acts as the perfect compliment to its prequel Part 1, and shows a producer at the height of his powers, reimagining his musical roots and composing a love letter to the sounds and stories of his youth.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Nebula
A2. Optical Bells
B1. Luce Eterna ai Sognatori
B2. Templum Dub
Info:
With the two-part EP Mediterranean Dreams, Perugia producer and composer Feel Fly revisits his musical roots and pays tribute to the sounds and ‘sun-kissed nostalgia’ that informed his style.
Mediterranean Dreams Part 1 collected four tracks, and added that Feel Fly touch of emotive chord progressions and layered production onto cosmic disco grooves to powerful dancefloor effect. Now with Mediterranean Dream Part 2, Feel Fly switches the tempo both up and down, to fully demonstrate his affinity for club moments of all shapes and sizes.
Nebula flies out the gate with full intent, recalling classic Detroit techno while pushing the vibe even more wide-screen - it’s driving, melodic dance music that delivers on the fine details as much as it does on the life-affirming, big picture sentiment.
Optical Bells opens in meditative style, not unlike a new dawn in a Tibetan monastery, before each element of the track slowly reveals itself and assumes its place. It’s an arrangement technique that Feel Fly employs masterfully, and gives the impression of a camera lens moving into focus, or a storyteller setting the scene. The revolving chord changes pull you in and while whisking you away, you’re compelled to engage with the moment - like being asked to dance by a mysterious stranger.
The B side kicks off with Luce Eterna Ai Sognatori, still keeping the tempo high while cherry-picking disco house drum patterns and piano synths with a slight Italo flavor to create an irresistible slice of dancefloor dessert. This is a soundtrack for Sognatori, in whose dreams anything is possible.
The EP finishes up with a superb cut of echoey balearic dub in the form of Templum Dub. Putting the drums through its mixing desk paces, Feel Fly reanimates the drum kit with delays, phasers and flangers, and wraps it up in hazy drifting pads that could accompany any moment of contemplation - from that morning espresso to a midnight phone call.
Mediterranean Dreams Part 2 acts as the perfect compliment to its prequel Part 1, and shows a producer at the height of his powers, reimagining his musical roots and composing a love letter to the sounds and stories of his youth.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:IFEEL074.1
Release-Date:04.03.2022
Configuration:12" Excl
Barcode:4251804126564
in stock
Last in:01.02.2022
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in stock
Last in:01.02.2022
Label:International Feel
Cat-No:IFEEL074.1
Release-Date:04.03.2022
Configuration:12" Excl
Barcode:4251804126564
1
Feel Fly - Onironauta
2
Feel Fly - Grace In Space
3
Feel Fly - Mediterranean Dreams
4
Feel Fly - Becalmed
Tracklist
A1. Onironauta
A2. Grace In Space
B1. Mediterranean Dreams
B2. Becalmed
Info:
Perugia producer, synth collector and linchpin of the underground scene Feel Fly pokes his head above the trenches to deliver a consummate four track EP Mediterranean Dreams - Part 1.
Onironauta rolls up all the best bits of spaced-out disco and italo house into an expansive dancefloor soundtrack that would sound equally at home in a Den Haag squat as by an Ibizan hillside pool. Sounding in turns both futuristic and nostalgic, it sets the tone for the dream-like timezone in which this EP resides.
Meanwhile slowed-down 303 chugger Grace In Space sounds perfect for Room 2 - that is, if the room is on an orbiting space station and someone adjusted the gravity settings. The track concludes the side with timeless balearic drift and a dash of kosmiche afro percussion sprinkled on top.
Flip the 12” over and the title track Mediterranean Dreams seeps through, with more than a slight nod to the summer of ‘88, like a faded photograph. The revolving chord progression and melodic synth phrases that weave through the groove fit together sweeter than the cogs in a swiss watch.
EP closer Becalmed rounds proceedings out in fine cosmic disco style, firing more 16th note lasers through the dry ice than KITT, as melancholic pads float over the rhythm section like a négligée. It’s a stylish way to sign off a collection of tracks that are equal parts fond memory, hopeful optimism, and hazy dance-fuelled hedonism.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Onironauta
A2. Grace In Space
B1. Mediterranean Dreams
B2. Becalmed
Info:
Perugia producer, synth collector and linchpin of the underground scene Feel Fly pokes his head above the trenches to deliver a consummate four track EP Mediterranean Dreams - Part 1.
Onironauta rolls up all the best bits of spaced-out disco and italo house into an expansive dancefloor soundtrack that would sound equally at home in a Den Haag squat as by an Ibizan hillside pool. Sounding in turns both futuristic and nostalgic, it sets the tone for the dream-like timezone in which this EP resides.
Meanwhile slowed-down 303 chugger Grace In Space sounds perfect for Room 2 - that is, if the room is on an orbiting space station and someone adjusted the gravity settings. The track concludes the side with timeless balearic drift and a dash of kosmiche afro percussion sprinkled on top.
Flip the 12” over and the title track Mediterranean Dreams seeps through, with more than a slight nod to the summer of ‘88, like a faded photograph. The revolving chord progression and melodic synth phrases that weave through the groove fit together sweeter than the cogs in a swiss watch.
EP closer Becalmed rounds proceedings out in fine cosmic disco style, firing more 16th note lasers through the dry ice than KITT, as melancholic pads float over the rhythm section like a négligée. It’s a stylish way to sign off a collection of tracks that are equal parts fond memory, hopeful optimism, and hazy dance-fuelled hedonism.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:ifeel076lp
Release-Date:04.02.2022
Configuration:LP Excl
Barcode:4251804127820
in stock
Last in:13.01.2022
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in stock
Last in:13.01.2022
Label:International Feel
Cat-No:ifeel076lp
Release-Date:04.02.2022
Configuration:LP Excl
Barcode:4251804127820
1
Studiogruppe I - Dunkler Sonnenaufgang
2
Studiogruppe I - Erinnerungen
3
Studiogruppe I - Wüstensonne
4
Studiogruppe I - Schweben
5
Studiogruppe I - Wenn Der Tiefe Schlaf
6
Studiogruppe I - Am Wasserfall
7
Studiogruppe I - Sonnentanz
8
Studiogruppe I - Spähren Am Strand
9
Studiogruppe I - Übergang
10
Studiogruppe I - Ein Neuer Anfang
11
Studiogruppe I - War Alles Nur Ein Traum
Tracklist
Dunkler Sonnenaufgang
Erinnerungen
Wüstensonne
Schweben
Wenn Der Tiefe Schlaf
Am Wasserfall
Sonnentanz
Spähren Am Strand
Übergang
Ein Neuer Anfang
War Alles Nur Ein Traum
Info:
Studiogruppe1
Not much is known about the German session musician ensemble Studiogruppe 1 from the ‘70s and ‘80s. It’s believed that the grandfather of one member, known only as V.S., originally soundtracked silent films in theatres - although that hasn’t been proved. Studiogruppe1 never rose to prominence in the heyday of studio groups and library records, but it certainly wasn’t due to lack of trying.
Although it’s unknown who the individual members of Studiogruppe1 were, it’s clear they could find a groove within the machines. It appears the sessions were also engineered by V.S., and there’s plenty of space between the notes, which lends a heady atmosphere of anticipation to the music. Just close your eyes and you will find that the music triggers many scenes from the movies in your mind.
Take the opener Dunkler Sonnenaufgang, for example. Waves lap on the shore line of an alternate Coney Island, while the sound system of an abandoned amusement park plays arpeggios in the distance. Errinungen could complement expansive panoramic time-lapses of natural cycles and rolling clouds. The track Wenn Der Tiefe Schlaf Kommt, might accompany a documentary on REM dream cycles and flotation tanks. Sonnentanz raises the temperature, as act III in every movie narrative should, as protagonists rush to overcome their challenges. Ein Neuer Anfang would perfectly soundtrack the plot twist of any number of thrillers, film noirs, or sci-fi mysteries. Album closer War Alles Nur Ein Traum could supplement slow-motion shots of dawning realization, foreshadowing a betrayal or a cliffhanger.
V.S. and Studiogruppe1 have condensed the evocative sounds of the ’80s into something of an art form. Bringing to mind the lilting melodies and melancholy chord movements of Tangerine Dream, Vangelis or Manuel Göttsching, Studiogruppe1 manage to capture widescreen emotional flash points without the need for celluloid, or barely any visual aid, for that matter. These tracks work just as well in the furnace of your imagination or a dark room filled with dry ice and lasers.
(Short version)
Not much is known about the German session musician ensemble Studiogruppe 1 from the late ‘70s and early ‘80s. They never rose to prominence in the heyday of big studios and library records, but it’s clear they could find a groove within the machines. Just close your eyes and you will find that the music triggers many scenes from the movies in your mind.
This collection of tracks could accompany a whole host of scenes, from the plot-twist of a sci-fi noir, to widescreen timelapses, or the slow-motion foreshadowing of a cliffhanger. Studiogruppe1 have condensed the evocative sounds of the ’80s into something of an art form. Bringing to mind the lilting melodies and melancholic chord movements of Tangerine Dream, Vangelis and Manuel Göttsching, Studiogruppe 1 manages to capture emotional flash points without the need for celluloid. These tracks work just as well in the furnace of your imagination or a dark room filled with dry ice and lasers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Dunkler Sonnenaufgang
Erinnerungen
Wüstensonne
Schweben
Wenn Der Tiefe Schlaf
Am Wasserfall
Sonnentanz
Spähren Am Strand
Übergang
Ein Neuer Anfang
War Alles Nur Ein Traum
Info:
Studiogruppe1
Not much is known about the German session musician ensemble Studiogruppe 1 from the ‘70s and ‘80s. It’s believed that the grandfather of one member, known only as V.S., originally soundtracked silent films in theatres - although that hasn’t been proved. Studiogruppe1 never rose to prominence in the heyday of studio groups and library records, but it certainly wasn’t due to lack of trying.
Although it’s unknown who the individual members of Studiogruppe1 were, it’s clear they could find a groove within the machines. It appears the sessions were also engineered by V.S., and there’s plenty of space between the notes, which lends a heady atmosphere of anticipation to the music. Just close your eyes and you will find that the music triggers many scenes from the movies in your mind.
Take the opener Dunkler Sonnenaufgang, for example. Waves lap on the shore line of an alternate Coney Island, while the sound system of an abandoned amusement park plays arpeggios in the distance. Errinungen could complement expansive panoramic time-lapses of natural cycles and rolling clouds. The track Wenn Der Tiefe Schlaf Kommt, might accompany a documentary on REM dream cycles and flotation tanks. Sonnentanz raises the temperature, as act III in every movie narrative should, as protagonists rush to overcome their challenges. Ein Neuer Anfang would perfectly soundtrack the plot twist of any number of thrillers, film noirs, or sci-fi mysteries. Album closer War Alles Nur Ein Traum could supplement slow-motion shots of dawning realization, foreshadowing a betrayal or a cliffhanger.
V.S. and Studiogruppe1 have condensed the evocative sounds of the ’80s into something of an art form. Bringing to mind the lilting melodies and melancholy chord movements of Tangerine Dream, Vangelis or Manuel Göttsching, Studiogruppe1 manage to capture widescreen emotional flash points without the need for celluloid, or barely any visual aid, for that matter. These tracks work just as well in the furnace of your imagination or a dark room filled with dry ice and lasers.
(Short version)
Not much is known about the German session musician ensemble Studiogruppe 1 from the late ‘70s and early ‘80s. They never rose to prominence in the heyday of big studios and library records, but it’s clear they could find a groove within the machines. Just close your eyes and you will find that the music triggers many scenes from the movies in your mind.
This collection of tracks could accompany a whole host of scenes, from the plot-twist of a sci-fi noir, to widescreen timelapses, or the slow-motion foreshadowing of a cliffhanger. Studiogruppe1 have condensed the evocative sounds of the ’80s into something of an art form. Bringing to mind the lilting melodies and melancholic chord movements of Tangerine Dream, Vangelis and Manuel Göttsching, Studiogruppe 1 manages to capture emotional flash points without the need for celluloid. These tracks work just as well in the furnace of your imagination or a dark room filled with dry ice and lasers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:International Feel
Cat-No:ifeel073lp
Release-Date:24.09.2021
Configuration:LP Excl
Barcode:4251804125659
backorder
Last in:23.03.2023
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Last in:23.03.2023
Label:International Feel
Cat-No:ifeel073lp
Release-Date:24.09.2021
Configuration:LP Excl
Barcode:4251804125659
1
Jolly Mare - 1. Sabbia Bianca
2
Jolly Mare - 2. Anatema
3
Jolly Mare - 3. L’Età Dell’Oro
4
Jolly Mare - 4. Gaul Tanz
5
Jolly Mare - 5. Vivo
6
Jolly Mare - 6. Il Capriccio
7
Jolly Mare - 7. Epsilon
Tracklist
1. Sabbia Bianca
2. Anatema
3. L’Età Dell’Oro
4. Gaul Tanz
5. Vivo
6. Il Capriccio
7. Epsilon
Info: International Feel welcomes Jolly Mare. Hailing from Italy and being a well-versed producer. Multi-instrumentalist and passionate DJ, his first release on the rekindled label sees him delving deep into the mystical and magical realms of vintage synthesizers, drum machines and effect units (please see back sleeve or below for a full instrument list). Sounding like a one-man band from the late Seventies conferring with a studio wizard from the 2020s, it has all the components of a cosmic or balearic master thesis: traces of Krautrock, Italian pop sensibilities, dance rhythms, cosmic curveballs and capturing chants. The single Vivo melds those ingredients and is just the first bite in an extraordinary Omakase.
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Label:International Feel
Cat-No:ifeel072lp
Release-Date:23.07.2021
Configuration:LP Excl
Barcode:4251804125024
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Cat-No:ifeel072lp
Release-Date:23.07.2021
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Tracklist
1. Charly
2. Nothing Here But You and Me
3. Say It’s Gold
4. Save Us feat. Mapei
5. Venice Chocolate
6. Hill St
7. Frosty feat. Julimar Santos
8. New Hall
9. Lorena feat. Mapei
10. Run
Info:
The International Feel label is back from an extended meditation. Well-rested and with a cornucopia of new ideas and records, IFeel is happy to announce the debut album from Charlie Charlie as the starting shot. „Little Things“ is the brainchild of Gabriella Borbély alias Bella Boo and Jens Resch better known as Chords. Born on a beach in Southern California instead of their hometown Stockholm, it is exactly what you would hope for such a record to be: pop music that is informed by hippie or counter culture and by a Balearic ethos (hence the International Feel address) that is free of blinkered definitions. In equal parts, the duo’s ten songs take the listener through honey dripping r&b, while respelling that certain Californian recording studio sound aesthetic, revisit vintage yacht rock and pop tropes as well as they are reflecting dance music influences in a broken, yet gold framed mirror. Most of all, it’s like a day dream that you don’t want to end. To quote our Italian friends from Edizioni Mondo: good listening experience!
Band info:
Charlie is Gabriella Borbély – also known as Stockholm's deep house virtuoso Bella Boo. Charlie is Jens Resch – also known as prodigious producer/musician Chords. The two Charlies met on a beach in Southern California and immediately decided to write a song together.
That first track was built on the sampled sounds of a rusty drainpipe. Charlie fired up a dusty ARP Odyssey and played a woozy solo over the drainpipe beats, then the other Charlie did the same, using that same legendary 70's analogue synth. When they realized the two separately recorded solos played together in perfect harmony, they knew they had to keep heading down their newly found, shared musical path.
Charlie & Charlie have since continued making music together, describing their common process as liberating, free-flowing, genre-less. "Little Things", their debut album, is made up of tracks recorded in Los Angeles and Stockholm, using that very same ARP as well as pianos, electric guitars and machines like the Prophet 6, the Juno-106 and the Syncussion SY-1. Vocal contributions come from the Charlies themselves as well as friends like Mapei and Julimar Santos.
"Little Things" is released 09.07.2021 through International Feel.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1. Charly
2. Nothing Here But You and Me
3. Say It’s Gold
4. Save Us feat. Mapei
5. Venice Chocolate
6. Hill St
7. Frosty feat. Julimar Santos
8. New Hall
9. Lorena feat. Mapei
10. Run
Info:
The International Feel label is back from an extended meditation. Well-rested and with a cornucopia of new ideas and records, IFeel is happy to announce the debut album from Charlie Charlie as the starting shot. „Little Things“ is the brainchild of Gabriella Borbély alias Bella Boo and Jens Resch better known as Chords. Born on a beach in Southern California instead of their hometown Stockholm, it is exactly what you would hope for such a record to be: pop music that is informed by hippie or counter culture and by a Balearic ethos (hence the International Feel address) that is free of blinkered definitions. In equal parts, the duo’s ten songs take the listener through honey dripping r&b, while respelling that certain Californian recording studio sound aesthetic, revisit vintage yacht rock and pop tropes as well as they are reflecting dance music influences in a broken, yet gold framed mirror. Most of all, it’s like a day dream that you don’t want to end. To quote our Italian friends from Edizioni Mondo: good listening experience!
Band info:
Charlie is Gabriella Borbély – also known as Stockholm's deep house virtuoso Bella Boo. Charlie is Jens Resch – also known as prodigious producer/musician Chords. The two Charlies met on a beach in Southern California and immediately decided to write a song together.
That first track was built on the sampled sounds of a rusty drainpipe. Charlie fired up a dusty ARP Odyssey and played a woozy solo over the drainpipe beats, then the other Charlie did the same, using that same legendary 70's analogue synth. When they realized the two separately recorded solos played together in perfect harmony, they knew they had to keep heading down their newly found, shared musical path.
Charlie & Charlie have since continued making music together, describing their common process as liberating, free-flowing, genre-less. "Little Things", their debut album, is made up of tracks recorded in Los Angeles and Stockholm, using that very same ARP as well as pianos, electric guitars and machines like the Prophet 6, the Juno-106 and the Syncussion SY-1. Vocal contributions come from the Charlies themselves as well as friends like Mapei and Julimar Santos.
"Little Things" is released 09.07.2021 through International Feel.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Gosha Martynov & Natasha Sinyakova - A1. Pozhaluysta
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Gosha Martynov & Natasha Sinyakova - A2.Osvobodi Menia
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Gosha Martynov & Natasha Sinyakova - A3.Ya Tebia Zhdala
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Gosha Martynov & Natasha Sinyakova - A4.O Dereve
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LP
File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:First Word Records
Cat-No:FW320
Release-Date:07.02.2025
Genre:Soul/Funk
Configuration:12"
Barcode:5050580841307
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Label:First Word Records
Cat-No:FW320
Release-Date:07.02.2025
Genre:Soul/Funk
Configuration:12"
Barcode:5050580841307
1
Victoria Port - Cigarette
2
Victoria Port - Haunting
3
Victoria Port - Did It Again
4
Victoria Port - Keep Love for Me
First Word Records are delighted to present 'Did It Again', the debut EP from Victoria Port. Victoria is a British singer/songwriter that's previously released two albums as half of electronic soul outfit Anushka (on Brownswood and Tru Thoughts respectively), with a third album from the duo scheduled for release later in 2025 on BBE. Now Victoria is finally making the move to showcase her music, in her own unique way, as a solo artist. This debut 4-track EP is set to place her where she firmly belongs; as an exciting new talent in the vibrant, eclectic UK r&b/soul scene.As well as the single 'Cigarette', the EP includes the beautiful follow-up single 'Haunting', and two more soulful tracks; the slow jam 'Keep Love For Me', and the title track 'Did It Again'. Production comes courtesy of Hemai and Shevlane, with all tracks written by Victoria herself, along with her trusted team of accomplices; JNR Williams, Dominic Martin & Louie Hemus. 'Did It Again' is largely inspired by the legacy of her Dominican grandmother, and the tales of all the powerful women she has known, and is yet to know, encompassing their vulnerability and their truth. This in turn with her own journey as a mother. "I found the journey into motherhood transformative", she says. "I felt lost and broken at times, but simultaneously the most capable and powerful I've ever been. I've had to do the work and face my own shortcomings, in order to be the person I want to be, for my child, and ultimately for myself". Sonically, Victoria takes her influences from a lifelong appreciation of soul music, drawing inspiration from artists like Gladys Knight, Minnie Riperton, Diana Ross, Nine Simone, Ella Fitzgerald and Dionne Warwick, to contemporaries such as Cleo Sol and Jorja Smith. She adds "I'm particularly obsessed with the girl bands from the '60's. I love the stories and the harmonies. Motown was the soundtrack to my childhood. Songs that make you want to dance in your kitchen!".
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Liebigstrasse 2-20
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Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Public Possession
Cat-No:PP090
Release-Date:07.07.2023
Genre:House
Configuration:LP Excl
Barcode:4251804142076
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Genre:House
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1
Baba Stiltz - Finite Jest 01:09 min
2
Baba Stiltz - Running To Chris 03:04 min
3
Baba Stiltz - Wild Ride 02:48 min
4
Baba Stiltz - Sacramento 03:55 min
5
Baba Stiltz - You Can’t Put Your Arm Around A Memory 03:03 min
6
Baba Stiltz - Chasing It (Again) 03:44 min
7
Baba Stiltz - Big City 03:20 min
8
Baba Stiltz - Body High 01:39 min
9
Baba Stiltz - Stockholm 06:08 min
Tracklist:
A1) Finite Jest 01:09 min
A2) Running To Chris 03:04 min
A3) Wild Ride 02:48 min
A4) Sacramento 03:55 min
A5) You Can’t Put Your Arm Around A Memory 03:03 min
B1) Chasing It (Again) 03:44 min
B2) Big City 03:20 min
B3) Body High 01:39 min
B4) Stockholm 06:08 min
Short info:
When he‘s not writing or recording, Baba Stiltz immerses in fearless fiction by the likes of Denis
Johnson and Dodie Bellamy; prose where pedestrian details become transcendent in aggregate and
the inner lives of marginal characters are examined as though they were kings. A similar thesis runs
through „Paid Testimony“, the essential second tape of minimalist guitar music from the FilipinoAmerican-Swedish artist.
In recent years, Stiltz has made like Lee Hazelwood‘s Cowboy In Sweden in reverse, making annual
pilgrimages from Stockholm to California and reconnecting with his roots via a guitar and a Fostex 4-
track. He‘s drawn to the less glamorous corners of the golden state, an observant habitué of unkempt
streets and dive bars stretching from LA to Vacaville. It‘s a long stretch from the jetset techno clubs
where Baba originally plied his musical trade, but it‘s where he finds characters and ideas worth
writing about.
The characters on „Paid Testimony“ are on the edge and on the run. Surrounded by flawed men with
big schemes since childhood, he extrapolates characters who plot bank heists and order milk and
vodka in AM hours, the type of confrontation- prone characters who „say some shit, make everyone
uncomfortable and then just split.“ To focus on the rawness
of this document would discount the humor and sympathy with which he treats his characters, not to
mention the subtly- psychedelic songwriting recalling David Berman, early Smog, the original indie
rock minimalist poets.
On the final song, Stiltz looks back on the city that raised him, „Stockholm,“ referencing „young
professionals carelessly living“ before adding „I can‘t say I‘m not jealous even though I live my life just
like they do.“ There‘s an honesty in the small details revealed on „Paid Testimony“, and a defined
sense of place, be it Stockholm, Sacramento or some dim barroom across from the Bank Of America.
Baba doesn‘t quite fit in anywhere. This outsider quality has often been used as a marketing tool, yet
here, it lends a writerly aspect to the proceedings, an unreality to the everyday.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1) Finite Jest 01:09 min
A2) Running To Chris 03:04 min
A3) Wild Ride 02:48 min
A4) Sacramento 03:55 min
A5) You Can’t Put Your Arm Around A Memory 03:03 min
B1) Chasing It (Again) 03:44 min
B2) Big City 03:20 min
B3) Body High 01:39 min
B4) Stockholm 06:08 min
Short info:
When he‘s not writing or recording, Baba Stiltz immerses in fearless fiction by the likes of Denis
Johnson and Dodie Bellamy; prose where pedestrian details become transcendent in aggregate and
the inner lives of marginal characters are examined as though they were kings. A similar thesis runs
through „Paid Testimony“, the essential second tape of minimalist guitar music from the FilipinoAmerican-Swedish artist.
In recent years, Stiltz has made like Lee Hazelwood‘s Cowboy In Sweden in reverse, making annual
pilgrimages from Stockholm to California and reconnecting with his roots via a guitar and a Fostex 4-
track. He‘s drawn to the less glamorous corners of the golden state, an observant habitué of unkempt
streets and dive bars stretching from LA to Vacaville. It‘s a long stretch from the jetset techno clubs
where Baba originally plied his musical trade, but it‘s where he finds characters and ideas worth
writing about.
The characters on „Paid Testimony“ are on the edge and on the run. Surrounded by flawed men with
big schemes since childhood, he extrapolates characters who plot bank heists and order milk and
vodka in AM hours, the type of confrontation- prone characters who „say some shit, make everyone
uncomfortable and then just split.“ To focus on the rawness
of this document would discount the humor and sympathy with which he treats his characters, not to
mention the subtly- psychedelic songwriting recalling David Berman, early Smog, the original indie
rock minimalist poets.
On the final song, Stiltz looks back on the city that raised him, „Stockholm,“ referencing „young
professionals carelessly living“ before adding „I can‘t say I‘m not jealous even though I live my life just
like they do.“ There‘s an honesty in the small details revealed on „Paid Testimony“, and a defined
sense of place, be it Stockholm, Sacramento or some dim barroom across from the Bank Of America.
Baba doesn‘t quite fit in anywhere. This outsider quality has often been used as a marketing tool, yet
here, it lends a writerly aspect to the proceedings, an unreality to the everyday.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Public Possession
Cat-No:PP112
Release-Date:14.02.2025
Genre:House
Configuration:12" Excl
Barcode:4251804184335
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Last in:04.02.2025
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Label:Public Possession
Cat-No:PP112
Release-Date:14.02.2025
Genre:House
Configuration:12" Excl
Barcode:4251804184335
1
Eden Burns - Head On (07:10 min)
2
Eden Burns - Trick (06:40 min)
3
Eden Burns - Wand (07:37 min)
4
Eden Burns - Head On Dub (07:05 min)
5
Eden Burns - 1 More Loop for Hard DJs (03:38 min)
Tracklist:
A1) Head On (07:10 min)
A2) Trick (06:40 min)
B1) Wand (07:37 min)
B2) Head On Dub (07:05 min)
B3) 1 More Loop for Hard DJs (03:38 min)
Short info:
A glory anniversary! Big Beat Manifesto Volume X. That is 10 x Eden Burns delivering Big Beats.
Some cheeky, some epic, some tools, some balearic, some absolutely wild style….
You know the message. Beat moves feet, feet do dance, dance is life.
May the prophet serve plenty more. House Non-Stop.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1) Head On (07:10 min)
A2) Trick (06:40 min)
B1) Wand (07:37 min)
B2) Head On Dub (07:05 min)
B3) 1 More Loop for Hard DJs (03:38 min)
Short info:
A glory anniversary! Big Beat Manifesto Volume X. That is 10 x Eden Burns delivering Big Beats.
Some cheeky, some epic, some tools, some balearic, some absolutely wild style….
You know the message. Beat moves feet, feet do dance, dance is life.
May the prophet serve plenty more. House Non-Stop.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Growing Bin Records
Cat-No:GBR042
Release-Date:17.06.2022
Configuration:LP Excl
Barcode:4251804129305
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Label:Growing Bin Records
Cat-No:GBR042
Release-Date:17.06.2022
Configuration:LP Excl
Barcode:4251804129305
1
Nelson Brandt - A1. Passepartout
2
Nelson Brandt - A2. Knalleffekt
3
Nelson Brandt - A3. Schwimmen
4
Nelson Brandt - A4. Das Koksquartett
5
Nelson Brandt - A5. Assoziationsketten
6
Nelson Brandt - B1. Schweben
7
Nelson Brandt - B2. Appartement N°5
8
Nelson Brandt - B3. Goetterspeise
9
Nelson Brandt - B4. Digitale Liebe
10
Nelson Brandt - B5. Schadstoffe
11
Nelson Brandt - B6. Platte
LP
File Under: Emotional Boogie Intellectualism / Dilettante Dreams
Release Date: June 17, 2022
Nepumuk / Knowsum glides onto the Growing Bin under his given name, living his best life in this lush loungecore fantasy. Eyebrow raised and hips unlocked, Nelson strolls through affluent funk, sun-blushed boogie and slacker soul to deliver a playful pop masterpiece. A Revered MC and renowned beat maker, his syrup-smooth vocals are just the cocktail cherry on top.
A1 Passepartout
A2 Knalleffekt
A3 Schwimmen
A4 Das Koksquartett
A5 Assoziationsketten
B1 Schweben
B2 Appartement N°5
B3 Go?tterspeise
B4 Digitale Liebe
B5 Schadstoffe
B6 Platte
Music by Nelson Brandt aka Knowsum aka Nepumuk
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Cheers, basso@growinginrecords.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
File Under: Emotional Boogie Intellectualism / Dilettante Dreams
Release Date: June 17, 2022
Nepumuk / Knowsum glides onto the Growing Bin under his given name, living his best life in this lush loungecore fantasy. Eyebrow raised and hips unlocked, Nelson strolls through affluent funk, sun-blushed boogie and slacker soul to deliver a playful pop masterpiece. A Revered MC and renowned beat maker, his syrup-smooth vocals are just the cocktail cherry on top.
A1 Passepartout
A2 Knalleffekt
A3 Schwimmen
A4 Das Koksquartett
A5 Assoziationsketten
B1 Schweben
B2 Appartement N°5
B3 Go?tterspeise
B4 Digitale Liebe
B5 Schadstoffe
B6 Platte
Music by Nelson Brandt aka Knowsum aka Nepumuk
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Cheers, basso@growinginrecords.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
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Label:Growing Bin Records
Cat-No:GBR033
Release-Date:19.02.2021
Configuration:LP Excl
Barcode:4251804124010
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Last in:14.01.2021
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Last in:14.01.2021
Label:Growing Bin Records
Cat-No:GBR033
Release-Date:19.02.2021
Configuration:LP Excl
Barcode:4251804124010
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One Tongue - Coffee
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I.A.O. - Helium IIIs
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Matthias Raue - Brücke am schwarzen Fluss 2
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Frank Suchland - Schnee
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7
Hugh Mane - Out In The Ether
File Under: Arcane Treasures / Subtle Body Dance
Release Date: February 19th, 2021
Digging deep through old and new, Basso captures arcane woodland fusion, serene electronic suites and wide eyed Balearic bliss on this first Growing Bin compilation.
This collection celebrates those precious records which land in your life on their own terms. Even the most advanced digger will admit that chance is the secret ingredient in any successful haul. Sure, it helps if you know where to look, but if you arrive a day early at that secluded second hand shop, or an hour late at the convention, you might miss out on a rare sight of sound. But there are still ways to skew the odds in your favour. Even in the most crowded urban environment, a solitary tree soon becomes a nest, and Basso's fostered an abundant garden in his Hamburg hometown. A decade on and the Growing Bin is a safe haven for those exquisite sounds crowded out of the mainstream, the rare birds with the most striking song.
'Coffee' comes right after cocoa in the bin's headquarter, though start your morning with One Tongue and be prepared for a different kind of day. A witch's brew spiced with a hint of Durian and the early bird, this 1990 composition could be the blueprint for the Teutonic trance dancers beloved by the Salon set. A more meditative magic flows through the A2, a smooth blend of fusion guitar, softly syncopated drums and counterpoint keys from one time art-rockers Inandout. This Growing Bin favourite from their '93-95' LP sounds right at home beside the majestic melodies and spheric bass of Matthias Raue's 'Brücke am schwarzen Fluss 2'. Taken from the soundtrack to a TV drama filmed in Mali, this digital homage to African rhythm shimmies in step with New Age dancers from Mkwaju Ensemble and Louis Crelier. The A-side ends with the unbridled optimism of Kosmische maverick Hardy Kukuk. The synthesist hit the studio with friends Karsten Raecke and Andreas Schneider in 86, coalescing crystalline electronics and gentle guitar into tender chord progressions suited for sun bathing beside the Sea of Tranquility.
The second side slinks into motion with the deep beauty and sincere spoken word of Frank Suchland's 'Schnee', a subtle body in a cocoon of reverb which takes Sade's 'I Never Thought I'd See The Day' to another level of placidness. Melancholic Germans Die Fische met in Cairo for the first time, and 'Conversation Of Everyday Lovers' could be the theme for that great city. Underpinned by primal percussion and a restrained groove, the track twists and turns between a trio of ineffable motifs, eternal combinations to the catacombs of Abusir. From there we go sublime, soaring skywards with a ten minute triumph from Hugh Mane. Balancing concentric sequences and space age synth riffs atop an irresistible breakbeat and bubbling bassline, the British producer finds a sensuous sweet-spot between fellow Growing Bin affiliates Krakatau and Singu.
Lucky are we who hear the Bin's sounds.
Patrick Ryder
A1 One Tongue - Coffee 5 :08
A2 I.A.O. - Helium IIIs 4 :28
A3 Matthias Raue - Brücke am schwarzen Fluss 2 2 :11
A4 Hardy Kukuk - Freundschaft 5 :18
B1 Frank Suchland - Schnee 4 :32
B2 Die Fische - Conversation Of Everyday Lovers 4 :06
B3 Hugh Mane - Out In The Ether 9 :59
Mastered and restored by Sergey Luginin @ Luginin Studio
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Release Date: February 19th, 2021
Digging deep through old and new, Basso captures arcane woodland fusion, serene electronic suites and wide eyed Balearic bliss on this first Growing Bin compilation.
This collection celebrates those precious records which land in your life on their own terms. Even the most advanced digger will admit that chance is the secret ingredient in any successful haul. Sure, it helps if you know where to look, but if you arrive a day early at that secluded second hand shop, or an hour late at the convention, you might miss out on a rare sight of sound. But there are still ways to skew the odds in your favour. Even in the most crowded urban environment, a solitary tree soon becomes a nest, and Basso's fostered an abundant garden in his Hamburg hometown. A decade on and the Growing Bin is a safe haven for those exquisite sounds crowded out of the mainstream, the rare birds with the most striking song.
'Coffee' comes right after cocoa in the bin's headquarter, though start your morning with One Tongue and be prepared for a different kind of day. A witch's brew spiced with a hint of Durian and the early bird, this 1990 composition could be the blueprint for the Teutonic trance dancers beloved by the Salon set. A more meditative magic flows through the A2, a smooth blend of fusion guitar, softly syncopated drums and counterpoint keys from one time art-rockers Inandout. This Growing Bin favourite from their '93-95' LP sounds right at home beside the majestic melodies and spheric bass of Matthias Raue's 'Brücke am schwarzen Fluss 2'. Taken from the soundtrack to a TV drama filmed in Mali, this digital homage to African rhythm shimmies in step with New Age dancers from Mkwaju Ensemble and Louis Crelier. The A-side ends with the unbridled optimism of Kosmische maverick Hardy Kukuk. The synthesist hit the studio with friends Karsten Raecke and Andreas Schneider in 86, coalescing crystalline electronics and gentle guitar into tender chord progressions suited for sun bathing beside the Sea of Tranquility.
The second side slinks into motion with the deep beauty and sincere spoken word of Frank Suchland's 'Schnee', a subtle body in a cocoon of reverb which takes Sade's 'I Never Thought I'd See The Day' to another level of placidness. Melancholic Germans Die Fische met in Cairo for the first time, and 'Conversation Of Everyday Lovers' could be the theme for that great city. Underpinned by primal percussion and a restrained groove, the track twists and turns between a trio of ineffable motifs, eternal combinations to the catacombs of Abusir. From there we go sublime, soaring skywards with a ten minute triumph from Hugh Mane. Balancing concentric sequences and space age synth riffs atop an irresistible breakbeat and bubbling bassline, the British producer finds a sensuous sweet-spot between fellow Growing Bin affiliates Krakatau and Singu.
Lucky are we who hear the Bin's sounds.
Patrick Ryder
A1 One Tongue - Coffee 5 :08
A2 I.A.O. - Helium IIIs 4 :28
A3 Matthias Raue - Brücke am schwarzen Fluss 2 2 :11
A4 Hardy Kukuk - Freundschaft 5 :18
B1 Frank Suchland - Schnee 4 :32
B2 Die Fische - Conversation Of Everyday Lovers 4 :06
B3 Hugh Mane - Out In The Ether 9 :59
Mastered and restored by Sergey Luginin @ Luginin Studio
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Growing Bin Records
Cat-No:GBR029
Release-Date:04.09.2020
Configuration:12" Excl
Barcode:4251804124409
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Label:Growing Bin Records
Cat-No:GBR029
Release-Date:04.09.2020
Configuration:12" Excl
Barcode:4251804124409
1
Jonus Eric - The Cult
2
Jonus Eric - Collect
3
Jonus Eric - Mirrors
4
Jonus Eric - Emulator
5
Jonus Eric - Waterfalls
Triangulating a slinky signal to a square mile off the Swan River, Glowing Pin bring us 'Pentagon Palette', a master blast of frequency adjusted house, swamp stomp and chakra charmers from Australian newcomer Jonus Eric.
Though opening brace 'The Cult' and 'Collect' made first contact back in 2014, a loose connection between Perth and Hamburg hindered progress before 'Mirrors', 'Emulator' and 'Waterfall' walked across the web in 2019 to round out a dope debut release from this house auteur. Specialising in mind altering sound design and melodic flair, Jonus generates a neon swamp on 'The Cult', serving up a psychoactive roller caked in radioactive fuzz and insectile fizz. Thick bass swells and circular marimba make for a hypnotic rhythm,
while a shapeshifting vocal and moody keyboard riff drag us back towards terra firma. The paradisiac refrain of 'Collect' soon sounds out through the jungle with a euphoric haze,
its sub-tickling bass and acid gurgle riding hyperactive drum programming as the track warps in the humidity. Soaked in serotonin and brisk at 137 BPM, 'Mirrors' burns off the mist to offer an airy update on the French Touch template. Though frazzled circuitry and dislocated vox serve this one with a twist, the chiming pianos and bouncy beat are still best enjoyed in a Golf GTI in the summertime. Jonus reaches for the lasers via the restless rhythm and rave sirens of 'Emulator', a fresh take on the funky house of the late nineties updated with unexpected breaks, squealing feedback and treated vocals usually found on a Four Set banger.
Next it's off to the chillout room for 'Waterfalls', a fourth-world tone poem describing crystal caves, undiscovered wildlife and a holographic waterfall. Ditching the doof, and letting those colours tesselate, Jonus offers a +2 bump to your mana, before the post punk bassline, growling EBM vocal and off key organs of 'YR Mind' combine for a confrontational bonus track, only available in digital format.
Patrick Ryder
Tracklist:
A1 . The Cult 3:07
A2. Collect 3:08
A3. Mirrors 3:35
B1. Emulator 6:33
B2. Waterfalls 8:35
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Though opening brace 'The Cult' and 'Collect' made first contact back in 2014, a loose connection between Perth and Hamburg hindered progress before 'Mirrors', 'Emulator' and 'Waterfall' walked across the web in 2019 to round out a dope debut release from this house auteur. Specialising in mind altering sound design and melodic flair, Jonus generates a neon swamp on 'The Cult', serving up a psychoactive roller caked in radioactive fuzz and insectile fizz. Thick bass swells and circular marimba make for a hypnotic rhythm,
while a shapeshifting vocal and moody keyboard riff drag us back towards terra firma. The paradisiac refrain of 'Collect' soon sounds out through the jungle with a euphoric haze,
its sub-tickling bass and acid gurgle riding hyperactive drum programming as the track warps in the humidity. Soaked in serotonin and brisk at 137 BPM, 'Mirrors' burns off the mist to offer an airy update on the French Touch template. Though frazzled circuitry and dislocated vox serve this one with a twist, the chiming pianos and bouncy beat are still best enjoyed in a Golf GTI in the summertime. Jonus reaches for the lasers via the restless rhythm and rave sirens of 'Emulator', a fresh take on the funky house of the late nineties updated with unexpected breaks, squealing feedback and treated vocals usually found on a Four Set banger.
Next it's off to the chillout room for 'Waterfalls', a fourth-world tone poem describing crystal caves, undiscovered wildlife and a holographic waterfall. Ditching the doof, and letting those colours tesselate, Jonus offers a +2 bump to your mana, before the post punk bassline, growling EBM vocal and off key organs of 'YR Mind' combine for a confrontational bonus track, only available in digital format.
Patrick Ryder
Tracklist:
A1 . The Cult 3:07
A2. Collect 3:08
A3. Mirrors 3:35
B1. Emulator 6:33
B2. Waterfalls 8:35
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Growing Bin Records
Cat-No:GBR007
Release-Date:23.07.2016
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804124416
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Cat-No:GBR007
Release-Date:23.07.2016
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804124416
1
Shy Layers - Black and White
2
Shy Layers - Famous Faces
3
Shy Layers - You Won‘t Find Me
4
Shy Layers - Stabilized Waves
5
Shy Layers - Too Far Out
6
Shy Layers - Holding It Back
7
Shy Layers - Playing The Game
8
Shy Layers - Bees and Bamboo
9
Shy Layers - SEG
10
Shy Layers - 1977
Whether you’re floating free to antipodean ambience or toasting the sunset with a Baltic beauty,
you can always count on Growing Bin to take you someplace new for a while. Swapping bucolic
Poland for the buzz of the Big Apple, the Hamburg imprint reaches a magnificent seven in the
company of synth-pop dreamer Shy Layers (JD Walsh to his mum) and his sublime self titled
debut. Over the course of ten emotional pop serenades, the New York musician recalls lost days
sofa surfing to the lounge electronica of Air, Mellow and early Phoenix or the swooning lo-fi
psychedelia of a pre-MD Simian.
Shy Layers welcomes us aboard with the shimmering pads and soothing soft synths of ‘Black &
White’, a drifting soundtrack to a John Hughes-directed episode of ‘In The Night Garden’. From
there we swerve into the wistful synth-pop of ‘Famous Faces’, locking into the rattling Tears For
Fears groove while the West Coast guitar licks and vocoder vocals float off into the distance.
‘You Won’t Find Me’ shuffles through afro-tronic keyboard lines, Beta Band breakbeats and loose
funk guitar before the sweltering ‘Stabilized Waves’ dips a toe in the Med, swaying gently to the
fluid bass, acoustic strumming and cascading electric guitar. Swapping continents to close the
A-side, ‘Too Far Out’ finds Walsh working highlife guitars and fuzzy sanza sequences into a piece of perfect off-kilter pop. The B-side begins in glitchy fashion with the flying hats and seesaw
synths of ‘Holding It Back’, before ‘Playing The Game’ offers sprinklers over summer lawns, dub
fx, jangling guitars and cooing vocals. The afrobeat influence shines through once again on the
rhythmic ‘Bees & Bamboo’ before ‘SEG’ sees Shy Layers don Mario’s Red Wing cap for a chip-set
safari through the bright blue sky. Playing us out with the same cinematic splendour with which
we began, Walsh conjures a woozy, sun-dappled mood for the sumptuous ‘1977’.
Fusing French pop, glistening Americana, 80s AOR and afrobeat into a hazy vision of balmy mornings, long evenings and lazy days, Shy Layers has served up the soundtrack to your summer.
A1. Black and White
A2. Famous Faces
A3. You Won‘t Find Me
A4. Stabilized Waves
A5. Too Far Out
B1. Holding It Back
B2. Playing The Game
B3. Bees and Bamboo
B4. SEG
B5. 1977
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
you can always count on Growing Bin to take you someplace new for a while. Swapping bucolic
Poland for the buzz of the Big Apple, the Hamburg imprint reaches a magnificent seven in the
company of synth-pop dreamer Shy Layers (JD Walsh to his mum) and his sublime self titled
debut. Over the course of ten emotional pop serenades, the New York musician recalls lost days
sofa surfing to the lounge electronica of Air, Mellow and early Phoenix or the swooning lo-fi
psychedelia of a pre-MD Simian.
Shy Layers welcomes us aboard with the shimmering pads and soothing soft synths of ‘Black &
White’, a drifting soundtrack to a John Hughes-directed episode of ‘In The Night Garden’. From
there we swerve into the wistful synth-pop of ‘Famous Faces’, locking into the rattling Tears For
Fears groove while the West Coast guitar licks and vocoder vocals float off into the distance.
‘You Won’t Find Me’ shuffles through afro-tronic keyboard lines, Beta Band breakbeats and loose
funk guitar before the sweltering ‘Stabilized Waves’ dips a toe in the Med, swaying gently to the
fluid bass, acoustic strumming and cascading electric guitar. Swapping continents to close the
A-side, ‘Too Far Out’ finds Walsh working highlife guitars and fuzzy sanza sequences into a piece of perfect off-kilter pop. The B-side begins in glitchy fashion with the flying hats and seesaw
synths of ‘Holding It Back’, before ‘Playing The Game’ offers sprinklers over summer lawns, dub
fx, jangling guitars and cooing vocals. The afrobeat influence shines through once again on the
rhythmic ‘Bees & Bamboo’ before ‘SEG’ sees Shy Layers don Mario’s Red Wing cap for a chip-set
safari through the bright blue sky. Playing us out with the same cinematic splendour with which
we began, Walsh conjures a woozy, sun-dappled mood for the sumptuous ‘1977’.
Fusing French pop, glistening Americana, 80s AOR and afrobeat into a hazy vision of balmy mornings, long evenings and lazy days, Shy Layers has served up the soundtrack to your summer.
A1. Black and White
A2. Famous Faces
A3. You Won‘t Find Me
A4. Stabilized Waves
A5. Too Far Out
B1. Holding It Back
B2. Playing The Game
B3. Bees and Bamboo
B4. SEG
B5. 1977
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Growing Bin Records
Cat-No:GBR038
Release-Date:15.10.2021
Configuration:LP Excl
Barcode:4251804126182
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Cat-No:GBR038
Release-Date:15.10.2021
Configuration:LP Excl
Barcode:4251804126182
1
Santilli - A1. Coming and Going
2
Santilli - A2. Sails
3
Santilli - A3. Sea
4
Santilli - A4. Sparks
5
Santilli - A5. Cold Circle
6
Santilli - B1. Warm You Give
7
Santilli - B2. Shore
8
Santilli - B3. Valleys
9
Santilli - B4. Lapse
10
Santilli - B5. Falling
LP -File Under: Indian Summer Greats / Smoothest AOR
Release Date: October 10, 2021
Keeping his carbon footprint at a minimum, Santilli sails from Sydney to Hamburg via ten textured vignettes delicately drawn with guitar, bass and organic percussion. Relaxing, reflective and endlessly beautiful, 'Tidal' explores elemental inspiration through a humanistic gaze.
Whether you know Max Santilli through Ken Oath duo Angophora, previous releases 'Surface' and 'In Circles', or this is your first time making his acquaintance, you'll agree he's right at home on the Growing Bin. The multi-instrumentalist crafts exquisite acoustic music in tune with the finer moments of Windham Hill and ECM; a perfect fusion of talent, balance and the emotion shared by each release on the Hamburg label.
As befits its inspiration 'Tidal' is an organic affair, related through bright acoustic guitar, hazy chimes and hand played percussion. Where the Australian draws you in with hypnotic repetition, the subtlety, warmth and tonal variation serve as a welcome reminder we're living off grid. Though expert fretwork often takes centre stage, especially on the delicate B1 'Warm You Give', it's the blend of kalimba, woodblock, hand drums and shaker which truly transport the listener through open waters; a rhythmic breeze carrying us through the maritime drones and bowed squall. At times the salt air is spiced with cardamom and cloves ('Sea') or lemongrass and galangal ('Valleys'), as we skirt the Indian Ocean or the Java Sea. 'Lapse' provides subtle hints of fourth world jazz as mallets take the lead, leaving the guitar to provide its own shimmering texture.
Clear your mind, clear your schedule and make some time for 'Tidal', an opportunity to breathe in time with the planet.
A1 Coming and Going
A2 Sails
A3 Sea
A4 Sparks
A5 Cold Circle
B1 Warm You Give
B2 Shore
B3 Valleys
B4 Lapse
B5 Falling
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Release Date: October 10, 2021
Keeping his carbon footprint at a minimum, Santilli sails from Sydney to Hamburg via ten textured vignettes delicately drawn with guitar, bass and organic percussion. Relaxing, reflective and endlessly beautiful, 'Tidal' explores elemental inspiration through a humanistic gaze.
Whether you know Max Santilli through Ken Oath duo Angophora, previous releases 'Surface' and 'In Circles', or this is your first time making his acquaintance, you'll agree he's right at home on the Growing Bin. The multi-instrumentalist crafts exquisite acoustic music in tune with the finer moments of Windham Hill and ECM; a perfect fusion of talent, balance and the emotion shared by each release on the Hamburg label.
As befits its inspiration 'Tidal' is an organic affair, related through bright acoustic guitar, hazy chimes and hand played percussion. Where the Australian draws you in with hypnotic repetition, the subtlety, warmth and tonal variation serve as a welcome reminder we're living off grid. Though expert fretwork often takes centre stage, especially on the delicate B1 'Warm You Give', it's the blend of kalimba, woodblock, hand drums and shaker which truly transport the listener through open waters; a rhythmic breeze carrying us through the maritime drones and bowed squall. At times the salt air is spiced with cardamom and cloves ('Sea') or lemongrass and galangal ('Valleys'), as we skirt the Indian Ocean or the Java Sea. 'Lapse' provides subtle hints of fourth world jazz as mallets take the lead, leaving the guitar to provide its own shimmering texture.
Clear your mind, clear your schedule and make some time for 'Tidal', an opportunity to breathe in time with the planet.
A1 Coming and Going
A2 Sails
A3 Sea
A4 Sparks
A5 Cold Circle
B1 Warm You Give
B2 Shore
B3 Valleys
B4 Lapse
B5 Falling
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Growing Bin Records
Cat-No:GBR031
Release-Date:29.01.2021
Configuration:LP Excl
Barcode:4251804124003
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Release-Date:29.01.2021
Configuration:LP Excl
Barcode:4251804124003
1
The Person - Snail Cafe
2
The Person - The Place
3
The Person - Nice Feeling
4
The Person - Tide Life
5
The Person - Barry R Reef
6
The Person - Planet Beach
7
The Person - Elastic Shoes
8
The Person - Current Affair
9
The Person - Tigereye
10
The Person - Rock Concert
11
The Person - Moonee Puddles
File Under: Sugary Synthwave / Bitmap Escapism
After the heaviest of years, it should be time to take a little weight off with the playful sounds of The Person. Mapping its own Bermuda Triangle between dub-pop, sugary synthwave and Balearic boogie, ‘Tide Life’ transports Compass Point to Soggy Bottom, providing maximum fun, sun and bitmap escapism.
The eagle-eared may recognise The Person from the aspirational Italo-rockers Steaming Jeans, whose chalet-ready romp on Bordello A Parigi scored a Winter Olympic gold back in early 2020. Now left to her own devices, Minna Wight swaps the slopes for a jet ski and takes a Wave Race from Summer Bay to Monkey Island across 11 cuts of vintage oddball pop.
Whether she’s borrowing Brenda’s Beach Balls for the dubby daydream of ‘Snail Cafe’ and ‘The Place’, serving lost library cues to SNES club scenes on ‘Barry R Reef’ and ‘Elastic Shoes’ or spinning high school slow jams into synth soul ballads like ‘Nice Feeling’, Minna disguises serious musicianship behind a naive aesthetic. Disarmed by charm, we’re powerless to resist her tidal pull.
Patrick Ryder
A1 Snail Cafe 2 :33
A2 The Place 4 :51
A3 Nice Feeling 2 :19
A4 Tide Life 4 :09
A5 Barry R Reef 2 :45
A6 Planet Beach 3 :39
B1 Elastic Shoes 3 :34
B2 Current Affair 5 :39
B3 Tigereye 4 :09
B4 Rock Concert 3 :11
B5 Moonee Puddles 1 :32
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
After the heaviest of years, it should be time to take a little weight off with the playful sounds of The Person. Mapping its own Bermuda Triangle between dub-pop, sugary synthwave and Balearic boogie, ‘Tide Life’ transports Compass Point to Soggy Bottom, providing maximum fun, sun and bitmap escapism.
The eagle-eared may recognise The Person from the aspirational Italo-rockers Steaming Jeans, whose chalet-ready romp on Bordello A Parigi scored a Winter Olympic gold back in early 2020. Now left to her own devices, Minna Wight swaps the slopes for a jet ski and takes a Wave Race from Summer Bay to Monkey Island across 11 cuts of vintage oddball pop.
Whether she’s borrowing Brenda’s Beach Balls for the dubby daydream of ‘Snail Cafe’ and ‘The Place’, serving lost library cues to SNES club scenes on ‘Barry R Reef’ and ‘Elastic Shoes’ or spinning high school slow jams into synth soul ballads like ‘Nice Feeling’, Minna disguises serious musicianship behind a naive aesthetic. Disarmed by charm, we’re powerless to resist her tidal pull.
Patrick Ryder
A1 Snail Cafe 2 :33
A2 The Place 4 :51
A3 Nice Feeling 2 :19
A4 Tide Life 4 :09
A5 Barry R Reef 2 :45
A6 Planet Beach 3 :39
B1 Elastic Shoes 3 :34
B2 Current Affair 5 :39
B3 Tigereye 4 :09
B4 Rock Concert 3 :11
B5 Moonee Puddles 1 :32
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
7" Excl
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Cat-No:GBR027
Release-Date:14.04.2020
Configuration:7" Excl
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1
Peter & Patrick Jahn - Abenteuer Überm Schrank (Peter's Original 1987 Version)
2
Peter & Patrick Jahn - Abenteuer Überm Schrank (Patrick's Own 2019 Version)
It's a family affair on the second Growing Bin 7", as Peter & Patrick Jahn enjoy some father and son boogie with a smooth split release. A sunblushed moocher served two ways, this disc is designed for horizontal dancing…
Rooting around the cupboards in his family home outside Nuremberg, Patrick Jahn unearthed a dusty box of cassettes, saved for posterity but eventually forgotten. Somewhere between 'True Blue' and 'Brothers In Arms' was a faded C60 full of unreleased demos by his father Peter, recorded in the mid to late 80s. Back then Jahn Sr owned a pub club called Schrank (Cupboard to the Anglophones), with an upstairs office he used as a music studio. In amongst naïve synthesiser experiments and carefree noodling was a Balearic boogie bomb, all strolling synth bass, clipped funk guitar and seaside melancholy - like Brenda Ray on a Wim Wenders soundtrack.
Too impressed to keep it a secret, Patrick played the cut to Carsten "Erobique" Meyer, when he was over there jamming, and Hamburg's premier funk freak suggested this might be of interest to his likeminded hometown freak Basso. Instantly in love, the Growing Bin boss suggested Patrick provide his own version for the flipside, and so it was, reborn with percussive sway, moonlit keys and beefy bass tones for the next generation. Here's to the Jahn family, father and son but brothers in calms…
Patrick Ryder
A. Abenteuer überm Schrank (Peter's original 1987 version) 3:13
B. Abenteuer überm Schrank (Patrick's own 2019 version) 4:56
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Rooting around the cupboards in his family home outside Nuremberg, Patrick Jahn unearthed a dusty box of cassettes, saved for posterity but eventually forgotten. Somewhere between 'True Blue' and 'Brothers In Arms' was a faded C60 full of unreleased demos by his father Peter, recorded in the mid to late 80s. Back then Jahn Sr owned a pub club called Schrank (Cupboard to the Anglophones), with an upstairs office he used as a music studio. In amongst naïve synthesiser experiments and carefree noodling was a Balearic boogie bomb, all strolling synth bass, clipped funk guitar and seaside melancholy - like Brenda Ray on a Wim Wenders soundtrack.
Too impressed to keep it a secret, Patrick played the cut to Carsten "Erobique" Meyer, when he was over there jamming, and Hamburg's premier funk freak suggested this might be of interest to his likeminded hometown freak Basso. Instantly in love, the Growing Bin boss suggested Patrick provide his own version for the flipside, and so it was, reborn with percussive sway, moonlit keys and beefy bass tones for the next generation. Here's to the Jahn family, father and son but brothers in calms…
Patrick Ryder
A. Abenteuer überm Schrank (Peter's original 1987 version) 3:13
B. Abenteuer überm Schrank (Patrick's own 2019 version) 4:56
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:International Feel
Cat-No:IFEEL085
Release-Date:10.05.2024
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Barcode:4251804180900
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Last in:24.04.2024
Label:International Feel
Cat-No:IFEEL085
Release-Date:10.05.2024
Configuration:LP Excl
Barcode:4251804180900
1
Edwin Schimscheimer - Bon Nuit Michelle
2
Dancing Fantasy - Mystery Voice
3
Peak Of Normal - Hava
4
Christian Ch. Kneisel - Jungle Connection
5
Beau Michael - Move Away (Extended)
6
Summer Vee - Judas
7
Patrick Jahn & Erobique - Moonlight Shuffle
8
Ikee Largo - After The Storm
Tracklist:
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore