1
Clio - Faces (Extended)
2
Clio - Feel The Fear
Repress!
Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.
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Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.
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More records from Clio
1
Clio - Eyes (Extended Mix)
2
Clio - Eyes (Dub Mix)
The decade of the 80s is revived through recordings like "Eyes" that allow you to travel through the music and trigger those old emotions of innocence, joy and adventure. It's possible you don't understand a word of what they're singing in the chorus, but the song is very catchy! Maybe not even Maria Chiara Perugini knows what she sings about, but she makes you hang on to every word of her like a nursery rhyme of synths, beach and bubblegum. "Eyes" is so amazing, so mesmerizing and more and more people are discovering this italo-disco masterpiece that usually satisfies and makes fun of you at the same time. If you try playing it at 75% speed gives a hypnotic vapor wave vibe! And even more, the song would have fit well in the dance club scenes from Scarface. Beyond the words - difficult to find a text that makes sense, sometimes out of context, unundestandable even for a French listener - the piece is so surprisingly likeable for the unique tone of Clio's voice, a strange cross between teenager and adult, and the part where she spoke another language, with some really cool synthesizers, are people's favorite parts. 0:31 "Je suis bien heureuse" , 0:47 "La nuit a ses merveilles", 0:57 "Il y a de quoi y perdre la tete, pour toi, sha, pour toi", 1:36 "Je n'ai plus de bulles", 1:52 "Je vous prie applaudissement". "Eyes" by Clio contains all the emotions that a dance-pop song should contain plus the essential element of mystery, a kind of magic that takes place between the chorus and the bass line, a shot in the dark drizzly night of the Italo-Disco. made by Roberto Ferrante, a guarantee for the perfect productions of the 80s, when he was only 20 years old.
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1
clio - The Beautiful Forces
2
clio - Something Like That feat. Loquace
3
clio - The Beautiful Forces (Thomas Schumacher Remix
4
clio - Something Like That feat. Loquace (Yvan Genkins Remix)
UPC: 5051083083782 Release Date: 29/09/2014
Tracklisting: A1. The Beautiful Forces A2. Something Like That feat. Loquace B1. The Beautiful Forces (Thomas Schumacher Remix) B2. Something Like That feat. Loquace (Yvan Genkins Remix)
Short info:
After a two year gap Clio is back on Metroline Limited after producing two of the most successful releases from the label's extensive catalogue: For Sure Baby (2010) and Do It EP (2012).
In the opening track, The Beautiful Forces, Blade Runner soundscapes morph into post-rave stabs and combine with heavy subs and sci-fi effects to create the soundtrack to a rave in an abandoned space station.
On a more Chicago tip, Something Like That is a collaboration with French groove master Loquace. The result is a loose, flowing house jam, which as the lyrics tell you, is all about vibe - it doesn't have to be planned… it's just how you feel!
The legendary Thomas Schumacher turns out a serious burner on the flip with his remix of The Beautiful Forces, bringing the vocals up in the mix and throwing in a pumping b-line to keep things moving nicely.
Swiss rising star Yvan Genkins takes on marginalising the Chi-town flavour of the original and working the elements up into a eyes-down Tresor-style techno monster. Classic 909 hits, a satisfying low-end rumble… it doesn't get more floor-friendly than this.
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Tracklisting: A1. The Beautiful Forces A2. Something Like That feat. Loquace B1. The Beautiful Forces (Thomas Schumacher Remix) B2. Something Like That feat. Loquace (Yvan Genkins Remix)
Short info:
After a two year gap Clio is back on Metroline Limited after producing two of the most successful releases from the label's extensive catalogue: For Sure Baby (2010) and Do It EP (2012).
In the opening track, The Beautiful Forces, Blade Runner soundscapes morph into post-rave stabs and combine with heavy subs and sci-fi effects to create the soundtrack to a rave in an abandoned space station.
On a more Chicago tip, Something Like That is a collaboration with French groove master Loquace. The result is a loose, flowing house jam, which as the lyrics tell you, is all about vibe - it doesn't have to be planned… it's just how you feel!
The legendary Thomas Schumacher turns out a serious burner on the flip with his remix of The Beautiful Forces, bringing the vocals up in the mix and throwing in a pumping b-line to keep things moving nicely.
Swiss rising star Yvan Genkins takes on marginalising the Chi-town flavour of the original and working the elements up into a eyes-down Tresor-style techno monster. Classic 909 hits, a satisfying low-end rumble… it doesn't get more floor-friendly than this.
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The latest release on Metroline takes no prisoners. Clio brings it big. Every track on this EP is loaded, primed and ready to fire. Lead track Poem does "big" the George Clinton way. Basslines cranked to funk, tempo raised, and drum tracks set to attack. Sinister and sparse percussion gives Do It an entirely different feel. But under the tune's brooding atmospherics is an equally powerful rhythm. Fired by a growling sub-bass that whoomps out of the speaker like a sonic weapon. Killer. Speaker-busting bass and pumping kicks are the order of the day on the flip. Carlo Lio's remix of Do It thunders along. Built for dancefloor shock and awe, this track's built like a tank - unstoppable and ready for combat. The massively in-demand Sasch BBC and Casper go intergalactic on their rework of Poem. This is the tune that plays in Hal 9000's head. Epic, deep and serious, with a healthy dose of paranoia. Careful this one doesn't tear a hole in your space station.
Tracklisting:
A1: Poem
A2: Do It
B1: Do It (Carlo Lio Remix)
B2: Poem (Sasch BBC & Caspar Remix)
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Tracklisting:
A1: Poem
A2: Do It
B1: Do It (Carlo Lio Remix)
B2: Poem (Sasch BBC & Caspar Remix)
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More records from Planet Records Classics
1
Clio - Eyes (Extended Mix)
2
Clio - Eyes (Dub Mix)
The decade of the 80s is revived through recordings like "Eyes" that allow you to travel through the music and trigger those old emotions of innocence, joy and adventure. It's possible you don't understand a word of what they're singing in the chorus, but the song is very catchy! Maybe not even Maria Chiara Perugini knows what she sings about, but she makes you hang on to every word of her like a nursery rhyme of synths, beach and bubblegum. "Eyes" is so amazing, so mesmerizing and more and more people are discovering this italo-disco masterpiece that usually satisfies and makes fun of you at the same time. If you try playing it at 75% speed gives a hypnotic vapor wave vibe! And even more, the song would have fit well in the dance club scenes from Scarface. Beyond the words - difficult to find a text that makes sense, sometimes out of context, unundestandable even for a French listener - the piece is so surprisingly likeable for the unique tone of Clio's voice, a strange cross between teenager and adult, and the part where she spoke another language, with some really cool synthesizers, are people's favorite parts. 0:31 "Je suis bien heureuse" , 0:47 "La nuit a ses merveilles", 0:57 "Il y a de quoi y perdre la tete, pour toi, sha, pour toi", 1:36 "Je n'ai plus de bulles", 1:52 "Je vous prie applaudissement". "Eyes" by Clio contains all the emotions that a dance-pop song should contain plus the essential element of mystery, a kind of magic that takes place between the chorus and the bass line, a shot in the dark drizzly night of the Italo-Disco. made by Roberto Ferrante, a guarantee for the perfect productions of the 80s, when he was only 20 years old.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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My Mine - Hypnotic Tango (Instrumental Version)
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My Mine - Hypnotic Tango (Hypnotic Mix)
Repress!
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.
Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"
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Germany
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We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.
Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Pure Science - Cool Breeze
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Phivo's music has been referred to as 'Other Worldly' and he has been referred to as the 'Prince Of Tech House'. Pure Science has been at the forefront of electronic music since 1990 and pushes a timeless sound which has stood the test of time.
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Gabriel Belabbas - Call It
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Gabriel Belabbas - Rider On The Storm
Repress!
We’re thrilled to welcome back Gabriel Belabbas to Automatic Writing with his debut EP on the label. A longtime friend of the imprint, he first appeared on our 2020 various artists compilation, and after years of shared exploration, “Rider On The Storm” now comes to life.
From Perlonesque minimal to 90s-fueled house and peak-time tech-house, this versatile and mature collection of tracks is designed for different moments of the night and day.
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We’re thrilled to welcome back Gabriel Belabbas to Automatic Writing with his debut EP on the label. A longtime friend of the imprint, he first appeared on our 2020 various artists compilation, and after years of shared exploration, “Rider On The Storm” now comes to life.
From Perlonesque minimal to 90s-fueled house and peak-time tech-house, this versatile and mature collection of tracks is designed for different moments of the night and day.
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Glenn Underground - Lush (Untitled)
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Something that was in the pipeline for a while is finally happening: the first collaborative release between Mother Tongue and Neroli. And right in time to celebrate Neroli’s 25th anniversary. To make it even more exciting the two Verona based labels worked together to curate a full 4 track EP from Chicago’s very own Glenn Underground!
A very special selection of obscure and diverse gems from the deep vaults of the legendary producer touching the boogie, the jazzy and even the acid sounds, that will please the most demanding music lovers!
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A very special selection of obscure and diverse gems from the deep vaults of the legendary producer touching the boogie, the jazzy and even the acid sounds, that will please the most demanding music lovers!
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1
T. Jacques - Houze Control
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T. Jacques - 2-Hi
TSOL is delighted to welcome T. Jacques to its ranks for his first outing of the year. The EP is the perfect package of modern spaced-out tech funk, designed with the discerning DJ and clubber in mind. Dip your toes or dive right into these velvety house grooves.
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Crash Course In Science - Cardboard Lamb
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Jay Gadian - Stasis Oasis
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The Avener - Fade Out Lines (The Avener Rework)
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2025 OFFICIAL VINYL REISSUE
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1
V.I.C.A.R.I. - Freefall
2
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Affie Yusuf - - Uba Cuba
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Parkwalker - - Pashtwo
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Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
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Hackney Electronica - H.E. Nuestro Circuito
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ps. all customers who got a copy of the misspress will receive a new copy, wihtout cover, automatically.
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ps. all customers who got a copy of the misspress will receive a new copy, wihtout cover, automatically.
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Elijah Something & Wilba - Hazelnut Hustle
2
Elijah Something & Wilba - The Diamond Heist
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Elijah Something & Wilba - Off Duty Brian
4
Elijah Something & Wilba - Bogey Hole Boogie
Concocted on the Clovelly coastline over the back end of 2024, we’re super excited to present Elijah Something & Wilba’s debut dual EP.
4 cuts pulling influences from all corners of house, tech and deep house, this EP is perfect for those summer season occasions.
Beach side, sunrise sessions or festival sunsets, this one’s for the feel-good moments.
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4 cuts pulling influences from all corners of house, tech and deep house, this EP is perfect for those summer season occasions.
Beach side, sunrise sessions or festival sunsets, this one’s for the feel-good moments.
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