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Richard Sen - - Abstract Dance (Kolago Kult’s Swamp Dub Mix)
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Earth Boys - - EBoys 2020 (Licaxxx Remix)
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Fran-Key - - Summer into Winter (Eric Duncan Remix)
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Tim Sweeney - - 8th & Broadway (Jex Opolis Remix)
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Tendts - - Slice the Top (Vin Sol & Matrixxmann Remix)
The much anticipated Remix EP of “415-PR22” finally arrives from pressing hold ups. A truly international roster of remixers and co-conspirators, topped off with graphics by UK legend Fergus “Fergadelic” Purcell. Abstract Dance: London new school Kolago Kult, remixes London old school Richard Sen. EBoys 2020: SF/NY based Earth Boys, get flipped via Tokyo icon Licaxxx. Summer into Winter: Old friends share a track; Eric Duncan gives Tokyo’s Mild Bunch member Fran-Key an offering. 8th & Broadway: The great white north; Jex Opolis drops his trademark touch on Tim Sweeney's first solo production. Slice the Top: SF/BE friends Vin Sol and Matrixxman produce this blissed out version for Greek brothers Tendts.
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More records from Jex Opolis
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Jex Opolis - Pneumatic
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Jex Opolis - Catalytic
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Jex Opolis - Molecools
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Jex Opolis - Catalytic (Converter Mix)
Number 4 in the Bad Timin' series is here, featuring a quartet of shovel-ready tunes perfect for ur club set, radio show or gym session. Let the gains begin... Six months in the making, the "Sound Man" (aka Jex Opolis) spent the extended winter slumped in his studio crafting these tunes... "Pneumatic" builds pressure with crunchy synth riffs, while "Molecools" drops slide guitar over some proggy breaks. Filling out the EP are two mixes of "Catalytic," a tune that came to life after the muffler on Jexy's 2003 Toyota went kaput.
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Jex Opolis - Know Yourself
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Jex Opolis - The Best Ever
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Jex Opolis - 100 Electronic
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Jex Opolis - Instant Motion
Jexy's back with another entry in the Bad Timin' catalog! This time 'round, the Canadian/DJ/producer aims straight for your USB with four steamers engineered for the club. Deep cuts, dance cuts and upper cuts baby, we got 'em all! While "100% Electronic" twists a clever voice sample over a proggy thud, "The Best Ever" brings the Bad Timin' project ever-closer to Jexy's melodic roots. Elsewhere, "Instant Motion" morphs a tune from the producer's sizable back catalog into an uptempo screamer, while "Know Yourself" implores dancers to get real ... and quick!
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Jex Opolis - Soft Guidance Metamorphasex Mix
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Jex Opolis - Fought Experiment
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Jex Opolis - Scott Says
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Jex Opolis - Soft Guidance Insomnia Mix
Some serious sweetness from Jex Opolis on Bad Timin' the sub label of the beloved Good Timin' records. While 2018's Bad Timin' Vol. I charted a course into the art of darkness, this second volume re-imagines the imprint's focus and aims for a more colorful--and inclusive--dancefloor experience. Along with some searing club dynamics, many of those Jex touchstones we all know and love are here in full force: The playful melody, the disdain for genre, the bad puns ... On EP opener "Fought Experiment," Jex pumps the breaks during a drive on the Big Beat highway, with buzz-saw FX, turntablist scratching and a bubbling bassline along for the ride. Meanwhile, two mixes of "Soft Guidance" let the Canadian producer reflect on his late 90s "Global Underground" phase--while swapping out Oakenfold for wash-n-fold, given Jexy's newfound domesticity. Closing out the EP, "Scott Says" keeps the BPMs high and filters dubby techno through a deep house sieve, all while namechecking a little-known Edmonton techno producer. Recommended!!
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jex opolis - First Stomp (NYC Mix)
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jex opolis - First Stomp (Vocal Up Mix)
Repress!
Jexy brings you two radically new versions of "First Stomp," the voodoo-chanting-mutant-disco smasher from his new LP "Ravines." Crafted with care by the man himself, the A-side features the NYC Mix--a deep n' dubby latin house-influenced builder. On the flip, Jex ups the tempo, the vocal quotient and the 707 snap for a tropical disco singalong. More
Jexy brings you two radically new versions of "First Stomp," the voodoo-chanting-mutant-disco smasher from his new LP "Ravines." Crafted with care by the man himself, the A-side features the NYC Mix--a deep n' dubby latin house-influenced builder. On the flip, Jex ups the tempo, the vocal quotient and the 707 snap for a tropical disco singalong. More
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Jex Opolis - Listen To The Band Club Mix
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Jex Opolis - Dubsystem
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Jex Opolis - What Am I Gonna Dub
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Jex Opolis - Jexendirekt
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Jex Opolis - Net Worth Dub
Repress!
This new EP has five *fresh* dubs from the hit album "Net Worth," specially mixed without vocals for your homeclub, car, kitchen or quar. Fire up those pretty vape machines and get ready to summon some Medusa's NRG. More
This new EP has five *fresh* dubs from the hit album "Net Worth," specially mixed without vocals for your homeclub, car, kitchen or quar. Fire up those pretty vape machines and get ready to summon some Medusa's NRG. More
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jex - Zone Phased
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jex - Fee Wifi
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jex - Crash In The Dark
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jex - Last Loft
The last time we heard from JEX, he was cruising dance floors with his 2015 slapper "Studio E" on Running Back. Three years later, JEX returns with "Bad Timin' Vol. 1," a four-tracker made for working DJs on the newly christened Bad Timin' label. Ranging from the scorched-earth acid of "Zone Phased" to the melancholic deep of "FEE WIFI," the EP has something for everyone--well, everyone who likes hanging out at dance clubs, that is!
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More records from Matrixxman
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Matrixxman - Hong Kong (Day)
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Matrixxman - Hong Kong (Night)
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Matrixxman - Power Drain feat Exos
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Matrixxman - Tango Down
The Planet X invasion continues... The third release is the most-awaited EP this year featuring the Matrixxman himself. According to the Alien Council, it is his best EP so far. It contains four tracks of serious icebreaking soundscapes, running trough the listener's veins by freezing the complete solar system with a coolness. Starting the process is A1 with the fall-out Syren track called ‘Hong Kong Day’ played exclusively in the Matrixxman Dekmantel Boiler Room set last year, now finally being released for the hungry trainspotters who have been waiting for quite some time. Next up A2, the second installment of the Hong Kong- the Night version- the most spooky-sounding spirit-catching meltdown of a track. It is reminiscent of a lethal death scene in a brutal manga cartoon, where the Iron eagle flies over the lands looking for prey. On the other side- B1 starts with the track ‘Power Drain’ featuring his label mate-Exos- definitely the festival track of the release which then takes the listener to the breakbeat part of town in the final track called ‘Tango Down’ on B2. This is where the real Matrixxman signature strikes with raw, dirty rave bass turning it back and forth, finishing the EP with some analog screams. The Planet X continues tearing through the galaxy.
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matrixxman - No Title
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matrixxman - No Title
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matrixxman - No Title
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matrixxman - No Title
Dekmantel regular Matrixxman returns with the third, and final instalment in the Sector series, Part III: Polyphony. In this triptych, the producer from San Fransisco sets out to highlight the key components behind the sounds and style of techno, exploring the range within the confines of a particular limitation. Following Parts I and II, which looked at Rhythm, and Acid, Charles McCloud Duff charters the realm of Polyphony with four, meticulously produced techno tracks, expanding his repertoire of cult, dancefloor music.
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matrixxman - StuxNet Part l
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matrixxman - StuxNet Part ll
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matrixxman - Venetian Mask (The Hieroglyphic Being Experience)
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matrixxman - The Caravan (Silent Servant Remix)
For his debut on Spectral Sound, San Francisco DJ/producer Matrixxman presented a strong and versatile four track EP, Amulet. Rich with analog ideas, the EP explored his interests in deep Chicago moods and with techno futurism. StuxNet follows the futuristic path Matrixxman has carved out with two new acid-leaning cuts: StuxNet I and StuxNet II paired with two Amulet EP stand-outs, Venetian Mask and The Caravan, remixed by Hieroglyphic Being and Silent Servant.
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matrixxman - Venetian Mask
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matrixxman - Enter Me
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matrixxman - Scimitar
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matrixxman - The Caravan
For his debut on Spectral Sound, San Francisco DJ/producer Matrixxman returns with a strong and versatile four ?track EP. Amulet is rich with analog ideas, and explores his interests in deep Chicago moods juxtaposed with techno futurism. Having previously made a name for himself in 2013 with the well received, underground hit The XX Files, his drum machine-laden rhythm tracks, and melodic experiments have enchanted the hearts of elite dance music tastemakers left and right. Using a number of classic Roland pieces for this release, Duff fluctuates between bouncing house rhythms and hypnotic techno. Most notably of the latter style is "The Caravan," with hefty, driving syncopation under scrubbing, distorted hints of melody that fit in perfectly alongside Audion and Spectral itself. "Venetian Mask" goes deeper with a hint of restrained jacking, calling up summer Sundays and setting up for "Enter Me," an infectious balearic excursion that will stick in your head for days and shows off Duff's ease with composition. Finishing off the Amulet EP is "Scimitar," which leans closer to a UK style of dubbed out bass coupled with an estranged yet futuristic touch of deep house.
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More records from Public Release
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Earth Boys - In The Sun
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Earth Boys - In The Sun (Eden Burns Remix)
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Earth Boys - Fog Night
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Earth Boys - Chillb909
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Earth Boys - Chillb909 (Mayurashka Remix)
At the dawn of 2024, Earth Boys, the collaborative force of Michael Sherburn and Julian Duron, reemerges on Public Release with their latest EP, 'In the Sun.' Their signature raw and smoke-infused sound is as rugged as ever, reaffirming the unmistakable Earth Boys touch. The lead single gets a hypnotic tweaky groove courtesy of an Eden Burns remix—perfect for setting the stage for a peak-time build—while Tokyo's Mayurashka offers a deep and contemplative atmospheric chugger. This 5-track EP is perfect for a spectrum of cheeky activities on and off the dance floor.
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Lauer - Ski N Gee
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Lauer - Otto Zero
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Lauer - 808126
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Lauer - Time 2
The venerable Philip Lauer (aka “Lauer”) makes his debut on Public Release this Fall with his latest EP Otto Zero. One half of T&P, another half of Tuff City Kids, and a full two halves of Lauer, we're thrilled to welcome him to the Public Release family. I’ve been rinsing his tracks in my sets over the years; a sound so recognizably his, warm and fleeting emotions — yet simultaneously cold and rigid— he masterfully toes this line. The EP is serious party music for any room, whether it be the dance floor or the kitchen... It hits wherever, whenever.
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Richard Sen - My Definition Of Funk
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Richard Sen - Social Science
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Richard Sen - Smoke And Mirrors
Since 2014, Public Release has been enlisting the raw, trademark groove of Richard Sen on a variety of now- renowned remixes. Label boss Eug has cited him in numerous interviews as being one of his all-time favourite producers, so it was inevitable that a solo EP would eventually materialize. That time has finally come, and in the Spring of 2022, the UK legend drops his solo EP “My Definition of Funk” on Public Release. These three raw, gritty, hard-hitting, peak-time tracks are quintessential Richard Sen, combining the energy and influences of post-punk, breaks, and house in one sturdy sonic package.
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METROPOLITAN SOUL MUSEUM - L'Ete
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METROPOLITAN SOUL MUSEUM - Reapers
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METROPOLITAN SOUL MUSEUM - The Pleasure Principle
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METROPOLITAN SOUL MUSEUM - Objects
Metropolitan Soul Museum are Nick Woolfson and Filippo Rocco. The UK based duo have storied history as individuals; Nick having been half of legendary Mock & Toof and later on running the iconic Teng record label. Filippo, also with significant history at Teng and a former drummer, now focussing on MSM and related avenues. Following up on their hypnotic contribution “Stoneman" to the 2020 Public Release VA compilation, this is their first EP on Public Release. Moody with a significant weight behind every note, rays of sunshine beam through all the right places, giving their tracks a distinctly unique emotional response. 4 deep-cuts of impeccable brooding lushness.
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Tendts - - Slice the Top
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Richard Sen - - Abstract Dance
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Tim Sweeney - - 8th & Broadway
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Earth Boys - - Eboys 2020
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Fran-key - - Summer into Winter
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Metropolitan Soul Museum - - Stoneman
Every so often Public Release takes a snapshot along their discography timeline, to pause and recognize the various artists that represent the past, present and future of where the label sits. The last such release was in 2016, and four years, twelve releases later it’s time for another marker. This EP pools together six exclusive tracks from their global family, some on the PR roster for the very first time. From the beautifully addictive melodies by Tendts and Metropolitan Soul Museum, brooding baselines and synths from Richard Sen and Tim Sweeney, to the ecstatic floor energy produced by Fran-key and Earth Boys, the range presented here is impressive. Equally enjoyable as an abbreviated album, or as singular tracks at your service. TRACK LISTING: A1. Tendts - Slice the Top, A2. Richard Sen - Abstract Dance, A3. Tim Sweeney - 8th & Broadway, B1. Earth Boys - Eboys 2020, B2. Fran-key - Summer into Winter, B3. Metropolitan Soul Museum - Stoneman
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Anderson Chase - Moon Replacement
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Anderson Chase - Moon Replacement (Gonno Remix)
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Anderson Chase - Moon Replacement (Mark E Remix)
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Anderson Chase - Between Us
Public Release once again plunges into the deep well of dance music talent its hometown of San Francisco has long fostered for Moon Replacement, the debut single by Anderson Chase, two originals wrapped around a couple remixes of its titular track. Clocking in at over eight minutes, “Moon Replacement” is a tense, drawn-out affair. It coaxes you onto the dance?oor with hardedged drums that slap with a metallic clang, a steely bass throb that de?nes its backbone, and spindly synth noodles that creep around the crust on top. Chase’s previous life as a punk and metal drummer seeps through; this is a tenacious house boogie that trundles along at that Goldilocks BPM of 118, fast enough to snap you to attention, slow enough that you don’t lose stamina as you give into the groove. Japanese house producer Gonno, known for his ability to graft scalpel-sharp minimal techno loops onto out-there, mindexpanding arrangements, puts his own spin on the song for the A2 slot. He darkens the mood while zapping it with a static charge to quicken its pace. On the reverse is Mark E’s take, which goes in the opposite direction, applying some heat so the square structure’s joins start to melt, wiggle, wobble. The bottom is still stocky, a molten mass of heavy-duty bass energy, but the melody that dances around the top is airier and lighter, glints of sunshine through storm clouds. And then “Between Us” arrives to stick the landing, get us back to where we started. Like “Moon Replacement,” it’s a blocky foot-stomper that directs you forward with its tireless rhythm section, though this time with an even longer shadow cast behind it.
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mark e - Shake
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mark e - Shelter
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mark e - M-54
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mark e - Shinkansen
The 12-inch starts on a bone-chilling note with the titular track, a spartan warm-up that’s a creeping bass on the low end, wispy pads in the mids, and a scratchy looped vox sample on top designed to haunt your dreams. A freaky intro that unnerves as it allures. On the move now, Mark burrows deeper into a hypnotic groove with “Shelter,” a midtempo cyborg cut, half round, warm, organic percussion, half cold-tothe-touch synth chord sustains. The energy and urgency feels like new territory, but the execution is signature Mark E. On the reverse is a pair of more melodious tunes, the shuf?ing cyberpunk groove that is “M-54,” then the prickly “Shinkansen,” which has a sputtered and bleary-eyed thrust to make feet jitter and hips shake. A twist on the man's disciplined studio workmanship that we've come to know—arrow-straight arrangements, celery-crisp drums—that’s spiced with a few pinches of psychedelic, inside-out wickedness, devilishness to keep you wired, buzzing
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tendts - Cosmic Swimmer
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tendts - Cosmic Swimmer (Soulwax Remix)
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tendts - Cosmic Swimmer (Kim Ann Foxman Remix
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tendts - Cosmic Swimmer (Eric Duncan Remix)
For its newest record, Public Release soars over the Atlantic and glides into Greece to convene with two brothers from Thessaloniki, Christos and Fotis Papadakis, for Cosmic Swimmer, a gentle, lilting sunbleached house escapade. The 12-inch opens with their soft and cushy original mix of “Cosmic Swimmer”, a charmed layer cake of round, full-bodied hand drums, airy pads, and washed-out vocal harmonies. A breezy, wide-open endless groove that ambles along at a not-too- slow, not-too-fast Goldilocks pace that will easily keep you undulating on the floor or in your head. Another pair of brothers, the Soulwax boys, making a very rare, celebrated appearance here, take the reigns and fill out the arrangement by wrapping it all up in some stone-cathedral euphoric resonance and injecting it with their trademark finger-plucked bass struts. One of their top remixes ever? Perhaps. The hot potato is then passed to New York City’s Kim Ann Foxman for her take, a more urgent and pressed affair that swaps the organic elements for jittery programmed percussion, strobed effects, and brittle synth licks, all the while somehow keeping the dusting of Balearic feel-good presence intact. Finally, Eric “Dr. Dunks” Duncan jumps into the frame with a tough love acid- flecked interpretation that thrusts the record into peak-hour rave territories.
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Public Release maintains its coast-switching lifestyle with what is perhaps its most ambitious project—and inarguably its longest —yet, Earth Boys’ debut full-length, The eboys LP, the logical conclusion to a chain of collaborations that began, a little over a year ago, with the release of their Trail Mix EP. The two-disc, twelve-track album represents a new high for the pair comprised of Michael Sherburn and Julian C. Duron both creatively and technically; ideas they’ve been stewing and simmering since their splash of a debut in 2015 are now presented fully baked here. Eboys was conceived as a classic long-player, with the majority of the tunes having a runtime of about four minutes and the whole thing feeling most satisfying when inhaled with one big tug that gets you from the A1 all the way to the D3.
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earth boys - Trail Mix (T&P Remix)
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earth boys - Highway 1 (Earth Boys Dab Remix)
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earth boys - Big Time (Khotin's Omega Trek Mix)
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earth boys - Trail Mix (Mike Simonetti Remix)
In early 2017, Public Release dropped a four-tracker by Brooklyn’s Earth Boys, a duo comprisedof Julian Duron and Michael Sherburn, and now it’s being followed by a collection of remixes by some formidable names from around the world. Where the EP of originals fell squarely in the category of vibey, shuffling, laid-back house grooves, Trail Remix is decidedly made for the after-midnight parts of club sets. The 12-inch begins with a T&P - that's Beats in Space's Tim Sweeney and Phillip Lauer's version of 'Trail Mix'. Acid-flecked and hard-edged, and tongue-in-cheek at heart yet seriously functional, it's the original red-lined and shot down the highway at ninety miles an hour. (Worth noting that this is the transatlantic unit's first remix to be released.) After that is Earth Boys' own redo of 'Highwa 1' a juiced-up re-imagining of the first version, filled out with chunkier kicks and fatter synth washes that completely envelope any sense of direction. The flip leans towards the ethereal, stretchy, abstract, though it, too, is tracky and driven. The B1 slot goes to Canadian wunderkind Khotin, of 1080p and Normals Welcome, who blows some stardust into the tune, enveloping it in a blanket of sharp drums and icy pads. NYC mainstay Mike Simonetti, formerly of Trouble Man and Italians Do It Better, currently of 2MR, caps the record with his beefy overhaul of 'Trail Mix' a compression of industrial percussion, tribal rhythms and sub-bass undulations.
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jee day - Crocodile Tears
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jee day - Communication Masterbation
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jee day - Communication Masterbation Dub
If you’re familiar with Public Release’s sibling, FACE, a series of parties, you’ll already know that Jee Day, né Dennis McNany, has been in the Bay Area label’s orbit for some time; as half of the DFA act Museum of Love, he joined the inner circle years ago. Here, with Amot Herga Laxy, he makes his bold debut on Public Release itself. The single begins with “Crocodile Tears,” an abstract, impressionistic tapestry of African rhythms, meditative synth washes, Vangelis-esque horns and pads. It recedes and Jee Day plunges deeper into the jungle with “Communication Masterbation,” a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. A raw club track cut from transcendentalist cloth that’ll lift you off the dance floor. The B-side is a dub of “Communication Masterbation,” with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. A trancey, menacing sprawl that could be an extended Sonic Youth live jam if they swapped their stringed instruments for Roland and Korg gear—and dusted the whole thing in an unknown psychoactive slime.
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eye o - Kinetic
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eye o - Spacewalking
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eye o - Spatial Relations
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eye o - Elephant
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eye o - Had Fun
Time for something a little different from Public Release. EYE O is the convergence of a few Bay Area stalwarts—Kevin Woodruff, formerly of Tussle, and Jason Schwartz—and “Deux O & Debut" is their first studio-recorded public offering. The five-track, fifty-minute- long LP is a weaving journey through a pastiche of styles that’re all nephews, cousins, brothers, sisters of one another. Kraut-rooted motorik drums reconfigure into more complicated math-y patterns; razor-sharp dance-punk guitars stretch out and dissolve into dubby post-rock atmospherics; synth loops you’d more commonly find in house tracks get grafted onto fuzzy psychedelic breakdowns; hard rock licks lock into chunky industrial grooves. Less for dancefloor destruction and more for trippy weekenders, the instrumental record manages to both be a focused, cerebral, conceptual hunk of fat to chew on and a spaced-out, intuitive ride through the cosmos. For use during those off-kilter small hours of the night just as much as it is vision quests and introspective weekends. It’s rare that an outpouring of so much can feel so simple and sublime.
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earth boys - Trail Mix
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earth boys - Big Time
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earth boys - Put Me On
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earth boys - Highway
Public Release’s lucky thirteen and second release of 2017 is by another kindred spirit newcomer to the label; Earth Boys, a Brooklyn-based duo that’s all dreamy keys, soft pads, peace frogs, throwback vibes, and deftly futuristic house rhythms, though not necessarily in that order. With Trail Mix, Mike Sherburn and Julian Duron have built four gloriously friendly, oddball house cuts— cheeky, choppy vocal samples juxtaposed against schmaltzy piano licks and punchy tribal rhythms rubbing against smooth bass figurations. Their ironic sense of humor intersects with precisely crafted productions in a way that underscores both, making the EP a brilliant concoction of bouncy, energetic dance music that teases the genre as much as it revels in it. If that messes with your head, just shut down your left brain, drop the needle, take a big ol’ rip, and see where a microdose of Earth Boys will take you.
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phil gerus - Ohashi Sky Garden
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phil gerus - Ohashi (Richard Sen Remix)
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phil gerus - Naha Swim
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phil gerus - Kiss Of A Kind
Public Releases hits the lab for some aural alchemy and to turn out its first release of 2017. A four-tracker from Moscow’s Phil Gerus, Scenes—or, in the producer’s native Russian, ?????—manages to have a makeup that’s both peculiar and magnetic. The title’s a fitting one; every track feels like a vignette in a collection of short stories. Separately, they’re self-contained, but a rich narrative arch is added when they’re sewn together. If there is a theme here, it’s of viewing the future through the dusty lens of the past, and each of the songs explores this in its own fashion. The kick-off, “Ohashi Sky Garden,” starts as a hyped-up Italo space epic, pumped full of swirling synth licks and sharp, tight drums, but it mutates into something completely its own when vocal samples (90s R&B?) and warm keys (prog rock Rhodes?) enter. After the original’s brisk five minutes, the legendary Richard Sen—graffiti guy, breaks guy, house guy, disco guy, half-of-Padded-Cell guy—steps in to give it a trance-y tinge while doubling its runtime and adding a dancefloor-destroying Hi-NRG coloration. The B begins with “Naha Swim,” a crunchy funk foot-stomper that might as well be an unreleased Idjut Boys or Ray Mang ditty dug up from the Noid catacombs. Fiery and furious, yet utterly cheeky. Serving as a sort of coda to “Naha” is “Kiss of a Kind,” a Gerus take on 80s adult contemporary, replete with sleazy sax and sensual pads. A gentle nightcap to a zigzagging, antic 12-inch.
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Anonstop - - Seaside (Tough Talk Remix by Thee Loving Hand)
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v.a. - Seaside (Tough Talk Remix instrumental by Thee Loving Hand)
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Be´zier - - Domination (Chida Remix)
Landing straight after 415-PR10, Public Release’s first in a loose series of San Francisco-centric compilations, this three-track 12-inch is a further exploration of the Bay Area’s sounds and aesthetics, though here it’s explored via remixes produced by friends from abroad. The A-side is a complete overhaul, reimagining, and extension of Anonstop’s “Seaside” by Thee Loving Hand, Tim Goldsworthy’s solo moniker of choice these days. The ex-DFA Records co-founder and former member of UNKLE took the tune’s Balearic foundation and used it as a bed for what one might mistake as a lost Arthur Russell cut from the World of Echo era. Joel Wells lent his airy, light, sweet vocals to the track, while Darren Morris added synth work to bolster Tim’s usual production genius. It’s carefree and emotive, the aural equivalent of a big, toothy smile. The flip features a mix that’s a whole helluva lot more intense and uptempo, though no less positive than it’s original. Chida’s remix of “Domination” is squarer and housier than Be´zier’s piece, which was glitzy classic disco dunked in Italo, but enough of it remains to be unmistakably a spinoff. Fiery and propulsive in the way a Gulfstream jet is, it’s a ball of thunder that will electrify any set, any dance floor.
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anonstop/ 40 thieves/ bezier/ the beat b - Anonstop - Seaside
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anonstop/ 40 thieves/ bezier/ the beat b - 40 Thieves - "Lower Haighter" (Cage & Aviary remix)
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anonstop/ 40 thieves/ bezier/ the beat b - Bezier - "Domination"
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anonstop/ 40 thieves/ bezier/ the beat b - The Beat Broker - "Trade Secrets
Seeing as Public Release is a San Francisco label and sister to Face, a long-running local party, you could say it was inevitable the label would put out a record that candidly celebrates its hometown’s talent, color, character. 415-PR10, whose name is an ode to S.F.’s first, emblematic area code, is exactly that: a frenetic survey of some of Northern California’s finest producers— and a blueprint of sorts for more similarly-minded and -themed EPs in the future. The 12-inch gets warmed up with an uncharacteristically brief yet captivating nugget of West Coast-tinted Balearica by Anonstop, a mysterious entity whose debut release was a pair of edits on the cult imprint Blackdisco that came out five years ago. Then, 40 Thieves, a collective of some of the region’s most lauded and sought-after diggers, rev things up and settle into cruise control with Cage & Aviary’s dubby, drifting mix of “Lower Haighter.” It has a peculiar, crooked patience that sounds like an invitation to seek out all that goes bump in the night. The strobes begin to flash on the flip with Be´zier’s “Domination,” a swinging Italo disco riot that’s as sweaty and frisky as it is focused and no-nonsense. It’s a subtly twisted jam that you’ll swear played for hours when it sharply ends in a bass-and-hi-hat reprise, which is probably exactly what it was made to do; Be´zier, a.k.a. Robert Yang, is one fourth of Honey Soundsystem, the San Francisco DJ crew that’s been throwing parties for over a decade. The EP calls it with the Beat Broker’s “Trade Secrets,” a glittery shuffler that almost serves as a medley of the three cuts it’s preceded by. A dollop of velvety kosmische, a cup of slow-mo disco, and a sprinkle of underspoken piano house, it’s a freeing way to wrap the four-tracker.
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mark e - Sky Horn
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mark e - Sky Horn (Happy Family Remix)
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mark e - Midnight Equatic
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mark e - Midnight Equatic (Museum Of Love Remix)
The last of Public Release’s single-digit records is the first from the British West Midlands’ most famous DJ and producer, Mark E. This shouldn’t come as a surprise. If anything, the fact it didn’t happen earlier should; Mark appeared as a remixer on Jeffrey Brodsky’s 2014 Public Release EP, which has earned him the status of esteemed member of the outfit’s inner circle and prime candidate for an extended play of his own. That little bit of context behind us, let’s move on to the actual music that’s been pressed to Sky Horn. The 12” kicks off with the titular track, an abrasive number built around a meaty, sawtoothed synth line that sits snugly atop a hypnotic beat. Happy Family’s remix—Happy Family, for the uninitiated, is Eric Duncan and Justin Van Der Volgen—is a more psychedelic reimagining of the original cut that’ll knock you into an exhilarating stupor. Speedy and demented, it’s an explosive, tantalizing cap to the first record. The second begins with “Midnight Equatic,” a tense yet propulsive number that’s somehow paranoid industrial, tropical disco, and prototypical synthwave all at once. The duo comprised of Dennis McNany and LCD Soundsystem’s Pat Mahoney, Museum of Love, wrap the four-tracker with their remix of the song, which zeroes in on the electro component so elemental to the original and runs with it, taking it into Depeche Mode Violator territories—before making a sharp left turn and exploring the wild sounds of the early 90s UK rave scene. A final hoorah for the party that is this record.
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1
jeffrey brodsky - I'll Be Strong
2
jeffrey brodsky - I'll Be Strong (Mark E Remix)
3
jeffrey brodsky - I'll Be Strong (Richard Sen Remix)
4
jeffrey brodsky - I'll Be Strong (Mike Simonetti Remix)
Southern California producer Jeffrey Brodsky's "I'll Be Strong" is the latest EP to appear on San Francisco based label Public Release. Its comprised of four tracks, with Brodsky's original joined by three wide ranging remixes, which complement its energetic feeling with deeper material aimed at late nights and early mornings. The title cut is a prime time house number, which recalls the genre's underground roots through spiralling arpeggios, tweaked-up vocals, and chiming organs. But this isn't just some nostalgic memory, instead Brodsky gives the track some modern muscle via a clean production aesthetic and energetic structure, that locks the vibe in a more contemporary direction. Mark E provides the first remix -- it's a move towards the hypnotic, with tribal drums and cascading bells that ought to provide a worthy complement to late night epiphanies, and memorably euphoric moments spent under the mirror ball. Then comes Richard Sen's take, which runs the whole thing through a filter of '80s-style acid house, with a big raw 303 bassline and dubby vocals accented with delays. The final remix duties fall on Mike Simonetti, whose version teases out the song's atmospheric space through tight, heavy drum programming and monolithic washes of synthesizer.
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1
Sven Väth - L'Esperanza (Original Album Version)
2
Sven Väth - L'Esperanza (Hardspace Mix)
Tracklist: (1) Sven Väth – L'Esperanza (Original Album Version) (DE-Q20-24-00009)
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)
L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.
A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.
B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.
What is certain, you can't tell that either version has been around for 30 years.
More
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)
L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.
A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.
B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.
What is certain, you can't tell that either version has been around for 30 years.
More
1
JOSS - Assessing
2
Emanuel Satie - When I First Met You (I Knew You Were The One)
3
Denis Horvat & Skarn - Triii
4
Aöcram x Ramsey Neville - Brooklyn Structure
5
Alex Bau - Antidot
6
Redshape - Ghost Story
7
Raxon - Year Zero
8
Harald Björk - Aluco
Tracklisting:
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
More
1. (A1) JOSS – Assessing (DE-Q20-24-00001)
2. (A2) Emanuel Satie – When I First Met You (I Knew You Were The One) (DE-Q20-24-00002)
3. (B1) Denis Horvat & Skarn – Triii (DE-Q20-24-00003)
4. (B2) Aöcram x Ramsey Neville – Brooklyn Structure (DE-Q20-24-00004)
5. (C1) Alex Bau – Antidot (DE-Q20-24-00005)
6. (C2) Redshape – Ghost Story (DE-Q20-24-00006)
7. (D1) Raxon – Year Zero (DE-Q20-24-00007)
8. (D2) Harald Björk – Aluco (DE-Q20-24-00008)
Cocoon Recordings presents: Dots And Pearls 8
This year's Dots And Pearls once again impresses with its broad spectrum. From minimalistic grooves and melodic house to dark techno and even EBM influences back to playful tunes for the heart. The musicality of this long-player is a beautiful showcase of the depths and expanses to be discovered in the Cocoon Recordings universe.
Kyivian producer JOSS breaks the first ground with "Assessing". A sweet opener that immediately reveals its emotional but happy core. As the song progresses, it gradually immerses you in its world of smooth and phasing string pads. The rhythm groove, while fluffy, also manages to create a sense of intensity that keeps the listener engaged throughout. Emanuel Satie joins with a groovy tom rhythm complemented by a heavenly and angelic choir that adds a touch of ethereal beauty to the composition. This combination creates a sense of enchantment as if being transported to a place where love reigns supreme. "When I First Met You (I Knew You Were The One)" is undeniably a love
song, capturing the essence of affection and infatuation. A musical message delivered with sincerity and genuine emotion that paints a heartfelt picture of a love that is destined and undeniable. Denis Horvat and Skarn have joined forces to create an electrifying track titled "Triii" that ventures into a realm of edginess and artistry. Metallic bells add a haunting and mysterious layer to the sound, while
the stripped-down beats keep the rhythmic foundation strong, perfectly complementing the edgy vibes. One of the most distinctive features is the inclusion of Slavic vocals, which bring an ethereal and otherworldly dimension to the track. When combined with the dwelling effect sounds, these vocals create an enchanting and almost hypnotic effect, further enhancing the song's allure. Each sound is
meticulously placed, creating a well-defined sonic landscape that showcases the artists' attention to detail and creative vision.
The following collaboration between AÖCRAM and Ramsey Neville in their track "Brooklyn Structure" takes us through the depths of NYC's compressed techno. Sequences morph throughout the track's progression, seamlessly transitioning between layers of sound and adding a sense of intrigue to the overall arrangement. Driving claps that pepper the track play a crucial role in propelling the momentum forward, further intensifying the infectious energy that permeates. "Antidot" is an electrifying peak-time thriller by Alex Bau, a monstrous techno track that commands attention and ignites the dance floor with its wicked bassline and explosive energy. This relentless and formidable low-end presence sets
the tone for the entire track. The use of FM synth percussions adds a unique touch to the rhythm, creating layers of complexity, and contributing to the acceleration. Banging snare drums hit with force and precision, driving the rhythm forward without any mercy, although the 909 rimshot pattern adds a classic touch.
As we float on to the third part of the compilation, Redshape’s "Ghost Story" cuts the surface. Let’s delve into a realm of tales and mysteries through mesmerizing and enthralling soundscapes. The synth melody tells a captivating story, creating a narrative that unravels like a spheric saga while an EBM-like bassline serves as a pulsating and energetic guide, injecting a dose of liveliness. Despite its haunting undertones, "Ghost Story" manages to maintain an untroubled vibe, striking a balance between a mysterious ambiance and a lively spirit. "Year Zero" blends elements of the characteristic Raxon sound with a fresh and futuristic twist, resulting in an unusual and excellent addition to his discography. One of the notable aspects is the raw bassline that undulates up and down throughout the track, gently combined with some soft percussion with lots of delay, making it a perfect track for kick-off. His contribution undoubtedly explores new sonic territories for Raxon. It stands out as an unusual and excellent addition to his repertoire. Harald Björk rings down the curtain on Dots And Pearls 8. From the very beginning, "Aluco" reveals an atmosphere shrouded in darkness, inviting
listeners to embark on a hero's journey. Intricate beats pulsate with a magnetic allure, drawing us into the heart of the music. The track's somber aura creates a tantalizing sense of anticipation, hinting at something grand waiting just beyond the shadows. But as the piece unfolds, Björk's expert composition takes us through a series of transitions that elevate the mood from mysterious darkness to soaring heroism. The track gradually shifts gears, as if the protagonist of the story has discovered a newfound strength and determination. A theatrical synthesizer melody manifests as the guiding force amidst the shifting. It swells and transforms, it becomes a beacon of hope and inspiration. The beat evolves and the melodic motif gracefully intertwines, building up an empowering energy that beckons the listener into a triumphant ascent, enveloping us in a world that feels simultaneously familiar and otherworldly.
As we reach the final moment, we are rewarded with the perfect closing. The track finds resolution, leaving a lasting impact, and ensuring that we culminate in a satisfying and memorable conclusion.
More
Label:Systematic Recordings
Cat-No:syst0137-6
Release-Date:16.02.2024
Genre:Techno
Configuration:12" Excl
Label:Systematic Recordings
Cat-No:syst0137-6
Release-Date:16.02.2024
Genre:Techno
Configuration:12" Excl
1
André Winter & Carlo Ruetz - Akat 1
2
André Winter & Carlo Ruetz - Swac
- First part (1/3) of the first ever collaboration of two techno legends from Germany
- Strictly limited black vinyl (300 only)
GENRE/S: Electro/Techno
TRACKLIST:
A1) André Winter & Carlo Ruetz „Akat 1“
B1) André Winter & Carlo Ruetz „Swac“
SHORT INFO:
"Compute I" signifies a thrilling juncture in the German techno landscape - a pioneering collaboration between André Winter and Carlo Ruetz, two luminaries of the genre. This venture represents a masterful integration of their individual sonic signatures, creating a blend that is both unique and harmonious. Carlo Ruetz, celebrated for his vibrant tracks on acclaimed labels like M_nus, Form, and Senso Sounds, has enthralled audiences with his dynamic live performances, especially at Richie Hawtin's esteemed ENTER Ibiza events. André Winter, instrumental in defining the sound of Oliver Huntemann's Senso Sounds label, has recently dazzled the electronic music community with his remarkable remixes for icons such as Josh Wink, Placebo, DJ Hell, and DJ Rush.
"Compute I" isn't merely a set of tracks; it inaugurates a series that honors the legacy of historical computer models, which laid the groundwork for the sophisticated methods used in today’s contemporary and futuristic electronic music production. This collaboration is more than a showcase of the artists' prowess; it's a tribute to the evolution of electronic music, bridging its rich history with an exciting, forward-looking vision.
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- Strictly limited black vinyl (300 only)
GENRE/S: Electro/Techno
TRACKLIST:
A1) André Winter & Carlo Ruetz „Akat 1“
B1) André Winter & Carlo Ruetz „Swac“
SHORT INFO:
"Compute I" signifies a thrilling juncture in the German techno landscape - a pioneering collaboration between André Winter and Carlo Ruetz, two luminaries of the genre. This venture represents a masterful integration of their individual sonic signatures, creating a blend that is both unique and harmonious. Carlo Ruetz, celebrated for his vibrant tracks on acclaimed labels like M_nus, Form, and Senso Sounds, has enthralled audiences with his dynamic live performances, especially at Richie Hawtin's esteemed ENTER Ibiza events. André Winter, instrumental in defining the sound of Oliver Huntemann's Senso Sounds label, has recently dazzled the electronic music community with his remarkable remixes for icons such as Josh Wink, Placebo, DJ Hell, and DJ Rush.
"Compute I" isn't merely a set of tracks; it inaugurates a series that honors the legacy of historical computer models, which laid the groundwork for the sophisticated methods used in today’s contemporary and futuristic electronic music production. This collaboration is more than a showcase of the artists' prowess; it's a tribute to the evolution of electronic music, bridging its rich history with an exciting, forward-looking vision.
More
1
Sascha Dive - Dub Chronicles #6
2
Sascha Dive - International Sun-Earth Explorer
3
Sascha Dive - Deep Inside (feat. Robert Owens)
4
Sascha Dive - Promise Street
Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Dub Chronicles #6
A2 International Sun-Earth Explorer
B1 Deep Inside (feat. Robert Owens)
B2 Promise Street
Next up is “Deep Inside”, Sascha Dive returns to Bondage Music once again for another deep frequency encounter, as usual as vinyl only release
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Tracklist 12":
A1 Dub Chronicles #6
A2 International Sun-Earth Explorer
B1 Deep Inside (feat. Robert Owens)
B2 Promise Street
Next up is “Deep Inside”, Sascha Dive returns to Bondage Music once again for another deep frequency encounter, as usual as vinyl only release
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1
Ede & Deckert feat. Sarglad - Immer (Narciss 'Venice' Remix)
2
Ede & Deckert feat. Sarglad - Immer (Cinthie Remix)
3
Ede & Deckert feat. Sarglad - Immer (Curses Remix)
4
Ede & Deckert feat. Sarglad - Immer (Narciss 'Salford' Remix)
5
Ede & Deckert feat. Sarglad - Kid Simius 'Bolero' Remix
Tracklist
A1. Narciss 'Venice' Remix
A2. Cinthie Remix
A3. Curses Remix
B1. Narciss 'Salford' Remix
B2. Kid Simius 'Bolero' Remix
Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.
Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.
Immer works its magic in every way for everyone and now on almost any dance floor.
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A1. Narciss 'Venice' Remix
A2. Cinthie Remix
A3. Curses Remix
B1. Narciss 'Salford' Remix
B2. Kid Simius 'Bolero' Remix
Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.
Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.
Immer works its magic in every way for everyone and now on almost any dance floor.
More
1
Nic Fanciulli - Sure Do
2
Nic Fanciulli - We R Bass
House music veteran Nic Fanciulli returns to Hot Creations with ‘Sure Do’, marking the release of his first EP on the illustrious label. With a myriad of projects on his plate, from commanding residencies at iconic venues such as Space Ibiza and Ushuaïa, to heading up his longstanding Saved Records imprint and championing talents like Dennis Cruz, Hot Since 82 and Francisco Allendes, it’s evident why Nic Fanciulli continues to stand as a beacon of undeniable influence and success within the electronic sphere. Having appeared as a remixer Hot Natured famed ‘Benediction’ in 2014, the Grammy-nominated DJ/producer and label boss joins the Hot Creations family with original material for the first time, with his wealth of experience shining through across ‘Sure Do’. Honouring a classic, ‘Sure Do’ brings disco influences and pure house rhythms, diving into mammoth basslines and a thundering drum groove to present a masterclass in dancefloor euphoria. Keeping the vibes high and vibrant, ‘We R Bass’ concludes with thick kickdrums, warped vocal chops, and twisting synth patterns before unfolding into a mesmerizing trip.
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1
Jamie Jones - My-Paradise-Original
2
Jamie Jones - My-Paradise-Vintage-Culture-Remix
3
Jamie Jones - My-Paradise-Damian-Lazarus-Re-Shape
There are few names as instantly recognisable, revered and respected in the world of dance music than Jamie Jones. This three-track vinyl release celebrates his 2022 anthem ‘My Paradise’, which quickly became one of the summer’s must-know tracks, as the Hot Creations label boss explored disco influences while his signature high-energy bassline and groove gave the heater boundless dancefloor appeal. What followed were remixes from respected exponents of contemporary electronic music that helped ‘My Paradise’ continue its clubland ascent. Brazilian superstar Vintage Culture gave the record a distinctly tougher feel, as a chugging bassline, rolling synths and melodic piano breakdowns worked together to captivate a dancefloor. Crosstown Rebels, Day Zero and Get Lost founder Damian Lazarus created an otherworldly mix that plays on the joyous disco feel of the original, while distorted synth lines and playful glitches offer a new edge to the club weapon.
More
1
gu's jaz collective - Afro Gente
2
gu's jaz collective - Fuego De Sangre
REPRESS!
Extremely sought after and supported by the likes of DERRICK MAY, TIMMY REGISFORD, THEO PARRISH, DANNY KRIVIT and BOO WILLIAMS, the next SJU MUZIC release GU'S JAZ COLLECTIVE's "AFRO GENTE" and "FUEGO DE SANGRE" are 2 powerful percussive modern Latin fusion classics! Red hot so don't sleep! More
Extremely sought after and supported by the likes of DERRICK MAY, TIMMY REGISFORD, THEO PARRISH, DANNY KRIVIT and BOO WILLIAMS, the next SJU MUZIC release GU'S JAZ COLLECTIVE's "AFRO GENTE" and "FUEGO DE SANGRE" are 2 powerful percussive modern Latin fusion classics! Red hot so don't sleep! More
1
shakedown - At Night (Peggy Gou's Acid Journey Remix)
2
shakedown - At Night (Tiger & Woods Remix)
3
shakedown - At Night (Purple Disco Machine Extended Remix)
4
shakedown - At Night (Shakedown's Galactic Boogie)
Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, ‘At Night’ is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. Stepping up to tackle this masterpiece with a nu-disco dance track, Tiger & Woods use cowbell to accent a B-boy beat, with drum machine breaks bringing it back to the dancefloor. With a sophisticated house remix with a nu-disco edge is Purple Disco Machine, fusing a funk-infused bassline with Terra Deva’s unforgettable vocals. Finally is a brand new version from the Shakedown duo themselves, the Galactic Boogie Mix. With saturated synths and interplanetary breakdowns, Shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm.
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1
DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) (9:07)
2
DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) (5:38)
3
DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix)(6:12
2023 repress
12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
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12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
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1
trentemoller - Moan (Trentemoller Remix)
2
trentemoller - Moan (Radioslave Remix)
2022 repress
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More
Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)
Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More